Masters of the Universe hopes to have the power of box office potency when it debuts this weekend. As I wrote in my financial prediction post, that could be a challenge. This is the second big screen treatment for the animated series and toy line behind 1987’s dud with Dolph Lundgren as He-Man. Nicholas Galitzine takes over the role almost four decades later with Jared Leto as Skeletor. The supporting cast includes Camila Mendes, Alison Brie, James Purefoy, Jóhannes Haukur Jóhannesson, Kristin Wiig (providing voiceover work), Morena Baccarin, and Idris Elba. Travis Knight, no stranger to adapting 80s material with Bumblebee, directs.
Several critics are being kind and calling it entertaining summer fluff. The Rotten Tomatoes score is 74%. The 53 Metacritic is more indicative of some negative critical reaction as well. The mid 80s Masters actually received a Razzie nomination in Supporting Actor for Billy Barty. The new Masters probably won’t show up there. With Visual Effects as the only remote possibility, I can’t imagine it showing up at the Academy Awards either. My Oscar Prediction posts will continue…
Bringing IP to the screen that’s been dormant for nearly 40 years, Masters of the Universe hopes to kickstart a new franchise when it debuts June 5th. Adapting the toy line and Saturday morning cartoon franchise that began in the early 80s, Travis Knight (Bumblebee) directs with Nicholas Galitzine as hero Adam/He-Man and Jared Leto as the villainous Skeletor. The supporting cast includes Camila Mendes, Alison Brie, James Purefoy, Morena Baccarin, Jóhannes Haukur Jóhannesson, and Idris Elba. Kristin Wiig provides voiceover work.
While the film has been in development for many years, you have to go back to 1987 to find the first (and last) time these characters appeared in theaters. That was with Dolph Lundgren as He-Man, Frank Langella as Skeletor, and Courteney Cox in the middle of the action. It was a critical and financial dud and the new Masters hopes to avoid the same fate.
There are challenges. First and foremost, younger viewers may not be as familiar with the source material. Older viewers who did watch the animated series decades ago might not be clamoring for the update. The studio is banking on parents and their kids turning out.
Knight exceeded expectations with Bumblebee and Amazon MGM looks for buzz to increase with his latest. I’m still skeptical this meets its somewhat meager expectations in the mid 30s. I’m taking the under for a rocky beginning.
Masters of the Universe opening weekend prediction: $29.8 million
As they frequently do over the Thanksgiving holiday, Disney should reign supreme with an animated effort. In 2025, they’ll do it via Zootopia 2 which follows up the 2016 original. Jared Bush and Byron Howard are back directing. Returning voice work comes from Ginnifer Goodwin, Jason Bateman, Shakira, Idris Elba, Alan Tudyk, Bonnie Hunt, and Jenny Slate. Newcomers to the franchise include Ke Huy Quan, Fortune Feimster, Andy Samberg, David Strathairn, Patrick Warburton, Quinta Brunson, and Danny Trejo.
At the 89th Academy Awards, Zootopia won Best Animated Feature against fellow studio competitor Moana and the acclaimed Kubo and the Two Strings. It opened early in the calendar (March) and maintained frontrunner status throughout the long awards season. Reviews were strong with 98% on Rotten Tomatoes and a 78 Metacritic.
The sequel is also generating solid critical reaction with 93% on RT and Metacritic at 73. Those numbers are sturdy enough that I’m confident Zootopia 2 has reserved a spot in the Animated Feature quintet. It also has a shot to be victorious like its predecessor. However, I’ve had it ranked in second position behind the cultural juggernaut that is Netflix’s KPop Demon Hunters. Overcoming that streaming phenomenon could be a tall order. It might be achievable but leaving it in second feels right unless precursors alter the narrative. My Oscar Prediction posts will continue…
Disney has owned the Thanksgiving holiday in recent years and that looks to continue when Zootopia 2 arrives November 26th. Jared Bush and Byron Howard are back directing the sequel to the 2016 blockbuster that took home Best Animated Feature at the Oscars. Returning voices include Ginnifer Goodwin, Jason Bateman, Idris Elba, and Shakira. New faces behind the mics are Ke Huy Quan, Fortune Feimster, Andy Samberg, David Strathairn, Patrick Warburton, Quinta Brunson, Roman Reigns, and CM Punk.
Last year, the Mouse House smashed the Thanksgiving box office record with Moana 2. That follow-up took in $139 million from Friday to Sunday with $225 million when counting Wednesday and Turkey Day. The previous highest three-day opening was the original Moana (also from 2016) at $56 million.
Zootopia 2 should fall between the Moana‘s in the record books. In a best case scenario, it could threaten part 2. In March 2016, the original exceeded expectations with a $75 million start on its way to $341 million overall domestically. This is widely anticipated to build on that with room to spare.
I’ll project a Friday to Sunday gross between $110 to $115 million and a five-day topping $180 million.
