2022 Oscar Predictions: The State of the Best Picture Race

My deep dives into 6 high profile Oscar races reaches the top one with Best Picture. If you missed my posts on Director and the four acting competitions, you can find them here:

At this early November period from 2019-21, here’s how accurate I was with my BP forecast. Three years ago, I correctly called 8 of the 9 eventual nominees. That includes the winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The ninth hopeful was Joker and it was listed in Other Possibilities. In the wildly unpredictable 2020, I was right about 5 of 8 with two months left in the calendar – Nomadland (which won), The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named in Other Possibilities while Promising Young Woman and Sound of Metal were not yet in my top 15. In 2021, the Academy went back to a set number of 10 BP nominees. I rightly identified 7 of the 10 with Belfast, Dune, King Richard, Licorice Pizza, Nightmare Alley, The Power of the Dog, and West Side Story. The film that emerged victorious – CODA was not yet predicted but in Other Possibilities. So was Don’t Look Up while Drive My Car wasn’t among the 15.

Moving to 2022 – I can’t recall a year where four sequels were viable for inclusion. That’s where we stand at the moment. The top grosser of the year is Top Gun: Maverick and I do believe the Academy will reward it for bringing older audiences back to multiplexes (and of course for its quality). In a few weeks, we’ll have a better idea about Avatar: The Way of Water. I’m not ready to vault into my ten, but that could change soon. Knives Out missed out on BP in 2019 so I’m skeptical for Glass Onion: A Knives Out Mystery. And while Black Panther made the lineup in 2018, Wakanda Forever seems like a stretch despite the solid buzz. Nevertheless it’s not crazy to think that 40% of the BP players could be sequels.

On the non-sequel front, we begin with The Fabelmans. Steven Spielberg’s autobiographical coming-of-age tale has been listed at #1 for weeks on the blog. Only one of the filmmaker’s works – 1993’s Schindler’s List – has won BP. Shakespeare in Love was a surprise recipient in 1998 over the favored Saving Private Ryan. Nearly 30 years later, Fabelmans could have the credentials to be the second.

However, the frontrunner at this stage often doesn’t cross the finish line and Spielberg’s latest feels like a soft frontrunner. I could easily envision a scenario where the voters go outside the box with Everything Everywhere All at Once. A24’s multi-genre pic achieved wide acclaim and did great business at the box office. While spring releases rarely make the journey all the way through the awards calendar, Everything could buck that trend.

Other spoilers include The Banshees of Inisherin and Women Talking, which both garnered kudos at film festivals and will have their ardent admirers. I believe that logic also applies to Tár and The Whale though I don’t see either having a shot to win. And we are still waiting to see if Damien Chazelle’s Babylon is as viable as its pedigree suggests (we’ll know in a few days when it screens).

It’s become more common for an international feature film to get in and the two most likely to do so are All Quiet on the Western Front (which might just be Netflix’s most serious hopeful) and Decision to Leave. The reviews for Alejandro Gonzalez Inarritu’s Bardo should leave it out (it might not even make the separate international race).

While Guillermo del Toro’s Pinocchio is the favorite to be Best Animated Feature, I don’t see it breaking into the big dance. It’s probably the only animated title with any sort of chance.

The festival circuit always lessens the viability of some pics. In 2022, I would put the following on that list: Empire of Light, The Son, and Armageddon Time.

The Academy could choose to honor some moneymakers like Elvis and The Woman King (though putting Maverick in could check that box). Till may only show up in Best Actress for Danielle Deadwyler. And it’s tough to know what to make of the upcoming Emancipation considering it’s led by Will Smith (who has some, um, recent history with the ceremony).

Bottom line: there is a lot of uncertainty about BP. I feel fairly confident about The Fabelmans, Everything Everywhere, Women Talking, The Banshees of Inisherin, Top Gun: Maverick, Tár, and The Whale (more than others with that one). We’ll know about Babylon shortly so that leaves two spots. I could definitely see a sequel or a foreign flick jumping up. For now, the 9th and 10th entries go to Triangle of Sadness and She Said. Expect movement as the weeks roll along.

Best Picture

Predicted Nominees:

1 . The Fabelmans (Previous Ranking: 1) (Even)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Women Talking (PR: 4) (E)

5. The Banshees of Inisherin (PR: 5) (E)

6. Top Gun: Maverick (PR: 6) (E)

7. Tár (PR: 7) (E)

8. The Whale (PR: 8) (E)

9. Triangle of Sadness (PR: 9) (E)

10. She Said (PR: 12) (+2)

Other Possibilities:

11. All Quiet on the Western Front (PR: 11) (E)

12. Decision to Leave (PR: 10) (-2)

13. Avatar: The Way of Water (PR: 14) (+1)

14. Elvis (PR: 13) (-1)

15. Glass Onion: A Knives Out Mystery (PR: 15) (E)

Stay tuned for estimates on all the races coming up soon!

2022 Oscar Predictions: The State of the Supporting Actor Race

With two months to go for 2022 releases to make their mark with awards voters, it’s a opportune time to assess the six major Oscar races. That would be Picture, Director, and the four acting derbies.

It begins with Supporting Actor. Over the past couple of years, this has been the category that’s confounded me the most during this juncture in the calendar.

That was a different story three years ago. In late October of 2019, I correctly identified 4 out of the eventual 5 nominees. This included winner Brad Pitt for Once Upon a Time in Hollywood as well as Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other nominee – Joe Pesci for The Irishman – was in my #6 spot.

For the unpredictable year that was 2020 (due to constantly shifting release dates because of COVID), I only named 2 of the 5 hopefuls two months out – Sacha Baron Cohen for The Trial of the Chicago 7 and Leslie Odom Jr. for One Night in Miami. I still had eventual victor Daniel Kaluuya (Judas and the Black Messiah) projected for lead actor until the studio announced him for supporting.

In 2021, I made a point to say that the Supporting Actor derby was wide open in late October. And that was evidenced in my only identifying 1 of the eventual Supporting Actor quintet in the Halloween time frame – Ciaran Hinds in Belfast. I had Troy Kotsur (CODA), who would take the gold statue, in 10th place. Bradley Cooper (Licorice Pizza) was in first place and he missed out. Kodi Smit-McPhee (The Power of the Dog), who made the cut, was in 8th place. His costar Jesse Plemons and J.K. Simmons (Being the Ricardos) weren’t listed at all.

