From 9 to 5 over four decades ago to Netflix’s recent Grace and Frankie to the very recent midsize hit 80 for Brady, Jane Fonda and Lily Tomlin clearly enjoy collaborating. They’re back at it again this weekend with the limited release of Moving On. The comedy comes from filmmaker Paul Weitz, who directed Tomlin to a Golden Globe nom in 2015 for Grandma. Costars include Malcolm McDowell, Richard Roundtree, and Catherine Dent.
Moving first surfaced last fall at the Toronto Film Festival to mixed reactions. The Rotten Tomatoes score is 65%. Even though Brady has a slightly lower RT rating at the moment (62%), it has a better chance at Oscar recognition due to the song “Gonna Be You” from frequent nominee Diane Warren. This follow-up from the legendary actresses is highly unlikely to generate any Academy (or Globes) attention.
Channing Tatum sashays back into multiplexes in his star making role with threequel Magic Mike’s Last Dance while Titanic re-releases on the occasion of its 25th anniversary. You can peruse my detailed prediction posts on them here:
In what could be considered an upset, I have Titanic edging Mike for the top spot. Here’s why. There are reports that the latter is only releasing on approximately 1500 screens. If that holds true, it would significantly impact its earning power. When I assumed Mr. Tatum would arrive in the typical 3000 venues, I had it making just under $18 million. I now have it notably under that projection.
That may clear the way for the Titanic re-release to be #1 (giving James Cameron the first place picture in eight out of the past nine weekends). Valentine’s Day audiences and the nostalgia factor could get it there.
As for holdovers, M. Night Shyamalan’s Knock at the Cabin definitely came in at the lower end of its anticipated range (more on that below). I believe it could plummet from first to fifth with 80 for Brady and Avatar: The Way of Water each slipping only one spot. Cabin might even fall outside of the high five depending on the eighth frame dip for Puss in Boots: The Last Wish.
Here’s how I see the top 6 playing out:
1. Titanic 25th Anniversary
Predicted Gross: $11.6 million
2. Magic Mike’s Last Dance
Predicted Gross: $10.7 million
3. 80 for Brady
Predicted Gross: $8.1 million
4. Avatar: The Way of Water
Predicted Gross: $7.5 million
5. Knock at the Cabin
Predicted Gross: $5.9 million
6. Puss in Boots: The Last Wish
Predicted Gross: $5.6 million
Box Office Results (February 3-5)
As mentioned, Knock at the Cabin had a fairly soft entry on the charts with $14.1 million. While it managed to knock Avatar from its seven-week reign on the throne, it fell far under my $23.6 million forecast. The glass half full? It cost a meager $20 million to make. The glass half empty? With a C Cinemascore grade, I foresee a sophomore plummet close to 60%. In the summer of 2021, Shyamalan’s predecessor Old managed to top Cabin with just under $17 million. Simply put, this should’ve done more considering it had less competition and better reviews.
80 for Brady had a respectable start in second with $12.7 million. Released a day after Tom Brady announced his retirement (again), the legend packed octogenarian comedy couldn’t match my $15.5 million take. It will hope for smallish declines in the weekends ahead.
Avatar: The Way of Water was third with $11.3 million, in line with my $11.8 million prediction. After its eighth outing, the gargantuan tally grew to $636 million.
Fourth place belonged to Puss in Boots: The Last Wish with $7.8 million (I said $8.9 million) for an impressive $151 million after seven weeks.
I incorrectly had the concert pic BTS: Yet to Come in Cinemas outside of the top five with no projection. It was fifth with $5.1 million.
A Man Called Otto was sixth with $4.3 million compared to my $4.8 million. The gross is a solid $53 million.
Finally, while I’m in predictin’ mode – Eagles 38, Chiefs 24. That’s all for now, folks! Until next time…
The four leads in 80 for Brady – Lily Tomlin, Jane Fonda, Rita Moreno, and Sally Field – can tout a combined 12 Oscar nods for their performances and five victories. That hardware rivals the seven Super Bowls won by Tom Brady (who is also in the sports farce opening Friday).
