Tag: Aaron Taylor-Johnson

99th Academy Awards Predictions: May 6th Edition

My second helping of ranked Oscar predictions for next year’s 99th ceremony can be called the pre-Cannes estimates. That festival in the French Riviera kicks off May 12th and runs through May 23rd. It will be our first look at several potential contenders: Ryusuke Hamaguchi’s All of a Sudden, Pawel Pawlikowski’s Fatherland, Cristian Mungiu’s Fjord, Na Hong-jin’s Hope, James Gray’s Paper Tiger, and The Man I Love from Ira Sachs to name a few. Keep an eye on the blog for my individual posts exploring the viability of the screening pictures.

The Academy made some news of its own by announcing rule changes. The most significant is that actors can be nominated twice in the same category. There’s been recent examples of when this could have resulted in a performer getting two nods. I would say most recently that Sebastian Stan could have benefited. He was nominated in lead Actor for The Apprentice and a double shot was possible via A Different Man. Going back a ways, Kate Winslet won Best Actress in 2008 for The Reader and might have seen her name pop again for Revolutionary Road. In 2006, Kate’s Titanic mate Leonardo DiCaprio was in contention for Blood Diamond. He could have easily landed another shot via The Departed.

In International Feature Film, the criteria has always been that a submitting nation can choose just one entrant for consideration. While that rule holds, the Academy has added another path to get in. If a picture wins a qualifying international festival (such as Cannes, Berlin, Toronto, Sundance, Venice), it is now a contender. This would have helped Anatomy of a Fall in 2023 since France did not choose it as their representative picture, but it emerged victorious for the Palme d’Or at Cannes.

Since my last update in mid-April, Michael opened to gigantic box office and mediocre reviews. While the audience score on Rotten Tomatoes is high, critical griping could cripple its viability at the Oscars. However, I wouldn’t completely rule out the acclaimed work of Jaafar Jackson and Colman Domingo. Best Picture? Probably a bridge too far despite the gaudy numbers.

The Devil Wears Prada 2 also hit multiplexes. While Meryl Streep was a Best Actress nominee 20 years ago for the original, a second at-bat seems like a reach. The sequel could materialize, however, in Costume Design and/or Original Song where Lady Gaga has a track. Those categories won’t be forecasted until a few weeks down the line.

We also learned that Narnia: The Magician’s Nephew from Greta Gerwig will not be out (on Netflix) until 2027. I had it on the outside looking in at #11. It drops from contention this time around.

You can read all the speculation below and my next update will arrive as Cannes concludes!

Best Picture

Predicted Nominees:

1. The Odyssey (Previous Ranking: 1) (Even)

2. Project Hail Mary (PR: 2) (E)

3. Wild Horse Nine (PR: 3) (E)

4. Digger (PR: 5) (E)

5. Fjord (PR: 6) (E)

6. No One Cares (PR: 6) (E)

7. Fatherland (PR: 8) (+1)

8. Dune: Part Three (PR: 10) (+2)

9. The Social Reckoning (PR: 9) (E)

10. All of a Sudden (PR: 7) (-3)

Other Possibilities:

11. Hope (PR: Not Ranked)

12. Cry to Heaven (PR: 16) (+4)

13. A Place in Hell (PR: 12) (-1)

14. Paper Tiger (PR: 21) (+7)

15. Werwulf (PR: 18) (+3)

16. Sense and Sensibility (PR: 23) (+7)

17. Josephine (PR: 17) (E)

18. Saturn Return (PR: 22) (+4)

19. The Entertainment System is Down (PR: 14) (-5)

20. Jack of Spades (PR: 24) (+4)

21. Being Heumann (PR: 15) (-6)

22. A Long Winter (PR: 13) (-9)

23. Behemoth! (PR: 25) (+2)

24. Michael (PR: 20) (-4)

25. The Adventures of Cliff Booth (PR: 19) (-6)

Dropped Out:

Narnia: The Magician’s Nephew

Best Director

Predicted Nominees:

1. Christopher Nolan, The Odyssey (PR: 1) (E)

2. Alejandro Gonzalez Iñárritu, Digger (PR: 2) (E)

3. Martin McDonagh, Wild Horse Nine (PR: 4) (+1)

4. Cristian Mingiu, Fjord (PR: 3) (+1)

5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 3) (-2)

Other Possibilities:

6. Pawel Pawlikowski, Fatherland (PR: 7) (+1)

7. Ryusuke Hamaguchi, All of a Sudden (PR: 6) (-1)

8. Denis Villeneuve, Dune: Part Three (PR: 9) (+1)

9. Jesse Eisenberg, No One Cares (PR: 8) (-1)

10. Na Hong-jin, Hope (PR: Not Ranked)

11. Tom Ford, Cry to Heaven (PR: 12) (+1)

12. Aaron Sorkin, The Social Reckoning (PR: 13) (+1)

13. Robert Eggers, Werwulf (PR: 14) (+1)

14. James Gray, Paper Tiger (PR: Not Ranked)

15. Greg Kwedar, Saturn Return (PR: Not Ranked)

Dropped Out:

Greta Gerwig, Narnia: The Magician’s Nephew

Ruben Östlund, The Entertainment System is Down

David Fincher, The Adventures of Cliff Booth

Best Actress

Predicted Nominees:

1. Renate Reinsve, Fjord (PR: 1) (E)

2. Sandra Hüller, Fatherland (PR: 4) (+2)

3. Julianne Moore, No One Cares (PR: 3) (E)

4. Mikey Madison, The Social Reckoning (PR: 2) (-2)

5. Michelle Williams, A Place in Hell (PR: 5) (E)

Other Possibilities:

6. Virginie Efira, All of a Sudden (PR: 6) (E)

7. Cynthia Erivo, Prima Facie (PR: 10) (+3)

8. Sandra Hüller, Rose (PR: 11) (+3)

9. Ruth Madeley, Being Heumann (PR: 7) (-2)

10. Sophie Okonedo, Clarissa (PR: 9) (-1)

11. Mason Reeves, Josephine (PR: 8) (-3)

12. Daisy Edgar-Jones, Sense and Sensibility (PR: 14) (+2)

13. Rachel Brosnahan, Saturn Return (PR: 13) (E)

14. Penélope Cruz, Bunker (PR: Not Ranked)

15. Lily Gladstone, The Memory Police (PR: 12) (-3)

Dropped Out:

Amy Adams, At the Sea

Best Actor

Predicted Nominees:

1. Tom Cruise, Digger (PR: 1) (E)

2. Ryan Gosling, Project Hail Mary (PR: 2) (E)

3. Sebastian Stan, Fjord (PR: 4) (+1)

4. John Malkovich, Wild Horse Nine (PR: 3) (-1)

5. Hanns Zischler, Fatherland (PR: 5) (E)

Other Possibilities:

6. Matt Damon, The Odyssey (PR: 6) (E)

7. Dominic Sessa, Tony (PR: 8) (+1)

8. Jaafar Jackson, Michael (PR: 10) (+2)

9. Nicholas Hoult, Cry to Heaven (PR: 9) (E)

10. John Turturro, The Only Living Pickpocket in New York (PR: 15) (+5)

11. Jeremy Allen White, The Social Reckoning (PR: Not Ranked)

12. Adam Driver, Paper Tiger (PR: Not Ranked)

13. Josh O’Connor, Jack of Spades (PR: Not Ranked)

14. Rami Malek, The Man I Love (PR: Not Ranked)

15. Timothée Chalamet, Dune: Part Three (PR: 11) (-4)

Dropped Out:

Robert Aramayo, I Swear

Pedro Pascal, Behemoth!

Brad Pitt, The Adventures of Cliff Booth

Charles Melton, Saturn Return

Best Supporting Actress

Predicted Nominees:

1. Mariana di Girolamo, Wild Horse Nine (PR: 2) (+1)

2. Sandra Hüller, Digger (PR: 6) (+4)

3. Parker Posey, Wild Horse Nine (PR: 1) (-2)

4. Halle Bailey, No One Cares (PR: 3) (-1)

5. Daisy Edgar-Jones, A Place in Hell (PR: 7) (+2)

Other Possibilities:

6. Tao Okamato, All of a Sudden (PR: 5) (-1)

7. Anne Hathaway, The Odyssey (PR: 4) (-3)

8. Sandra Hüller, Project Hail Mary (PR: 8) (E)

9. Scarlett Johannson, Paper Tiger (PR: 10) (+1)

10. Lesley Manville, Jack of Spades (PR: Not Ranked)

11. Esmé Creed-Miles, Sense and Sensibility (PR: Not Ranked)

12. Kirsten Dunst, The Entertainment System is Down (PR: 12) (E)

13. Caitriona Balfe, A Long Winter (PR: 9) (-4)

14. Penélope Cruz, The Invite (PR: Not Ranked)

15. Gemma Chan, Josephine (PR: 13) (-2)

Dropped Out:

Wunmi Mosaku, The Social Reckoning

Frances McDormand, Jack of Spades

Elizabeth Debicki, The Adventures of Cliff Booth

Best Supporting Actor

Predicted Nominees:

1. Paul Giamatti, No One Cares (PR: 1) (E)

2. John Goodman, Digger (PR: 2) (E)

3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)

4. Steve Buscemi, Wild Horse Nine (PR: 6) (+2)

5. Robert Pattinson, The Odyssey (PR: Not Ranked)

Other Possibilities:

6. Jeremy Strong, The Social Reckoning (PR: 6) (-1)

7. Colman Domingo, Michael (PR: 4) (-3)

8. Andrew Scott, A Place in Hell (PR: 7) (-1)

9. Tom Holland, The Odyssey (PR: 8) (-1)

10. Jesse Plemons, Digger (PR: 11) (+1)

11. Channing Tatum, Josephine (PR: 12) (+1)

12. Mark Ruffalo, Being Heumann (PR: 9) (-3)

13. David Oyelowo, Clarissa (PR: 13) (E)

14. Antonio Banderas, Tony (PR: Not Ranked)

15. Aaron Taylor-Johnson, Cry to Heaven (PR: Not Ranked)

Dropped Out:

Daniel Brühl, The Entertainment System is Down

Riz Ahmed, Digger

    Oscar Predictions: 28 Years Later

    28 Days Later from Danny Boyle reinvigorated its genre 22 years ago with 2007 sequel 28 Weeks Later also generating solid reviews. Now Boyle is back in the director’s seat this Friday with 28 Years Later and word-of-mouth is encouraging once again. It’s not often you see soulful and rich used to describe this type of feature and that’s the case here. The post-apocalyptic threequel stars Jodie Comer, Aaron-Taylor Johnson, Jack O’Connell, Alfie Williams, and Ralph Fiennes.

    Some critics are praising this as a zombie flick classic with 95% on Rotten Tomatoes and a 78 Metacritic. That is currently the best RT score of the trilogy. Boyle, an Oscar winner for 2008’s Slumdog Millionaire, reunites with screenwriter Alex Garland (now a successful filmmaker who penned Academy nominated Ex Machina).

    Since both gentlemen have been in the awards mix since their 28 Days collaboration over two decades ago, could Academy voters take a look at this? I doubt they will for Best Picture or other top of the line races. It’s not an impossibility, but one hindrance could be Ryan Coogler’s vampiric Sinners from earlier this year. That horror title seems destined for BP and directorial nods.

    I do wonder if 28 Years could make a play in Makeup & Hairstyling. That might be its best shot for the franchise entering the Academy’s consciousness. My Oscar Prediction posts will continue…

    28 Years Later Box Office Prediction

    18 years later from the previous installment of the acclaimed zombie franchise comes 28 Years Later on June 20th. Danny Boyle, who made the original 28 Days Later in 2002, is back directing with a cast including Jodie Comer, Aaron Taylor-Johnson, Jack O’Connell, and Ralph Fiennes. Alex Garland, who has become a well-known filmmaker via Ex Machina and Civil War, handles screenwriting duties like he did 23 years back.

    28 Days Later was a cult hit that took in $10 million in its first weekend with an eventual $45 million domestic gross. 2007’s 28 Weeks Later opened with $9.8 million and $28 million overall stateside. In the nearly 20 years since, both titles are now considered hallmarks of the genre that helped kick off a zombie renaissance leading to The Walking Dead, World War Z, and more. Sony seems confident in bringing this series back. 28 Days Later: The Bone Temple from director Nia DaCosta is slated to follow this up in January.

    That means expectations are higher for the third entry. So is the budget at a reported $75 million compared to the respective $8 and $15 million price tags of the predecessors. The top end range of its expected premiere is $40-45million. I’m not projecting quite that level, but low to mid 30s seems doable.

    28 Years Later opening weekend prediction: $33.7 million

    For my Elio prediction, click here:

    Elio Box Office Prediction

    Nosferatu Box Office Prediction

    Focus Features is hoping horror fans sink their teeth into Nosferatu when it premieres on Christmas. A remake of the 1922 German classic which adapted Bram Stoker’s Dracula, Robert Eggers directs. Bill Skarsgård takes on another classic scary villain after Pennywise in the It chapters. Costars include Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe.

    Reviews are strong with 93% on Rotten Tomatoes and an 82 Metacritic score. This caps off a year filled with numerous acclaimed fright features. Nosferatu could manage the largest debut among the holiday openings considering its only real competition is A Complete Unknown.

    During this season, newcomers often start out lower than they typically would and develop stronger legs into January. With 12/25 falling on a Wednesday, I’ll project Nosferatu manages low teens from Friday to Sunday with close to an equal amount when factoring in Christmas and the day after.

    Nosferatu opening weekend prediction: $14.8 million (Friday to Sunday estimate); $26.4 million (Wednesday to Sunday)

    For my A Complete Unknown prediction, click here:

    A Complete Unknown Box Office Prediction

    For my Babygirl prediction, click here:

    Babygirl Box Office Prediction

    For my The Fire Inside prediction, click here:

    The Fire Inside Box Office Prediction

    Kraven the Hunter Box Office Prediction

    Columbia Pictures hopes audiences are craving new superhero action when Kraven the Hunter hits theaters on December 13th. This is the latest entry in the Sony Spider-Man Universe which has found success with the Venom pics and failure with Morbius and Madame Web. Aaron Taylor-Johnson stars in the title role spawned from the Marvel Comic with Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, and Russell Crowe offering support.

    This has had a lengthy road to the multiplex. Hunter is on its fourth release date as it was originally slated for nearly two years ago. The first trailer came out in June 2023. In April of 2022, Morbius rolled out to a $39 million showing before cratering in weekend #2. Madame Web had a six-day rollout over President’s Day weekend and took in only $25 million for that time period.

    I don’t think Kraven approaches that Morbius figure and it may fall just below Web‘s $15 million Friday to Sunday from a few months back.

    Kraven the Hunter opening weekend prediction: $14.8 million

    For my The Lord of the Rings: The War of the Rohirrim prediction, click here:

    The Lord of the Rings: The War of the Rohirrim Box Office Prediction

    Oscar Predictions: Nosferatu

    Acclaimed filmmaker Robert Eggers brings his version of Nosferatu to multiplexes on Christmas Day with Bill Skarsgård embodying the iconic vampire. Based on the 1922 classic German film which was spawned from Bram Stoker’s Dracula, this is Eggers’ fourth feature after the critically praised The Witch, The Lighthouse, and The Northman. Lily-Rose Depp, Nicholas Hoult, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe populate his dark vision.

    The review embargo lifted over three weeks before the opening and critics are (sorry…) mostly sinking their teeth into this. With 96% on Rotten Tomatoes and 81 on Metacritic, the question isn’t whether Nosferatu gets Oscar nods. It’s how many. That’s because I’m confident tech nods are coming its way. Makeup & Hairstyling, Costume Design, Cinematography, and Production Design all seem achievable and I had it nabbing those four nods in my predictions from yesterday. Sound and (to a lesser degree) Visual Effects and Original Score could be on the menu.

    As for above the line mentions, that is more questionable. Lily-Rose Depp is drawing raves for her lead work, but Best Actress is probably too crowded and I don’t currently have her in my top 10. Skarsgård, who terrified us as Pennywise in It, is being lauded for his supporting role. Yet we know the Academy doesn’t warm to performances in the horror genre.

    I wouldn’t completely discount Picture or Eggers in director. Nosferatu‘s stock could rise exponentially if it grabs AFI or National Board of Review best of slots. For now, I feel more comfortable having the film and its maker on the outside looking in for recognition while below the lines noms should be materializing. My Oscar Prediction posts will continue…

    The Fall Guy Review

    We all know Tom Cruise does his own stunts. He reminds us of that frequently and is the biggest artist handling the bulk of those duties himself. David Leitch’s The Fall Guy takes time to honor those performers doubling for the non-Cruisers and that’s a noble cause though it often plays like a long shaggy dog story.

    Sort of based on the 1980s TV show with Lee Majors, Ryan Gosling is Colt Seavers. He’s Cliff Booth to Aaron Taylor-Johnson’s Rick Dalton… or rather Tom Ryder, who’s a mega action superstar with a penchant for hard partying. Seavers does the trickier work while Ryder takes all the credit. A prologue details a setup gone wrong that derails Colt’s career and his budding relationship with camerawoman Jody Moreno (Emily Blunt).

    A year and a half later, Colt is parking cars instead of crashing them. He is summoned by producer Gail (Hannah Waddingham, kind of looking like 70s era Robert Evans in a wig) to set in Sydney. The selling point is the opportunity to make up with Jody, who is now directing the sci-fi saga Metalstorm with Ryder headlining. Upon his arrival down under, it turns out Jody has no idea what’s up or that he was joining the production.

    The picture’s lead has mysteriously disappeared and Colt is tasked with tracking him down while also stunting by day. And, of course, there’s some serious and humorous tension with his ex.

    I was reminded at times of 80s action comedies like Beverly Hills Cop or Fletch where the plot is inconsequential and where coasting on the above the title players’ charisma is enough. Obviously Gosling and Blunt have that level of appeal.

    Somehow I didn’t fall for it despite their efforts. They have chemistry, but this fails to coast on their charms. The action scenes are well-choreographed. They should be given the subject matter and Leitch (John Wick, Atomic Blonde, Bullet Train) in charge. Yet there’s not one sequence that rivals, say, the antics of you know who in fill in the recent Mission: Impossible entry.

    There are more references to Miami Vice or other 80s artifacts than the TV show it takes its name from. This includes Jody belting out “Against All Odds” by Phil Collins at a karaoke bar while Colt is engaged in an elaborate car chase. Blunt being more involved in the fights might have helped. Her one scene where she gets to do so is memorable.

    The Fall Guy, given the personnel, is a minor disappointment especially with how convoluted it gets in the denouement. The occasionally on point self-referential jokes and the Barbenheimer cast mates provide the highlights. When they’re apart, it can feel like just an empty space.

    ** (out of four)

    The Fall Guy Box Office Prediction

    For decades in Hollywood, the first weekend of May (or occasionally last frame of April) has served as the official start of cinematic summer. Ryan Gosling’s character in The Fall Guy might have worked on some of those kickoff projects as his stuntman title character gets top billing here. Emily Blunt co-headlines the action comedy from director David Leitch (Atomic Blonde, Deadpool 2, Bullet Train). Aaron Taylor-Johnson, Winston Duke, Hannah Waddingham, and Stephanie Hsu provide supporting work.

    This Universal project (loosely based on the 1980s TV show) finds the studio in an unfamiliar position. The summer season has begun in many recent years with a Disney/MCU blockbuster getting the financial ball rolling (last year it was Guardians of the Galaxy Vol. 3).

    Obviously The Fall Guy won’t reach MCU figures, but it has a lot going for it. Gosling is hot off Barbie and a recent SNL hosting stint that generated lots of buzz. Blunt is coming off reigning BP winner Oppenheimer. The Barbenheimer duo’s teaming initially debuted at South by Southwest to loud buzz and solid reviews (the RT score is 90%).

    I do believe a $50 million opening is achievable but unlikely. Low 40s to mid 40s is also reasonable while mid to high 30s might be where it lands. Regardless I think this will leg out impressively throughout May.

    The Fall Guy opening weekend prediction: $38.3 million

    For my Star Wars: Episode 1 – The Phantom Menace re-release prediction, click here:

    Star Wars: Episode 1 – The Phantom Menace Re-Release Box Office Prediction

    For my Tarot prediction, click here:

    Tarot Box Office Prediction

    Oscar Predictions: The Fall Guy

    Ryan Gosling (fresh off his third Oscar nom for Barbie) and Emily Blunt (just up for her first with Oppenheimer) lead the cast of The Fall Guy, slated for May 3rd. We are a month and a half away from that release, but it had a splashy debut at South by Southwest and the buzz is substantial. David Leitch (the man behind John Wick, Atomic Blonde, Deadpool 2, and Bullet Train) directs with a supporting cast including Aaron Taylor-Johnson, Winston Duke, Stephanie Hsu, and Hannah Waddingham.

    Based on the 1980s action TV series starring Lee Majors, Gosling plays a stunt man once again after portraying the same profession in The Place Beyond the Pines and Drive. Critics are calling it a lovingly crafted and quite funny and romantic homage to the cinematic workers who put themselves in danger for our entertainment. It stands at 92% on Rotten Tomatoes.

    While we wait for the Academy to develop a category honoring stunt performers (like SAG does), The Fall Guy‘s best and perhaps only hope at recognition is in tech races like Sound (feasible) and Visual Effects (maybe more of a reach). Assuming Universal campaigns for it in Musical/Comedy at the Golden Globes, its luck could be better with potential nods in Film, Actor, and Actress. And, yes, its chances for inclusion in the SAG Stunt Ensemble race seems like a no brainer. My Oscar Prediction posts will continue…

    Bullet Train Review

    David Leitch has done this cartoonishly bloody and dripping with sarcasm business before with John Wick and Deadpool 2. In Bullet Train, having Brad Pitt loaded for the quipping is a plus. The trip is rockiest in the beginning leg, but picks up steam for quite some time. In the later stages, you may be asking why we aren’t there yet with the climax.

    Pitt’s assassin who goes by Ladybug boards the title mode of transportation with simple instructions to boost a briefcase. Hurtling at breakneck speed from Tokyo to Kyoto, he soon finds that many other types who share his profession are along for the ride. This includes “twins” Tangerine (Aaron Taylor-Johnson) and Lemon (Brian Tyree Henry). Their codenames may suggest Prince backup dancers, but they’re tasked with transporting the drug addled son (Logan Lerman) of a crime lord named White Death (Michael Shannon) back home. And they also want that briefcase.

    Unlike Pulp Fiction where we are still collectively wondering what was in that case, we find out quickly here. Ladybug and his fruit monikered colleagues aren’t the only ones seeking it. There’s Prince (Joey King), who’s dressed not as a backup dancer but as a schoolgirl who fools many with her innocent appearance. Kimura (Andrew Koji) is a killer burdened with a young son in danger away from the tracks. There’s more – Zazie Beetz turns up as does Hiroyuki Sanada as Kimura’s elder (he’s called The Elder). Multiplatinum rapper Bad Bunny is The Wolf, who is avenging a family massacre that could have used cleanup from Harvey Keitel’s Winston Wolfe in the aforementioned Pulp. There’s cameos I won’t spoil. I will say they add little other than fleeting seconds of unexpected recognition.

    Bullet Train gleefully revels in its violence. It kind of feels like a throwback to 90s excess that Tarantino’s landmark sophomore feature helped inspire. That’s not always a bad thing as the slicing and dicing is done with the visual flair we expect from Leitch. The screenplay from Zak Olkewicz is one of those where nearly every character is eventually connected. I found myself straining to care about those connections.  It takes a few minutes before Train gets up to speed. Yet Pitt’s considerable charisma and his support staff (particularly Henry and Taylor-Johnson) help alleviate a lot of those narrative bumps. So was the ride worth it? That’s debatable though I’d say there’s worse fates than taking it.

    *** (out of four)