Tag: John Turturro

99th Academy Awards Predictions: May 6th Edition

My second helping of ranked Oscar predictions for next year’s 99th ceremony can be called the pre-Cannes estimates. That festival in the French Riviera kicks off May 12th and runs through May 23rd. It will be our first look at several potential contenders: Ryusuke Hamaguchi’s All of a Sudden, Pawel Pawlikowski’s Fatherland, Cristian Mungiu’s Fjord, Na Hong-jin’s Hope, James Gray’s Paper Tiger, and The Man I Love from Ira Sachs to name a few. Keep an eye on the blog for my individual posts exploring the viability of the screening pictures.

The Academy made some news of its own by announcing rule changes. The most significant is that actors can be nominated twice in the same category. There’s been recent examples of when this could have resulted in a performer getting two nods. I would say most recently that Sebastian Stan could have benefited. He was nominated in lead Actor for The Apprentice and a double shot was possible via A Different Man. Going back a ways, Kate Winslet won Best Actress in 2008 for The Reader and might have seen her name pop again for Revolutionary Road. In 2006, Kate’s Titanic mate Leonardo DiCaprio was in contention for Blood Diamond. He could have easily landed another shot via The Departed.

In International Feature Film, the criteria has always been that a submitting nation can choose just one entrant for consideration. While that rule holds, the Academy has added another path to get in. If a picture wins a qualifying international festival (such as Cannes, Berlin, Toronto, Sundance, Venice), it is now a contender. This would have helped Anatomy of a Fall in 2023 since France did not choose it as their representative picture, but it emerged victorious for the Palme d’Or at Cannes.

Since my last update in mid-April, Michael opened to gigantic box office and mediocre reviews. While the audience score on Rotten Tomatoes is high, critical griping could cripple its viability at the Oscars. However, I wouldn’t completely rule out the acclaimed work of Jaafar Jackson and Colman Domingo. Best Picture? Probably a bridge too far despite the gaudy numbers.

The Devil Wears Prada 2 also hit multiplexes. While Meryl Streep was a Best Actress nominee 20 years ago for the original, a second at-bat seems like a reach. The sequel could materialize, however, in Costume Design and/or Original Song where Lady Gaga has a track. Those categories won’t be forecasted until a few weeks down the line.

We also learned that Narnia: The Magician’s Nephew from Greta Gerwig will not be out (on Netflix) until 2027. I had it on the outside looking in at #11. It drops from contention this time around.

You can read all the speculation below and my next update will arrive as Cannes concludes!

Best Picture

Predicted Nominees:

1. The Odyssey (Previous Ranking: 1) (Even)

2. Project Hail Mary (PR: 2) (E)

3. Wild Horse Nine (PR: 3) (E)

4. Digger (PR: 5) (E)

5. Fjord (PR: 6) (E)

6. No One Cares (PR: 6) (E)

7. Fatherland (PR: 8) (+1)

8. Dune: Part Three (PR: 10) (+2)

9. The Social Reckoning (PR: 9) (E)

10. All of a Sudden (PR: 7) (-3)

Other Possibilities:

11. Hope (PR: Not Ranked)

12. Cry to Heaven (PR: 16) (+4)

13. A Place in Hell (PR: 12) (-1)

14. Paper Tiger (PR: 21) (+7)

15. Werwulf (PR: 18) (+3)

16. Sense and Sensibility (PR: 23) (+7)

17. Josephine (PR: 17) (E)

18. Saturn Return (PR: 22) (+4)

19. The Entertainment System is Down (PR: 14) (-5)

20. Jack of Spades (PR: 24) (+4)

21. Being Heumann (PR: 15) (-6)

22. A Long Winter (PR: 13) (-9)

23. Behemoth! (PR: 25) (+2)

24. Michael (PR: 20) (-4)

25. The Adventures of Cliff Booth (PR: 19) (-6)

Dropped Out:

Narnia: The Magician’s Nephew

Best Director

Predicted Nominees:

1. Christopher Nolan, The Odyssey (PR: 1) (E)

2. Alejandro Gonzalez Iñárritu, Digger (PR: 2) (E)

3. Martin McDonagh, Wild Horse Nine (PR: 4) (+1)

4. Cristian Mingiu, Fjord (PR: 3) (+1)

5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 3) (-2)

Other Possibilities:

6. Pawel Pawlikowski, Fatherland (PR: 7) (+1)

7. Ryusuke Hamaguchi, All of a Sudden (PR: 6) (-1)

8. Denis Villeneuve, Dune: Part Three (PR: 9) (+1)

9. Jesse Eisenberg, No One Cares (PR: 8) (-1)

10. Na Hong-jin, Hope (PR: Not Ranked)

11. Tom Ford, Cry to Heaven (PR: 12) (+1)

12. Aaron Sorkin, The Social Reckoning (PR: 13) (+1)

13. Robert Eggers, Werwulf (PR: 14) (+1)

14. James Gray, Paper Tiger (PR: Not Ranked)

15. Greg Kwedar, Saturn Return (PR: Not Ranked)

Dropped Out:

Greta Gerwig, Narnia: The Magician’s Nephew

Ruben Östlund, The Entertainment System is Down

David Fincher, The Adventures of Cliff Booth

Best Actress

Predicted Nominees:

1. Renate Reinsve, Fjord (PR: 1) (E)

2. Sandra Hüller, Fatherland (PR: 4) (+2)

3. Julianne Moore, No One Cares (PR: 3) (E)

4. Mikey Madison, The Social Reckoning (PR: 2) (-2)

5. Michelle Williams, A Place in Hell (PR: 5) (E)

Other Possibilities:

6. Virginie Efira, All of a Sudden (PR: 6) (E)

7. Cynthia Erivo, Prima Facie (PR: 10) (+3)

8. Sandra Hüller, Rose (PR: 11) (+3)

9. Ruth Madeley, Being Heumann (PR: 7) (-2)

10. Sophie Okonedo, Clarissa (PR: 9) (-1)

11. Mason Reeves, Josephine (PR: 8) (-3)

12. Daisy Edgar-Jones, Sense and Sensibility (PR: 14) (+2)

13. Rachel Brosnahan, Saturn Return (PR: 13) (E)

14. Penélope Cruz, Bunker (PR: Not Ranked)

15. Lily Gladstone, The Memory Police (PR: 12) (-3)

Dropped Out:

Amy Adams, At the Sea

Best Actor

Predicted Nominees:

1. Tom Cruise, Digger (PR: 1) (E)

2. Ryan Gosling, Project Hail Mary (PR: 2) (E)

3. Sebastian Stan, Fjord (PR: 4) (+1)

4. John Malkovich, Wild Horse Nine (PR: 3) (-1)

5. Hanns Zischler, Fatherland (PR: 5) (E)

Other Possibilities:

6. Matt Damon, The Odyssey (PR: 6) (E)

7. Dominic Sessa, Tony (PR: 8) (+1)

8. Jaafar Jackson, Michael (PR: 10) (+2)

9. Nicholas Hoult, Cry to Heaven (PR: 9) (E)

10. John Turturro, The Only Living Pickpocket in New York (PR: 15) (+5)

11. Jeremy Allen White, The Social Reckoning (PR: Not Ranked)

12. Adam Driver, Paper Tiger (PR: Not Ranked)

13. Josh O’Connor, Jack of Spades (PR: Not Ranked)

14. Rami Malek, The Man I Love (PR: Not Ranked)

15. Timothée Chalamet, Dune: Part Three (PR: 11) (-4)

Dropped Out:

Robert Aramayo, I Swear

Pedro Pascal, Behemoth!

Brad Pitt, The Adventures of Cliff Booth

Charles Melton, Saturn Return

Best Supporting Actress

Predicted Nominees:

1. Mariana di Girolamo, Wild Horse Nine (PR: 2) (+1)

2. Sandra Hüller, Digger (PR: 6) (+4)

3. Parker Posey, Wild Horse Nine (PR: 1) (-2)

4. Halle Bailey, No One Cares (PR: 3) (-1)

5. Daisy Edgar-Jones, A Place in Hell (PR: 7) (+2)

Other Possibilities:

6. Tao Okamato, All of a Sudden (PR: 5) (-1)

7. Anne Hathaway, The Odyssey (PR: 4) (-3)

8. Sandra Hüller, Project Hail Mary (PR: 8) (E)

9. Scarlett Johannson, Paper Tiger (PR: 10) (+1)

10. Lesley Manville, Jack of Spades (PR: Not Ranked)

11. Esmé Creed-Miles, Sense and Sensibility (PR: Not Ranked)

12. Kirsten Dunst, The Entertainment System is Down (PR: 12) (E)

13. Caitriona Balfe, A Long Winter (PR: 9) (-4)

14. Penélope Cruz, The Invite (PR: Not Ranked)

15. Gemma Chan, Josephine (PR: 13) (-2)

Dropped Out:

Wunmi Mosaku, The Social Reckoning

Frances McDormand, Jack of Spades

Elizabeth Debicki, The Adventures of Cliff Booth

Best Supporting Actor

Predicted Nominees:

1. Paul Giamatti, No One Cares (PR: 1) (E)

2. John Goodman, Digger (PR: 2) (E)

3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)

4. Steve Buscemi, Wild Horse Nine (PR: 6) (+2)

5. Robert Pattinson, The Odyssey (PR: Not Ranked)

Other Possibilities:

6. Jeremy Strong, The Social Reckoning (PR: 6) (-1)

7. Colman Domingo, Michael (PR: 4) (-3)

8. Andrew Scott, A Place in Hell (PR: 7) (-1)

9. Tom Holland, The Odyssey (PR: 8) (-1)

10. Jesse Plemons, Digger (PR: 11) (+1)

11. Channing Tatum, Josephine (PR: 12) (+1)

12. Mark Ruffalo, Being Heumann (PR: 9) (-3)

13. David Oyelowo, Clarissa (PR: 13) (E)

14. Antonio Banderas, Tony (PR: Not Ranked)

15. Aaron Taylor-Johnson, Cry to Heaven (PR: Not Ranked)

Dropped Out:

Daniel Brühl, The Entertainment System is Down

Riz Ahmed, Digger

    99th Academy Awards Predictions: April 19th Edition

    Barely a month beyond the 98th edition of the Academy Awards, we have arrived at my first ranked predictions for the 99th ceremony. We begin with six major categories – Best Picture, Director, and the four acting derbies.

    I gave you my first ranked glimpses for the previous telecast around the same time last year in these same races. How did that impossibly early forecast turn out? I correctly called four of the eventual ten BP nominees with Hamnet, Marty Supreme, Sentimental Value, and Sinners. Winner One Battle After Another as well as Bugonia, F1, and Frankenstein were listed in Other Possibilities. So 80% of the BP contenders were identified with The Secret Agent and Train Dreams not being mentioned in April 2025.

    In Best Director, three of the five filmmakers were predicted: Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), and Joachim Trier (Sentimental Value). Statue recipient Paul Thomas Anderson from One Battle and Chloé Zhao (Hamnet) were in Other Possibilities.

    As for Best Actress, Jessie Buckley (Hamnet) swept the season and was in my predicted quintet. So was Sentimental Value‘s Renate Reinsve while Rose Byrne (If I Had Legs I’d Kick You) and Emma Stone (Bugonia) were in Other Possibilities. Only Kate Hudson (Song Sung Blue) wasn’t listed. In Best Actor, Timothée Chalamet (Marty Supreme) was in my quintet. Three others – winner Michael B. Jordan (Sinners), Leonardo DiCaprio (One Battle After Another), and Ethan Hawke (Blue Moon) were Other Possibilities with Wagner Moura (The Secret Agent) as the sole thespian not identified.

    My projected Supporting Actress five rightly named Teyana Taylor (One Battle) with Elle Fanning (Sentimental Value) as a possibility. Fanning’s costar Inga Ibsdotter Lilleass, Wumni Mosaku (Sinners), and the victorious Amy Madigan (Weapons) were not found among my possibilities. In Supporting Actor, Stellan Skarsgård from Value was in my five with winner Sean Penn (One Battle) and Delroy Lindo (Sinners) as possibilities. Battle‘s Benicio del Toro and Frankenstein‘s Jacob Elordi were not to be found yet.

    Let’s get some caveats out of the way. Some of the performers listed in lead will end up in supporting and vice versa. As an example, I figured Paul Mescal (Hamnet) would go lead for that film last year, but he was slotted in supporting. He ended up not being nominated but likely came close. For instance in this year’s listings, I don’t know if Sam Rockwell will be lead or supporting for Wild Horse Nine but my hunch says the latter at press time. The distributor will eventually clear that up.

    We will see pictures push to 2027. When I did my initial projections a year ago for 2025, Michael and The Rivals of Amziah King were thought to be releases for that calendar frame. Both are being put out in ’26. I have Michael still as a potential nominee in some competitions. Not so at this time for Rivals.

    And now the most important forewarning. Some movies you find below will turn out to be non-contenders. My inaugural look at the 98th Oscars listed Luca Guadagnino’s After the Hunt at #1 in Best Picture, Director, Actress (Julia Roberts), #4 in Supporting Actress (Ayo Edebiri), and #2 in Supporting Actor (Andrew Garfield). After its Venice festival premiere, the mixed to negative reaction drastically changed its narrative. It ended up with zero nominations. My April 2025 #1’s in the supporting fields – Ariana Grande (Wicked: For Good) and Adam Sandler (Jay Kelly) – did not make final cut either.

    So take this speculation as what it is – speculative. The picture and Best Picture will become clearer in time. That said, a reminder that 80% of the BP nominees were mentioned a year ago in addition to 100% of the directors and 80% of the lead acting hopefuls could be found in the initial post. On the flip side, nearly all of my acting picks for a nomination are coming from projected BP nominees and the percentage probably won’t be quite that high.

    When Sinners came out last year, it was a box office juggernaut with widespread critical acclaim. Yet I wondered whether the spring release could mean it would fall by the wayside months down the line. That’s why I named it in Other Possibilities for Picture, Director, Actor, and Supporting Actor. What happened months down the line? A record-setting 16 nominations with Jordan winning Actor. I won’t make the same mistake with Project Hail Mary. It has been out for weeks and already looks like a strong contender in Picture, Director, Actor, and possibly Supporting Actress. Another note – it’s not often (or maybe ever) you see a performer mentioned four times. That’s the case at the moment with the busy Sandra Hüller who is a legit threat twice in lead Actress and supporting.