That said – can an early February comedy contend for awards attention? The 63% Rotten Tomatoes score, while not bad, doesn’t inspire confidence. Perhaps if the main actress category in Musical or Comedy is weak at the Golden Globes, Tomlin could sneak in (she’s being singled out by some as best of the quartet). Even that is unlikely.
Yet there is one race where 80 for Brady could play and that’s Original Song. Diane Warren is the writer of “Gonna Be You” which is sung by the quintet of Dolly Parton, Belinda Carlisle, Cyndi Lauper, Gloria Estefan, and Debbie Harry. Between those five crooners, that’s over 80 Grammy nominations. Then there’s Diane Warren. She rather famously has received 13 Academy mentions without a trip to the stage. This includes ballads such as “Because You Loved Me” from Up Close & Personal and “How Do I Live” from Con Air. She received her 14th nod last week for “Applause” from Tell It Like a Woman where it’s doubtful the 14th time will be the charm. Warren is receiving a lifetime achievement prize so she will be an Oscar winner. With the star power involved in the “Gonna Be You”, the chances of 80 for Brady being a nominee are actually solid. My Oscar Prediction posts will continue…
**Blogger’s Update (02/01): I am adding a title to the top 5 that I previously didn’t have on Monday when I did my initial projections. The Chosen: Season 3 Finale is playing on over 2000 screens. As you may recall, the season premiere grossed nearly $9 million in December out of the gate. I’ll say the finale generates a little more than that and could challenge Avatar for the 3 spot. Changes are reflected below.
The seven-week reign of Avatar: The Way of Water at #1 should end in its 8th outing as February dawns at the box office. M. Night Shyamalan’s latest thriller Knock at the Cabin and the octogenarian comedy 80 for Brady debut and look to place 1-2. My detailed prediction posts on them can be found here:
Beginning with 2017’s Split, Shyamalan experienced a career resurgence that could carry Cabin (generating solid word-of-mouth) to a low to mid 20s start. Getting close to $30 million is not out of the question. That number should be enough to top the charts.
80 for Brady looks to appeal to a female audience and older viewers. A Man Called Otto recently showed the demographic is ready for a return at multiplexes. With a robust marketing campaign and the involvement of Lily Tomlin, Jane Fonda, Sally Field, and Rita Moreno, I could absolutely see it over performing. My current mid teens forecast is worth keeping an eye on before Thursday (meaning it could rise).
As mentioned, Avatar: The Way of Water (while remaining above $10M) should finally relinquish its stranglehold in first.Fellow holdovers Puss in Boots: The Last Wish and A Man Called Otto should round out the top five and here’s how I see it looking:
1. Knock at the Cabin
Predicted Gross: $23.6 million
2. 80 for Brady
Predicted Gross: $15.5 million
3. Avatar: The Way of Water
Predicted Gross: $11.8 million
4. The Chosen: Season 3 Finale
Predicted Gross: $11 million
5. Puss in Boots: The Last Wish
Predicted Gross: $8.9 million
6. A Man Called Otto
Predicted Gross: $4.8 million
Box Office Results(January 27-29)
Avatar: The Way of Water cruised to a seventh frame atop the charts with $15.9 million (ahead of my $14.3 million take). The domestic haul is $620 million, but the story of the weekend is that it surpassed Star Wars: The Force Awakens to become the fourth largest worldwide grosser in history. That means James Cameron now has three of the top four (with Avatar and Titanic also in the mix).
Puss in Boots: The Last Wish was runner-up with $10.4 million, surpassing my $9.2 million prediction. In six weeks, the animated sequel has amassed $140 million.
The surprise of the weekend was Pathaan, a Hindu language action spectacle that I incorrectly had outside the top five. It was third with $6.8 million and $9.4 million since its Wednesday bow. The PTA of nearly $10k was easily the highest on the charts.
A Man Called Otto was fourth with $6.6 million (in line with my $6 million projection) for $45 million overall.
M3GAN rounded out the top five with $6.2 million (I said $5.8 million) as the campy horror tale is approaching nine figures at $82 million.
Finally, Missing was sixth in its sophomore weekend with $5.6 million, a tad above my $5.1 million call. The ten-day total is $17 million (doubling its reported $7 million budget).
