Tag Archives: Evangeline Lilly

Ant-Man and the Wasp Movie Review

Size matters in the Marvel Cinematic Universe and the decade old multi-billion franchise reached its most epic heights in Avengers: Infinity War. The only superhero who’s had their own stand-alone pic not to appear in that gargantuan production was Ant-Man, the character brought to life by Paul Rudd in the summer of 2015. Sequel AntMan and the Wasp follows a traditional Avengers tale like the original did. To say it feels smaller in scope is an understatement. Part one often failed to strike a satisfying mix and surprisingly struggled to make Rudd’s title character a memorable one. Whereas Robert Downey Jr.’s Iron Man and Chris Pratt’s Star-Lord were instantly iconic heroes, it didn’t work that way in AntMan. That’s despite its star’s well-known ability to mix comedy and drama and some nifty visuals that made the third act a treat.

Rarely do we find an MCU effort without parental issues involved and they’re here. Scott Lang/Ant-Man is nearing the end of a two-year house arrest bid based on the events from Captain America: Civil War. His former love interest Hope/heroine Wasp (Evangeline Lilly) and science wiz dad Hank (Michael Douglas) are hiding out as well while conducting experiments to find their mom and wife Janet (Michelle Pfeiffer). She’s been stuck for three decades in the quantum realm that Ant-Man briefly visited in the original. His experience there leads Hope and Hank to believe she’s alive and the search is on. The technology that leads to that mystical place is sought by a low life criminal (Walton Goggins) and his crew. The FBI is curious about it, including the main agent (Randall Park in amusing turn) tasked with monitoring Scott. And then there’s Ghost (Hannah John-Kamen), a molecular challenged young lady who has her own reasons to gain powers. She teams up with a former colleague of Hank’s played by Laurence Fishburne.

If you’re thinking that’s a lot of characters to follow, I haven’t even mentioned Scott’s returning daughter (Abby Ryder Fortson), ex-wife (Judy Greer), and current husband (Bobby Cannavale). There’s also his business partners and occasional fellow crime fighters including Michael Pena and T.I. So while there’s plenty of action to follow, the MCU knows how to make it easy to follow. Compared to Infinity War, the amount of subplots seems practically minuscule.

Wasp finds Rudd settling more comfortably in the role and more humorously. That’s an aspect that was oddly not around much in 2015. Finding Scott with Pfeiffer’s character in his head in one scene provides some genuine laughs. Like in the original, Mr. Douglas appears to be having a ball. He gets his own chance to save the day at one point while his counterparts are engaged in a visually impressive car chase in the streets of San Francisco. Lilly doesn’t just share title credit here. She does have more to do.

AntMan and the Wasp is an improvement over the first. That’s a trait shared by other MCU sequels, especially in the Captain America and Thor series. Peyton Reed returns as director and the whole production feels more confident. It also doesn’t have the burden of being an origin story… something we go through a lot with this constantly growing genre. Like many of its subjects, the importance of what happens in these two hours feels small compared to the grand scale of other stories in this universe. More so than in 2015, however, Ant-Man’s existence in it feels welcome.

*** (out of four)

Ant-Man and the Wasp Box Office Prediction

The 20th entry in the Marvel Cinematic Universe crawls into theaters next weekend with AntMan and the Wasp. The sequel to the 2015 original, Paul Rudd is back in the title role along with Evangeline Lilly  as his partner in heroics (aka Wasp). Peyton Reed returns is back directing along with returning cast members Michael Pena, T.I., Bobby Cannavale, Judy Greer, and Michael Douglas. New faces joining the MCU include Walton Goggins, Michelle Pfeiffer, and Laurence Fishburne.

This has been a banner year for Disney’s multi-billion franchise as Black Panther just hit $700 million domestically and Avengers: Infinity War not far behind. While AntMan was certainly a hit, its numbers three years ago weren’t quite on pace with numerous other MCU titles. It opened to $57 million (18th of the 19 series pics) with an eventual stateside gross of $180 million (17 out of 19).

That said, the MCU is on a roll and early word-of-mouth for this follow-up is encouraging. In the past decade, we’ve seen three examples of a direct MCU sequel making $20-$30 million more than the first during opening weekend. They are:

Iron Man 2 ($128 million), Iron Man ($98 million)

Thor: The Dark World ($85 million), Thor ($65 million)

Captain America: The Winter Soldier ($95 million), Captain America: The First Avenger ($65 million)

I feel there is a very strong chance AntMan and the Wasp will do the same and possibly hit that mark of close to $30 million higher than part 1. That would put it at #14 out of the 20 MCU movies between Guardians of the Galaxy and Thor: The Dark World.

