Summer 1990: The Top 10 Hits and More

In what has become tradition on this here blog, I use the summertime months to reflect on the cinematic seasons that came 30, 20, and 10 years prior. So while we wait for features to hit theaters in the summer of 2020 (something that is looking less and less certain), let’s take a gander at the hits, misses, and other significant product from the past.

The format is as follows: a rundown of the top ten hits as well as other noteworthy titles and some of the flops. We begin with 1990… a summer where we all got ghosted.

10. Flatliners

Domestic Gross: $61 million

Fresh off her star making role that spring in Pretty Woman, Julia Roberts teamed with then boyfriend Kiefer Sutherland in this psychological thriller from the late director Joel Schumacher. A far less successful 2017 remake would follow.

9. Bird on a Wire

Domestic Gross: $70 million

Despite mostly poor reviews, the drawing power of Mel Gibson and Goldie Hawn compelled this action comedy to a #1 debut and solid returns. Mr. Gibson wouldn’t fare as well later that summer when Air America with Robert Downey Jr. grossed less than half of Bird‘s earnings.

8. Another 48 Hrs.

Domestic Gross: $80 million

The re-teaming of Eddie Murphy and Nick Nolte from their 1982 hit might have earned more than the predecessor, but $80 million was considered a bit of a letdown compared to expectations. The quality left a bit to be desired as well.

7. Days of Thunder

Domestic Gross: $82 million

Another high profile reunification is this racing pic with Tom Cruise and his Top Gun maker Tony Scott back together. While it wasn’t as successful as that blockbuster, it did just fine and it cast a mostly unknown actress named Nicole Kidman alongside her future (and eventually former) husband.

6. Presumed Innocent

Domestic Gross: $86 million

Harrison Ford has had plenty of summer hits, but this adaptation of Scott Turow’s novel was a considerably more adult project that earned mostly rave reviews. The courtroom drama was a sizable earner considering its meager $20 million budget.

5. Back to the Future Part III

Domestic Gross: $87 million

The Western themed threequel arrived just six months after Part II. While it received better critical reaction, its gross of $87 million couldn’t match the $118 million of what preceded it.

4. Dick Tracy

Domestic Gross: $103 million

Warren Beatty’s long in development version of the 1930s comic strip was a visual sight to behold. However, critical reaction was mixed. It managed to just outdo its reported $100 million budget stateside. Tracy provided a showcase for Beatty’s then flame Madonna and earned Al Pacino a Best Supporting Actor nod.

3. Die Hard 2

Domestic Gross: $117 million

The goodwill brought forth by the 1988 original allowed this decent sequel to outgross its predecessor and permit Bruce Willis to return in his signature role three more times. This would be the last Die Hard pic with the Christmas Eve theme as it scorched the summer charts.

2. Total Recall

Domestic Gross: $119 million

One year before he would rule the summer of 1991, Arnold Schwarzenegger had a massive hit with this sci-fi rendering of the Philip K. Dick short story. Recall also provided the first juicy role for Sharon Stone, who would become a sensation two years later in Basic Instinct. 

1. Ghost

Domestic Gross: $217 million

At the start of the new decade, no one would have pegged Ghost to rule the summer frame. Made for $22 million, the supernatural romance ended up making over half a billion worldwide. A pottery themed love scene between stars Patrick Swayze and Demi Moore would become iconic, Whoopi Goldberg would win Best Supporting Actress for her psychic role, and it was nominated for Best Picture.

And now for some noteworthy titles from the season:

Problem Child

Domestic Gross: $53 million

Just outside the top 10 at 11, John Ritter headlined this tale of a rambunctious kid who just needs a family. Budgeted at a measly $10 million, it was a surprise performer that spawned two sequels.

Arachnophobia

Domestic Gross: $53 million

Doubling its budget, this black comedy about deadly black spiders received mostly praise from critics and had a nice showcase role for John Goodman as an exterminator.

Darkman

Domestic Gross: $33 million

Sam Raimi would eventually direct Spider-Man over a decade later and break box office records. Yet this original story (made for only $16 million) was a cult hit that introduced a lot of filmgoers to Liam Neeson. Two direct to video sequels would follow (minus Raimi behind the camera and Neeson in front of it).

