Spider–Man: FarFromHome opens on Tuesday next week with solid reviews in its corner. With a 90% rating on Rotten Tomatoes, many critics are calling it an improvement on its direct predecessor – 2017’s Spider–Man: Homecoming.
When it comes to Oscar’s history with the Spider-Verse over multiple features, there is past and very recent occurrences. The first two editions of Sam Raimi’s Tobey Maguire trilogy garnered nods. 2002’s Spider–Man nabbed Sound and Visual Effects nominations. Its 2004 sequel won Visual Effects, in addition to Sound nods. Since then, the four live-action features (one more with Maguire, two with Andrew Garfield, and Homecoming) received no awards love. However, last year’s animated and acclaimed Spider–Man: IntotheSpider–Verse was the winner of Best Animated Feature.
FarFromHome is, of course, part of the massive Marvel Cinematic Universe. If the studio pushes for Oscar votes, their attention in 2019 is likely to focus on Avengers: Endgame. So even with sturdy critical reaction, I would anticipate this being the fifth non-animated Spidey pic in a row to go empty handed. My Oscar Watch posts will continue…
Peter Parker’s European vacation goes awry and Marvel looks to have its third massive 2019 blockbuster in a row when Spider–Man: FarFromHome opens next week over a long holiday weekend. The sequel to 2017’s Spider–Man: Homecoming finds Tom Holland returning to the title role after appearing in Avengers: InfinityWar and Avengers: Endgame in between. Jon Watts is back directing with familiar MCU faces Samuel L. Jackson, Cobie Smulders, and Jon Favreau among the cast. Returnees from Homecoming include Zendaya, Marisa Tomei, and Jacob Batalon. Newbies to this cinematic universe are J.B. Smoove and Jake Gyllenhaal as main villain Mysterio.
The sequel should benefit tremendously from the MCU’s hot streak. Endgame and CaptainMarvel stand as the top two grossers of the year so far. Homecoming was well received two summers ago with a $334 million domestic haul. Advance word of mouth is strong.
Spidey flicks have a history of debuting over the July 4th frame. 2004’s Spider–Man2 also had a six-day rollout and earned $180 million in that time frame. Same goes for 2012’s reboot TheAmazingSpider–Man with $137 million from Tuesday to Sunday.
FarFromHome gets underway on Tuesday and I believe earnings approaching $200 million is doable. I’ll say this manages a bit under $100 million from the traditional Friday to Sunday frame with just under the double century mark over the holiday.
Spider-Man: Far From Home opening weekend prediction: $92.5 million (Friday to Sunday); $190.4 million
**There’s really no way to write a review of Avengers: Endgame without some minor spoilers. You may wish to read this post viewing…
The word “epic” can be overused by those who review movies like me, but it unquestionably applies to Avengers: Endgame. It’s epic in its running time (none of the other 21 MCU pics run three hours) and epic in the number of well-known thespians reprising their superhero and villain characters. It doesn’t seem feasible that so many characters could manage to coexist in this vast universe without seeming like a gimmick. If you happen to think predecessor InfinityWar was overcrowded, you’ll get whiplash here. Truth be told, there are moments when this borders on playing like a greatest hits reel based on what’s preceded it during the last eleven years.
Yet Endgame figures out a rewarding way to stick the landing and honor the dozens of faces that we’ve spent billions of dollars visiting since 2008. At the conclusion of InfinityWar, bad guy Thanos (Josh Brolin) had collected his precious Infinity Stones and decimated half the intergalactic population into dramatic looking dust particles. What’s left is mostly the core of the OG Avengers – Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/Hulk (Mark Ruffalo), and Black Widow (Scarlett Johansson). There’s others as Rocket (voice of Bradley Cooper) is the sole surviving Guardian of the Galaxy. And we have the two notable characters that were MIA last summer – Hawkeye (Jeremy Renner) and Ant-Man (Paul Rudd).
One might think this whole saga might be about the original band and some newer friends taking on Thanos. You would be wrong. Endgame has plenty of time bending tricks up its endless story arch sleeves. The first is an unexpected resolution that comes very early. However, that climax is just a set-up to further complications.
This is indeed a time travel movie in which the screenwriters almost sheepishly concede the contrived nature of such a device. The survivors set upon a course of multiple back in time ways to retrieve the Stones and bring back their loved ones. It doesn’t happen overnight and the lengthy nature of the plan coming together provides funny and poignant moments. Tony is off the grid with his beloved Pepper (Gwyneth Paltrow) and a new addition. Bruce is in full Hulk mode, but kindler and gentler. Thor is rounder and drunkenly grappling with his losses. Hawkeye is a full-blown vigilante. When the gang revs up their figurative DeLoreans, it gives us a chance to revisit lots of MCU personnel. And it’s a LOT of former players. Some are genuinely surprising. During this lengthy stretch, the film walks a fine line of not devolving into nostalgic sugar shock amidst the action sequences. By the final act, it rises above it.