Between Lily Tomlin, Jane Fonda, Rita Moreno, Sally Field, Tom Brady, and Guy Fieri – we have 12 Oscar nominations, 54 Emmy mentions, 38 Golden Globe nods, six Super Bowl championships, and hundreds of trips to Flavortown. All of them appear in 80 for Brady on February 3rd. Kyle Marvin directs the comedy which finds the aforementioned female quartet on a trek to watch the famed QB in the Super Bowl. Other costars include (in addition to Brady and Fieri as themselves) include Billy Porter, Harry Hamlin, Rob Corddry, Alex Moffat, Bob Balaban, and Glynn Turman. Some of Brady’s old teammates, such as Rob Gronkowski, Julian Edelman, and Danny Amendola also turn up.
The Paramount release looks to bring in an older female demographic and sports fans during the weekend between the NFL’s Conference Championships and the game where our leads travel to. Tomlin, Fonda, Moreno, and Field having been hitting the circuit hard in recent weeks to promote. I do believe there’s an opportunity for this to exceed expectations. Low to mid teens is where this likely touches down. That’s in line with what Book Club (also featuring Fonda) accomplished in 2018.
80 for Brady opening weekend prediction: $15.5 million
In the 21st century cinematic universe, the famed web slinger has been reinvented on a number of occasions – from Tobey Maguire to Andrew Garfield to Tom Holland. Spider–Man: IntotheSpider–Verse is the first one that feels truly inventive. Anyone thinking this animated experience would be a sub par spin-off or money grab will find themselves sorely mistaken. This iteration of the iconic hero has a lot of heart, plenty of action, and a warped sense of humor that elicits genuine laughs. Directors Bob Perischetti, Peter Ramsey, and Rodney Rothman (who co-wrote the screenplay along with Phil Lord) have drawn up what is probably the most satisfying Spidey pic on its own terms.
The picture posits the theory that our title character does his Spidey thing in multiple dimensions and in different forms than just Peter Parker. These characters are familiar to fans of the Marvel Comics and even includes Spider-Ham, representing the hero in pig form. He’s here and he’s fabulous. Our primary Spidey here is Miles (voiced by Shameik Moore), a Brooklyn teen with a police officer father and a potentially shady uncle that he admires. Miles attends a prep school and feels lost in his adolescence just like Peter Parker did. He’s a fan of Spider-Man, who is currently fighting Big Apple crime in the manner we’re accustomed to. That’s until bad guy Kingpin (Liev Schrieber) knocks him off, but not before Miles get a radioactive bite that gives him the well-known powers.
What follows is a visually splendid adventure where it’s clear that the makers really adore the character. At the same time, they take him in unforeseen directions that perhaps only the animated format could allow. Miles’s Spidey teams with an aging and out of shape Peter Parker (Jake Johnson) from a different “verse”, along with Spider-Woman (Hailee Steinfeld) and the aforementioned Ham version. There’s others, but part of the fun is watching them appear without me spoiling it.
Plenty of superhero movies take themselves quite seriously and many have succeeded with that tone. GuardiansoftheGalaxy and Deadpool introduced a different dynamic that is evident here. Yet Spider–Verse is not derivative. It manages to take one of the most repeated story arcs in the genre and cleverly turn it on its head. I enjoyed it immensely. The possibilities are many for this particular universe to continue and I’m up for it.
An iconic superhero swings into theaters in yet another iteration next Friday when Spider–Man: IntotheSpider–Verse debuts. This time around, the friendly neighborhood character is animated in a world where multiple individuals can don the spandex. Phil Lord (part of the team behind TheLegoMovie) shares writing credit along with co-director Peter Ramsey. Shameik Moore and Jake Johnson both provide voice work for Spidey. Other actors behind the mic include Hailee Steinfeld, Mahershala Ali, Liev Schreiber, Brian Tyree Henry, and Lily Tomlin.
Sony Pictures certainly has reviews on their side as this stands at 100% on Rotten Tomatoes. Some critics even claim it’s the overall best of the series (this is now the seventh stand-alone entry focused on the Marvel web slinger). It appears destined for an Oscar nod in Best Animated Feature.
I believe the raves and familiarity with its title character should propel this to pleasing returns. With projections in the $30-$40 million range, I’m estimating Spider–Verse will premiere on the high-end of that spectrum and likely top it.