Mo’ Better Blues

Domestic Gross: $16 million

This jazz infused dramedy was Spike Lee’s follow-up to his groundbreaking Do the Right Thing one year prior. Blues received solid reviews, but is best remembered as the director’s first collaboration with Denzel Washington.

And now for some pictures that didn’t match expectations either financially or critically or both (including a host of underwhelming sequels):

Robocop 2

Domestic Gross: $45 million

Irvin Kerschner made one of the greatest part two’s ever with The Empire Strikes Back. He wasn’t so lucky here. It made slightly less than its 1987 predecessor and reviews weren’t nearly as positive.

Gremlins 2: The New Batch

Domestic Gross: $41 million

It’s become a cult favorite since its release, but The New Batch grossed over $100 million less than the 1984 smash success.

The Exorcist III

Domestic Gross: $26 million

Following 17 years after the phenomenon that was the original, part 3 simply didn’t land with audiences or critics. This is another example of a sequel that would pick up more fans in subsequent years.

Ghost Dad

Domestic Gross: $24 million

Sidney Poitier directed this supernatural comedy starring Bill Cosby. At the time, he had a smash TV comedy named after him. Yet audiences didn’t follow him to the multiplex for this critically drubbed effort.

The Freshman

Domestic Gross: $21 million

Marlon Brando seemed to have a fun time parodying his iconic Godfather role here alongside Matthew Broderick. It wasn’t a hit, but its reputation has grown since.

The Adventures of Ford Fairlane

Domestic Gross: $21 million

Andrew Dice Clay was one of the most popular and controversial stand up comics of this era, but his anticipated breakout to the silver screen landed with a thud.

Wild at Heart

Domestic Gross: $14 million

David Lynch’s follow-up to his heralded Blue Velvet starred Nicolas Cage and Laura Dern. It garnered decidedly more mixed reaction from critics.

The Two Jakes

Domestic Gross: $10 million

Jack Nicholson went behind the camera and reprised his acclaimed role as Jake Gittes from 1974’s Chinatown. This was a year following the star’s turn as The Joker in Batman, which dominated that summer. Audiences (and many critics) simply turned a blind eye to this long gestating sequel.

And that’ll do it for now folks! I’ll have the summer of 2000 up shortly.

Summer 1989: The Top 10 Hits and More

In what has become tradition on this little blog of mine, the summer season brings us a lot of nostalgia on the silver screen. In the present, that means a slew of sequels and remakes and reboots coming on a near weekly basis. For these purposes, it means taking a look back on the movie summers of 30, 20, and 10 years ago.

As has been written in previous years, I’m listing the top ten hits as well as other notable pics and some flops. One thing is for sure about 1989. It will forever be known as the summer of the Batman and that blockbuster influenced what has become the predominant genre of the 21st century.

A recap of 1999 and 2009 will follow soon, but we start with what audiences were watching three decades ago.

10. Uncle Buck

Domestic Gross: $66 million

John Candy had one of his most notable headlining roles in this John Hughes family friendly comedy that also introduced the world to Macaulay Culkin. No sequel followed, but a short-lived TV series did.

9. Turner & Hooch

Domestic Gross: $71 million

Shortly before Tom Hanks started collecting Oscars and doing primarily dramatic work, he was still known for comedy in the late 80s. This one teamed him with a dog in a buddy comedy that followed the similarly themed with K9 with Jim Belushi from three months earlier. This one made a bit more cash.

8. When Harry Met Sally

Domestic Gross: $92 million

Rob Reiner’s romantic comedy (scripted by Nora Ephron) is considered one of the genre’s landmarks. Billy Crystal and Meg Ryan headlined with a diner scene that has become quite iconic.

7. Dead Poets Society

Domestic Gross: $95 million

Robin Williams seized the day and an Oscar nomination for his portrayal of an unorthodox English teacher in Peter Weir’s film, which also nabbed a nod for Best Picture.

6. Parenthood

Domestic Gross: $100 million

Ron Howard’s dramedy sported an ensemble cast with Steve Martin and a crowd pleasing vibe. This is a rare pic that spawned two TV shows. The one from 1990 flopped while the 2010 version ran six seasons. Parenthood marks appearance #1 in the top ten for Rick Moranis.