Which brings us to 2022 and at this spooky time of year, I would say this competition is up in the air with no obvious frontrunner. 12 months ago, however, I couldn’t have imagined I’d kick off the speculation with this sentence…

The Supporting Actor discussion starts with Ke Huy Quan.

The 51-year-old actor belongs in the mid 80s cinematic Hall of Fame with his turns as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His return to acting in Everything Everywhere All at Once has been met with raves. It’s also undeniable that his win would be a heckuva Academy narrative nearly 40 years after his iconic child performances. I’ve had him listed in first place for weeks and that remains.

In four of the last five years, we’ve witnessed double nominees in Supporting Actor. Last year it was the aforementioned Smit-McPhee and Plemons for The Power of the Dog. In 2020, we had the winner Daniel Kaluuya in Judas and the Black Messiah and his costar Lakeith Stanfield. 2019’s Irishman double duo was Pacino and Pesci. Five years ago, it was Sam Rockwell (who won) and Woody Harrelson for Three Billboards Outside Ebbing, Missouri.

Martin McDonagh directed Billboards and his follow-up is The Banshees of Inisherin. Brendan Gleeson has sat in the #2 position for several prediction posts in a row. He’s a threat to take the prize. I believe his costar Barry Keoghan may also get in.

Banshees is not the only viable option for double nominees. Ke Huy Quan’s Doom maker Steven Spielberg has The Fabelmans. Before it screened at the Toronto Film Festival, we wondered whether Paul Dano or Seth Rogen (or both) would be the likely nominee(s). Post screening, scene (just one scene) stealer Judd Hirsch bubbled up while Rogen’s viability dwindled. Dano’s work is understated and certainly not as flashy as Hirsch’s brief turn. That leads me to put Hirsch in with Dano on the outside looking in. I’ll admit it’s a coin flip.

Damien Chazelle’s Babylon screens for critics in two weeks. There’s a trio of possibilities with Brad Pitt, Jovan Adepo, and Tobey Maguire. I’ve had Pitt in my 5 previously. It’s fair to speculate whether his recent tabloid headlines could hinder him. We’ll know more once reviews roll in.

Ben Whishaw in Women Talking is a trendy selection and for good reason. I’m not completely sold as voters could opt to focus only on his female cast members Claire Foy and Jessie Buckley (and maybe others) in Supporting Actress. Yet it feels wrong to keep him out right now.

You have to go back to 2013 to find the last time the five contenders all came from Best Picture nominees. I’m not wild about the fact that my projections currently do. There’s a few names that could get in from movies I’m not putting in BP list. We have Eddie Redmayne in The Good Nurse, Brian Tyree Henry for Causeway, Jeremy Strong or Anthony Hopkins in Armageddon Time, Mark Rylance in Bones and All, Micheal Ward in Empire of Light, Don Cheadle in White Noise, and Tom Hanks in Elvis. Of that group, I’m starting to flirt with the idea of Rylance being the guy. He scored an upset win here with Bridge of Spies in 2015 over Sylvester Stallone in Creed and Bones has its ardent admirers. I wouldn’t discount the Redmayne pick as he’s a Best Actor winner in 2014 for The Theory of Everything who was nominated again the following year with The Danish Girl. If Elvis manages a BP nod (not out of the question), this would increase the inclusion of Hanks. I do have Triangle of Sadness in my BP ten and that could mean a third nomination for Woody Harrelson.

Bottom line: I feel pretty confident about Ke Huy Quan and Brendan Gleeson. Everything everywhere else is up in the air.

With that said, here’s my state of the race:

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (Previous Ranking: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Ben Whishaw, Women Talking (PR: 4) (+1)

4. Judd Hirsch, The Fabelmans (PR: 6) (+2)

5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)

Other Possibilities:

6. Paul Dano, The Fabelmans (PR: 3) (-3)

7. Brad Pitt, Babylon (PR: 7) (E)

8. Mark Rylance, Bones and All (PR: Not Ranked)

9. Woody Harrelson, Triangle of Sadness (PR: 8) (-1)

10. Eddie Redmayne, The Good Nurse (PR: Not Ranked)

Dropped Out:

Brian Tyree Henry, Causeway

Tom Hanks, Elvis

My deep dive with the Supporting Actress field is next!

2022 Oscar Predictions: October 16th Edition

On the bright side for Netflix, I have Guillermo del Toro’s Pinocchio at #1 in Animated Feature where it’s been perched all along. That would mean the streamer could nab its first victory ever in that race.

Now the bad news as my current Best Picture nominees leaves Netflix on the cutting room floor. In 2018, Roma was the first hopeful in the big dance. It was expected to win, but lost to Green Book. 2019 brought double nominees with The Irishman and Marriage Story. Same in 2020 with Mank and The Trial of the Chicago 7. And there were two contenders again last year in Don’t Look Up and The Power of the Dog (a frontrunner until CODA fever emerged).

I had All Quiet on the Western Front in the mix 11 days ago. Yet I’ve had a nagging feeling that another blockbuster not named Top Gun: Maverick will get in. So for the first time, Elvis is in the top ten. That moneymaker spot could also be filled with Glass Onion: A Knives Out Mystery (from Netflix), Avatar: The Way of Water, or Black Panther: Wakanda Forever. Think could also be called the “Second Sequel” slot, I suppose.

Don’t be surprised if Netflix eventually gets back in. Quiet, the aforementioned Onion, Bardo, and Pinocchio are all viable (maybe even White Noise). For now, my BP hopefuls would mean a disappointing nomination morning for the streamer.

She Said received mostly positive notices when it was unveiled Thursday at the New York Film Festival. It could absolutely be a BP contender, but I’m got it just on the outside and feel more comfortable forecasting it as a lone screenplay nominee (I don’t love the current 76% RT meter for it). You’ll note I don’t have any of the cast in my top tens. Perhaps the eventual announcement of category placements could change that.