We know the battle scenes will be well choreographed and well-directed (with the Russo Brothers handling duties once again). The final one is rather jaw dropping with the mixing of so many known quantities. Thanos is one of the stronger villains in MCU history and he remains so here, though there’s nothing fresh to add about his character. His daughter Nebula (Karen Gillan), on the other hand, continues her evolution as a fine addition to the roster.
The comic relief comes more from Thor as opposed to Ant-Man or Rocket and Hemsworth is up to the task. Captain America and Black Widow are given their emotional moments that we’re invested in from their backstories. To this writer, it’s Tony who’s always been the damaged beating heart of this franchise. The Marvel Cinematic Universe simply wouldn’t exist as it is without Downey Jr.’s brilliant work. That’s never changed. The quality of the movies he’s appeared in has. His performance has always been fantastic. If we’re ranking, I would put Endgame as an overall experience just under the first Avengers in 2012 and InfinityWar. I can’t promise that thinking about all the shifting time plot points might raise as many questions as answers. I won’t deny that its emotional payoff is real and we have Downey and an amazing group of technicians bringing these comics to life to thank for it.
This was a weekend where TheLegoMovie2: TheSecondPart was expected to easily nab the #1 spot at the box office. That mission was accomplished, but it did so with much less money than any prognosticator figured. The sequel to the 2014 original took in $34 million and that was about $20 million less than expected. I had a feeling it would under perform and forecasted a $48 million debut. However, I never figured a mid 30s premiere.
For some context, the first Lego experience five years ago made $69 million out of the gate and eventually earned $257 million domestically. In 2017, first franchise spin-off TheLegoBatmanMovie debuted to $53 million ($175 million total). The first sign of trouble came a few months later when TheLegoNinjagoMovie came in far under estimates with $20 million in its opening weekend and a lowly $59 million stateside. Yet some attributed the poor Ninjago performance to its limited niche audience.
TheSecondPart marked a hopeful return to form for Warner Bros considering it was a direct sequel to a picture that made over $250 million. There is no doubt that the number produced this weekend could block future plans for the series. Its best hope ahead could be the President’s Day weekend as the studio hopes it will have a small decline. Any way you cut it, though, part two will seriously come in under its predecessor. We now have two LegoMovie collapses in a row and it will be interesting to see how Warner handles it.
A decade into its multi-billion dollar cinematic universe, Avengers: InfinityWar invites viewers to marvel at its gathering of superhero titans to fight another – a villain from planet Titan who reverses one frequent MCU debit (a weak villain). It’s an experience that yields many positive results packed with the action and humor we’ve come to anticipate from the best of this franchise. This movie is massive and it feels that way. The 19th entry in the MCU that started with 2008’s IronMan, here we have nearly all the significant characters from its catalog banding together. If you ever wondered how Thor (Chris Hemsworth) would get along with the Guardians of the Galaxy, the answer is humorously provided. How do the egos of Tony Stark/Iron Man (Robert Downey Jr.) and Doctor Stephen Strange (Benedict Cumberbatch) and Star-Lord (Chris Pratt) meld? You’re about to find out. What happens when the original Avengers and others pick up their weapons alongside Black Panther (Chadwick Boseman) in Wakanda? Giddyup!
All of this runs the risk of InfinityWar coming off as gimmicky, but it mostly doesn’t. That’s because directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely do a remarkable job sticking these giants into the blender and creating something that goes down smooth. This is not necessarily a sequel to 2015’s Avengers: AgeofUltron or 2016’s CaptainAmerica: CivilWar (essentially the third Avengers flick). Rather it’s a follow-up to almost every MCU title. It’s important to know what happened in the actual Avengers pics and CivilWar, but I’d suggest having knowledge of the Guardians, Panther, and so on. Lucky for Disney and Marvel Studios, you probably do. The gathering of these comic book and box office behemoths leads InfinityWar to often feel like the continuation of a long running TV serial – albeit one with huge stars and an unlimited budget.
What brings all the characters together is Thanos (Josh Brolin). He has the proportions of the Hulk (Mark Ruffalo) and a similar sized ambitions of world destruction. Thanos is hell-bent on collecting the Infinity Stones, six potent gems that would render him all-powerful and capable of wiping out populations of many galaxies. After the breakup of the Avengers in CivilWar two years ago, it’s Thanos that causes Mr. Stark and Captain America (Chris Evans) to put their differences aside. Thus begins the jigsaw puzzle of matching up Guardians and Asgardian gods with Wakanda kings and mystical doctors and your friendly neighborhood Spider-Man (Tom Holland).