AntMan and the Wasp opening weekend prediction: $86.4 million

For my The First Purge prediction, click here:

https://toddmthatcher.com/2018/06/27/the-first-purge-box-office-prediction/

Ant-Man Movie Review

Since 2008, the Marvel Cinematic Universe (MCU) has continually exceeded expectations with the product they’ve put out. This was true no more so than in 2008 with the first entry Iron Man, which turned a superhero considered on the B list to A level material. The casting of one Robert Downey Jr. certainly helped. It held true in 2014 when Guardians of the Galaxy, considered the studio’s biggest risk to date, was a comedically charged thrill ride that turned Chris Pratt into a superstar.

We arrive at Ant-Man, directed by Peyton Reed, with some of the same skepticism that surrounded those pictures. This time expectations are not necessarily exceeded. They are merely mostly met and the choice to cast the supremely talented Paul Rudd in the title role doesn’t pay off as much as hoped for.

Rudd is Scott Lang, an expert burglar and safecracker who just got out of prison for some Robin Hood like corporate thefts. His felon status can’t get him a steady job and this estranges him from his beloved little daughter. He reluctantly accepts a theft job “one last time” but all it yields is a strange looking outfit that he believes to be motorcycle gear. It turns out the suit belongs to former S.H.I.E.L.D. scientist Hank Pym (Michael Douglas), who purposely had him lift it. Scott learns the suit is that of the Ant-Man and it has the ability to shrink him to a tiny size. This breakthrough technology was discovered by Pym, who has kept it secret for many years because of the potential danger it could wreak. Pym’s daughter Hope (Evangeline Lilly) works at Pym’s old company along with his former colleague Cross (Corey Stoll). It’s Cross who wishes to use the scientific breakthrough for nefarious warfare purposes and Pym enlists Scott (someone expendable with nothing to lose) to make sure he can’t.

This entails the Ant-Man to learn how to be the Ant-Man and that means getting to work with the actual insects who become his team. It means a number of super cool visual effects as he shrinks to minuscule size. A bathtub being drawn is The Perfect Storm to our hero. And as we also see in the MCU now, they are references to what’s occurred in other films and we get some Avengers exposure, however limited.

As with Iron Man and Thor and Captain America and the Guardians of Marvel’s past, this is the obligatory and needed origin story. The doubts that were expressed upon the film’s announcement centered on whether Ant-Man was a strong enough character to base a movie and hoped for franchise on. I can say the jury, for me, is still deliberating.

Ant-Man is not a straight out comedy yet dabbles into that genre in the same manner Guardians did. The latter did it better. Rudd is a gifted comedic and dramatic performer as we’ve seen time and again yet he never quite makes the instantly gratifying impression that Downey’s Tony Stark or Pratt’s Star Lord did. Douglas seems to be the one actually having the most fun. Lilly isn’t given a whole lot to work with other than her daddy/daughter issues with Pym. Stoll is a serviceable villain at best. Scott’s team of thieving buddies that include Michael Pena and T.I. are given a couple humorous bits.

The whole affair seems to pick up steam in the third act, especially with a delightfully amusing climactic train sequence. Ant-Man is not on the grand scale of what we typically expect from the MCU and that’s ok. Often, however, it can mean its thrills feel minimized. One also wonders how interesting this material may have been had its original director, the highly creative Edgar Wright, not dropped out due to reported creative differences. Having said that, here’s to hoping this sometimes workmanlike production will improve with its sequel like the Captain America and Thor franchises did.

**1/2 (out of four)

Ant-Man Box Office Prediction

Next Friday, the 12th film in the Marvel Cinematic Universe (MCU) is unveiled as Ant-Man makes its debut. Unlike some of the more recent entries like the Avengers and Captain America and Thor sequels, there is uncertainty as to how well this one will perform.

The title character (played by Paul Rudd) is certainly not one of the better known comic book heroes in Marvel lore and the film is said to be more comedic than anything previously contained in the MCU. It’s also said to feel smaller in scale than what we’re used to, especially compared to the gargantuan scope of the Ultron pic from two months ago. With that said, early reviews have been mostly solid and it stands at 71% on Rotten Tomatoes. Several critics have noted it should be an audience pleaser.

Peyton Reed directs with Michael Douglas and Evangeline Lilly backing up Rudd in the supporting cast. Ant-Man will attempt to bring in both action fans and families as the studio has done with these pictures on an amazingly consistent basis. In some ways, Ant-Man has some similarities to last summer’s Guardians of the Galaxy. Its box office prospects was met with skepticism for quite a while with some of the same complaints lobbed at it. Too light, too comedic, not enough name recognition for the property. That’s until Guardians picked up scorching word of mouth prior to its release and the result was it became last summer’s biggest grosser.