In other developments:

    • I’ve decided to move Babylon‘s Margot Robbie back in Best Actress instead of supporting (can we please get that placement announcement??). It means she’s back in and Olivia Colman (Empire of Light) is out.
    • Bill Nighy’s work in Living returns to Actor five with Diego Calva (Babylon) sliding into sixth position.
    • With Robbie returning to lead, Dolly De Leon (Triangle of Sadness) is elevated to fifth in Supporting Actress.
    • My Supporting Actor dual nominee projections of Brendan Gleeson and Barry Keoghan for The Banshees of Inisherin shifts to Paul Dano and Judd Hirsch for The Fabelmans. That means Hirsch rises while Keoghan falls.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. The Fabelmans (Previous Rank: 1) (E)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 4) (+1)

4. Women Talking (PR: 3) (-1)

5. The Banshees of Inisherin (PR: 5) (E)

6. Tar (PR: 6) (E)

7. Top Gun: Maverick (PR: 7) (E)

8. The Whale (PR: 8) (E)

9. Elvis (PR: 13) (+4)

10. Triangle of Sadness (PR: 9) (-1)

Other Possibilities: 

11. All Quiet on the Western Front (PR: 10) (-1)

12. She Said (PR: Not Ranked)

13. Avatar: The Way of Water (PR: 12) (-1)

14. Decision to Leave (PR: 11) (-3)

15. Glass Onion: A Knives Out Mystery (PR: Not Ranked)

Dropped Out:

Till

The Woman King 

Best Director

Predicted Nominees:

1. Steven Spielberg, The Fabelmans (PR: 1) (E)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Sarah Polley, Women Talking (PR: 3) (E)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Todd Field, Tar (PR: 5) (E)

Other Possibilities:

6. Martin McDonagh, The Banshees of Inisherin (PR: 8) (+2)

7. Edward Berger, All Quiet on the Western Front (PR: 6) (-1)

8. Park Chan-wook, Decision to Leave (PR: 7) (-1)

9. James Cameron, Avatar: The Way of Water (PR: 9) (E)

10. Ruben Ostlund, Triangle of Sadness (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Cate Blanchett, Tar (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 3) (+1)

3. Danielle Deadwyler, Till (PR: 2) (-1)

4. Michelle Williams, The Fabelmans (PR: 4) (E)

5. Margot Robbie, Babylon (PR: Not Ranked) – moved from Supporting

Other Possibilities:

6. Olivia Colman, Empire of Light (PR: 5) (-1)

7. Viola Davis, The Woman King (PR: 6) (-1)

8. Ana de Armas, Blonde (PR: 8) (E)

9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)

10. Jennifer Lawrence, Causeway (PR: 9) (-1)

Dropped Out:

Carey Mulligan, She Said

Best Actor

Predicted Nominees:

1. Brendan Fraser, The Whale (PR: 1) (E)

2. Austin Butler, Elvis (PR: 2) (E)

3. Colin Farrell, The Banshees of Inisherin (PR: 3) (E)

4. Hugh Jackman, The Son (PR: 4) (E)

5. Bill Nighy, Living (PR: 6) (+1)

Other Possibilities:

6. Diego Calva, Babylon (PR: 5) (-1)

7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)

8. Song Kang-ho, Broker (PR: 9) (+1)

9. Adam Driver, White Noise (PR: 8) (-1)

10. Jeremy Pope, The Inspection (PR: Not Ranked)

Dropped Out:

Will Smith, Emancipation 

Best Supporting Actress

Predicted Nominees:

1. Claire Foy, Women Talking (PR: 1) (E)

2. Jessie Buckley, Women Talking (PR: 2) (E)

3. Kerry Condon, The Banshees of Inisherin (PR: 4) (+1)

4. Hong Chau, The Whale (PR: 5) (+1)

5. Dolly De Leon, Triangle of Sadness (PR: 7) (+2)

Other Possibilities: 

6. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (E)

7. Nina Hoss, Tar (PR: 8) (+1)

8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 9) (+1)

9. Thuso Mbedu, The Woman King (PR: 10) (+1)

10. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)

Dropped Out:

Margot Robbie, Babylon (moved to Best Actress)

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Paul Dano, The Fabelmans (PR: 3) (E)

4. Ben Whishaw, Women Talking (PR: 4) (E)

5. Judd Hirsch, The Fabelmans (PR: 7) (+2)

Other Possibilities: 

6. Barry Keoghan, The Banshees of Inisherin (PR: 5) (-1)

7. Brad Pitt, Babylon (PR: 6) (-1)

8. Woody Harrelson, Triangle of Sadness (PR: 9) (+1)

9. Tom Hanks, Elvis (PR: Not Ranked)

10. Brian Tyree Henry, Causeway (PR: Not Ranked)

Dropped Out:

Jeremy Strong, Armageddon Time

Micheal Ward, Empire of Light 

Best Original Screenplay

Predicted Nominees:

1. The Fabelmans (PR: 2) (+1)

2. Everything Everywhere All at Once (PR: 1) (-1)

3. The Banshees of Inisherin (PR: 3) (E)

4. Triangle of Sadness (PR: 4) (E)

5. Tar (PR: 5) (E)

Other Possibilities:

6. Babylon (PR: 6) (E)

7. Decision to Leave (PR: 7) (E)

8. Armageddon Time (PR: 8) (E)

9. Empire of Light (PR: 9) (E)

10. The Menu (PR: Not Ranked)

Dropped Out:

Broker 

Best Adapted Screenplay

Predicted Nominees:

1. Women Talking (PR: 1) (E)

2. The Whale (PR: 2) (E)

3. She Said (PR: 5) (+2)

4. Glass Onion: A Knives Out Mystery (PR: 3) (-1)

5. White Noise (PR: 4) (-1)

Other Possibilities:

6. Living (PR: 6) (E)

7. Till (PR: 10) (+3)

8. Bones and All (PR: 7) (-1)

9. Top Gun: Maverick (PR: 8) (-1)

10. The Son (PR: Not Ranked)

Dropped Out:

All Quiet on the Western Front 

Best Animated Feature

Predicted Nominees:

1. Guillermo del Toro’s Pinocchio (PR: 1) (E)

2. Turning Red (PR: 2) (E)

3. Strange World (PR: 3) (E)

4. Wendell and Wild (PR: 5) (+1)

5. Marcel the Shell with Shoes On (PR: 4) (-1)

Other Possibilities: 