Spider–Man: IntotheSpider–Verse opening weekend prediction: $43.4 million
Over the past 16 years, we’ve witnessed numerous iterations of the famed web slinging superhero Spider-Man. From Tobey Maguire to Andrew Garfield to Tom Holland and two franchise reboots, the character has been omnipresent in our multiplexes. So the idea of an animated version might have seemed like overkill when Sony announced Spider–Man: IntotheSpider–Verse, which creates a world in which multiple people can be the iconic character.
Critical reaction out today suggests otherwise. Spider–Verse stands at 100% on Rotten Tomatoes with over 30 reviews in. Some write-ups claim it’s the best Spidey feature since 2004’s Spider–Man2. Select others claim it’s the best of the whole bunch (this will be seventh stand-alone entry).
Will Oscar notice? It seems highly likely. That would mean a nod in Best Animated Feature. It marks a fourth near “sure thing “ in that race, including current box office champ RalphBreakstheInternet and IsleofDogs. The raves bestowed upon this suggests it could even stand a better chance at winning than those pictures. Yet it could be a tall order to overcome the Pixar juggernaut involving other superheroes – Incredibles2.
Bottom line: Spider–Verse is into the Animated Feature mix in a major way. It’s out stateside on December 14. My Oscar Watch posts will continue…
Four days before Oscar nominations are revealed, Hollywood will throw their annual party and awards ceremony known as the Golden Globes, put on by the Hollywood Foreign Press (whoever they are). The always entertaining Ricky Gervais is back to host and the show honors 2015’s best in movies and television. I won’t bother with the TV stuff (just because I haven’t followed it anywhere close to what I do with film). As you may know, the Globes divide the picture and lead actor races in two: Drama and Musical/Comedy. This has been a source of some controversy recently with titles like The Wolf of Wall Street and American Hustle being questionably placed into Comedy. The ante was upped this year when Ridley Scott’s The Martian made that category. It has laughs to be sure, but really?
I’ll go through each race and predict the winners (and potential runner-up) and will update the blog either Sunday evening or Monday with how I did:
Best Picture (Drama)
Nominees:
Carol
Mad Max: Fury Road
The Revenant
Room
Spotlight
Outlook: Early critical precursors have placed Spotlight in the position of soft front runner for the Oscars and here. In fact, one of its main competitors The Big Short is in the other category so that helps even more. Potential spoilers could be Carol or just maybe Mad Max, but Spotlight is the odds on favorite here.
Predicted Winner: Spotlight
Runner-Up: Carol
Best Picture (Musical/Comedy)
Nominees:
The Big Short
Joy
The Martian
Spy
Trainwreck
Outlook: Let’s dispense with the two outright comedies – Spy and Trainwreck – as they stand no real chance. Joy‘s mixed critical reaction probably leaves it out, too. So we’re down to The Big Short and The Martian. With the deserved controversy of having The Martian even here in the first place aside, Short seems to have the bigger momentum right now and it should edge out its main competitor.
Predicted Winner: The Big Short
Runner-Up: The Martian
Best Actor (Drama)
Nominees:
Bryan Cranston, Trumbo
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Will Smith, Concussion
Outlook: While he’s famously never won an Oscar, Leo did take a Globe two years ago (in Comedy) for Wolf of Wall Street. Look for his dramatic work here to be recognized and it would frankly be fairly surprising if he didn’t win. I’d say Fassbender or maybe Cranston pose the only real upset threats.
Predicted Winner: DiCaprio
Runner-Up: Fassbender
Best Actress (Drama)
Nominees:
Cate Blanchett, Carol
Brie Larson, Room
Rooney Mara, Carol
Saoirise Ronan, Brooklyn
Alicia Vikander, The Danish Girl
Outlook: My inkling here is that Blanchett and Mara will pretty much cancel each other out for their work in Carol. Vikander is a double nominee this year, but appears to be a long shot in this race especially. Ronan is certainly a possibility, but Larson is the likely recipient for her lauded work.
Predicted Winner: Larson
Runner-Up: Ronan
Best Actor (Musical/Comedy)
Nominees:
Christian Bale, The Big Short
Steve Carell, The Big Short
Matt Damon, The Martian
Al Pacino, Danny Collins
Mark Ruffal0, Infinitely Polar Bear
Outlook: First things first – Pacino and Ruffalo have zero shot. Like the previously discussed race, I could see Bale and Carell canceling one another out and that leaves Mr. Damon.