    You can expect these posts to hit the blog every couple of weeks until it becomes weekly. This should occur when festival season goes into overdrive in last summer/early fall.

    BEST PICTURE

    Predicted Nominees:

    1. The Odyssey

    2. Project Hail Mary

    3. Wild Horse Nine

    4. Digger

    5. Fjord

    6. No One Cares

    7. All of a Sudden

    8. Fatherland

    9. The Social Reckoning

    10. Dune: Part Three

    Other Possibilities:

    11. Narnia: The Magican’s Nephew

    12. A Place in Hell

    13. A Long Winter

    14. The Entertainment System is Down

    15. Being Heumann

    16. Cry to Heaven

    17. Josephine

    18. Werwulf

    19. The Adventures of Cliff Booth

    20. Michael

    21. Paper Tiger

    22. Saturn Return

    23. Sense and Sensibility

    24. Jack of Spades

    25. Behemoth!

    BEST DIRECTOR

    Predicted Nominees:

    1. Christopher Nolan, The Odyssey

    2. Alejandro G. Iñárritu, Digger

    3. Phil Lord and Christopher Miller, Project Hail Mary

    4. Martin McDonagh, Wild Horse Nine

    5. Cristian Mingiu, Fjord

    Other Possibilities:

    6. Ryusuke Hamaguchi, All of a Sudden

    7. Pawel Pawlikowski, Fatherland

    8. Jesse Eisenberg, No One Cares

    9. Denis Villeneuve, Dune: Part Three

    10. Greta Gerwig, Narnia: The Magician’s Nephew

    11. Ruben Östlund, The Entertainment System is Down

    12. Tom Ford, Cry to Heaven

    13. Aaron Sorkin, The Social Reckoning

    14. Robert Eggers, Werwulf

    15. David Fincher, The Adventures of Cliff Booth

    BEST ACTRESS

    Predicted Nominees:

    1. Renate Reinsve, Fjord

    2. Mikey Madison, The Social Reckoning

    3. Julianne Moore, No One Cares

    4. Sandra Hüller, Fatherland

    5. Michelle Williams, A Place in Hell

    Other Possibilities:

    6. Virginie Efira, All of a Sudden

    7. Ruth Madeley, Being Heumann

    8. Mason Reeves, Josephine

    9. Sophie Okenedo, Clarissa

    10. Cynthia Erivo, Prima Facie

    11. Sandra Hüller, Rose

    12. Lily Gladstone, The Memory Police

    13. Rachel Brosnahan, Saturn Return

    14. Daisy Edgar-Jones, Sense and Sensibility

    15. Amy Adams, At the Sea

    BEST ACTOR

    Predicted Nominees:

    1. Tom Cruise, Digger

    2. Ryan Gosling, Project Hail Mary

    3. John Malkovich, Wild Horse Nine

    4. Sebastian Stan, Fjord

    5. Hanns Zischler, Fatherland

    Other Possibilities:

    6. Matt Damon, The Odyssey

    7. Robert Aramayo, I Swear

    8. Dominic Sessa, Tony

    9. Nicholas Hoult, Cry to Heaven

    10. Jafaar Jackson, Michael

    11. Timothée Chalamet, Dune: Part Three

    12. Pedro Pascal, Behemoth!

    13. Brad Pitt, The Adventures of Cliff Booth

    14. Charles Melton, Saturn Return

    15. John Turturro, The Only Pickpocket Living in New York

    BEST SUPPORTING ACTRESS

    Predicted Nominees:

    1. Parker Posey, Wild Horse Nine

    2. Mariana Di Girolamo, Wild Horse Nine

    3. Halle Bailey, No One Cares

    4. Anne Hathaway, The Odyssey

    5. Tao Okamoto, All of a Sudden

    Other Possibilities:

    6. Sandra Hüller, Digger

    7. Daisy Edgar-Jones, A Place in Hell

    8.. Sandra Hüller, Project Hail Mary

    9. Caitriona Balfe, A Long Winter

    10. Scarlett Johansson, Paper Tiger

    11. Wunmi Mosaku, The Social Reckoning

    12. Kirsten Dunst, The Entertainment System is Down

    13. Gemma Chan, Josephine

    14. Frances McDormand, Jack of Spades

    15. Elizabeth Debicki, The Adventures of Cliff Booth

    BEST SUPPORTING ACTOR

    Predicted Nominees:

    1. Paul Giamatti, No One Cares

    2. John Goodman, Digger

    3. Sam Rockwell, Wild Horse Nine

    4. Colman Domingo, Michael

    5. Jeremy Strong, The Social Reckoning

    Other Possibilities:

    6. Steve Buscemi, Wild Horse Nine

    7. Andrew Scott, A Place in Hell

    8. Tom Holland, The Odyssey

    9. Mark Ruffalo, Being Heumann

    10. D’Pharaoh Woon-A-Tai, A Long Winter

    11. Jesse Plemons, Digger

    12. Channing Tatum, Josephine

    13. David Oyelowo, Clarissa

    14. Daniel Brühl, The Entertainment System is Down

    15. Riz Ahmed, Digger

    Oscar Predictions: The Cut

    From Rocky to Raging Bull to Million Dollar Baby and The Fighter, boxing movies have a rich history with awards bodies. The Cut from Sean Ellis seeks to join that esteemed company with Orlando Bloom as a pugilist undergoing an unorthodox physical regimen. Caitriona Balfe and John Turturro (as a relentless trainer) costar.

    You will see quite a few Oscar Prediction posts coming from 2025’s Toronto Film Festival in the coming days. The Cut actually premiered at last year’s Canadian event and is finally out this weekend domestically via distribution from Republic Pictures.

    Critics are praising the work of Bloom and Turturro while notices for the pic itself are more mixed. Rotten Tomatoes is at 77% with Metacritic lower at 54. That reaction and the low key release means this won’t make the cut with the Academy. My Oscar Prediction posts will continue…

    Oscar Predictions: The Room Next Door

    The Room Next Door marks Pedro Almodóvar’s English-language debut after a lengthy and lauded filmography of Spanish language titles. It has premiered at the Venice fest prior to its December 20th awards qualifying stateside bow. Julianne Moore and Tilda Swinton, who have won previously Academy Awards for Still Alice and Michael Clayton respectively, headline the drama based on Sigrid Nunez’s 2020 novel. John Turturro and Alessandro Nivola costar.

    Almodóvar’s two predecessors earned acting nods for their leads: 2019’s Pain and Glory for Antonio Banderas in Best Actor and 2021’s Parallel Mothers for Penelope Cruz in Actress. With Room, this is said to be a two-hander with Moore likely competing in lead and Swinton in supporting. Early reviews are mostly fine though some are not claiming this is the filmmaker’s most notable efforts. I don’t think Picture or Director are in the cards though Adapted Screenplay could happen.

    Moore seems unlikely as Actress could be crowded. It is Swinton who could make a play according to the buzz and I have her right in about the 5-7 slot area of contention. My next update (coming very soon) will work out whether she makes the current cut. My Oscar Prediction posts will continue…

    Oscar Predictions: Guillermo del Toro’s Pinocchio

    2022 should be the year where Netflix makes significant waves in the Best Animated Feature category at the Oscars and Guillermo del Toro’s Pinocchio is its lead off hitter. The acclaimed filmmaker’s stop-motion passion project is out in select theaters next month with a streaming release on December 9th. Receiving a first look today at the London Film Festival, Pinocchio arrives a half decade after del Toro’s The Shape of Water took Best Picture (along with a directorial victory) and one year after his follow-up Nightmare Alley made the BP ten. Actors providing voiceovers include Ewan McGregor, David Bradley, Gregory Mann, Finn Wolfhard, Cate Blanchett, John Turturro, Ron Perlman, Tim Blake Nelson, Burn Gorman, Christoph Waltz, and Tilda Swinton.

    Since I added Animated Feature in my predictions a few weeks back, I’ve had del Toro’s tale of the iconic puppet turned real boy listed in first place. Part of that is due to its maker’s track record. That’s not the only reason why. The other is that it might be a rare off year for Disney, who have taken the gold statue 15 out of 21 times. This summer’s Lightyear was a high profile flop that is likely to be omitted from the final five altogether. Turning Red from the spring achieved solid enough notices to make the cut, but I certainly don’t see it as an automatic winner. The Mouse Factory still has next month’s Strange World in their arsenal so we’ll see if that emerges as a major threat.

    Several critics from the London screenings are proclaiming this Pinocchio to be great or near great. On the other hand, some reviews aren’t quite as effusive. I do think the early word-of-mouth is enough to take comfort in the #1 ranking. Yet I wouldn’t say it’s a slam dunk pick to take gold like, say, 2020’s Soul was. I would also keep an eye on Original Score with Alexandre Desplat composing. Visual Effects is also doable (if perhaps a stretch).

    A nomination seems assured and Netflix could hold 60% of the nominees this year. Wendell and Wild, another upcoming stop-motion pic from Henry Selick, should get in. Either The Sea Beast or My Father’s Dragon could as well (though probably not both). The streamer got their first contender in 2019 with Klaus and then Over the Moon in 2020 and The Mitchells vs. the Machines last year. They’re 0 for 3 in wins. That may change with del Toro in the company mix. My Oscar Prediction posts will continue…

    Oscar Predictions: The Batman

    You have to go back to 2008’s The Dark Knight to find the last Batfilm to receive an Oscar nomination. It landed the most of them. While famously missing Best Picture (it’s often called the flick that caused the Academy to expand beyond five nominees), it garnered eight nods and won Supporting Actor (Heath Ledger) and Sound Editing. The other nominations were for Sound Mixing, Art Direction, Cinematography, Makeup, Film Editing, and Visual Effects. 1989’s Batman was 1 for 1 in its nominations with Art Direction while follow-up Batman Returns was up for Makeup and Visual Effects and Batman Forever received a mention for Sound Effects Editing. Batman Begins from 2005 made the Cinematography final five. Batman and Robin, The Dark Knight Rises, Batman v Superman: Dawn of Justice, and Justice League all failed to show up at the big show.

    That history lesson is, of course, given to you because reboot The Batman  with Robert Pattinson opens Friday and the review embargo lifted today. Early critical reaction has resulted in an 87% Rotten Tomatoes score thus far. Some write-ups are calling it masterful. Others are more mixed in the praise with some complaints of over length in particular.

    So what are its Oscar prospects? As I see it, pretty strong in many of the races mentioned above. That includes Sound (now just one competition), Visual Effects, Production Design (what was Art Direction), Makeup and Hairstyling, Cinematography, and even Original Score (from Michael Giacchino). Director Matt Reeves, taking over the franchise, has experience in the VE derby with Dawn of the Planet of the Apes and War for the Planet of the Apes. 

    Those down the line nods could be plentiful for The Batman. However, I don’t see it getting Best Picture, Director, Adapted Screenplay, or nominations for its actors. It won’t be for lack of social media chatter. We have seen numerous comic book adaptations receive fervent support online (from The Dark Knight to Deadpool to Avengers: Endgame to Spider-Man: No Way Home). Only Black Panther and Joker have made the BP cut. I don’t envision The Batman being the third, but tech nods should happen. My Oscar Prediction posts will continue…

    The Batman Box Office Prediction

    Another chapter for the Caped Crusader flies into theaters March 4th with The Batman. The franchise reboot comes with high expectations and pent up anticipation as Robert Pattinson takes over the title role. Matt Reeves, best known for Cloverfield and the last two Planet of the Apes pics, directs. The supporting cast includes Zoe Kravitz as Catwoman, Paul Dano as the Riddler, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred, and an unrecognizable Colin Farrell as the Penguin. Originally slated for summer 2021, it looks to rule the month of March after its COVID delay.

    There is little competition in its way and its event picture status should propel it to huge numbers. How big? The Batman could be in line for a larger opening weekend than 2008’s The Dark Knight ($158 million) and 2012 follow-up The Dark Knight Rises ($160 million). And you may have forgotten that 2016’s Batman v Superman: Dawn of Justice actually holds the highest Bat premiere at $166 million.

    Spider-Man: No Way Home showed that moviegoers were more than ready to turn out in force with the right product. Early IMAX offerings have already sold out for opening day. Estimates are wide. It could be as low as $100 million or approach $200 million. I’m thinking $145-$165 million is the likeliest range.

    The Batman opening weekend prediction: $155.2 million

    Summer 1991: The Top 10 Hits and More

    It is officially summertime 2021 and that brings my annual seasonal three-part series where I take a look back at the top ten pics, flops, and other notable selections from 30, 20, and 10 years ago. That means I’ll begin with 1991 at a time where Arnold Schwarzenegger said hasta la vista to all competitors.

    Let’s count down from #10 to numero Ah-nuld along with other entries worthy of discussion (both good and bad).

    10. Doc Hollywood

    Domestic Gross: $54 million

    Michael J. Fox had a midsize hit with this fish out of water comedy about an uppity surgeon stuck in the rural south. It marks the star’s last solid performer that he headlined.

    9. Boyz n the Hood

    Domestic Gross: $57 million

    John Singleton had one of cinema’s most memorable directorial debuts with this coming-of-age drama set in South Central. He would become the youngest filmmaker ever to be nominated at the Oscars and the critically hailed pic kickstarted the careers of Cuba Gooding Jr. and Ice Cube.

    8. One Hundred and One Dalmatians 

    Domestic Gross: $60 million

    Disney re-released their 1961 classic three decades after its release and picked up a cool $60 million for it. Later in 1991, the studio would begin another renaissance with Beauty and the Beast becoming the first animated film to nab a Best Picture nomination. Five years later, Glenn Close would headline the live-action version and another reboot, Cruella with Emma Stone, is currently in the top five.

    7. What About Bob?

    Domestic Gross: $63 million

    Bill Murray had one of his signature roles as the multi-phobic patient tormenting shrink Richard Dreyfuss on his vacation. Apparently this comedy was a bit dramatic behind the scenes with the two leads having an actual antagonistic relationship.

    6. Hot Shots!

    Domestic Gross: $69 million

    Spoofs were a hot commodity in the early 90s following the success of 1988’s The Naked Gun. Jim Abrahams, one of that film’s writers, created this sendup of Top Gun and many others that starred Charlie Sheen. A sequel would follow two years later.

    5. Backdraft

    Domestic Gross: $77 million

    Ron Howard directed this firefighting drama that heated up the box office with Kurt Russell, William Baldwin, Robert De Niro, and a creepy Donald Sutherland as a pyromaniac. There was even a sequel released in 2019 with Baldwin and Sutherland that went direct to streaming and that I frankly forgot existed.

    4. The Naked Gun 2 1/2: The Smell of Fear

    Domestic Gross: $86 million

    The spoofing love continued as Leslie Nielsen reprised his role as doofus detective Frank Drebin in this sequel to the 1988 classic. It couldn’t hold up the original, but it was better than part 3 which followed in 1994. And, needless to say, this was a simpler time for costar O.J. Simpson.

    3. City Slickers

    Domestic Gross: $124 million

    As New Yorkers learning life lessons on a cattle drive, Billy Crystal, Daniel Stern, and Bruno Kirby starred in the comedy smash of the summer and costar Jack Palance even ended up with a Best Supporting Actor victory. A less regarded follow-up would come in 1994.

    2. Robin Hood: Prince of Thieves

    Domestic Gross: $165 million

    While his accent was spotty at best, Kevin Costner parlayed his Oscar success from the previous year’s Dances with Wolves into this blockbuster about the robbing from the rich and giving to the poor hero. The highlight was Alan Rickman’s sublime work as the Sheriff of Nottingham while critics mostly turned up their noses.

    1. Terminator 2: Judgment Day

    Domestic Gross: $204 million

    Arnold Schwarzenegger’s android went from being the bad guy in the 1984 original to the good robot in James Cameron’s sequel that gave us eye popping and revolutionary special effects and a dynamite Linda Hamilton returning as a buffed up Sarah Connor. There’s been four more entries in the franchise and none have matched the potency of this one.

    Now let’s turn the focus to some other notable releases:

    Thelma & Louise

    Domestic Gross: $45 million

    Susan Sarandon and Geena Davis both scored lead actress Academy nods for Ridley Scott’s now iconic tale of feminism and revenge with an unforgettable ending. This also marked audiences falling in love with a then unknown actor by the name of Brad Pitt.

    Point Break

    Domestic Gross: $43 million

    Patrick Swayze starred in the previous summer’s high earner with Ghost. This surfing action pic from director Kathryn Bigelow paired the actor with Keanu Reeves and has amassed a deserved cult following. An unnecessary remake wiped out in 2015.

    Dead Again

    Domestic Gross: $38 million

    Kenneth Branagh’s sophomore effort after the acclaim of his Shakespearian Henry V was this Hitchcock homage costarring his then wife Emma Thompson, Andy Garcia, and Robin Williams. As tributes to the Master of Suspense go, this is one of the best.

    Soapdish

    Domestic Gross: $38 million

    Sally Field, Kevin Kline, Robert Downey, Jr., and Whoopi Goldberg are part of the ensemble in this comedy set in the world of the afternoon melodramas that populate the airwaves. Not a big hit at the time, its reception has since grown.

    Jungle Fever

    Domestic Gross: $32 million

    Spike Lee’s tale of an interracial couple played by Wesley Snipes and Annabella Sciorra received critical kudos. The two most memorable performances come from Samuel L. Jackson as a crack addict and Halle Berry (in her feature debut) as his girlfriend.

    Madonna: Truth or Dare

    Domestic Gross: $15 million

    As she often is, Madonna was ahead of the cultural curve with this documentary set during her 1990 Blond Ambition Tour. This was reality programming before it exploded.

    Barton Fink

    Domestic Gross: $6 million

    The Coen Brothers pitch black comedy was the darling of the Cannes Film Festival, winning Picture, Director, and Actor for John Turturro. It would land three Academy nominations including Michael Lerner in Supporting Actor.

    Now it’s time for the pictures that either didn’t land with audiences or critics (or both):

    The Rocketeer

    Domestic Gross: $46 million

    Disney was hoping for a new franchise with this comic book based property. Yet the period adventure underwhelmed at the box office. This was a different era for the genre before the MCU changed everything. Director Joe Johnston, coincidentally, would go on to make Captain America: The First Avenger 20 years later.

    Dying Young

    Domestic Gross: $33 million

    This seems hard to believe now, but Premiere magazine predicted this romance would be the largest grossing feature of the summer. Not so much. However, Julia Roberts was just coming off her smash breakthrough Pretty Woman. This didn’t land with audiences in the same way.