6. The Bad Guys (PR: 8) (+2)

7. The Sea Beast (PR: 6) (-1)

8. My Father’s Dragon (PR: 7) (-1)

9. Minions: The Rise of Gru (PR: 9) (E)

10. Lightyear (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. All Quiet on the Western Front (PR: 1) (E)

2. Decision to Leave (PR: 2) (E)

3. Close (PR: 3) (E)

4. Bardo (PR: 5) (+1)

5. Saint Omer (PR: 4) (-1)

Other Possibilities:

6. Klondike (PR: 8) (+2)

7. Holy Spider (PR: 6) (-1)

8. Alcarras (PR: 9) (+1)

9. Argentina, 1985 (PR: 7) (-2)

10. Corsage (PR: 10) (E)

Best Documentary Feature

Predicted Nominees:

1. All the Beauty and the Bloodshed (PR: 2) (+1)

2. Descendant (PR: 1) (-1)

3. Navalny (PR: 3) (E)

4. All That Breathes (PR: 4) (E)

5. Fire of Love (PR: 6) (+1)

Other Possibilities:

6. The Territory (PR: 5) (-1)

7. Good Night Oppy (PR: 7) (E)

8. Moonage Daydream (PR: 9) (+1)

9. Last Flight Home (PR: 8) (-1)

10. Aftershock (PR: Not Ranked)

Dropped Out:

Sr. 

Best Cinematography

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Empire of Light (PR: 2) (E)

3. The Fabelmans (PR: 3) (E)

4. Bardo (PR: 5) (+1)

5. All Quiet on the Western Front (PR: 4) (-1)

Other Possibilities: 

6. Avatar: The Way of Water (PR: 6) (E)

7. Top Gun: Maverick (PR: 7) (E)

8. The Banshees of Inisherin (PR: 8) (E)

9. Everything Everywhere All at Once (PR: 9) (E)

10. Emancipation (PR: Not Ranked)

Dropped Out:

The Batman

Best Costume Design 

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 2) (E)

3. Black Panther: Wakanda Forever (PR: 3) (E)

4. Mrs. Harris Goes to Paris (PR: 5) (+1)

5. Corsage (PR: 7) (+2)

Other Possibilities:

6. The Woman King (PR: 5) (-1)

7. The Fabelmans (PR: 6) (-1)

8. Living (PR: 9) (+1)

9. Everything Everywhere All at Once (PR: 8) (-1)

10. Blonde (PR: Not Ranked)

Dropped Out:

Amsterdam

Best Film Editing 

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. The Fabelmans (PR: 4) (+1)

4. Babylon (PR: 3) (-1)

5. Women Talking (PR: 8) (+3)

Other Possibilities: 

6. Elvis (PR: 6) (E)

7. Tar (PR: 9) (+2)

8. All Quiet on the Western Front (PR: 5) (-3)

9. Avatar: The Way of Water (PR: 7) (-2)

10. Bardo (PR: Not Ranked)

Dropped Out:

Decision to Leave

Best Makeup and Hairstyling

Predicted Nominees:

1. The Whale (PR: 1) (E)

2. Elvis (PR: 3) (+1)

3. Babylon (PR: 2) (-1)

4. The Batman (PR: 5) (+1)

5. Everything Everywhere All at Once (PR: 4) (-1)

Other Possibilities:

6. Black Panther: Wakanda Forever (PR: 6) (E)

7. The Woman King (PR: 10) (+3)

8. (PR: 8) (E)

9. Blonde (PR: Not Ranked)

10. Three Thousand Years of Longing (PR: Not Ranked)

Dropped Out:

Amsterdam

Corsage

Best Original Score

Predicted Nominees:

1. The Fabelmans (PR: 1) (E)

2. Babylon (PR: 2) (E)

3. Empire of Light (PR: 3) (E)

4. Tar (PR: 6) (+2)

5. The Banshees of Inisherin (PR: 5) (E)

Other Possibilities: 

6. Guillermo del Toro’s Pinocchio (PR: Not Ranked)

7. Women Talking (PR: 4) (-3)

8. Bardo (PR: 10) (+2)

9. All Quiet on the Western Front (PR: 7) (-2)

10. Avatar: The Way of Water (PR: 8) (-2)

Dropped Out:

Top Gun: Maverick 

Best Original Song

Predicted Nominees:

1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)

2. “Nobody Like U” from Turning Red (PR: 2) (E)

3. “Naatu Naatu” from RRR (PR: 4) (+1)

4. “Applause” from Tell It Like a Woman (PR: 3) (-1)

5. “Stand Up” from Till (PR: Not Ranked)

Other Possibilities:

6. “Carolina” from Where the Crawdads Sing (PR: 5) (-1)

7. “This is a Life” from Everything Everywhere All at Once (PR: 8) (+1)

8. “New Body Rhumba” from White Noise (PR: 7) (-1)

9. “On My Way” from Marry Me (PR: 6) (-3)

10. “Love Is Not Love” from Bros (PR: Not Ranked)

Dropped Out:

“I Ain’t Worried” from Top Gun: Maverick

“Heartbeat” from Lyle, Lyle, Crocodile 

Best Production Design

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 4) (+2)

3. Avatar: The Way of Water (PR: 2) (-1)

4. Black Panther: Wakanda Forever (PR: 3) (-1)

5. Bardo (PR: 7) (+2)

Other Possibilities:

6. The Fabelmans (PR: 5) (-1)

7. Everything Everything All at Once (PR: 8) (+1)

8. Empire of Light (PR: 6) (-2)

9. Glass Onion: A Knives Out Mystery (PR: Not Ranked)

10. The Batman (PR: 10) (E)

Dropped Out:

All Quiet on the Western Front

Best Sound

Predicted Nominees:

1. Top Gun: Maverick (PR: 1) (E)

2. Avatar: The Way of Water (PR: 2) (E)

3. Elvis (PR: 3) (E)

4. Babylon (PR: 4) (E)

5. All Quiet on the Western Front (PR: 5) (E)

Other Possibilities:

6. The Batman (PR: 6) (E)

7. Black Panther: Wakanda Forever (PR: 7) (E)

8. Nope (PR: 9) (+1)

9. The Fabelmans (PR: Not Ranked)

10. Bardo (PR: Not Ranked)

Dropped Out:

Everything Everywhere All at Once

Thirteen Lives

Best Visual Effects

Predicted Nominees:

1. Avatar: The Way of Water (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. Everything Everywhere All at Once (PR: 3) (E)

4. Doctor Strange in the Multiverse of Madness (PR: 5) (+1)

5. The Batman (PR: 6) (+1)

Other Possibilities: 

6. Guillermo del Toro’s Pinocchio (PR: 4) (-2)

7. Black Panther: Wakanda Forever (PR: 8) (+1)

8. RRR (PR: 7) (-1)

9. Good Night Oppy (PR: 9) (E)

10. All Quiet on the Western Front (PR: Not Ranked)

Dropped Out:

Nope 

That equates to these movies getting these numbers of nominations:

10 Nominations

Babylon

9 Nominations

The Fabelmans

8 Nominations

Everything Everywhere All at Once

7 Nominations

Women Talking

6 Nominations

The Banshees of Inisherin, Elvis

5 Nominations

Tar, Top Gun: Maverick, The Whale

3 Nominations

All Quiet on the Western Front, Avatar: The Way of Water, Bardo, Triangle of Sadness 

2 Nominations

The Batman, Black Panther: Wakanda Forever, Empire of Light, Till, Turning Red

1 Nomination

All That Breathes, All the Beauty and the Bloodshed, Close, Corsage, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, She Said, The Son, Strange World, Tell It Like a Woman, Wendell and Wild, White Noise

Emancipation Enters the Oscar Race

In an alternative universe, Emancipation might be in my top 10 predicted Best Picture nominees. I could potentially be discussing Will Smith’s chances of being the first back to back acting winner since Tom Hanks in 1993 and 1994.

I didn’t think this alternative universe could be a potential reality in the 2022 awards season. In 2021, Apple TV beat Netflix and others to the punch as CODA was the inaugural streaming Best Picture winner. For a while, Martin Scorsese’s Killers of the Flower Moon appeared to be Apple’s best shot at making it two years in a row. That’s until it got pushed to 2023. In recent weeks, there was speculation that Ridley Scott’s Napoleon starring Joaquin Phoenix could make a jump to 2022. It wasn’t to be.

This has left Apple without a legit across the board Oscar player… until maybe today. Why? The streamer announced that Antoine Fuqua’s historical drama Emancipation will hit theaters for an awards qualifying run on December 2nd and then be available for home viewing on December 9th. The trailer was unveiled this morning.

And in case you’re still wondering why I’m skeptical… two words: The Slap. Yes, the slap heard around the globe when Chris Rock presented Best Documentary Feature at the Academy Awards and cracked a joke about Jada Pinkett Smith. And, of course, slap provider Will Smith giving his acceptance speech a few minutes later when he was victorious in Best Actor for King Richard.

Since then, many of Smith’s planned projects have entered turnaround status. Emancipation, in which he plays a slave who joins the Union Army, was already filmed. And Apple made the surprising decision in early October to get it out two months later. This surely means Smith will be subject to interviews where he’ll address The Slap sooner than later.

So… the obvious question: can Smith get nominated? Can the film itself do so in other categories? Even though the star resigned from the Academy in the aftermath of the incident, he can still be nominated (and he can attend if invited by other members). So while the short answer is yes… the real answer is more complicated.

My gut is that Smith’s work in Emancipation would have to be undeniably awards worthy to make the final five. Even that could be a stretch. Time heals controversies and not much time has passed. As for the film itself, it could surely garner nods from Best Picture on down (I’m curious if Ben Foster gets any chatter for Supporting Actor). Yet it starts off at a unique disadvantage.

We won’t know until reviews start surfacing and that could be a few weeks. I can only assume Apple will give this a major push for consideration. It’s a campaign that is an uphill battle for reasons unfathomable just a few months ago.

Oscar Predictions: Nanny

Nikyatu Jusu’s directorial debut Nanny first drew viewers earlier this year at Sundance and will be screened in Toronto next week. Anna Diop stars as a Senegalese caretaker working for an affluent NYC family. Their arrangement appears, judging from the trailer, to morph into arthouse horror territory. Costars include Michelle Monaghan, Sinqua Walls, and Morgan Spector.

After its festival run, Nanny is slated for a limited November 23rd theatrical run before its streaming rollout on December 16th via Amazon Prime. Reviews are continuing to pop up as it plays other fests throughout the country and the Rotten Tomatoes score is 90%. It won the US Dramatic Grand Jury Prize at Sundance. The last two winners of that award were the Best Picture nominated Minari in 2020 and last year’s CODA which, of course, took home the Academy’s biggest prize. I would also note that the five winners before that came nowhere near a BP nod.

Diop is receiving raves along with appreciation for Jusu’s original screenplay. Nanny would really need some high profile love from critics groups before I’d consider entering this into Academy chatter. It isn’t outside the realm of possibility, but I wouldn’t count on it. My Oscar Prediction posts will continue…

Best Picture 2012: The Final Five

My latest Final Five post brings us to 2012 and the Oscars that occurred nearly a decade ago. If you’re reading this series for the first time, this is where I whittle the 8-10 Best Picture nominees from every year since 2009 to five. As you may know, it was in 2009 that the Academy stopped listing a quintet of movies for the big prize and expanded it upwards. If you missed my write-ups about 2009, 2010, and 2011 – you can access them here:

Best Picture 2009: The Final Five

Best Picture 2010: The Final Five

Best Picture 2011: The Final Five

As we do with each year, we start with the obvious. Ben Affleck’s Argo certainly would have made the cut since it won BP. 2012 was a strange year with the Academy’s voters. Argo emerged as the first film since 1989’s Driving Miss Daisy where the BP recipient’s director wasn’t nominated in that category. It’s happened twice since with 2018’s Green Book and last year’s CODA. I will admit that picking a fifth entry was challenging. The other 3 besides Argo seem pretty clear. Let’s get into it!

Amour

Michael Haneke’s French drama was the easy winner of Foreign Language Film and nabbed 3 other nods: Director, Actress (Emmanuelle Riva), and Original Screenplay.

Does It Make the Final Five?

No, though an argument can certainly be made. I would venture that with only five, the narrative would’ve been that it had no trouble in the foreign race and that would be the reward.

