We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.
There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).
Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.
Call Me by Your Name
Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.
Does It Make the Final Five?
No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.
Darkest Hour
Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.
Does It Make the Final Five?
No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.
Dunkirk
Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.
Does It Make the Final Five?
Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.
Get Out
Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.
Does It Make the Final Five?
Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.
Lady Bird
Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.
Does It Make the Final Five?
Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.
Phantom Thread
Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).
Does It Make the Final Five?
No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.
The Post
Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.
Does It Make the Final Five?
No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.
Three Billboards Outside Ebbing, Missouri
A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.
Does It Make the Final Five?
Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.
If you weren’t keeping score, here’s my projected 2017 five:
2022 should be the year where Netflix makes significant waves in the Best Animated Feature category at the Oscars and Guillermo del Toro’s Pinocchio is its lead off hitter. The acclaimed filmmaker’s stop-motion passion project is out in select theaters next month with a streaming release on December 9th. Receiving a first look today at the London Film Festival, Pinocchio arrives a half decade after del Toro’s The Shape of Water took Best Picture (along with a directorial victory) and one year after his follow-up Nightmare Alley made the BP ten. Actors providing voiceovers include Ewan McGregor, David Bradley, Gregory Mann, Finn Wolfhard, Cate Blanchett, John Turturro, Ron Perlman, Tim Blake Nelson, Burn Gorman, Christoph Waltz, and Tilda Swinton.
Since I added Animated Feature in my predictions a few weeks back, I’ve had del Toro’s tale of the iconic puppet turned real boy listed in first place. Part of that is due to its maker’s track record. That’s not the only reason why. The other is that it might be a rare off year for Disney, who have taken the gold statue 15 out of 21 times. This summer’s Lightyear was a high profile flop that is likely to be omitted from the final five altogether. Turning Red from the spring achieved solid enough notices to make the cut, but I certainly don’t see it as an automatic winner. The Mouse Factory still has next month’s Strange World in their arsenal so we’ll see if that emerges as a major threat.
Several critics from the London screenings are proclaiming this Pinocchio to be great or near great. On the other hand, some reviews aren’t quite as effusive. I do think the early word-of-mouth is enough to take comfort in the #1 ranking. Yet I wouldn’t say it’s a slam dunk pick to take gold like, say, 2020’s Soul was. I would also keep an eye on Original Score with Alexandre Desplat composing. Visual Effects is also doable (if perhaps a stretch).
A nomination seems assured and Netflix could hold 60% of the nominees this year. Wendell and Wild, another upcoming stop-motion pic from Henry Selick, should get in. Either The Sea Beast or My Father’s Dragon could as well (though probably not both). The streamer got their first contender in 2019 with Klaus and then Over the Moon in 2020 and The Mitchells vs. the Machines last year. They’re 0 for 3 in wins. That may change with del Toro in the company mix. My Oscar Prediction posts will continue…
There could be a Pinocchio movie that contends for Oscars in 2022, but it’s not the one this post is focused on. Today marks the Disney Plus premiere of Pinocchio, the studio’s latest live-action remake of their iconic IP. The musical fantasy has some high profile talent with Robert Zemeckis directing and Tom Hanks, Cynthia Erivo, and Luke Evans appearing. Voice work is contributed by Benjamin Evan Ainsworth (as the title character), Joseph Gordon-Levitt, and Keegan-Michael Key.
Some reviews claim it’s an OK watch, but plenty others have been quiet derisive. The Rotten Tomatoes score is 32%. Even without critical acclaim, the Mouse Factory’s live-action retelling of The Lion King managed a Visual Effects nod three years back. Don’t look for that to occur here as some of the buzz is quite dismissive of its overall look.