    Only the Lonely

    Domestic Gross: $25 million

    Chris Columbus was basking in the box office bonanza that was Home Alone. This rom com with John Candy and Ally Sheedy that followed six months later didn’t cause many filmgoers to leave their homes.

    Mobsters

    Domestic Gross: $20 million

    1990 was gave us lots of mobster fare such as GoodFellas, The Godfather Part III, and Miller’s Crossing. Crowds and critics didn’t take to the Christian Slater and Patrick Dempsey versions of Lucky Luciano and Meyer Lansky, respectively.

    Hudson Hawk

    Domestic Gross: $17 million

    Bruce Willis’s vanity project is considered one of the gargantuan flops in history. Grossing only about a fourth of its $65 million budget, it was awarded the Golden Raspberry for Worst Picture of the year.

    V.I. Warshawski

    Domestic Gross: $11 million

    Based on a series of successful novels, audiences didn’t take to Kathleen Turner in the title role for this detective action comedy. It made less than half its budget.

    Delirious

    Domestic Gross: $5 million

    Also set in the world of soap operas, this marked another dud for John Candy in the same season.

    Another You

    Domestic Gross: $2 million

    Richard Pryor and Gene Wilder are a classic combo with well-regarded comedies like Silver Streak and Stir Crazy. Even See No Evil, Hear No Evil in 1989, despite critical scorn, performed well. That’s not the case with their last collaboration (which reviewers also drubbed).

    And that concludes my look back at summer 1991. Next up is the sweltering season of 2001!

    Oscar Watch: Gloria Bell

    After premiering last autumn at the Toronto Film Festival, Gloria Bell hits theaters in limited fashion on Friday. The film is a remake of Sebastian Lelio’s 2013 Chilean comedic drama that was met with acclaim. Those strong reviews have greeted the American version (100% on Rotten Tomatoes), which again features Lelio behind the camera. It’s the filmmaker’s follow-up to 2017’s A Fantastic Woman, which won the Oscar for Best Foreign Language Feature.

    Julianne Moore plays the title role and critics have lavished praise for her work. Costars include John Turturro, Michael Cera, Brad Garrett, Holland Taylor, Sean Astin, Jeanne Tripplehorn, and Rita Wilson.

    A24 acquired Gloria after its screening up north. Even with the March release, it’s likely that the studio will make a significant push for Moore to receive her sixth Oscar nod. Her fifth nomination was the lucky one in 2014 when took the statue in Best Actress for Still Alice. I also wouldn’t be surprised if the sole focus is on Moore being recognized, similar to Glenn Close in 2018 for The Wife.

    Bottom line: it’s early, but Moore could be in the mix yet again. My Oscar Watch posts will continue…

    Transformers: The Last Knight Box Office Prediction

    A week from today, Transformers: The Last Knight appears primed to easily rule the #1 spot. The question is how the fifth entry in the franchise performs compared to its predecessors. Michael Bay is back in the director’s chair (reportedly for the final time) with returning cast members Mark Wahlberg, Stanley Tucci, Tyrese Gibson, Josh Duhamel, and John Turturro. Sir Anthony Hopkins and Nicola Peltz are new to the series. Most importantly, Optimus, Bumblebee, and plenty of Autobots and Decepticons return in their CG form.

    The pic, with its reported $260 million budget, faces no other features opening directly against it. This Transformers franchise has shown itself to be critic proof over its decade of existence. That said, Knight‘s predecessor posted a series low domestically.

    Let’s take a trip down box office grosses lane for these bots, shall we?

    Transformers (2007)

    Opening Weekend: $70.5 million three-day opening with $155 million over six-day July 4th weekend roll out. $319 million total domestic gross.

    Transformers: Revenge of the Fallen (2009)

    Opening Weekend: $108.9 million three-day opening with $200 million five-day roll out. $402 million total domestic gross.

    Transformers: Dark of the Moon (2011)

    Opening Weekend: $97.8 million three-day opening with $180.6 million six-day July 4th weekend roll out. $352 million total domestic gross.

    Transformers: Age of Extinction (2014)

    Opening Weekend: $100 million. $245 million total domestic gross.

    As you can see, Age of Extinction earned more than $100 million less than the third entry. It’s also the only one that opened over a regular three-day release. The Last Knight debuts on Wednesday so you’ll be witnessing my guesstimate for its traditional weekend and five-day gross.

    Whew… got all that?

    Knight appears likely to suffer from franchise fatigue stateside. It’s worth noting that this franchise makes a killing overseas and that should not change.  I could see a three-day haul in the mid to high with a five-day take of just over $80 million.

    Transformers: The Last Knight opening weekend prediction: $57.8 million (Friday to Sunday), $81.5 million (Friday to Sunday)