Beasts of the Southern Wild

This micro-budgeted indie fantasy from Benh Zeitlin scored a surprise directing nod as well as Actress (Quvanzhane Wallis) and Adapted Screenplay.

Does It Make the Final Five?

No. It received the least amount of nominations of the nine nominees and won none of its four mentions. That said, it’s not entirely out of the question that it could have snuck in.

Django Unchained

Quentin Tarantino scored the biggest hit of his career with this Western which won Original Screenplay and Supporting Actor (Christoph Waltz). It also received nods for Cinematography and Sound Editing.

Does It Make the Final Five?

No, though an argument can be made yet again (especially with the Original Screenplay victory). That said, misses for directing and editing are indications that it might have just missed.

Les Miserables

With 8 nominations and wins for Supporting Actress (Anne Hathaway), Sound Mixing, and Makeup and Hairstyling, the adaptation of the famed musical was one of the biggest box office performers of the bunch.

Does It Make the Final Five?

No… and stop me if you’ve heard this before… but an argument could be made. Like Django, the directing and editing omissions prevent me from saying it is top five.

Life of Pi

Ang Lee’s visually striking adaptation of a bestseller tied with most nominations (11). Lee would win for his behind the camera work and it would pick up gold statues for Score, Cinematography, and Visual Effects. Unlike our last two contenders, it did receive an editing nod.

Does It Make the Final Five?

Yes. Furthermore, it was probably the runner-up for the win.

Lincoln

Steven Spielberg’s historical tale was the other movie to receive 11 nominations. The sole win was for Daniel Day-Lewis’s embodiment of the 16th POTUS in Best Actor.

Does It Make the Final Five?

Yes. Despite the 1 for 11 showing, the sheer number of nods strongly suggest its inclusion.

Silver Linings Playbook

With 8 nominations and Jennifer Lawrence taking Best Actress, this was the rare pic that scored nominations in all 4 acting derbies. Unlike Lawrence – Bradley Cooper, Robert De Niro, and Jacki Weaver didn’t win their respective races. This was also up for David O. Russell’s direction, Adapted Screenplay, and Editing.

Does It Make the Final Five?

Yes – based on where else it landed attention.

Zero Dark Thirty

Kathryn Bigelow’s follow-up to her Oscar winning The Hurt Locker won Sound Editing. Jessica Chastain was up for Actress with Original Screenplay and Editing nods making it five overall. Bigelow’s snub in the directing race was unexpected.

Does It Make the Final Five?

Yes, but this is the one I’m most unsure about. One could easily make the case for Amour or Beasts or Django or Les Miserables. The fact that this had the screenplay nod and editing made me pick it.

So in my view your abbreviated 2012 BP lineup would be:

Argo

Life of Pi

Lincoln

Silver Linings Playbook

Zero Dark Thirty 

2013 is up next!

22 for ’22: Oscars Early Look

It’s been an entire week since The Slap… check that, the 94th Academy Awards where CODA parlayed its Sundance buzz from January 2021 all the way to a Best Picture victory.

That also means I’ve managed to wait a whole week without speculation for the next Academy Awards which will hopefully be a slap free zone. So what are some titles that could be vying for attention?

On May 27th and after numerous delays, Top Gun: Maverick will find Tom Cruise returning to his iconic role some 36 years after the original. There’s a decent chance it could be up for similar prizes that its predecessor landed like Sound, Film Editing, and Song (courtesy of Lady Gaga apparently). Visual Effects is a possibility as well.

My weekly Oscar prediction posts won’t begin until mid to late August. In the meantime, you’ll get individualized write-ups for pics that open or screen at festivals.

Yet for today – I feel the need. The need to identify 21 other 2022 titles that might end up on the Academy’s radar. Enjoy!

Armageddon Time

Despite acclaimed movies like The Lost City of Z and Ad Astra, James Gray has yet to connect with awards voters. This drama, rumored to be centered on his Queens upbringing, is the next hopeful and features a stellar cast including Anne Hathaway, Anthony Hopkins, and Jeremy Strong. Release Date: TBD

Avatar 2

The 2009 original amassed nine nominations and won took home three. The first sequel (there’s three more on the way) arrives in December from James Cameron. Will it capture the critical and box office magic of part one? That’s impossible to know at this juncture, but one can safely assume it’ll be up for some tech categories like Sound and Visual Effects. Release Date: December 16th

Babylon

Damien Chazelle is no stranger to the big dance. Whiplash was a BP nominee and J.K. Simmons won Supporting Actor. Chazelle took Director for his follow-up La La Land along with Emma Stone’s Actress victory and it almost famously took BP. First Man nabbed four nominations, but missed the top of the line races. Babylon is a period drama focused on Hollywood’s Golden Age and should be right up the Academy’s alley. The cast includes Brad Pitt, Margot Robbie, and Tobey Maguire. Release Date: December 25th

Canterbury Glass

Robbie also turns up in David O. Russell’s latest ensemble piece. Anytime he’s behind the camera, Oscar nods typically follow (think The Fighter, Silver Linings Playbook, American Hustle). Slated for November, the dramedy also features Christian Bale, John David Washington, Rami Malek, Zoe Saldana, Robert De Niro, Mike Myers, and… Chris Rock. Release Date: November 4th

Elvis

Arriving in June but with a Cannes unveiling in May, Baz Luhrmann’s musical bio of The King stars Austin Butler in the title role and Tom Hanks as The Colonel. If this doesn’t contend for the major awards, I would still anticipate potential tech recognition (Production Design, Sound, etc…). Release Date: June 24th

Empire of Light

Sam Mendes was likely in the runner-up position in 2019 for Picture and Director (behind Parasite) with 1917. His follow-up is an English set romance starring Olivia Colman (who would be going for her fourth nomination in five years), Michael Ward, and Colin Firth. Release Date: TBD

Everything Everywhere All at Once

From two filmmakers known collectively as Daniels, Once is already out in limited release with spectacular reviews (97% on RT). The sci-fi action comedy might be too bizarre for the Academy, but I wouldn’t count it out as its admirers are vocal. Picture, Director, Actress (Michelle Yeoh), and Original Screenplay are all on the table. Release Date: out in limited release, opens wide April 8th