In November, Guillermo del Toro’s stop-motion animated version of the puppet turned real boy arrives on Netflix. We’ll see if it garners Academy chatter. This won’t. My Oscar Prediction posts will continue…
After a brief theatrical run last month, the animated adventure tale The Sea Beast began its Netflix streaming run today. Chris Williams, a Disney vet who co-directed Big Hero 6 and Moana, helms the project. Actors behind the voices include Karl Urban, Zaris-Angel Hator, Jared Harris, Marianne Jean-Baptiste, and Dan Stevens.
Reviews for the monstrous tale are quite positive with a 93% Rotten Tomatoes score. Its potential inclusion could hinge on whether Netflix mounts a major campaign. In the animation field, they may throw all their chips behind Guillermo del Toro’s Pinocchio (due in December).
The critical reaction is a bonus for Beast. The question is whether it’s still fresh in voters minds a few months from now and if Netflix is reminding them of it. My Oscar Prediction posts will continue…
The buzz for Disney/Pixar’s Lightyear is just fine, but it’s not in the stratosphere of some of the studio’s other efforts. The origin story for the co-lead of the Toy Story franchise (voiced by Tim Allen for those four pics and by Chris Evans here) is at 84% on Rotten Tomatoes.
If Onward at 88% or Brave at 78% nabbed nominations in the Best Animated Feature Oscar derby, this should manage to do so as well pretty easily. However, let’s see how the competition plays out in the second half of the season. Pixar’s spring title Turning Red has probably reserved a spot and Guillermo del Toro’s Pinocchio looms. Other hopefuls include Apollo 10 1/2 and Wendell & Wild.
In the 22 years of its existence, Pixar has taken home exactly half of the Academy’s animation trophies (with Disney traditional picking up four more). Two of them were the third and fourth Toy Story sagas. The category wasn’t around for parts one and two and I bet both would’ve won. That bodes well for Lightyear though the somewhat mixed chatter could complicate matters. My Oscar Prediction posts will continue…
The 27th Critics Choice Awards air this Sunday evening and they’re another often reliable indicator for who and what may win on Oscar night. As I have with SAG and the Golden Globes, I am giving you my winner predictions along with the runner-up pick.
Let’s get to it and I’ll have a recap up either Sunday evening or Monday!
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
tick, tick… Boom!
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Dune
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Guillermo del Toro, Nightmare Alley
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Predicted Winner:
Jane Campion, The Power of the Dog
Runner-Up:
Denis Villeneuve, Dune
Best Actress
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Alana Haim, Licorice Pizza
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Predicted Winner:
Kristen Stewart, Spencer
Runner-Up:
Jessica Chastain, The Eyes of Tammy Faye
Best Actor
Nominees:
Nicolas Cage, Pig
Benedict Cumberbatch, The Power of the Dog
Peter Dinklage, Cyrano
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Predicted Winner:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Caitríona Balfe, Belfast
Ariana DeBose, West Side Story
Ann Dowd, Mass
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Rita Moreno, West Side Story
Predicted Winner:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Jamie Dornan, Belfast
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jared Leto, House of Gucci
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Predicted Winner:
Kodi Smit-McPhee, The Power of the Dog
Runner-Up:
Troy Kotsur, CODA
Best Original Screenplay
Nominees:
Being the Ricardos
Belfast
Don’t Look Up
King Richard
Licorice Pizza
Predicted Winner:
Licorice Pizza
Runner-Up:
Belfast
Best Adapted Screenplay
Nominees:
CODA
Dune
The Lost Daughter
The Power of the Dog
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Predicted Winner:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best Comedy
Nominees:
Barb and Star Go To Vista Del Mar
Don’t Look Up
Free Guy
The French Dispatch
Licorice Pizza
Predicted Winner:
The French Dispatch
Runner-Up:
Licorice Pizza
Best Foreign Language Film
Nominees:
Drive My Car
Flee
The Hand of God
A Hero
The Worst Person in the World
Predicted Winner:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Young Actor/Actress
Nominees:
Jude Hill, Belfast
Cooper Hoffman, Licorice Pizza
Emilia Jones, CODA
Woody Norman, C’Mon C’Mon
Saniyya Sidney, King Richard
Rachel Zegler, West Side Story
Predicted Winner:
Rachel Zegler, West Side Story
Runner-Up:
Emilia Jones, CODA
Best Acting Ensemble
Nominees:
Belfast
Don’t Look Up
The Harder They Fall
Licorice Pizza
The Power of the Dog
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Belfast
Best Cinematography
Nominees:
Belfast
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Dune
Best Costume Design
Nominees:
Cruella
Dune
House of Gucci
Nightmare Alley
West Side Story
Predicted Winner:
Cruella
Runner-Up:
Dune
Best Editing
Nominees:
Belfast
Dune
Licorice Pizza
The Power of the Dog
West Side Story
Predicted Winner:
Dune
Runner-Up:
West Side Story
Best Hair and Makeup
Nominees:
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Nightmare Alley
Predicted Winner:
House of Gucci
Runner-Up:
The Eyes of Tammy Faye
Best Production Design
Nominees:
Belfast
Dune
The French Dispatch
Nightmare Alley
West Side Story
Predicted Winner:
Nightmare Alley
Runner-Up:
Dune
Best Score
Nominees:
Don’t Look Up
Dune
Nightmare Alley
The Power of the Dog
Spencer
Predicted Winner:
Dune
Runner-Up:
The Power of the Dog
Best Song
“Just Look Up” from Don’t Look Up
“Dos Oruguitas” from Encanto
“Guns Go Bang” from The Harder They Fall
“Be Alive” from King Richard
“No Time to Die” from No Time to Die
Predicted Winner:
“Just Look Up” from Don’t Look Up
Runner-Up:
“Dos Oruguitas” from Encanto
Best Visual Effects
Nominees:
Dune
The Matrix Resurrections
Nightmare Alley
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Predicted Winner:
Dune
Runner-Up:
No Time to Die
That equates to the following pictures garnering these numbers for wins:
6 Wins
The Power of the Dog
3 Wins
Dune
2 Wins
West Side Story
1 Win
Cruella, Don’t Look Up, Drive My Car, Encanto, The French Dispatch, House of Gucci, King Richard, Licorice Pizza, Nightmare Alley, Spencer
Nightmare Alley is next up in my Case Of posts for the ten 2021 Best Picture nominees. If you didn’t catch the previous entries, they can be accessed right here:
The lat time that Guillermo del Toro made a movie, 2017’s The Shape of Water won 4 Oscars including Picture and Director…
The Case Against Nightmare Alley:
And that’s where the case for ends. Nightmare Alley is generally seen as the tenth picture that made the derby (it’s the only one I didn’t predict making the cut). It did land 4 nods (Picture, Cinematography, Costume Design, Production Design) and could manage to win an Oscar (especially Production Design). However, its challenges are many. While it materialized in BP, there’s no mentions for Director, Adapted Screenplay, Editing, or any of the actors (only Cate Blanchett in Supporting Actress was considered a possibility). Alley has the second lowest Rotten Tomatoes score of the bunch at 80%. And it was a major box office disappointment domestically at only $11 million.
The Verdict
Of the 10 contenders, I would rank Alley 10th as far as it chances to reign supreme.
My Case Of posts will continue with The Power of the Dog…
Guillermo del Toro has been making geek shows geared to movie geeks for years. In Nightmare Alley, based on a 1946 novel and the picture that followed it a year later, he gorgeously opens up his stylistic bag of tricks to give us a film noir where the scariest creatures are of the human sort. Geek shows take on a different meaning as the traveling carnivals where we spend the first act features one. That’s where spectators with jaws agape watch a drug addled performer (“geeks” in the show’s vocabulary) bite the heads off of chickens. All for the price of a quarter or two!
We meet Stan Carlisle (Bradley Cooper) in 1939 as he happens upon the larger road show filled with psychics, strongmen, and beautiful ladies with electrical currents running through them. He’s destitute and jobless and picks up menial duties from Clem (Willem Dafoe), who runs the demented circus. Stan is an audacious fellow who’s not fearful of romancing good-natured performer Molly (Rooney Mara) or picking up mentalist tips from the alcoholic Pete (David Strathairn) or his clairvoyant (with help from cue cards) wife Zeena (Toni Collette). He occasionally takes pity on the resident geek (Paul Anderson) but it’s clear Stan is mostly looking out for himself. An opening flashback sequence shows a strained relationship with his deceased father who was also a fan of the drink. While dad, mentor Pete, and that poor chicken feeder suffer from substance abuse, Stan’s vices are hubris and power.
The opening scenes of Alley explore this fascinating world with the exquisite production design, cinematography, and impeccable lighting that we would anticipate from its maker. This is constantly a visually striking experience. When we flash forward two years later, Stan has used the teachings of his colleagues to move up to the big city (Buffalo) and deem himself a psychic. With Molly as his assistant and companion, his dinner theater act attracts the attention of the city’s elite. Dr. Lilith Ritter (Cate Blanchett), a psychologist, tries to unmask Stan’s schemes during such a performance. It only serves to fool more of the attendees. The two decide to team up and swindle movers and shakers like a judge (Peter MacNeill) mourning a son and his devastated wife (Mary Steenburgen). For a price, Stan will convince them that their loved one is with them in spirit. The doctor provides the backstory from such grieving former patients.
Stan and Ritter also engage in therapeutic sessions that occasionally crackle with intensity. The two actors are up to the task with Blanchett picture perfect as the femme fatale and Cooper’s aw shucks Southern drawl cloaking his wild ambitions. Mara’s Molly gets lost in the shuffle as Stan’s pining is not just for a quick buck, but for the bad doc as well.
The ladder climbing of his consultations leads to Ezra Grindle (Richard Jenkins) and, at last, Stan may have bitten off more of an assignment than he can chew. Not a typical crime boss type of figure, the calm but firm Grindle looks for otherworldly messages from a former love. If Stan doesn’t produce, he may lose more than the fee.
Nightmare Alley is worth seeing for its look alone. Mr. del Toro is known for his onscreen creatures (from Cronos to Pan’s Labyrinth to his Oscar-winning The Shape of Water). We don’t see those types in his latest, but there’s monsters around and Stan is among them. Their habits are often just as frightening. When Dafoe’s Clem explains how the geeks are hired, it’s a tad hair raising.
Not all is as pleasing as the aesthetics. del Toro is clearly having a blast playing in the noir sandbox. So much so that he doesn’t seem to realize that these genre excursions should be lean and mean in their running time. Alley plods along for 150 minutes. Plenty of the characters are mean though it’s not so lean in execution. There are sequences that land effectively after the carnivorous first act but plenty that don’t match their potency. On the plus side, it’s got a humdinger of an ending with its darkly appealing beginnings and that makes it worth the price of admission.
The DGA and PGA nominations are out as of yesterday and it’s caused some reflection as I pen my penultimate predictions for the 2021 Oscars. With Being the Ricardos and Tick, Tick… Boom! nabbing the final two BP spots at PGA (the other 8 were pretty obvious), I feel it necessary to include at least one of them. On the other hand, I’m reluctant to include both as PGA and the Academy’s BP selection rarely match. I’m leaning toward Boom! and it vaults back into the top ten. Yet I’m continuing to keep The Tragedy of Macbeth in the mix despite its lack of recent precursor love.
The DGA quintet and the Best Director nominees haven’t mirrored each other since 2009. So it’s a risk to go with DGA’s five. However, as of this moment, I’m going with it.
Another big change is in Best Actor as I’m including Javier Bardem in Ricardos for the first time (over Leonardo DiCaprio for Don’t Look Up). There’s also a change in Supporting Actor as I’m putting Ben Affleck (The Tender Bar) in for his inaugural appearance. That knocks out Jared Leto for Gucci.
The last big piece of the precursor puzzle arrives Thursday with BAFTA nods. On Friday (02/04), I will make my FINAL Oscar calls before nomination morning on Tuesday, February 8th.
Here’s how I have things standing as of now:
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. Dune (PR: 4) (+1)
4. West Side Story (PR: 3) (-1)
5. Licorice Pizza (PR: 5) (E)
6. King Richard (PR: 7) (+1)
7. Don’t Look Up (PR: 6) (-1)
8. CODA (PR: 8) (E)
9. Tick, Tick… Boom! (PR: 11) (+2)
10. The Tragedy of Macbeth (PR: 9) (-1)
Other Possibilities:
11. Being the Ricardos (PR: 12) (+1)
12. Drive My Car (PR: 13) (+1)
13. House of Gucci (PR: 10) (-3)
14. Nightmare Alley (PR: Not Ranked)
15. The Lost Daughter (PR: 14) (-1)
Dropped Out:
No Time to Die
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Steven Spielberg, West Side Story (PR: 3) (E)
4. Kenneth Branagh, Belfast (PR: 4) (E)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Ryusuke Hamaguchi, Drive My Car (PR: 7) (+1)
7. Adam McKay, Don’t Look Up (PR: 6) (-1)
8. Joel Coen, The Tragedy of Macbeth (PR: 8) (E)
9. Sian Heder, CODA (PR: 9) (E)
10. Guillermo del Toro, Nightmare Alley (PR: Not Ranked)
Dropped Out:
Maggie Gyllenhaal, The Lost Daughter
Best Actress
Predicted Nominees:
1. Nicole Kidman, Being the Ricardos (PR: 1) (E)
2. Olivia Colman, The Lost Daughter (PR: 2) (E)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (E)
4. Kristen Stewart, Spencer (PR: 5) (+1)
5. Lady Gaga, House of Gucci (PR: 4) (-1)
Other Possibilities:
6. Penelope Cruz, Parallel Mothers (PR: 8) (+2)
7. Jennifer Hudson, Respect (PR: 7) (E)
8. Rachel Zegler, West Side Story (PR: 6) (-2)
9. Alana Haim, Licorice Pizza (PR: 9) (E)
10. Emilia Jones, CODA (PR: 10) (E)
Best Actor
Predicted Nominees
1. Will Smith, King Richard (PR: 2) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Javier Bardem, Being the Ricardos (PR: 6) (+1)
Other Possibilities:
6. Leonardo DiCaprio, Don’t Look Up (PR: 5) (-1)
7. Peter Dinklage, Cyrano (PR: 7) (E)
8. Nicolas Cage, Pig (PR: 8) (E)
9. Joaquin Phoenix, C’Mon C’Mon (PR: 9) (E)
10. Hidetoshi Nishijima, Drive My Car (PR: 10) (E)
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)
3. Caitriona Balfe, Belfast (PR: 3) (E)
4. Ruth Negga, Passing (PR: 4) (E)
5. Aunjanue Ellis, King Richard (PR: 5) (E)
Other Possibilities:
6. Ann Dowd, Mass (PR: 7) (+1)
7. Marlee Matlin, CODA (PR: 6) (-1)
8. Cate Blanchett, Nightmare Alley (PR: 8) (E)
9. Rita Moreno, West Side Story (PR: 9) (E)
10. Jessie Buckley, The Lost Daughter (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Troy Kotsur, CODA (PR: 2) (E)
3. Ciaran Hinds, Belfast (PR: 3) (E)
4. Bradley Cooper, Licorice Pizza (PR: 4) (E)
5. Ben Affleck, The Tender Bar (PR: 6) (+1)
Other Possibilities:
6. Jared Leto, House of Gucci (PR: 5) (-1)
7. Jesse Plemons, The Power of the Dog (PR: 8) (+1)
8. J.K. Simmons, Being the Ricardos (PR: 9) (+1)
9. Jamie Dornan, Belfast (PR: 7) (-2)
10. Mike Faist, West Side Story (PR: 10) (E)
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. Being the Ricardos (PR: 4) (E)
5. C’Mon C’Mon (PR: 5) (E)
Other Possibilities:
6. King Richard (PR: 6) (E)
7. Parallel Mothers (PR: 7) (E)
8. Mass (PR: 8) (E)
9. The French Dispatch (PR: 9) (E)
10. A Hero (PR: Not Ranked)
Dropped Out:
Pig
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 3) (E)
4. The Lost Daughter (PR: 4) (E)
5. Dune (PR: 5) (E)
Other Possibilities:
6. Drive My Car (PR: 6) (E)
7. The Tragedy of Macbeth (PR: 7) (E)
8. Passing (PR: 9) (+1)
9. Tick, Tick… Boom! (PR: 8) (-1)
10. Nightmare Alley (PR: Not Ranked)
Dropped Out:
The Last Duel
Best Animated Feature
Predicted Nominees
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 3) (E)
4. Luca (PR: 4) (E)
5. Raya and the Last Dragon (PR: 5) (E)
Other Possibilities:
6. Belle (PR: 6) (E)
7. Sing 2 (PR: Not Ranked)
8. The Summit of the Gods (PR: 7) (-1)
9. Vivo (PR: 8) (-1)
10. Ron’s Gone Wrong (PR: 9) (-1)
Dropped Out:
My Sunny Maad
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 1) (E)
2. A Hero (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. I’m Your Man (PR: 6) (E)
7. Prayers for the Stolen (PR: 8) (+1)
8. Compartment No. 6 (PR: 7) (-1)
9. Great Freedom (PR: 9) (E)
10. Playground (PR: Not Ranked)
Dropped Out:
The Good Boss
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 2) (E)
3. Procession (PR: 4) (+1)
4. Summer of Soul (PR: 3) (-1)
5. The First Wave (PR: 5) (E)
Other Possibilities:
6. Ascension (PR: 6) (E)
7. Faya Dayi (PR: 9) (+2)
8. Attica (PR: 7) (-1)
9. President (PR: 8) (-1)
10. The Velvet Underground (PR: Not Ranked)
Dropped Out:
In the Same Breath
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. The Tragedy of Macbeth (PR: 4) (+1)
4. Belfast (PR: 3) (-1)
5. West Side Story (PR: 5) (E)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. Licorice Pizza (PR: 7) (E)
8. The French Dispatch (PR: 8) (E)
9. Spencer (PR: 10) (+1)
10. No Time to Die (PR: Not Ranked)
Dropped Out:
C’Mon C’Mon
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. House of Gucci (PR: 4) (E)
5. Nightmare Alley (PR: 7) (+2)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Licorice Pizza (PR: 6) (-1)
8. The French Dispatch (PR: 9) (+1)
9. Cyrano (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Belfast (PR: 3) (+1)
3. The Power of the Dog (PR: 4) (+1)
4. Don’t Look Up (PR: 6) (+2)
5. Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. West Side Story (PR: 2) (-4)
7. King Richard (PR: 8) (+1)
8. Tick, Tick… Boom! (PR: 7) (-1)
9. Nightmare Alley (PR: 10) (+1)
10. No Time to Die (PR: Not Ranked)
Dropped Out:
Being the Ricardos
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 4) (E)
5. Coming 2 America (PR: 5) (E)
Other Possibilities:
6. The Suicide Squad (PR: 7) (+1)
7. Nightmare Alley (PR: 8) (+1)
8. West Side Story (PR: 6) (-2)
9. Cyrano (PR: 9) (E)
10. No Time to Die (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. The French Dispatch (PR: 4) (+1)
4. Don’t Look Up (PR: 3) (-1)
5. Spencer (PR: 6) (+1)
Other Possibilities:
6. Parallel Mothers (PR: 5) (-1)
7. The Tragedy of Macbeth (PR: 8) (+1)
8. Encanto (PR: 7) (-1)
9. King Richard (PR: 9) (E)
10. Being the Ricardos (PR: 10) (E)
Best Original Song
Predicted Nominees:
1. “No Time to Die” from No Time to Die (PR: 1) (E)
2. “Dos Oruguitas” from Encanto (PR: 3) (+1)
3. “Be Alive” from King Richard (PR: 2) (-1)
4. “Just Look Up” from Don’t Look Up (PR: 6) (+2)
5. “Down to Joy” from Belfast (PR: 4) (-1)
Other Possibilities:
6. “Here I Am” from Respect (PR: 5) (-1)
7. “Guns Go Bang” from The Harder They Fall (PR: 7) (E)
8. “Beyond the Shore” from CODA (PR: 8) (E)
9. “So May We Start” from Annette (PR: 9) (E)
10. “Somehow You Do” from Four Good Days (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 3) (+1)
3. West Side Story (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Licorice Pizza (PR: 7) (E)
8. The Power of the Dog (PR: 9) (+1)
9. Spencer (PR: 8) (-1)
10. Cyrano (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. Tick, Tick… Boom! (PR: 5) (+1)
5. No Time to Die (PR: 4) (-1)
Other Possibilities:
6. The Power of the Dog (PR: 7) (+1)
7. Spider-Man: No Way Home (PR: 6) (-1)
8. A Quiet Place Part II (PR: 9) (+1)
9. The Matrix Resurrections (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Visual Effects
Predicted Nominees
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Godzilla vs. Kong (PR: 3) (E)
4. Shang-Chi and the Legend of the Ten Rings (PR: 4) (E)
5. Spider-Man: No Way Home (PR: 6) (+1)
Other Possibilities:
6. No Time to Die (PR: 5) (-1)
7. Free Guy (PR: 7) (E)
8. Eternals (PR: 8) (E)
9. Ghostbusters: Afterlife (PR: 9) (E)
10. Black Widow (PR: 10) (E)
This all equates to the following numbers of nominations for these pictures:
11 Nominations
Dune
9 Nominations
Belfast, The Power of the Dog
8 Nominations
West Side Story
5 Nominations
Don’t Look Up, Licorice Pizza
4 Nominations
King Richard, The Tragedy of Macbeth
3 Nominations
Being the Ricardos, CODA, Flee, House of Gucci, Tick, Tick… Boom!
2 Nominations
Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Nightmare Alley, No Time to Die, Spencer
1 Nomination
C’Mon C’Mon, Coming 2 America, Drive My Car, The First Wave, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, Ray and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, Summer of Soul, The Tender Bar, The Worst Person in the World
Two significant Academy precursors are coming our way tomorrow when the Directors and Producers Guilds of America reveal nominees. Both groups could shed major light on who and what we will see on Oscar nomination morning in less than two weeks.
The DGA nominates five directors for their top prize and it is a reliable preview for usually 4 of the 5 eventual hopefuls at the big show. In the past five years, the DGA’s list corresponds with the Academy’s on the 4 of 5 ratio. The exception was 2018 when it was 3/5. You have to go back to 2009 to find the last year in which there was a perfect match.
For weeks, my Oscar projections in Best Director has remained consistent: Paul Thomas Anderson (Licorice Pizza), Kenneth Branagh (Belfast), Jane Campion (The Power of the Dog), Steven Spielberg (West Side Story), and Denis Villeneuve (Dune). That’s probably the safest lineup to predict for DGA as well, but I’m hesitant to do so since it’s been over a decade with the two corresponding.
So who’s vulnerable and who could rise up? It’s hard to see Campion (the Oscar frontrunner), Villeneuve, or Spielberg missing. Same generally goes for Branagh though there’s whispers that Belfast could be slipping a bit (still not enough for me to take him out). That leaves Anderson and there’s some precedent. In 2017, the Academy nominated him for Phantom Thread while DGA omitted him. He’s the easiest to leave off their ballot.
Who takes his place? I doubt that it’s Ryusuke Hamaguchi for Drive My Car. In recent times, the Academy has been more generous with nods for filmmakers and their international features. Last year, they nominated Thomas Vinterberg (Another Round) and in 2018 they did the same for Pawel Pawlikowski (Cold War) while DGA ignored them.
If there’s a surprise fifth nominee in store, watch out for Guillermo del Toro (Nightmare Alley), Maggie Gyllenhaal (The Lost Daughter) or Sian Heder (CODA). However, I think it could come down to Joel Coen (The Tragedy of Macbeth) and Adam McKay (Don’t Look Up). The latter is a two-time DGA nominee (The Big Short and Vice) and Don’t Look Up is a buzzy streaming success story that’s been widely viewed. Coen, on the other hand, could be honored for the technical mastery of Macbeth.
This is a close call, but I’m ever so slightly leaning toward McKay and I’ll go that route. Therefore – my official DGA predictions are:
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Adam McKay, Don’t Look Up
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Runner-Up: Paul Thomas Anderson, Licorice Pizza
Second Alternate: Joel Coen, The Tragedy of Macbeth
Let’s move to the PGA, shall we? Over the last five years, these are the matches between the Producers and the Academy when it comes to their Best Picture awards:
2016: 9/9
2017: 7/9
2018: 8/8
2019: 9/9
2020: 7/8
It’s important to keep in mind that the Academy, for the past several years, can have anywhere between 5-10 BP contenders (the magic number has been 8 or 9). Yet in 2021, the Oscars are reverting back to a set 10 (the PGA always nominates 10 except for 2017 when they had 11 for some inexplicable reason).
That means there’s only been three films (Darkest Hour and Phantom Thread in 2017 and The Father in 2020) that received Oscar nods and didn’t materialize on the PGA list.
My current 10 selections for BP from the Academy are as follows: Belfast, CODA, Don’t Look Up, Dune, House of Gucci, King Richard, Licorice Pizza, The Power of the Dog, The Tragedy of Macbeth, West Side Story.
I’m estimating that only Gucci and Tragedy could be truly vulnerable to miss the PGA cut (anything else being left off would constitute a pretty big surprise). If that happens, CODA or Richard might be the ones.
In my view, Tragedy is exactly the kind of feature that PGA may not recognize. Gucci is more of a question mark as the Producers generally like to nominate pictures that performed well at the box office. To that point, the PGA has a history of honoring moneymakers that the Academy does not. Recent examples include Bridesmaids, Skyfall, Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, Crazy Rich Asians, A Quiet Place, and Knives Out.
That could absolutely open the door for No Time to Die or Spider-Man: No Way Home… or both. I’m slightly more hesitant to include Spidey being that neither Avengers: Infinity War or Endgame got PGA love. However, I’m not oblivious to the fact that this guild may want to mention the picture that broke pandemic era box office records.
Outside of the blockbuster mold, you could also see titles like Being the Ricardos, Drive My Car, The Lost Daughter, Nightmare Alley, or Tick, Tick… Boom! factor in.
I’m keeping Gucci in (with extreme uncertainty) and projecting 007 in the mega-earner slot so here’s my PGA ten:
Belfast
CODA
Don’t Look Up
Dune
House of Gucci
King Richard
Licorice Pizza
No Time to Die
The Power of the Dog
West Side Story
Runner-Up: Spider-Man: No Way Home
Second Alternate: The Tragedy of Macbeth
So there you have it! I’ll have reaction up on both DGA and PGA tomorrow on the blog…
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