It would be rather shocking to see Ant-Man approach the $94 million roll out that Guardians enjoyed. There could be a wide range for how this opens. It could exceed projections and see low to mid 80s or it could compete with 2008’s The Incredible Hulk’s $55 million opening for lowest start to any pic in the MCU.

My gut says the more probable scenario is Ant-Man just managing to outdo the premieres of two other Marvel franchise openers, 2011’s Captain America: The First Avenger and Thor, which both made $65 million out of the gate. That puts my estimate in the low to mid 70s, which would be considered a very nice beginning for this next potential franchise.

Ant-Man opening weekend prediction: $73.3 million

For my Trainwreck prediction, click here:

https://toddmthatcher.com/2015/07/10/trainwreck-box-office-prediction/

Todd’s 15 Most Anticipated 2015 Summer Movies: Nos. 10-6

This evening on the blog, part II of my Top 15 Most Anticipated 2015 Summer Movies!

If you missed part one covering numbers 15-11, you can find it right here:

https://toddmthatcher.com/2015/04/09/todds-15-most-anticipated-2015-summer-movies-nos-15-11/

We move forward into the Top Ten with numbers 10-6 before my final installment tomorrow revealing the top five.

Let’s get to it!

10. Ted 2

Release Date: June 26

Seth MacFarlane’s Ted was the comedic hit of summer 2012 with its foul talking teddy bear. Mark Wahlberg is back, though Mila Kunis is out with Amanda Seyfried in. Comedy sequels are a risky proposition, but let’s hope MacFarlane can recapture the magic he made three years ago (and couldn’t duplicate with last summer’s mediocre A Million Ways to Die in the West).

9. Straight Outta Compton

Release Date: August 14

F. Gary Gray, the man responsible for several music videos featuring the film’s subjects as well as Friday and The Italian Job, directs the musical bio of NWA – the highly influential gangsta rap group that included Dr. Dre, Ice Cube, and Eazy-E. Dre and Cube serve as producers.

8. Trainwreck

Release Date: July 17

Judd Apatow had a one two punch of comedy classics with 2005’s The 40 Year Old Virgin and 2007’s Knocked Up. His follow-ups, Funny People and This is 40, were just OK. Trainwreck is said to be a return to form based on word of mouth, with comedian Amy Schumer primed for a breakout starring role. Bill Hader and Lebron James (!) co-star.

7. Ant-Man

Release Date: July 17

The last time Marvel Studios had a feature thought to be outside the box and risky, it was last summer’s Guardians of the Galaxy and it turned out to be the season’s biggest hit. This studio knows what they’re doing and here we have Paul Rudd playing the title character with Michael Douglas and Evangeline Lilly in supporting roles.

6. Aloha

Release Date: May 29

For the past decade, Cameron Crowe’s filmography has been unimpressive with Elizabethtown and We Bought a Zoo. Let us not forget, though, that this is the man that brought us Say Anything, Jerry Maguire, and Almost Famous. Crowe’s latest is a romantic comedy with a truly impressive cast – Bradley Cooper (hot off American Sniper), Emma Stone, Bill Murray, Rachel McAdams, Alec Baldwin, and Danny McBride.

And that’ll do it for now, folks! Top five coming at you tomorrow…

The Hobbit: The Battle of the Five Armies Box Office Prediction

Over a decade after he wrapped up his historic and Oscar winning Lord of the Rings trilogy, director Peter Jackson wraps up his Hobbit trilogy with The Battle of the Five Armies, out Wednesday.

Moviegoers have been treated to a Hobbit pic around Christmas time for the last three years. 2012’s An Unexpected Journey opened to $84 million on its way to a $303M domestic haul. Last year’s The Desolation of Smaug couldn’t match that number. It debuted to $73 million with an eventual $258M gross. There is some reason to believe Armies could outdo at least Smaug.

For starters, it’s the last of the series which could pique interest for some audience members wishing to bid the franchise a farewell. Reviews have been pretty solid and it sits at 71% currently on Rotten Tomatoes. Many high profile critics have gone out of their way to proclaim it the best and most exciting of the trilogy.

Unlike its predecessors, Armies premieres on a Wednesday so a five day prediction is in order. I’ll predict that its five day haul gets over what Journey managed in three days while its Friday to Sunday gross marks the lowest of the franchise due to the expanded rollout.

The Hobbit: The Battle of the Five Armies opening weekend prediction: $67.1 million (Friday to Sunday), $93.6 million (Wednesday to Sunday)

For my prediction on Night at the Museum: Secret of the Tomb, click here:

https://toddmthatcher.com/2014/12/13/night-at-the-museum-secret-of-the-tomb-box-office-prediction/

For my prediction on Annie, click here:

https://toddmthatcher.com/2014/12/14/annie-box-office-prediction/

For my prediction on Wild, click here:

https://toddmthatcher.com/2014/12/15/wild-box-office-prediction/