Zootopia 2 opening weekend prediction: $112.4 million (Friday to Sunday); $184.3 million (Wednesday to Sunday)
Netflix will have some decisions to make when it comes to campaigning for their various entries at the 98th Academy Awards. As expected, Kathryn Bigelow’s A House of Dynamite will be part of that process. The political thriller marks the director’s first effort behind the camera since 2017’s Detroit. While it didn’t generate any nominations eight years ago, her previous two (2009’s The Hurt Locker, 2012’s Zero Dark Thirty) scored a win and a nom, respectively, in Best Picture. For Locker, Bigelow became the first female to take the Best Director prize (two more have followed).
Dynamite premiered at Venice prior to its October 10th limited theatrical release and October 24th bow on the aforementioned streamer. The large ensemble cast includes Idris Elba, Rebecca Ferguson, Gabriel Basso, Jared Harris, Tracy Letts, Anthony Ramos, Moses Ingram, Jonah Hauer-King, Greta Lee, Kaitlyn Dever, and Jason Clarke.
Reviews indicate this a return to form for the filmmaker. Rotten Tomatoes and Metacritic score are both 88 at press time. Best Picture and Director are certainly possibilities. As I mentioned, Netflix has some other potential Venice screening heavy hitters via Jay Kelly and Frankenstein.
The Hurt Locker‘s noms included Jeremy Renner in Actor while Jessica Chastain was up for Actress in Zero Dark Thirty. Word-of-mouth for Dynamite indicates unlikely possibilities for any of the cast. That said, the Academy could honor the whole group in the new Casting race. Other tech possibilities include Film Editing, Cinematography, Original Score and Sound. There’s a shot for Original Screenplay though that competition is already looking packed. My Oscar Prediction posts will continue…
Netflix has put out Fixed this week and it marks the first R rated animation effort from Sony. Genndy Tartakovsky, best known for helming the Hotel Transylvania franchise, directs. The voice cast for the tale of a dog about to be neutered includes Adam DeVine, Idris Elba, Kathryn Hahn, Fred Armisen, Beck Bennett, and Bobby Moynihan.
Originally set for distribution by Warner Bros until they cut it loose, Netflix picked up the rights and reviews are mixed. The Rotten Tomatoes score is 63% with Metacritic at only 51. If Sausage Party couldn’t break into the Academy’s Animated Feature quintet with better marks, that leaves little hope for this. My Oscar Prediction posts will continue…
Paramount seeks mega millions at the multiplex as Sonic the Hedgehog 3 arrives December 20th. Based on the hugely successful video games series from Sega, Jeff Fowler is in the director’s chair just as he was for the first two. Ben Schwartz returns to voice the title character with Jim Carrey back as the live-action main antagonist. Other faces behind the mic include Colleen O’Shaughnessey, Idris Elba, and Keanu Reeves while James Marsden, Tika Sumpter, Krysten Ritter, Natasha Rothwell, and Shemar Moore are among the in front of camera participants.
Over President’s Day weekend in 2020, the first Sonic took in $70 million over the four-day holiday. It ended up with $149 million as its earnings were disrupted by the pandemic that followed shortly after. In April of 2022, the sequel made $72 million for its start and $190 million stateside.
Early word-of-mouth is encouraging suggesting this is the strongest of the trio. Despite direct competition from Mufasa: The Lion King, this should be crowned box office ruler of the pre-Christmas frame. I believe this continues the upward trajectory of the franchise with a high 70s sprint to the number one spot.
Sonic the Hedgehog 3 opening weekend prediction: $77.6 million
For my Mufasa: The Lion King prediction, click here:
Universal hopes that horror fans board The Last Voyage of the Demeter when it opens August 11th. Based on a chapter from Bram Stoker’s signature novel Dracula, André Øvredal (maker of Scary Stories to Tell in the Dark) directs Corey Hawkins, Aisling Franciosi, David Dastmalchian, Javier Botet, Liam Cunningham, and Woody Norman in the tale of passengers trying to surviving a trip from Transylvania to London.
The Dracula angle could succeed in getting some genre fans out, but this Voyage‘s marketing campaign seems to be lacking. At this point, the studio might settle for a premiere similar to its Idris Elba starrer Beast, which took in nearly $12 million in mid-August last year. It could also debut in range with the vampiric The Invitation, which didn’t reach $7 million a week after Beast opened.
A gross closer to The Invitation as opposed to Beast is where this might land.
The Last Voyage of the Demeter opening weekend prediction: $6.4 million
Just like last year, the Marvel Cinematic Universe may land atop the charts over Labor Day weekend. This time around, it’ll be with considerably less money… as in, less than one-tenth of what we witnessed in 2021. Spider-Man: No Way Home – The More Fun Stuff Edition (with 11 minutes of extra footage) is scheduled for the widest (re)release of the holiday frame.
Steven Spielberg’s OG summer blockbuster Jaws also returns to cinemas. The only true newcomer is the Regina Hall/Sterling K. Brown satire Honk for Jesus. Save Your Soul,, which is also available on streaming via Peacock.
My detailed prediction posts on each are accessible here:
Let’s start with Jesus as I have its $2.4 million projected Friday-Monday offering potentially falling outside of the top ten. There’s a slight chance it could surprise, but I doubt it.
There’s been a narrative developing for awhile that Top Gun: Maverick could manage to return to first position in its 15th week. During Labor Day, popular holdovers do often expand their gross from the previous frame. I expect that will be the case here. However, I do believe Spidey’s 3000 screens (some IMAX) should allow it to swing back to #1 after it originally debuted last December. This should leave the runner-up spot for Maverick or Bullet Train (they should be close). That’s a far cry from this same period in 2021 when Shang-Chi and the Legend of the Ten Rings decimated the all-time Labor Day record with $94 million.
Jaws is only on a fraction of the webbed superhero’s venues (about 1200) so the possibilities are limited. My estimate of $3.1 million would probably put it in seventh place.
Current champ The Invitation hardly impressed in its premiere (more on that below). With a troubling C Cinemascore grade, expect it to be one of the only leftovers that does see diminished returns. It should drop to at least fourth while the five spot could be close between DC League of Super-Pets and Beast.
And with that, let’s do a top 7 outlook and keep in mind these numbers are for the four-day holiday:
1. Spider-Man: No Way Home – The More Fun Stuff Edition
Predicted Gross: $7 million
2. Top Gun: Maverick
Predicted Gross: $6.2 million
3. Bullet Train
Predicted Gross: $6 million
4. The Invitation
Predicted Gross: $4.6 million
5. DC League of Super-Pets
Predicted Gross: $4.3 million
6. Beast
Predicted Gross: $4.1 million
7. Jaws
Predicted Gross: $3.1 million
Box Office Results (August 26-28)
I’ll go the obvious route… there weren’t many RSVP’s for YA horror tale The Invitation. This is the first time in 15 months that the #1 pic didn’t manage to make over $10 million. The Invitation stumbled with $6.8 million, below my $8.1 million forecast.
Bullet Train was second with $5.6 million (on target of my $5.5 million call) with an overall take of $78 million.
Top Gun: Maverick was third with $4.7 million (I went with $5.2 million) as the juggernaut has now gathered $691 million. The biggest hit of the year is on a glide path to topple Black Panther ($700 million) next and become the fifth largest domestic earner in history.
Beast had a hefty sophomore drop of 58% for $4.8 million and fourth place. That’s under my $5.7 million prediction. The subpar two-week tally is $20 million.
Dragon Ball Super: Super Hero, as anticipated, plummeted in its second weekend (its genre is extremely front loaded). After a fantastic $21 million start, Hero fell 78% to fifth with $4.6 million (I was more generous at $5 million). After ten days, it’s taken in $30 million stateside.
DC League of Super-Pets was sixth with $4.1 million (I said $4.6 million) for $74 million in its 5 weeks of release.
Finally, George Miller’s Three Thousand Years of Longing was a pricey dud for MGM. The Idris Elba/Tilda Swinton Djinn fantasy, with a reported $60 million budget, opened in 7th with a mere $2.9 million. I thought it could at least manage $4 million. The studio is certainly wishing they hadn’t spent what they did after that performance.
It’s not that I wished I hadn’t watched Three Thousand Years of Longing, George Miller’s deconstruction of a Djinn’s fulfillment offerings. There are fascinating moments and the maker of the Mad Max franchise will always be good for a visual spectacle. By its conclusion, I wished I’d been more compelled by its narratologist lead Alithea (Tilda Swinton). Early on she expresses that she finds her feelings via stories. That translates to her personal life where she claims to be content being a loner. In her professional life, Alithea basically regales conference attendees and students with her takes about grand tales and the mythology behind them.
While on assignment in Istanbul, she purchases an antique artifact that summons the Djinn (Idris Elba) in her hotel lavatory. The London scholar is soon presented with a predictable request – three wishes for the pointy eared visitor’s freedom. She doesn’t bite because her occupation tells her that the genie story is always cautionary in nature.
Alithea does get what she wants for awhile as the pair converse in their bathrobes. Djinn provides her with his history of being bottled and not bottled. As the title suggests, it’s 30 centuries of anecdotes and they involve harems of plus size concubines and being part of a Solomon and Sheba love triangle. The most effective involves a captive love interest (Burca Golgedar) whose genius inventions are ahead of their time and not proper for her gender to tout.
I will acknowledge that Longing is unpredictable in a frequently fun way as Djinn recounts his unique brand of cautionary tales (Alithea’s not exactly wrong with her gut reaction). The interplay between Swinton and Elba allows for some humorous and highly entertaining passages. When their association rises to a higher level, it’s where I felt Miller and cowriter Augusta Gore’s screenplay doesn’t emotionally land. The lover from the lamp’s past is more spellbinding than his present with Alithea. That makes the third act, in particular, disappointing and made me long for more from this story.
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