Predicted Winner: Damon
Runner-Up: Bale
Best Actress (Musical/Comedy)
Nominees:
Jennifer Lawrence, Joy
Melissa McCarthy, Spy
Amy Schumer, Trainwreck
Maggie Smith, The Lady in the Van
Lily Tomlin, Grandma
Outlook: Schumer had her breakout role with Trainwreck and stands a chance, but this is probably Lawrence’s race to lose.
Predicted Winner: Lawrence
Runner-Up: Schumer
Best Supporting Actor
Nominees:
Paul Dano, Love and Mercy
Idris Elba, Beasts of No Nation
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Sylvester Stallone, Creed
Outlook: This race is a little trickier and could be ripe for an upset (Elba or Shannon wouldn’t shock me). However, this probably comes down to Rylance (who’s picked up numerous critic precursor notices) and Stallone (for the sentimental vote). I’m going with sentimentality trumping all else.
Predicted Winner: Stallone
Runner-Up: Rylance
Best Supporting Actress
Nominees:
Jane Fonda, Youth
Jennifer Jason Leigh, The Hateful Eight
Helen Mirren, Trumbo
Alicia Vikander, Ex Machina
Kate Winslet, Steve Jobs
Outlook: Another race that could feature an upset (any one of these ladies are possible), but I’ll give the slight momentum to Leigh’s work.
Predicted Winner: Leigh
Runner-Up: Winslet
Best Director
Nominees:
Todd Haynes, Carol
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Outlook: Don’t see Haynes or Inarritu prevailing, so that leaves this question: will the HFPA go with the likely Best Drama Picture winner’s director (McCarthy) or the outstanding visual work from Miller or Scott. Miller has picked up a number of precursor awards, so I give him the edge over Scott and I ultimately believe he’ll eek out the victory here.
Predicted Winner: Miller
Runner-Up: McCarthy
As for the other categories – here are my picks
Best Screenplay
Predicted Winner: Spotlight
Runner-Up: The Big SHort
Best Score
Predicted Winner: The Hateful Eight
Runner-Up: Carol
Best Song
Predicted Winner: “See You Again” from Furious 7
Runner-Up: “Love Me Like You Do” from Fifty Shades of Grey
Best Animated Feature
Predicted Winner: Inside Out
Runner-Up: Anomalisa
Best Foreign Language Film
Predicted Winner: Son of Saul
Runner-Up: Mustang
And there you have it, folks! My Golden Globe predictions…
We arrive at my weekly Oscar predictions and a new wrinkle has been added. I’m predicting every category with the exception of Foreign and Documentary (those will eventually be added).
As with last week, I’ll ranking according to my feelings on likelihood of the films and performers being nominated and let you know what’s changed since last week. The pluses and minuses and no changes indicated their ranking from last week to this week.
Let’s get to it!
Best Picture
Spotlight (No Change)
The Revenant (No Change)
Room (No Change)
Brooklyn (+3)
Carol (-1)
The Martian (No Change)
Mad Max: Fury Road (-2)
Bridge of Spies (No Change)
The Big Short (+2)
Other Possibilities:
10. Inside Out (No Change)
11. The Hateful Eight (-2)
12. Star Wars: The Force Awakens (+11)
13. Trumbo (+6)
14. Son of Saul (+3)
15. The Danish Girl (+1)
16. Sicario (+5)
17. Beasts of No Nation (-3)
18. Steve Jobs (-5)
19. Straight Outta Compton (-4)
20. Creed (-8)
21. Joy (-2)
22. Love and Mercy (-1)
23. Anomalisa (-6)
What’s Changed Since Last Week – IN: The Big Short. OUT: The Hateful Eight.