5. Ghostbusters II

Domestic Gross: $112 million

The eagerly awaited sequel to the 1984 phenomenon was a disappointment critically and commercially when considering the original’s $229 million haul. That said, it gives us appearance #2 for Rick Moranis. A direct sequel will follow in 2020.

4. Honey, I Shrunk the Kids

Domestic Gross: $130 million

And we reach the trifecta for Rick Moranis as Disney had an unexpected smash hit here. It stood as the studio’s largest grossing live-action feature for five years. Two less successful sequels followed.

3. Lethal Weapon 2

Domestic Gross: $147 million

Of the four action comedy pairings of Mel Gibson and Danny Glover, part 2 stands as the franchise’s top earner. This one threw Joe Pesci into the mix with sequels that followed in 1992 and 1998.

2. Indiana Jones and the Last Crusade

Domestic Gross: $197 million

While Harrison Ford’s third appearance as his iconic character didn’t match the grosses of Raiders of the Lost Ark in 1981, it did earn more than 1984 predecessor Temple of Doom. Pairing Indy with his dad played by Sean Connery, the character wouldn’t make it to the screen again until Steven Spielberg and Ford teamed up again 19 years later.

1. Batman

Domestic Gross: $251 million

As mentioned, 1989 was dominated by Tim Burton’s take on the Caped Crusader. While the casting of Michael Keaton in the title role was controversial upon announcement, it turned out quite well (as did Jack Nicholson’s turn as The Joker and a funky Prince soundtrack). Three sequels and multiple reboots followed.

And now for some notable pictures outside of the top ten:

The Abyss

Domestic Gross: $54 million

James Cameron was riding a high after The Terminator and Aliens when he made this sci-fi aquatic adventure. Known just as much for its difficult production as its Oscar winning visuals, it had a mixed reaction that has grown more positive through the years.

Weekend at Bernie’s

Domestic Gross: $30 million

Turns out corpses are hilarious in this low budget comedy that turned into enough of a hit that a sequel followed four summers later.

Road House

Domestic Gross: $30 million

It may not have had critics on its side or been a huge success originally, but Patrick Swayze’s turn as a midwestern bouncer became a serious cult hit subsequently.

Do the Right Thing

Domestic Gross: $27 million

A cultural milestone, Do the Right Thing served as the major breakout for Spike Lee and was named by numerous critics as the greatest film of 1989.

sex, lies, and videotape

Domestic Gross: $24 million

Winning the Cannes Film Festival, Steven Soderbergh’s provocative debut helped usher in a wave of independent films that followed in the 90s.

It wasn’t all success stories in the summer of 1989 and here’s some that failed to meet expectations:

Star Trek V: The Final Frontier

Domestic Gross: $52 million

Captain Kirk himself directed this installment after Leonard Nimoy made its two well received predecessors. This one was met with ambivalence and stands at the second lowest earner of this particular Trek franchise.

The Karate Kid Part III

Domestic Gross: $38 million

In 1984, the original made $90 million and the 1986 sequel made $115 million. Three summers later, moviegoers had tired of Ralph Macchio and Pat Morita in their signature roles. Yet TV watchers are currently tuned to a series reboot with Macchio back as Daniel.

Licence to Kill

Domestic Gross: $34 million

Timothy Dalton’s second turn as 007 was a stateside flop and is the lowest grossing Bond flick when adjusted for inflation. Its star would never return in the role and the six year gap that followed when Pierce Brosnan reinvigorated the series with Goldeneye stands as the lengthiest gap in its near 60 years of existence.

Lock Up

Domestic Gross: $22 million

Sylvester Stallone had plenty of hits during the decade, but this one casting him as a tortured convict wasn’t one of them.

Casualties of War

Domestic Gross: $18 million

Brian de Palma was coming off a massive hit with The Untouchables, but this Vietnam War drama with Michael J. Fox and Sean Penn didn’t find an audience.

Pink Cadillac

Domestic Gross: $12 million

Three summers later, Clint Eastwood entered Oscar territory with Unforgiven. This action comedy with Bernadette Peters is one of his forgotten efforts and stalled with critics and crowds.

I hope you enjoyed this look back on the 1989 summer period and I’ll have 1999 up soon!