The Fabelmans

Steven Spielberg directs a semi-autobiographical tale and cowrites with his Lincoln and West Side Story scribe Tony Kushner. The cast includes Michelle Williams, Seth Rogen, and Paul Dano. Needless to say, this is a major contender on paper. Release Date: November 23rd

Killers of the Flower Moon

Alongside The Fabelmans, this might be the most obvious nominee from a personnel standpoint. Martin Scorsese helms this western crime drama featuring Jesse Plemons, Lily Gladstone, and his two frequent collaborators Leonardo DiCaprio and Robert De Niro. Apple TV just became the first streamer to get a BP victory with CODA. This could be the second in a row. Release Date: November

Poor Things

In 2018, The Favourite scored a whopping ten nominations. Based on an acclaimed 1992 novel, Poor Things is Yorgos Lanthimos’s follow-up and it reunites him with Emma Stone along with Willem Dafoe, Ramy Youssef, and Mark Ruffalo. The plot sounds bizarre but it could also be an Oscar bait role for Stone and others. Release Date: TBD

Rustin

One of Netflix’s contenders is George C. Wolfe’s profile of gay civil rights activist Bayard Rustin (played by Colman Domingo). In 2020, Wolfe directed Viola Davis and Chadwick Boseman to nods for Ma Rainey’s Black Bottom. Look for Domingo to be a competitor and the supporting cast includes Chris Rock (maybe he will be back at the show), Glynn Turman, and Audra McDonald. Release Date: TBD

See How They Run

The 1950s set murder mystery could provide 27-year-old Saoirse Ronan with an opportunity to land her fifth nomination. Sam Rockwell, David Oyelowo, Adrien Brody, and Ruth Wilson are among the supporting players. Tom George directs. Release Date: TBD

She Said

Five years after the scandal rocked Hollywood, She Said from Maria Schrader recounts the New York Times sexual misconduct investigation into Harvey Weinstein. Zoe Kazan, Carey Mulligan, and Patricia Clarkson lead the cast. Release Date: November 18th

The Son

Florian Zeller won Best Adapted Screenplay in 2020 for The Father along with Anthony Hopkins taking Best Actor. This follow-up (based on the director’s play) finds Hopkins reprising his Oscar-winning part in supporting fashion. Other cast members seeking awards attention include Hugh Jackman, Laura Dern, and Vanessa Kirby. Release Date: TBD

TAR

It’s been a while since we’ve seen Todd Field behind the camera. Previous efforts In the Bedroom and Little Children received 8 nominations between them. A decade and a half following Children comes this Berlin set drama with Cate Blanchett, Noemie Merlant, and Mark Strong. Release Date: October 7th

Three Thousand Years of Longing

Scheduled for a Cannes bow in May, Longing is a fantasy romance from the legendary mind of George Miller (who last made Mad Max: Fury Road which won six tech Oscars). Idris Elba and Tilda Swinton star. Release Date: TBD

The Whale

Darren Aronofsky directed Mickey Rourke to a comeback narrative nod for 2008’s The Wrestler. Two years later, his follow-up Black Swan earned Natalie Portman a statue. Brendan Fraser is hoping for the same treatment with The Whale as he plays a 600 pound man attempting to reconnect with his daughter. Costars include Sadie Sink, Hong Chau, and Samantha Morton. I’d expect Makeup and Hairstyling could also be in play with this. Release Date: TBD

White Noise

Not a remake of the Michael Keaton supernatural thriller from 2005, this is Noah Baumbach’s follow-up to Marriage Story. Based on a 1985 novel, it’s the filmmaker’s first picture based on other source material. Marriage landed three acting nods (with Laura Dern winning Supporting Actress). The cast here includes frequent Baumbach collaborator Adam Driver, real-life partner Greta Gerwig, Raffey Cassidy, Andre Benjamin, Alessandro Nivola, and Don Cheadle. This could be Netflix’s strongest contender. Release Date: TBD

The Woman King

Expect this West Afrian set historical epic from Gina Prince-Bythewood to be heavily touted by Sony with awards bait roles for leads Viola Davis and Thuso Mbedu. The supporting cast includes John Boyega and Lashana Lynch. Release Date: September 16th

Women Talking

Based on a 2018 novel, Sarah Polley writes and directs this drama focused on eight Mennonite women and their story of abuse. The sterling cast includes Frances McDormand, Jessie Buckley, Ben Whishaw, Claire Foy, and Rooney Mara. Release Date: TBD

And that’s just a small preview of the features that could materialize for the 95th Academy Awards! As always, the speculation on this site will continue throughout the year and into the next. Stay tuned…

Oscars Reaction: 94th Academy Awards

The pranksters of the Internet had a little fun with the justly criticized decision to have a “Fan Favorite” award. The top 3 consisted of Netflix’s Army of the Dead, the reviled Cinderella remake, and Johnny Depp’s barely seen Minamata. I’m guessing this viewer’s choice designation experiment will be unique to the 94th Academy Awards and this ceremony only. Gotta love footnotes, eh?

Let’s talk about what else happened at the Oscars. No… not that. Not yet.

I went 17 for 20, but I missed the biggie. CODA took Best Picture over The Power of the Dog. In fact, the Apple TV pic went 3 for 3 as it also won Adapted Screenplay (I picked Dog) and Troy Kotsur for Supporting Actor.

I admittedly had an upset selection with “Dos Oruguitas” from Encanto over “No Time to Die” from that Bond pic. Billie Eilish did indeed take the musical prize and it’s now the third 007 theme in a row to win after “Skyfall” (2012) and “Writing’s on the Wall” from Spectre (2015).

The other 16 categories went according to my prognostications… Will Smith as Best Actor for King Richard… NOT YET…

Jessica Chastain (Best Actress for The Eyes of Tammy Faye) and Ariana DeBose (Supporting Actor for West Side Story). Belfast for Original Screenplay. Encanto in Animated Feature and Drive My Car for International Feature Film and Summer of Soul as Documentary Feature. You can read the rest. Dune won the most trophies with six.

The Power of the Dog took just one award with Jane Campion taking Director and becoming the third woman to do so and second in a row.  It marks the first time since 1967 that director’s win for the movie marks its sole victory. For you trivia buffs… it was Mike Nichols for The Graduate. 