Best Director
Tom McCarthy, Spotlight (No Change)
Alejandro Gonzalez Inarritu, The Revenant (No Change)
George Miller, Mad Max: Fury Road (No Change)
Ridley Scott, The Martian (No Change)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Steven Spielberg, Bridge of Spies (+1)
7. Lenny Abrahamson, Room (-1)
8. J.J. Abrams, Star Wars: The Force Awakens (+9)
9. John Crowley, Brooklyn (No Change)
10. Quentin Tarantino, The Hateful Eight (-2)
11. Adam McKay, The Big Short (+1)
12. Laszlo Nemes, Son of Saul (+1)
13. Jay Roach, Trumbo (Previously Not Ranked)
14. Tom Hooper, The Danish Girl (+2)
15. Danny Boyle, Steve Jobs (-1)
16. Cary Fukunaga, Beasts of No Nation (-5)
17. Ryan Coogler, Creed (-7)
DROPPED OUT: David O. Russell, Joy
What’s Changed Since Last Week: NO CHANGES
Best Actor
Leonardo DiCaprio, The Revenant (No Change)
Michael Fassbender, Steve Jobs (+1)
Eddie Redmayne, The Danish Girl (-1)
Bryan Cranston, Trumbo (+1)
Johnny Depp, Black Mass (-1)
Other Possibilities:
6. Matt Damon, The Martian (No Change)
7. Will Smith, Concussion (No Change)
8. Michael Caine, Youth (+3)
9. Ian McKellen, Mr. Holmes (No Change)
10. Tom Hanks, Bridge of Spies (No Change)
11. Geza Rohrig, Son of Saul (+2)
12. Steve Carell, The Big Short (No Change)
13. Michael B. Jordan, Creed (-5)
What’s Changed Since Last Week: No Changes
Best Actress
Brie Larson, Room (No Change)
Saoirse Ronan, Brooklyn (No Change)
Cate Blanchett, Carol (No Change)
Charlotte Rampling, 45 Years (No Change)
Jennifer Lawrence, Joy (No Change)
Other Possibilities:
6. Charlize Theron, Mad Max: Fury Road (+1)
7. Helen Mirren, Woman in Gold (+2)
8. Blythe Danner, I’ll See You in My Dreams (-2)
9. Sarah Silverman, I Smile Back (-1)
10. Maggie Smith, The Lady in the Van (No Change)
11. Carey Mulligan, Suffragette (+1)
12. Lily Tomlin, Grandma (-1)
What’s Changed Since Last Week: No Changes
Best Supporting Actor
Mark Rylance, Bridge of Spies (No Change)
Michael Keaton, Spotlight (+1)
Paul Dano, Love and Mercy (+1)
Idris Elba, Beasts of No Nation (+1)
Sylvester Stallone, Creed (-3)
Other Possibilities:
6. Michael Shannon, 99 Homes (+4)
7. Mark Ruffalo, Spotlight (-1)
8. Tom Hardy, The Revenant (No Change)
9. Christian Bale, The Big Short (-2)
10. Jacob Tremblay, Room (+1)
11. Benicio del Toro, Sicario (-2)
What’s Changed Since Last Week: No Changes
Best Supporting Actress
Alicia Vikander, The Danish Girl (No Change)
Rooney Mara, Carol (No Change)
Jennifer Jason Leigh, The Hateful Eight (No Change)
Kate Winslet, Steve Jobs (No Change)
Helen Mirren, Trumbo (+2)
Other Possibilities:
6. Rachel McAdams, Spotlight (+4)
7. Jane Fonda, Youth (-2)
8. Kristen Stewart, Clouds of Sils Maria (-2)
9. Elizabeth Banks, Love and Mercy (No Change)
10. Joan Allen, Room (-2)
DROPPED OUT: Alicia Vikander, Ex Machina
What’s Changed Since Last Week – IN: Helen Mirren, OUT: Jane Fonda.
Best Original Screenplay
Spotlight (No Change)
Inside Out (+1)
The Hateful Eight (-1)
Bridge of Spies (No Change)
Love and Mercy (+1)
Other Possibilities:
6. Son of Saul (-1)
7. Mad Max: Fury Road (Previously Not Ranked)
8. 99 Homes (No Change)
9. Sicario (+1)
10. Ex Machina (+1)
11. Straight Outta Compton (-4)
12. Youth (Previously Not Ranked)
13. Joy (-4)
14. Trainwreck (-2)
What’s Changed Since Last Week – IN: Love and Mercy. OUT: Son of Saul.
