The nation of Poland has announced that animated historical drama The Peasants is their pick for contention in International Feature Film at the Oscars. It comes from directors Dorota Kabiela and Hugh Welchman, whose 2017 predecessor Loving Vincent was a nominee for Animated Feature Film.
After its Toronto Film Festival premiere, a small sampling of reviews gives it 100% on Rotten Tomatoes. The Poles have put themselves in position for the international derby an impressive six times in the 21st century: in 2007 for Katyń, for 2011’s In Darkness, 2014’s Ida (the sole winner), Cold War in 2018, Corpus Christi in 2019, and last year with EO.
I wouldn’t count out The Peasants in either IFF or Animated Feature (though it’s a probably a stretch to think it gets in for both). It hasn’t been on my radar in my forecasts thus far, but don’t be surprised if it pops up in the next update. My Oscar Prediction posts will continue…
The nation of Poland has been well represented in the International Feature Film competition at the Oscars over the past decade. 2014’s Ida won while 2018’s Cold War and 2019’s Corpus Christi made the final quintet. The Poles have already announced their selection for 2022 is EO from 84-year-old filmmaker Jerzy Skolimowski. Sandra Drzymalska, Lorenzo Zurzolo, Mateusz Kościukiewicz, and Isabelle Huppert star.
Often told from the perspective of a circus donkey (your eyes aren’t deceiving you), this garnered plenty of praise and head scratching when it played the Cannes Film Festival over the summer. It also tied for the Jury Prize in France. EO plays the Toronto Film Festival in a matter of days.
Said to be quite the surrealistic experience, the Rotten Tomatoes is at 95% on Rotten Tomatoes. The International branch is tough to predict. If they didn’t go for last year’s Lamb, I’m not overly confident they go for this. Based on the history of its country recently though – could it contend with the right marketing campaign? You bet your ass. My Oscar Prediction posts will continue…
Four years ago, Polish filmmaker Pawel Pawlikowski saw his feature Ida take the Best Foreign Language Film Oscar. This year at the Cannes Film Festival, his new drama ColdWar earned him the Best Director prize there. Now that it’s also played at Venice, the film continues to gather steam for the 2018 Academy Awards.
Most reviews have been raves and it’s highly likely that Poland will submit this as its selection for Oscar attention. Its inclusion in Foreign Language Film appears to be a given. The big question is whether it could possibly cross over and compete in Best Picture.
At best, there’s usually only one foreign feature that makes the leap into the largest race of all. In 2018, that slot appears to already be filled by Alfonso Cuaron’s Roma. However, if a number of American features fail to meet expectations, you never know.
Additionally, the lead actress in War is Joanna Kulig and critics have hailed her work. A nomination for her could be a long shot. Once again, Roma could have a greater chance at recognition with the work of newcomer Yalitza Aparicio.
Bottom line: ColdWar is in fine position with Foreign Language Film, while anything else is a far more unclear question mark.
Well it’s been nearly 24 hours since the 87th edition of the Academy Awards reached its conclusion and somewhere Neil Patrick Harris is still trying to make that “secret Oscar ballot” gag work. The show was, as usual, a mixed bag that went on far too long. It featured some solid musical numbers (Common and John Legend, Tim McGraw) and a truly memorable one with Lady Gaga paying tribute to the 50 year old Sound of Music, complete with a Julie Andrews cameo at the end.
Being the host is largely a thankless job but NPH did OK. I don’t think his performance was strong enough to warrant a return engagement, but you never know. I still say let Fallon and Timberlake do it or bring in Louis C.K. to really make things unpredictable.
There were some genuinely humorous bits like John Travolta making nice with Idina Menzel after butchering her name last year, but not close to enough to justify its laborious length which ran past midnight.
It was a mediocre ceremony that was truly made fascinating only by the real suspense generated with the top awards. OK, it was a given that Julianne Moore, J.K. Simmons and Patricia Arquette would take home acting trophies and they did. I admittedly let my heart and not mind pick Michael Keaton over Eddie Redmayne and was unsurprisingly proved wrong.
The genuine suspense came with Best Picture and Director where there was a real coin flip between Birdman and Boyhood. It got even more confusing when both The Grand Budapest Hotel and Whiplash started winning in categories they weren’t expected to. Could a massive upset be brewing with one of them?
Yet when Birdman took the Original Screenplay award over expected winner Budapest, it started to look like a good night for Alejandro Gonzalez Inarritu’s movie. He would win the Director prize and the film would win the biggest race of all.
This left Boyhood as the evening’s loser, picking up only Supporting Actress for Arquette. Birdman and Budapest won four awards with Whiplash at three. Interestingly, this Oscars had the rare occasion of all eight nominated features winning at least one race. My predictions were as uneven as the show… 12 for 20 and that is on the low end for this humble blogger.
So, all in all, a ho hum affair with some solid moments sprinkled throughout. By the end of the show, however, it wasn’t only Octavia Spencer that appeared exasperated by that flat NPH ballot gag.
Well here we go! The Oscars honoring the best of 2014 in film air this Sunday and after many round of predictions, it’s time to man up and pick up the winners for the final time in all major categories, minus documentary and short film contenders. For each race, I will predict the winner and a runner-up. On Sunday evening or Monday, I’ll post a recap of how I did.
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