OK… let’s get real. All of what I’m writing about is a footnote. That’s because  Will Smith’s open hand slap of Chris Rock for a joke directed at wife Jada Pinkett Smith is all the 94th edition of the Oscars will be remembered for. It was shocking (and riveting) TV made even more so with the knowledge that Smith would be giving a speech moments later. I still don’t know what to think and I’m still a little aghast at what I saw. That whole reading the wrong winner from five years ago seems a little small potatoes now.

I do know this… my Oscar predictions and speculations for the 95th Academy Awards will be here before you know it.

2021 Oscars: FINAL Winner Predictions

And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.

These are my final picks for the races covering feature films. Will the Best Picture be CODA?

Or The Power of the Dog?

We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.

Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?

For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.

Let’s get to it! On Sunday evening, you will see a recap with how I performed…

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

Commentary:

Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…

However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.

We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.

I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Ryusuke Hamaguchi, Drive My Car

Steven Spielberg, West Side Story

Commentary:

This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.

PREDICTED WINNER:

Jane Campion, The Power of the Dog

Runner-Up:

Steven Spielberg, West Side Story

Best Actress

Nominees:

Jessicas Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Penelope Cruz, Parallel Mothers

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Commentary:

Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.

PREDICTED WINNER:

Jessica Chastain, The Eyes of Tammy Faye

Riunner-Up:

Kristen Stewart, Spencer

Best Actor

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, tick, tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Commentary:

During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.

PREDICTED WINNER:

Will Smith, King Richard

Runner-Up:

Benedict Cumberbatch, The Power of the Dog

Best Supporting Actress

Nominees:

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Judi Dench, Belfast

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Commentary:

Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.

PREDICTED WINNER:

Ariana DeBose, West Side Story

Runner-Up:

Kirsten Dunst, The Power of the Dog

Best Supporting Actor

Nominees:

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

Commentary: 

Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.

PREDICTED WINNER:

Troy Kotsur, CODA

Runner-Up:

Kodi Smit-McPhee, The Power of the Dog 

Best Original Screenplay

Nominees:

Belfast

Don’t Look Up

King Richard

Licorice Pizza

The Worst Person in the World

Commentary:

Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).

PREDICTED WINNER:

Belfast

Runner-Up:

Licorice Pizza

Best Adapted Screenplay

Nominees

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog 

Commentary:

CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

Commentary:

I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.

PREDICTED WINNER:

Encanto

Runner-Up:

The Mitchells vs. the Machines

Best International Feature Film

Nominees:

Drive My Car

Flee

The Hand of God

Lunana: A Yak in the Classroom

The Worst Person in the World

Commentary:

This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.

PREDICTED WINNER:

Drive My Car

Runner-Up:

The Worst Person in the World

Best Documentary Feature

Nominees:

Ascension

Attica

Flee

Summer of Soul

Writing with Fire

Commentary:

With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.

PREDICTED WINNER:

Summer of Soul

Runner-Up:

Flee

Best Cinematography

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary: 

This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Costume Design

Nominees:

Cruella

Cyrano

Dune

Nightmare Alley

West Side Story

Commentary:

Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.

PREDICTED WINNER:

Cruella

Runner-Up:

Dune

Best Film Editing

Nominees:

Don’t Look Up

Dune

King Richard

The Power of the Dog

tick, tick… Boom!

Commentary:

Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.

PREDICTED WINNER:

Dune

Runner-Up:

King Richard

Best Makeup and Hairstyling

Nominees:

Coming 2 America

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

Commentary:

Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.

PREDICTED WINNER:

The Eyes of Tammy Faye

Runner-Up:

House of Gucci

Best Original Score

Nominees:

Don’t Look Up

Dune

Encanto

Parallel Mothers

The Power of the Dog

Commentary:

Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“No Time to Die” from No Time to Die

“Somehow You Do” from Four Good Days

Commentary:

Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.

PREDICTED WINNER:

“Dos Oruguitas” from Encanto

Runner-Up:

“No Time to Die” from No Time to Die

Best Production Design

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary:

For the last three categories, I could just say Dune and be done with it. In fact, I think I will…

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Sound

Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Visual Effects

Nominees:

Dune

Free Guy

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

There isn’t one… that’s how I’m confident I am that Dune takes it.

And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:

6 Wins

Dune

3 Wins

The Power of the Dog

2 Wins

Encanto, The Eyes of Tammy Faye

1 Win

Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story

Make sure to check out the blog post ceremony!

PGA: The Rise of CODA

When it comes to the Producers Guild of America awards, there’s a 14/21 match between their best picture and the Academy’s in the 21st century. The two-thirds ratio is 3/5 in the past five years. In 2016, La La Land took PGA over the Oscar selection of Moonlight. For 2019, PGA went with 1917 while the big show went with Parasite. Other 21st century examples: The Big Short won PGA in 2015 (Oscar: Spotlight). For 2006, Little Miss Sunshine got the PGA prize while The Departed took Oscar.

The PGA’s for 2021 occurred last night and it’s another feather in the cap for CODA. Sian Heder’s coming-of-age drama built upon its recent SAG ensemble victory  to triumph here. If there was any doubt before, CODA has unquestionably positioned itself as the alternate to The Power of the Dog winning Best Picture at the Oscars. Not Belfast. Not King Richard or Dune. This is a two-horse race between Dog and CODA and they both have important precursor hardware. No matter which one grabs the gold, it will be the first BP win for a streamer (Netflix for Dog and Apple TV for CODA).

Jane Campion’s direction of Dog won the Director Guild of America (DGA) prize this week and that’s a reliable Academy precursor. She’s almost certain to be the Oscar winner (CODA‘s Sian Heder isn’t nominated). In fact, CODA only has three nominations overall: Picture, Supporting Actor (Troy Kotsur), and Adapted Screenplay. It didn’t seem feasible until recently, but it could legitimately go 3 for 3.

Having said that, I wouldn’t dream of counting Dog out. It’s the Globe and BAFTA recipient. The precursor bonafides for it are just as impressive as CODA‘s. Even a week ago, however, I would’ve said Dog had about a 90% chance to be the Oscar BP. Now… well, it’s considerably less and we’ll see what I predict when I make my final picks on Wednesday.

In the Animated Feature and Documentary races at PGA, the respective winners were Encanto and Summer of Soul and they maintain their status as Academy favorites.