Best Adapted Screenplay
Room (+2)
Brooklyn (+2)
Carol (-2)
The Big Short (+1)
Steve Jobs (-3)
Other Possibilities:
6. The Martian (+1)
7. Trumbo (+3)
8. The Revenant (-2)
9. Beasts of No Nation (No Change)
10. Anomalisa (-2)
11. The Danish Girl (+1)
DROPPED OUT: Creed
What’s Changed Since Last Week: No Changes
Best Animated Feature (First Time Predictions)
Inside Out
Anomalisa
Kahlil Gobran’s The Prophet
Shaun the Sheep Movie
The Good Dinosaur
Other Possibilities:
6. The Peanuts Movie
7. When Marnie Was There
8. Home
Best Cinematography (First Time Predictions)
The Hateful Eight
The Revenant
Mad Max: Fury Road
The Martian
Sicario
Other Possibilities:
6. Carol
7. Bridge of Spies
8. The Danish Girl
Best Production Design (First Time Predictions)
Carol
The Danish Girl
Mad Max: Fury Road
Cinderella
Bridge of Spies
Other Possibilities:
6. The Revenant
7. Brooklyn
8. The Martian
9. The Hateful Eight
10. Star Wars: The Force Awakens
11. MacBeth
Best Editing (First Time Predictions)
Spotlight
Mad Max: Fury Road
The Revenant
The Big Short
Steve Jobs
Other Possibilities:
6. The Hateful Eight
7. The Martian
8. Bridge of Spies
9. Room
Best Costume Design (First Time Predictions)
Carol
Cinderella
Brooklyn
The Danish Girl
Far from the Madding Crowd
Other Possibilities:
6. Mad Max: Fury Road
7. Suffragette
8. Trumbo
9. The Hateful Eight
10. MacBeth
Best Makeup and Hairstyling (First Time Predictions)
The Danish Girl
Carol
Star Wars: The Force Awakens
Other Possibilities:
4. Mad Max: Fury Road
5. Black Mass
6. Pan
7. The Hateful Eight
8. The Revenant
Best Visual Effects (First Time Predictions)
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
Jurassic World
The Walk
Other Possibilities:
6. The Revenant
7. In the Heart of the Sea
8. Ex Machina
Best Sound Mixing (First Time Predictions)
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
The Revenant
Sicario
Other Possibilities:
6. Jurassic World
7. The Hateful Eight
8. In the Heart of the Sea
Best Sound Editing (First Time Predictions)
Mad Max: Fury Road
The Revenant
The Martian
Star Wars: The Force Awakens
In the Heart of the Sea
Other Possibilities:
6. Sicario
7. The Hateful Eight
8. Jurassic World
Best Original Score (First Time Predictions)
The Hateful Eight
Carol
Spotlight
Star Wars: The Force Awakens
The Danish Girl
Other Possibilities:
6. The Revenant
7. Bridge of Spies
8. Sicario
9. Brooklyn
10. Mad Max: Fury Road
11. Southpaw
Best Original Song (First Time Predictions)
“Til It Happens To You” from The Hunting Ground
“See You Again” from Furious 7
“Love Me Like You Do” from Fifty Shades of Grey
“Writing’s on the Wall” from Spectre
“Earned It” from Fifty Shades of Grey
Other Possibilities:
6. “Simple Song #3” from Youth
7. “One Kind of Love” from Love and Mercy
8. “So Long” from Concussion
Whew! Those predictions reflect a current belief of the following films garnering nominations with number included:
9 Nominations
Carol
8 Nominations
Mad Max: Fury Road
7 Nominations
The Revenant
6 Nominations
The Danish Girl, The Martian, Spotlight
5 Nominations
Star Wars: The Force Awakens
4 Nominations
Bridge of Spies, Brooklyn, The Hateful Eight, Steve Jobs
3 Nominations
The Big Short, Room
2 Nominations
Cinderella, Fifty Shades of Grey, Inside Out, Love and Mercy, Sicario, Trumbo
1 Nomination
Anomalisa, Beasts of No Nation, Black Mass, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, In the Heat of the Sea, Joy, Jurassic World, Kahlil Gabron’s The Prophet, Shaun the Sheep Movie, Spectre, The Walk
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