As you may recall, Thanos has history with one particular character – Gamora (Zoe Saldana). She’s his adopted daughter after he decimated her home planet when she was a little girl. For those who might have assumed the Guardians of the Galaxy would have a glorified cameo in this universe, that is certainly not the case. It’s Gamora’s backstory with Thanos that puts meat on his character’s bones and assists in making him one of the franchise’s best villains. Brolin, for his part, gives the performance his menacing all in crafting him.
Delving too far into what happens in InfinityWar would feel like cheating in any review. Part of the fun here is discovering just how these dozens of heroes and villains coexist. Some general observations: Thor alongside Groot and Rocket is a joy, as is witnessing Groot as a bratty teen with its attention rooted to a video game device. The return to Wakanda and its whip smart inhabitants feels welcome just weeks after Panther’s stand-alone effort. And after 10 years of Tony Stark onscreen in numerous MCU titles, Downey Jr.’s portrayal of him is still as strong as ever. There’s never been a moment in the decade where it felt like Downey was slumming it. He’s the heart of this franchise.
The conclusion of InfinityWar leaves a lot open for the sequel that will arrive next year. When the credits roll before the inevitable post-credits sequence, we witness something both powerful and perhaps not as powerful as it seems after careful thought (saying more would be a spoiler). There’s no doubt, however, that this comic book all-star game is a winner.
It may feel like winter in many parts of the country even though it’s spring, but next weekend is essentially the start of the summer box office in 2018 when Avengers: Infinity War invades theaters. This is the 19th picture in the Marvel Cinematic Universe that began a decade ago with 2008’s Iron Man and the third installment of the Avengers franchise that kicked off in 2012 (an untitled fourth installment is out next summer).
After 10 years of these superheroes populating our screens in one form or another, Infinity War is the picture that brings them all together. That means we have the Avengers we’re used to seeing together: Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), and Hawkeye (Jeremy Renner). They’ve got a whole lot of company this time around, including Black Panther (Chadwick Boseman), Spider-Man (Tom Holland), Doctor Strange (Benedict Cumberbatch), Ant-Man (Paul Rudd), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Falcon (Anthony Mackie), Loki (Tom Hiddleston), Bucky (Sebastian Stan), and the whole Guardians of the Galaxy gang (Chris Pratt, Zoe Saldana, Dave Bautista, and the vocal work of Bradley Cooper and Vin Diesel). Josh Brolin is main villain Thanos. Other actors from the MCU returning include Gwyneth Paltrow, Idris Elba, Paul Bettany, Letitia Wright, Danai Gurira, Benicio del Toro, Cobie Smulders, Angela Bassett, Tessa Thompson, and Jon Favreau. Brothers Anthony and Joe Russo (who directed 2016’s Captain America: Civil War) are behind the camera. Whew…
The gathering of the entire MCU is one impressive selling point and there’s been developments that have even increased the anticipation for Infinity‘s release. Last summer’s Spider-Man: Homecoming was well-received, as were Guardians and Thor sequels. Yet perhaps more than anything else, this February’s Black Panther turned into a phenomenon – becoming the third highest grossing domestic earner of all time.
Projections have steadily increased in the past few weeks. It is not outside the realm of possibility that Infinity War could have the largest stateside opening of all time. In order to do so, it would need to surpass the $247 million achieved by 2015’s Star Wars: The Force Awakens. To accomplish the 2nd biggest debut, it would need to exceed the $220 million of last year’s Star Wars: The Last Jedi. It will almost certainly achieve the record for an MCU premiere, which is currently held by the original Avengers at $207 million.
I believe this will pass Jedi and rather easily. Getting to the Awakens number is doable, but I’ll project it falls a bit under that milestone.
Avengers: Infinity War opening weekend prediction: $240.2 million
Nearly four years ago, Tom Cruise had a decent performer in the form of JackReacher, based on a series of thriller novels by Lee Child. The pic opened to $15 million over the Christmas holiday in 2012 and eventually took in a solid $80 million.
Still, that gross was not enough to figure a sequel was automatically warranted. Yet here we are with JackReacher: NeverGoBack, which re-teams Cruise with his LastSamurai director Edward Zwick and costars Cobie Smulders. The director of the its predecessor, Christopher McQuarrie, moved onto make the fifth Mission: Impossible and will reportedly do the sixth.
Whether this earns enough to see a third installment is questionable. Of Cruise’s last five pictures that he’s headlined, Reacher is actually the lowest grosser. The sequel will almost surely make more in its opening weekend, but it’s not exactly a fair comparison. Movies released over the Xmas weekend almost always open lower than they would over a typical weekend and develop longer legs in subsequent winter frames. So while the debut should be larger, I’m not sure it reaches $80M domestic in the long run.
I don’t see this getting much higher than mid 20s or much lower than $20M. My prediction essentially splits the difference.
JackReacher: NeverGoBack opening weekend prediction: $23.9 million
For my Ouija: OriginofEvil prediction, click here: