Kingdom of the Planet of the Apes is poised to rule over the box office charts as it looks for a similar opening to its predecessors. We also have Not Another Church Movie, spoofing the Tyler Perry assembly line of features out. You can peruse my detailed prediction posts on the newcomers here:
I have Kingdom premiering similarly to 2011’s Rise of the Planet of the Apes and 2017’s War for the Planet of the Apes and even a smidge higher. I don’t foresee it reaching the heights of 2014’s Dawn of the Planet of the Apes at $72 million.
As for Church, I’m forecasting its number of parishioners gives it a mid single digits start and that should mean a third place showing. I do believe it has a shot at over performance, per my individual write-up. It could also flame out in the low single digits (this is a tough one).
There’s no question that The Fall Guy did not exceed expectations. In fact, the action comedy with Ryan Gosling and Emily Blunt came in at the lowest end of its anticipated range (more on that below). An A- Cinemascore could mean the sophomore drop won’t be too damaging, but I suspect high 40s to low 50s is where the dip will be.
Holdovers Challengers and the re-release of Star Wars: Episode 1 – The Phantom Menace should round out the top five. The latter’s first weekend back in theaters is probably front loaded. Therefore I see Phantom sliding from 2nd to 5th and Challengers only down one spot in fourth.
Here’s how I see it shaking out:
1. Kingdom of the Planet of the Apes
Predicted Gross: $55.2 million
2. The Fall Guy
Predicted Gross: $13.3 million
3. Not Another Church Movie
Predicted Gross: $4.9 million
4. Challengers
Predicted Gross: $4.7 million
5. Star Wars: Episode 1 – The Phantom Menance
Predicted Gross: $4 million
Box Office Results (May 3-5)
Despite the Barbenheimer pedigree (the pics that ruled summer 2023), The Fall Guy‘s performance was stunted at just $27.7 million. That’s well under my $38.3 million prediction and a letdown considering the reported $150 million price tag. For the past decade and a half, the MCU/Disney has owned the first weekend of May that marks the official start of cinematic summer. With that franchise sitting it out, audiences responded with indifference to the Gosling and Blunt show.
The Mouse Factory did bank some more cash for its Star Wars franchise. Marking its 25th anniversary and despite its checkered reputation, the re-release of The Phantom Menace took in $8.7 million for second place. It certainly didn’t hurt that Saturday fell on May 4th (a sacred date for many fans). That tops my $6.8 million forecast as the first episode is now at $483 million stateside in the last quarter century.
Challengers was third with $7.5 million, on target with my $7.9 million call. Zendaya’s sports drama eased an expected 49% to bring its two-week total to $29 million.
Poorly reviewed horror flick Tarot had a fourth place debut in the cards with $6.5 million, a bit over my $5.6 million projection. Look for this to fade fast as have other recent genre offerings.
Godzilla x Kong: The New Empire rounded out the top five with $4.5 million (I said $4.7 million) to bring its haul to $188 million after six weeks.
Finally, faith-based drama Unsung Hero fell considerably further in weekend #2 than I figured. In seventh place, its $2.9 million gross was well under my estimate of $5.4 million. The total is $13 million.
The summer box office season officially rises with Ryan Gosling and Emily Blunt in The Fall Guy as horror pic Tarot is also on deck. You can peruse my detailed prediction posts on the newcomers here:
Blogger’s Update (04/30): A couple hours after posting, per the comments below, I realized the large theatrical output that The Phantom Menance re-release is getting this weekend. My $6.8M projection puts it in third.
Loosely based on the 1980s action show, the supporting Oscar nominees from Barbenheimer should dominate the charts with The Fall Guy. This is the rare year in the past decade and a half that the MCU is sitting the first frame of May out. Fall won’t climb anywhere near as high as that franchise does to kick off the season. A best case scenario might be $50 million, but I’ve got it in the high 30s. This should leg out impressively over the coming weeks.
As for Tarot, a mid single digits take should place it fourth behind the second weekend of current champ Challengers and Phantom. Scary movies have struggled lately with recent genre titles failing to reach $10 million out of the box.
The sophomore drop for Challengers could have a somewhat wide range. A low to mid 40s decline would be considered a win. I suspect it might see a fall in the high 40s or low 50s region.
Another question mark is the percentage reduction for faith-based drama Unsung Hero in weekend #2. With an A+ Cinemascore grade, audiences are liking what they see and should be recommending to friends and, in this case, fellow parishioners. It might only witness a 25-35% decrease and has a decent shot at being fourth if Tarot comes in under my meager projection.
Godzilla x Kong: The New Empire should round out the high six and here’s how I see it playing out:
1. The Fall Guy
Predicted Gross: $38.3 million
2. Challengers
Predicted Gross: $7.9 million
3. Star Wars: Episode 1 – The Phantom Menace re-release
Predicted Gross: $6.8 million
4. Tarot
Predicted Gross: $5.6 million
5. Unsung Hero
Predicted Gross: $5.4 million
6. Godzilla x Kong: The New Empire
Predicted Gross: $4.7 million
Box Office Results (April 26-28)
Zendaya and company fought off all competitors as Challengers served up $15 million in its opening. The well-reviewed love triangle didn’t quite match my $16.2 million forecast. It ended up right in its anticipated range.
Unsung Hero was runner-up with a solid $7.7 million, besting my $5.9 million call. In its first weekend it made back its tiny $6 million price tag and, as mentioned, should hold up well in the near future.
Godzilla x Kong: The New Empire was third in weekend #5 at $7.2 million compared to my $6 million prediction. The overall take is a roaring $181 million.
Civil War plummeted from 1st to 4th with $7 million while still topping my $6.3 million projection. The three-week tally is $56 million.
Abigail rounded out the top five in its sophomore go-round at $5.2 million (I was close at $5.4 million). Total is $18 million.
Finally, The Ministry of Ungentlemanly Warfare was sixth with $3.8 million. I was higher at $5.2 million as it dove a hefty 57% in its second weekend.
For decades in Hollywood, the first weekend of May (or occasionally last frame of April) has served as the official start of cinematic summer. Ryan Gosling’s character in The Fall Guy might have worked on some of those kickoff projects as his stuntman title character gets top billing here. Emily Blunt co-headlines the action comedy from director David Leitch (Atomic Blonde, Deadpool 2, Bullet Train). Aaron Taylor-Johnson, Winston Duke, Hannah Waddingham, and Stephanie Hsu provide supporting work.
This Universal project (loosely based on the 1980s TV show) finds the studio in an unfamiliar position. The summer season has begun in many recent years with a Disney/MCU blockbuster getting the financial ball rolling (last year it was Guardians of the Galaxy Vol. 3).
Obviously The Fall Guy won’t reach MCU figures, but it has a lot going for it. Gosling is hot off Barbie and a recent SNL hosting stint that generated lots of buzz. Blunt is coming off reigning BP winner Oppenheimer. The Barbenheimer duo’s teaming initially debuted at South by Southwest to loud buzz and solid reviews (the RT score is 90%).
I do believe a $50 million opening is achievable but unlikely. Low 40s to mid 40s is also reasonable while mid to high 30s might be where it lands. Regardless I think this will leg out impressively throughout May.
The Fall Guy opening weekend prediction: $38.3 million
For my Star Wars: Episode 1 – The Phantom Menace re-release prediction, click here:
My first two Year Of posts for the cinematic gifts we’ll remember in 2023 didn’t cover individuals. They focused on the phenomenon known as Barbenheimer and the impressive past few months for video game adaptations. You can peruse both of those entries here:
Now we arrive at one performer whose year shone brightest beyond the silver screen. Yes, we’re talking Taylor, Swifties! Whether it was on her money minting tour or upping NFL viewership due to her romance with Travis Kelce, it was all about Taylor in 2023.
That popularity extended to the multiplex. On October 13th, her concert pic Taylor Swift: The Eras Tour broke every record in the genre. Actually it did so before it release by racking up ginormous pre-sales. When it debuted, the result was a $250 million worldwide gross with nearly $180 million of that stateside. Critics turned into Swifties as well (99% on Rotten Tomatoes).
This reversed perhaps the only blip on Swift’s career trajectory. Her movie past was littered with disappointments like 2019’s Cats and 2022’s Amsterdam. With Eras, she now stands tall as the Queen of the Concert Movie… and pretty much everything else in 2023. My Year Of posts will continue…
As I do at the tail end of each year, I’m gifting you some posts recounting what enthralled us on the big screen in the preceding 12 months. There will be five for 2023 and, for the first write-up, I didn’t have to think too hard. This year, audiences across the globe were transfixed by the phenomenon known as “Barbenheimer”.
That would be the combination of Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer. Both pictures opened on July 21st stateside. The former – Gerwig’s modern take on the Mattel doll and her cinematic universe – drew critical praise and became the biggest hit of the year with $1.4 billion worldwide. The latter – Nolan’s biopic of the man who built the atom bomb – made $954 million worldwide (good for third overall) and proved that three-hour historical biopics can make unforeseen amounts of dough.
Barbie and Oppenheimer will forever be tied together despite their many differences. The similarities? Crowds were excited to see both. Both are primed to vie for Best Picture at the Oscars. Each could see a trifecta of their actors contend for acting prizes. For Barbie – Margot Robbie in Actress, Ryan Gosling in Supporting Actor, and America Ferrera in Supporting Actress. For Oppenheimer – Cillian Murphy in Actor, Robert Downey Jr. in Supporting Actor, and Emily Blunt in Supporting Actress. And in a welcome development, the summer’s two behemoths weren’t sequels.
With the possible exception of Top Gun: Maverick in 2022, Barbenheimer is likely the most notable box office story of the decade and certainly for 2023. My Year Of posts will continue tomorrow!
Prior to its January 7th airing on CBS and Paramount+, nominations for the 81st Golden Globe Awards are out Monday, December 11th. After years of airing on NBC, the ceremony has found a new home after the controversies of the last few years involving the Hollywood Foreign Press Association.
That’s not the only change with the program. The categories we are used to have expanded from five to six nominees. And a new competition – Cinematic and Box Office Achievement – comes with eight contenders. We could safely coin this the “Barbenheimer” race unless Taylor Swift has something to say about that.
As always, there’s some controversy in the differentiation between Drama and Musical/Comedy placements. Netflix decided to campaign Todd Haynes’s May December in the latter even though Drama seems more appropriate. It could help it get more noms.
Here we go with my picks in each cinematic derby and I’ll give you an alternate with each.
Motion Picture (Drama)
Anatomy of a Fall
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
The Zone of Interest
Alternate: Saltburn
Motion Picture (Musical/Comedy)
American Fiction
Barbie
The Color Purple
The Holdovers
May December
Poor Things
Alternate: Air
Film Director
Bradley Cooper, Maestro
Greta Gerwig, Barbie
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Martin Scorsese, Killers of the Flower Moon
Celine Song, Past Lives
Alternate: Alexander Payne, The Holdovers
Actress (Film Drama)
Annette Bening, Nyad
Lily Gladstone, Killers of the Flower Moon
Sandra Hüller, Anatomy of a Fall
Greta Lee, Past Lives
Carey Mulligan, Maestro
Cailee Spaney, Priscilla
Alternate: Teyana Taylor, A Thousand and One
Actor (Film Drama)
Bradley Cooper, Maestro
Leonardo DiCaprio, Killers of the Flower Moon
Colman Domingo, Rustin
Barry Keoghan, Saltburn
Cillian Murphy, Oppenheimer
Andrew Scott, All of Us Strangers
Alternate: Zac Efron, The Iron Claw
Actress (Musical/Comedy)
Fantasia Barrino, The Color Purple
Abby Ryder Fortson, Are You There God? It’s Me, Margaret
Julia Louis-Dreyfus, You Hurt My Feelings
Natalie Portman, May December
Margot Robbie, Barbie
Emma Stone, Poor Things
Alternate: Jennifer Lawrence, No Hard Feelings
Actor (Musical/Comedy)
Gael Garcia Bernal, Cassandro
Nicolas Cage, Dream Scenario
Timothee Chalamet, Wonka
Matt Damon, Air
Paul Giamatti, The Holdovers
Jeffrey Wright, American Fiction
Alternate: Jamie Foxx, The Burial
Supporting Actress
Emily Blunt, Oppenheimer
Danielle Brooks, The Color Purple
Jodie Foster, Nyad
Taraji P. Henson, The Color Purple
Julianne Moore, May December
Da’Vine Joy Randolph, The Holdovers
Alternate: Rachel McAdams, Are You There God? It’s Me, Margaret
Supporting Actor
Robert De Niro, Killers of the Flower Moon
Robert Downey Jr., Oppenheimer
Ryan Gosling, Barbie
Charles Melton, May December
Mark Ruffalo, Poor Things
Dominic Sessa, The Holdovers
Alternate: Willem Dafoe, Poor Things
Best Screenplay
American Fiction
Barbie
The Holdovers
Killers of the Flower Moon
Oppenheimer
Poor Things
Alternate: May December
Cinematic and Box Office Achievment
Barbie
Elemental
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Oppenheimer
Spider-Man: Across the Spider-Verse
The Super Mario Bros. Movie
Taylor Swift: The Eras Tour
Alternate: The Little Mermaid
Motion Picture (Non-English Language)
Anatomy of a Fall
Perfect Days
Society of the Snow
The Taste of Things
The Teachers’ Lounge
The Zone of Interest
Alternate: The Promised Land
Motion Picture (Animated)
The Boy and the Heron
Chicken Run: Dawn of the Nugget
Elemental
Nimona
Spider-Man: Across the Spider-Verse
The Super Mario Bros. Movie
Alternate: Wish
Original Score
The Boy and the Heron
Killers of the Flower Moon
Nyad
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse
Alternate: Elemental
Original Song
“Dance the Night” from Barbie
“I’m Just Ken” from Barbie
“What Was I Made For?” from Barbie
“Keep It Movin” from The Color Purple
“The Fire Inside” from Flamin’ Hot
“A World of Your Own” from Wonka
Alternate: “Peaches” from The Super Mario Bros. Movie
That equates to these movies generating these numbers of nominations:
9 Nominations
Barbie
8 Nominations
Oppenheimer
7 Nominations
Killers of the Flower Moon
6 Nominations
Poor Things
5 Nominations
The Color Purple, The Holdovers
4 Nominations
Maestro, May December
3 Nominations
American Fiction, Nyad, Past Lives, Spider-Man: Across the Spider-Verse
2 Nominations
The Boy and the Heron, Elemental, The Super Mario Bros. Movie, Wonka, The Zone of Interest
1 Nomination
Air, All of Us Strangers, Are You There God? It’s Me, Margaret, Cassandro, Chicken Run: Dawn of the Nugget, Dream Scenario, Flamin’ Hot, Guardians of the Galaxy Vol. 3, John Wick: Chapter 4, Nimona, Perfect Days, Priscilla, Rustin, Saltburn, Society of the Snow, The Taste of Things, Taylor Swift: The Eras Tour, The Teachers’ Lounge, You Hurt My Feelings
Beginning today, I’m taking a deeper dive into the six major categories for the 96th Academy Awards slated for March 2024. Ardent readers of this here blog know that I typically update my predictions every 10-14 days.
Yet there’s been some major developments in the past week and there will be more in the week or so to come. The Telluride Film Festival just happened. Venice is ongoing and Toronto starts tonight. In other words, a whole bunch of Oscar hopefuls have just screened or are about to screen.
So for these closer looks at the four acting derbies, Best Director, and Best Picture – I’m obviously keeping all that in mind with the heavy buzz emanating from Colorado, Italy, and Ontario.
We begin with Supporting Actor. In this competition, 3 of the biggest contenders saw their movies released (or screen) prior to the September trio of festivals. Robert Downey Jr. (Oppenheimer) and Ryan Gosling (Barbie) are, of course, part of the Barbenheimer phenomenon. Both appear highly likely to be nominated. I could see a narrative develop where Downey Jr. is honored for his body of work (in addition to his strong work in the film itself) and ends up taking the trophy. This would mark his third nom after 1992’s Chaplin and 2008’s Tropic Thunder. He’s currently my #1.
A similar victory could happen with Robert De Niro for Killers of the Flower Moon (which first screened at Cannes in May). The acting legend is a two-time Oscar winner, but it’s been 43 years since he took the lead prize for Raging Bull. You have go back to 49 years for his first statue in Supporting for The Godfather Part II. A Downey Jr. or De Niro statue could be contingent on which of their movies wins BP (if one of them does). The momentum from the top prize could dwindle down to either one of them.
Before its rapturous unveiling at Venice, there was uncertainty as to whether Mark Ruffalo or Willem Dafoe would be Fox Searchlight’s strongest contender for Poor Things. The answer might be both. Ruffalo could have the slight edge, but both could make the dance. That wouldn’t be all that surprising. Three of the past four Supporting Actor quintets have seen double nominees from the same feature – The Irishman in 2019 for Al Pacino and Joe Pesci, The Power of the Dog in 2021 for Jesse Plemons and Kodi Smit-McPhee, and last year for The Banshees of Inisherin with Brendan Gleeson and Barry Keoghan. It’s worth mentioning that none of the six nominees took the prize.
Speaking of double nominees, it isn’t out of the question that the aforementioned Plemons could materialize for Flower Moon. Same goes for Matt Damon in Oppenheimer. I suspect they ultimately don’t make it.
Past Lives is an acclaimed drama that seems destined for a BP spot. John Magaro is sure to be placed here and he could absolutely get into the final five. There is a question as to whether his costar Teo Yoo is campaigned for in lead or here. I’ve got him in the former as of now.
If Air overperforms, I wouldn’t totally discount Ben Affleck (he’s never had an acting mention). Glenn Howerton in BlackBerry has drawn plenty of raves. He’ll win some critics prizes and could be a trendy pick for inclusion. Charles Melton was singled out for his work alongside Natalie Portman and Julianne Moore at Cannes.
Dominic Sessa could see himself in for The Holdovers (especially if Alexander Payne dramedy’s cast mates Paul Giamatti and Da’Vine Joy Randolph make their categories).
The Maestro acting campaigns should go to Carey Mulligan and Bradley Cooper in lead and not Matt Bomer. Saltburn reactions suggest any attention will go to star Barry Keoghan and not Richard E. Grant.
And there are unseen hopefuls in the wings. Colman Domingo in The Color Purple immediately comes to mind. His nom might not happen because he’s almost surely going to make the lead Actor’s five with Rustin.
So where’s that leave us? I’m shortening my possible nominees from 15 to 10 and here’s my snapshot of the race right now!
Predicted Nominees
1. Robert Downey Jr., Oppenheimer (Previous Ranking: 1) (Even)
2. Robert De Niro, Killers of the Flower Moon (PR: 2) (E)
The box office and critical phenomenon known as Barbenheimer looms large over my first August Oscar predictions. I toyed with moving Oppenheimer and its maker Christopher Nolan to the #1 spots in BP and Director. They sit in second with Martin Scorsese’s Killers of the Flower Moon clinging to the top. On the other hand, Robert Downey Jr.’s work in Oppenheimer is now first over Robert De Niro from Killers.
Meanwhile, I have finally put Barbie in my ten BP contenders and that takes out Air. While it materializes in the big race, I’m still keeping Greta Gerwig and Margot Robbie out of Director and Actress, respectively.
We are a month away from the triumvirate of Venice, Telluride, and Toronto. They will undoubtedly shape and alter what you read below. Here’s where I believe it stands right now.
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. Oppenheimer (PR: 3) (+1)
3. Dune: Part Two (PR: 4) (+1)
4. Past Lives (PR: 2) (-2)
5. The Color Purple (PR: 5) (E)
6. The Zone of Interest (PR: 6) (E)
7. Saltburn (PR: 7) (E)
8. Maestro (PR: 10) (+2)
9. Anatomy of a Fall (PR: 8) (-1)
10. Barbie (PR: 11) (+1)
Other Possibilities:
11. Poor Things (PR: 12) (+1)
12. Air (PR: 9) (-3)
13. The Holdovers (PR: 14) (+1)
14. Spider-Man: Across the Spider-Verse (PR: 13) (-1)
15. Napoleon (PR: 15) (E)
16. The Killer (PR: 21) (+5)
17. May December (PR: 15) (-1)
18. Ferrari (PR: 22) (+4)
19. Asteroid City (PR: 17) (-2)
20. Next Goal Wins (PR: 18) (-2)
21. Rustin (PR: 19) (-2)
22. The Piano Lesson (PR: 20) (-2)
23. The Nickel Boys (PR: 24) (+1)
24. Bob Marley: One Love (PR: Not Ranked)
25. Priscilla (PR: Not Ranked)
Dropped Out:
BlackBerry
The Book of Clarence
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Christopher Nolan, Oppenheimer (PR: 2) (E)
3. Denis Villeneuve, Dune: Part Two (PR: 3) (E)
4. Celine Song, Past Lives (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 5 (E)
Other Possibilities:
6. Blitz Bazawule, The Color Purple (PR: 7) (+1)
7. Justine Triet, Anatomy of a Fall (PR: 6) (-1)
8. Greta Gerwig, Barbie (PR: 10) (+2)
9. Emerald Fennell, Saltburn (PR: 8) (-1)
10. Bradley Cooper, Maestro (PR: 9) (-1)
11. Yorgos Lanthimos, Poor Things (PR: 11) (E)
12. Ridley Scott, Napoleon (PR: 12) (E)
13. Alexander Payne, The Holdovers (PR: 13) (E)
14. David Fincher, The Killer (PR: 14) (E)
15. Wes Anderson, Asteroid City (PR: 15) (E)
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Sandra Hüller, Anatomy of a Fall (PR: 3) (E)
4. Emma Stone, Poor Things (PR: 5) (+1)
5. Annette Bening, Nyad (PR: 7) (+2)
Other Possibilities:
6. Jessica Lange, Long Day’s Journey Into Night (PR: 4) (-2)
7. Margot Robbie, Barbie (PR: 6) (-1)
8. Carey Mulligan, Maestro (PR: 9) (+1)
9. Natalie Portman, May December (PR: 8) (-1)
10. Cailee Spaeny, Priscilla (PR: 10) (E)
11. Kate Winslet, Lee (PR: 11) (E)
12. Regina King, Shirley (PR: 12) (E)
13. Emily Blunt, Pain Hustlers (PR: Not Ranked)
14. Helen Mirren, Golda (PR: 14) (E)
15. Teyana Taylor, A Thousand and One (PR: 13) (-2)
Dropped Out:
Judy Greer, Eric Larue
Best Actor
Predicted Nominees:
1. Leonardo DiCaprio, Killers of the Flower Moon (PR: 1) (E)
2. Cillian Murphy, Oppenheimer (PR: 3) (+1)
3. Bradley Cooper, Maestro (PR: 4) (+1)
4. Colman Domingo, Rustin (PR: 2) (-2)
5. Barry Keoghan, Saltburn (PR: 5) (E)
Other Possibilities:
6. Paul Giamatti, The Holdovers (PR: 6) (E)
7. Teo Yoo, Past Lives (PR: 10) (+4)
8. Joaquin Phoenix, Napoleon (PR: 8) (E)
9. Kingsley Ben-Adir, Bob Marley: One Love (PR: 9) (E)
10. Anthony Hopkins, One Life (PR: Not Ranked)
11. Matt Damon, Air (PR: 11) (E)
12. Michael Fassbender, Next Goal Wins (PR: 12) (E)
13. Adam Driver, Ferrari (PR: 15) (+2)
14. Anthony Hopkins, Freud’s Last Session (PR: 7) (-7)
15. Ed Harris, Long Day’s Journey Into Night (PR: 13) (-2)
Dropped Out:
David Strathairn, A Little Prayer
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Rosamund Pike, Saltburn (PR: 8) (+4)
5. Emily Blunt, Oppenheimer (PR: 4) (-1)
Other Possibilities:
6. Da’Vine Joy Randolph, The Holdovers (PR: 6) (E)
7. Viola Davis, Air (PR: 5) (-2)
8. Julianne Moore, May December (PR: 7) (-1)
9. Jodie Foster, Nyad (PR: 9) (E)
10. Aunjanue Ellis, The Nickel Boys (PR: 10) (E)
11. Audra McDonald, Rustin (PR: 13) (+2)
12. Danielle Deadwyler, The Piano Lesson (PR: 11) (-1)
13. Helena Bonham-Carter, One Life (PR: Not Ranked)
14. America Ferrera, Barbie (PR: 12) (-2)
15. Vanessa Kirby, Napoleon (PR: 14) (-1)
Dropped Out:
Rachel McAdams, Are You There God? It’s Me, Margaret
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 3) (+2)
2. Robert De Niro, Killers of the Flower Moon (PR: 1) (-1)
3. Ryan Gosling, Barbie (PR: 2) (-1)
4. John Magaro, Past Lives (PR: 4) (E)
5. Willem Dafoe, Poor Things (PR: 6) (+1)
Other Possibilities:
6. Colman Domingo, The Color Purple (PR: 5) (-1)
7. Samuel L. Jackson, The Piano Lesson (PR: 7) (E)
8. Charles Melton, May December (PR: 8) (E)
9. Jesse Plemons, Killers of the Flower Moon (PR: 12) (+3)
10. Dominic Sessa, The Holdovers (PR: 15) (+5)
11. Glenn Howerton, BlackBerry (PR: 11) (E)
12. Mark Ruffalo, Poor Things (PR: 14) (+2)
13. Matt Damon, Oppenheimer (PR: Not Ranked)
14. Glynn Turman, Rustin (PR: 10) (-4)
15. Ben Affleck, Air (PR: 9) (-6)
Dropped Out:
Matt Bomer, Maestro
Best Original Screenplay
Predicted Nominees:
1. Past Lives (PR: 1) (E)
2. Saltburn (PR: 2) (E)
3. Anatomy of a Fall (PR: 3) (E)
4. Air (PR: 4) (E)
5. May December (PR: 5) (E)
Other Possibilities:
6. The Holdovers (PR: 7) (+1)
7. Maestro (PR: 6) (-1)
8. Asteroid City (PR: 8) (E)
9. Napoleon (PR: 10) (+1)
10. Rustin (PR: 9) (-1)
11. The Book of Clarence (PR: 12) (+1)
12. Bob Marley: One Love (PR: Not Ranked)
13. Fair Play (PR: 14) (+1)
14. The Iron Claw (PR: 15) (+1)
15. The Boy and the Heron (PR: 13) (-2)
Dropped Out:
Drive Away Dolls
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Oppenheimer (PR: 2) (E)
3. Poor Things (PR: 5) (+2)
4. Barbie (PR: 4) (E)
5. Dune: Part Two (PR: 3) (-2)
Other Possibilities:
6. The Color Purple (PR: 7) (+1)
7. The Zone of Interest (PR: 6) (-1)
8. Spider-Man: Across the Spider-Verse (PR: 8) (E)
9. Next Goal Wins (PR: 13) (+4)
10. BlackBerry (PR: 9) (-1)
11. The Nickel Boys (PR: 12) (+1)
12. The Piano Lesson (PR: 10) (-2)
13. The Killer (PR: 11) (-2)
14. One Life (PR: Not Ranked)
15. Ferrari (PR: Not Ranked)
Dropped Out:
Dumb Money
Freud’s Last Session
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. Anatomy of a Fall (PR: 2) (E)
3. About Dry Grasses (PR: 4) (+1)
4. Monster (PR: 3) (-1)
5. The Pot-Au-Feu (PR: 5) (E)
Other Possibilities:
6. The Boy and the Heron (PR: 6) (E)
7. El Conde (PR: Not Ranked)
8. Fallen Leaves (PR: 9) (+1)
9. The Delinquents (PR: 8) (-1)
10. La Chimera (PR: 10) (E)
Dropped Out:
Perfect Days
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
6. Spider-Man: Across the Spider-Verse (PR: 7) (+1)
7. The Zone of Interest (PR: 9) (+2)
8. The Killer (PR: 10) (+2)
9. Napoleon (PR: 8) (-1)
10. Asteroid City (PR: Not Ranked)
Dropped Out:
Poor Things
Best Original Song
Predicted Nominees:
1. TBD from The Color Purple (PR: 1) (E)
2. “What Was I Made For?” from Barbie (PR: 3) (+1)
3. “The Wish” from Wish (PR: 2) (-1)
4. “Just Ken” from Barbie (PR: 4) (E)
5. TBD from The Hunger Games: The Ballad of Songbirds and Snakes (PR: 5) (E)
Other Possibilities:
6. “Gonna Be You” from 80 for Brady (PR: 6) (E)
7. “Steal the Show” from Elemental (PR: 7) (E)
8. “Dance the Night” from Barbie (PR: 8) (E)
9. “Quiet Eyes” from Past Lives (PR: 9) (E)
10. “Joan Still” from Theater Camp (PR: Not Ranked)
Dropped Out:
“Am I Dreaming?” from Spider-Man: Across the Spider-Verse
Best Production Design
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Barbie (PR: 6) (+3)
4. Oppenheimer (PR: 3) (-1)
5. Poor Things (PR: 4) (-1)
Other Possibilities:
6. Asteroid City (PR: 7) (+1)
7. The Color Purple (PR: 9) (+2)
8. Napoleon (PR: 5) (-3)
9. The Zone of Interest (PR: 8) (-1)
10. Maestro (PR: Not Ranked)
Dropped Out:
Wonka
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. The Color Purple (PR: 7) (+4)
4. Napoleon (PR: 3) (-1)
5. Spider-Man: Across the Spider-Verse (PR: 5) (E)
Other Possibilities:
6. Killers of the Flower Moon (PR: 4) (-2)
7. Maestro (PR: 8) (+1)
8. Barbie (PR: Not Ranked)
9. The Zone of Interest (PR: 9) (E)
10. Ferrari (PR: 6) (-4)
Dropped Out:
The Killer
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Oppenheimer (PR: 2) (E)
3. Guardians of the Galaxy Vol. 3 (PR: 3) (E)
4. Napoleon (PR: 6) (+2)
5. The Creator (PR: 4) (-1)
Other Possibilities:
6. Indiana Jones and the Dial of Destiny (PR: 9) (+3)
7. Killers of the Flower Moon (PR: 7) (E)
8. Wonka (PR: 5) (-3)
9. Dungeons & Dragons: Honor Among Thieves (PR: Not Ranked)
10. Barbie (PR: Not Ranked)
Dropped Out:
Poor Things
Spaceman
That equates to these movies garnering these numbers of nominations:
12 Nominations
Oppenheimer
11 Nominations
Dune: Part Two
10 Nominations
Killers of the Flower Moon
8 Nominations
Barbie
7 Nominations
The Color Purple, Past Lives
6 Nominations
Poor Things
4 Nominations
Anatomy of a Fall, Napoleon, Saltburn, The Zone of Interest
3 Nominations
Maestro
2 Nominations
Elemental, Guardians of the Galaxy Vol. 3, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
20 Days in Mariupol, About Dry Grasses, Air, Beyond Utopia, The Boy and the Heron, The Creator, Ferrari, The Hunger Games: The Ballad of Songsbirds and Snakes, May December, Monster, The Mother of All Lies, Nyad, The Pot-Au-Feu, Rustin, Stamped from the Beginning, Still: A Michael J. Fox Movie, Teenage Mutant Ninja Turtles: Mutant Mayhem
Pizza loving reptilian crimefighters are back and a giant shark wreaks havoc on humans and animals (again) as Teenage Mutant Ninja Turtles: Mutant Mayhem and Meg 2: The Trench open wide this week. You can peruse my detailed predictions posts on the newcomers here:
Turtles is getting the best reviews of any picture in the 30 year plus franchise as the animated reboot opens on Wednesday. With positive buzz and a healthy nostalgia factor, mid to high 30s over the traditional weekend and a five-day haul topping $50 million appears to be an achievable level of green.
The competition from Donatello, Michelangelo, Raphael, and Leonardo could hurt Meg 2 a tad. While the 2018 original premiered with $45 million, a mid 20s gross might be all that the sequel bites off.
This means the newbies may lag behind Barbie (for Turtles) and Oppenheimer (for Trench). Greta Gerwig’s take on the iconic doll should easily spend a third weekend atop the charts after a magnificent sophomore hold (more on that below). Oppenheimer could approach nearly $30 million in its third go-round.
Following a lackluster start, Disney’s Haunted Mansion should see a dip of at least 50% for fifth place.
Here’s how I see the pieces falling into place:
1. Barbie
Predicted Gross: $60.4 million
2. Teenage Mutant Ninja Turtles: Mutant Mayhem
Predicted Gross: $36.1 million (Friday to Sunday); $51.2 million (Wednesday to Sunday)
3. Oppenheimer
Predicted Gross: $29.3 million
4. Meg 2: The Trench
Predicted Gross: $24.5 million
5. Haunted Mansion
Predicted Gross: $11.4 million
Box Office Results (July 28-30)
As mentioned, Barbie was nothing to toy with in its second outing as the phenomenon made off with $93 million (ahead of my $82.6 million prediction). That’s the seventh largest sophomore weekend in box office history between The Avengers and The Super Mario Bros. Movie. My estimate above, incidentally, gives it the seventh best third frame.
Barbie only fell 43% and the same was true for Oppenheimer in second. Christopher Nolan’s Oscar contender took in $46.7 million, reaching a bit higher than my $43.8 million take. The three hour biopic has amassed $174 million thus far.
The Mouse House had another disappointment with Haunted Mansion. With mediocre reviews and scant chatter, the family fright flick was third with $24 million compared to my slightly better $25.4 million projection. Look for it to fade quickly.
Sound of Freedom was fourth with $12.8 million (I said $14.7 million) as the season’s sleeper hit is up to $149 million.
Mission: Impossible – Dead Reckoning Part One rounded out the top five with $10.6 million. My call? $10.6 million! In three weeks, the Tom Cruise sequel has underwhelmed with $139 million.
Finally, A24’s acclaimed low-budget horror pic Talk to Me was a robust sixth with $10.4 million. That’s well beyond my meager guesstimate of $3.6 million. Lesson learned – bet the over on this genre.
Blogger’s Update (07/26): A rather low reported 1900 screen count for Talk to Me has lowered my estimate from $4.8 million to $3.6 million. That likely leaves it outside of the top six.
After a historic box office weekend, July closes out with a pair of new releases in Disney’s Haunted Mansion and A24’s critically acclaimed Talk to Me. Neither are likely to dislodge the potent 1-2 punch of Barbenheimer. My detailed prediction posts on the newbies are here:
I don’t really see audiences clamoring for a fresh spin on Haunted Mansion (nearly 20 years after the one with Eddie Murphy) and buzz seems light. Family crowds should get it to a ho-hum mid 20s gross and that would place it in third.
Even if it made $30-35 million, that wouldn’t mean top two. Those spots are reserved for Barbie and Oppenheimer after their amazing starts (more on that below). The question is how far each dips in weekend #2.
For Barbie, the event status that it took on makes it somewhat naturally front loaded. A worst case decline might be around 55-60%. Considering the A Cinemascore grade and chance for repeat business, I’ll say 45-50% is more feasible and that means low to possibly mid 80s.
Oppenheimer also nabbed an A Cinemascore grade and perhaps some adult viewers are content for the IMAX screenings to be a bit less packed. I’ll say it doesn’t quite fall 50% with a take of over $40 million.
Sound of Freedom should continue its meager percentage decreases while Mission: Impossible – Dead Reckoning Part One hopes to right the ship after a turbulent two weeks. They should place fourth and fifth, respectively.
While Talk to Me is generating impressive reviews, this could be the type of A24 elevated horror experience that doesn’t bring genre fans out in droves. A lot of them just got their fright fix with Insidious: The Red Door as well.
And with that, here’s how I see the top 6 playing out:
1. Barbie
Predicted Gross: $82.6 million
2. Oppenheimer
Predicted Gross: $43.8 million
3. Haunted Mansion
Predicted Gross: $25.4 million
4. Sound of Freedom
Predicted Gross: $14.7 million
5. Mission: Impossible – Dead Reckoning Part One
Predicted Gross: $10.6 million
Box Office Results (July 21-23)
Racking up the fourth highest financial frame in history, Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer gave us the best weekend in over four years.
Barbie captured the zeitgeist and an especially sizable female audience to the tune of $162 million, right on pace with my $160.8 million prediction. That’s the best three-day opening of 2023 and my hunch is that it will remain so. It’s also the #1 premiere for a female directed feature and 20th overall.
Oppenheimer gave Mr. Nolan his personal best third start (after The Dark Knight Rises and The Dark Knight). Blasting beyond my $65.3 million estimate, the three-hour Oscar contender amassed $82.4 million for an astonishing runner-up showing. Those packed IMAX screenings didn’t hurt.
Sound of Freedom was third as it continued its low declines with $19.8 million, just below my $21 million projection. The brilliantly marketed action thriller sits at $124 million.
And this is where the good news stops. Mission: Impossible: Dead Reckoning, after a less than expected opening, had a free fall from 1st to 4th. The Barbenheimer phenomenon helped it plummet 65% to $19.3 million compared to my $25.5 million call. The ten-day tally is $118 million.
Indiana Jones and the Dial Destiny and Insidious: The Red Door were fifth and sixth, respectively. Each made $6.6 million. Indy‘s four-week earnings are at $158 million while Insidious‘s three-week bounty is $71 million.
I incorrectly had Elemental in fifth, but it was seventh with $5.7 million (I said $6.7 million) for $137 million overall.
All My Life... I Wanted To Be A Blogster 