Women Talking is the final Case Of post for the Best Picture nominees at the 95th Academy Awards. Will we be talking about Women gathering Oscars come March 12th? Let’s get into it.
The Case for Women Talking:
Sarah Polley’s adaptation of the 2018 Miriam Toews novel generated awards buzz out of the gate when it premiered at Toronto. At the Critics Choice Awards, it had a respectable showing with six mentions including BP and Director with a victory in Adapted Screenplay.
The Case Against Women Talking:
There’s a lot. For starters, its total of two nominations is the lowest of the candidates (it’s rare for a BP contender to have only one other nom). Women was ignored in Director, Original Score, and for any of its performances and it was once thought to be in contention for all. BAFTA totally ignored it. The Golden Globes only put it up in two races (Screenplay and Score) and it lost both. Its SAG count is one category. That was in Ensemble with individual players like Jessie Buckley, Claire Foy, and Ben Whishaw left out. Box office grosses have been subpar.
Other Nominations:
Adapted Screenplay
The Verdict:
Women Talking does stand a chance of becoming the Adapted Screenplay recipient. Perhaps this can cling to the hope that CODA took BP last year and it tied for the least numbers of nominations among the ten. Realistically there is just about zero chance of this becoming Best Picture.
While my Case Of posts for BP have concluded, I will now move to the filmmakers and thespians in Director and the four acting derbies. That will begin with the Daniels and their direction of Everything Everywhere All at Once!
If you missed my Case Of posts for the other BP nominees, you can access them here:
We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.
There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).
Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.
Call Me by Your Name
Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.
Does It Make the Final Five?
No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.
Darkest Hour
Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.
Does It Make the Final Five?
No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.
Dunkirk
Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.
Does It Make the Final Five?
Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.
Get Out
Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.
Does It Make the Final Five?
Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.
Lady Bird
Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.
Does It Make the Final Five?
Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.
Phantom Thread
Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).
Does It Make the Final Five?
No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.
The Post
Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.
Does It Make the Final Five?
No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.
Three Billboards Outside Ebbing, Missouri
A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.
Does It Make the Final Five?
Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.
If you weren’t keeping score, here’s my projected 2017 five:
We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:
Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.
So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.
Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.
While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.
There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.
Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.
As I always say at the beginning of September on this blog – what a difference a few days makes as Venice is at its midpoint and Telluride occurred over the holiday weekend. The Toronto Film Festival begins Thursday. For the first time, I am thrilled to announce that I will be in attendance and have screenings scheduled for several potential heavy hitters! They include The Fabelmans, The Son, The Whale, Women Talking, The Banshees of Inisherin, Triangle of Sadness, Empire of Light, The Menu, The Wonder, Bros, The Greatest Beer Run Ever, and The Good Nurse.
The fall festivals always cause the fortunes of certain pictures to rise and fall. Alejandro Gonzalez Inarritu’s Bardo received mixed reviews out of Lido and it has dropped out of my predictions in Picture, Director, Actor (Daniel Gimenez Cacho), and Supporting Actress (Griselda Sicillani). On the other hand, Sarah Polley’s Women Talking looks to have solidified its position as a BP hopeful while Claire Foy and Jessie Buckley appear to be the two likeliest nominees from its ensemble. Cate Blanchett (Tar) and Brendan Fraser (The Whale) have positioned themselves as surefire nominees and potential winners in the lead acting derbies. Tar itself improved its standing in Picture, Director, and Original Screenplay. Empire of Light is no slam dunk for BP, but it’s in the mix and Olivia Colman seems solid in Actress. The Banshees of Inisherin may be Fox Searchlight’s better hope over Empire. It drew a rapturous Venice reaction today and has vaulted into Picture, Actor, Supporting Actor, and Original Screenplay on my chart. Bones and All, despite some gushing reviews, could face challenges to fit into the BP race. Don’t Worry Darling, due to some middling write-ups, is probably toast.
Of course, we know that festivals are not the end all and be all for final verdicts. For example, Armageddon Time from James Gray seemed DOA after a so-so Cannes bow in the summer. Yet when it played Telluride over the weekend, the buzz was stronger. It’s awards heart is beating again – even if faintly.
This will probably be my last update for two weeks as I’ll be a Canadian for a few days. You can bet you’ll see lots of other individual Oscar prediction posts as well as reviews of the aforementioned pictures. When I update in a couple of weeks, I’m anticipating branching out to all races covering feature films. Until then, you can peruse all the movement (and there is definitely a lot of it) below!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 6) (+2)
5. The Son (PR: 5) (E)
6. Top Gun: Maverick (PR: 10) (+4)
7. The Whale (PR: 8) (+1)
8. Tar (PR: 11) (+3)
9. The Banshees of Inisherin (PR: 18) (+9)
10. Triangle of Sadness (PR: 9) (-1)
Other Possibilities:
11. Empire of Light (PR: 7) (-4)
12. Decision to Leave (PR: 12) (E)
13. She Said (PR: 14) (+1)
14. Avatar: The Way of Water (PR: 16) (+2)
15. Elvis (PR: 15) (E)
16. White Noise (PR: 13) (-3)
17. Bones and All (PR: 22) (+5)
18. Armageddon Time (PR: Not Ranked)
19. Till (PR: 20) (+1)
20. Glass Onion: A Knives Out Mystery (PR: 23) (+3)
21. Broker (PR: 17) (-4)
22. Black Panther: Wakanda Forever (PR: 19) (-3)
23. Living (PR: 25) (+2)
24. Bardo (PR: 4) (-20)
25. The Greatest Beer Run Ever (PR: 24) (-1)
Dropped Out:
The Menu
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Sarah Polley, Women Talking (PR: 6) (+2)
5. Ruben Ostlund, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Todd Field, Tar (PR: 11) (+5)
7. Park Chan-wook, Decision to Leave (PR: 8) (+1)
8. Florian Zeller, The Son (PR: 9) (+1)
9. James Cameron, Avatar: The Way of Water (PR: 12) (+3)
10. Darren Aronofsky, The Whale (PR: 10) (E)
11. Sam Mendes, Empire of Light (PR: 7) (-4)
12. Martin McDonagh, The Banshees of Inisherin (PR: Not Ranked)
13. Joseph Kosinski, Top Gun: Maverick (PR: Not Ranked)
14. Noah Baumbach, White Noise (PR: 13) (-1)
15. Baz Luhrmann, Elvis (PR: 14) (-1)
Dropped Out:
Alejandro Gonzalez Inarritu, Bardo
Maria Schrader, She Said
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Margot Robbie, Babylon (PR: 3) (E)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 6) (E)
7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)
8. Viola Davis, The Woman King (PR: 7) (-1)
9. Florence Pugh, The Wonder (PR: 12) (+3)
10. Carey Mulligan, She Said (PR: 10) (E)
11. Emma Thompson, Good Luck to You, Leo Grande (PR: Not Ranked)
12. Jennifer Lawrence, Causeway (PR: Not Ranked)
13. Taylor Russell, Bones and All (PR: Not Ranked)
14. Tang Wei, Decision to Leave (PR: 12) (-2)
15. Jessica Chastain, The Good Nurse (PR: 15) (E)
Dropped Out:
Regina King, Shirley (moved to 2023)
Frances McDormand, Women Talking (role not large enough)
Florence Pugh, Don’t Worry Darling
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 2) (+1)
2. Hugh Jackman, The Son (PR: 1) (-1)
3. Austin Butler, Elvis (PR: 3) (E)
4. Colin Farrell, The Banshees of Inisherin (PR: 10) (+6)
5. Bill Nighy, Living (PR: 6) (+1)
Other Possibilities:
6. Diego Calva, Babylon (PR: 8) (+2)
7. Song Kang-ho, Broker (PR: 7) (E)
8. Micheal Ward, Empire of Light (PR: 5) (-3)
9. Adam Driver, White Noise (PR: 9) (E)
10. Tom Cruise, Top Gun: Maverick (PR: 11) (+1)
11. Paul Mescal, Aftersun (PR: 12) (+1)
12. Gabriel LaBelle, The Fabelmans (PR: 14) (+2)
13. Timothee Chalamet, Bones and All (PR: Not Ranked)
14. Kelvin Harrison, Jr., Chevalier (PR: 13) (-1)
15. Park Hae-il, Decision to Leave (PR: 15) (E)
Dropped Out:
Daniel Gimenez Cacho, Bardo
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Jessie Buckley, Women Talking (PR: 3) (+1)
3. Vanessa Kirby, The Son (PR: 2) (-1)
4. Claire Foy, Women Talking (PR: 14) (+10)
5. Hong Chau, The Whale (PR: 7) (+2)
Other Possibilities:
6. Laura Dern, The Son (PR: 6) (E)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 4) (-3)
8. Jean Smart, Babylon (PR: 8) (E)
9. Kerry Condon, The Banshees of Inisherin (PR: Not Ranked)
10. Samantha Morton, She Said (PR: 11) (+1)
11. Zoe Kazan, She Said (PR: 12) (+1)
12. Sadie Sink, The Whale (PR: 9) (-3)
13. Dakota Johnson, Cha Cha Real Smooth (PR: 13) (E)
14. Dolly De Leon, Triangle of Sadness (PR: 10) (-4)
15. Nina Hoss, Tar (PR: 15) (E)
Dropped Out:
Griselda Sicillani, Bardo
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR 2) (E)
3. Zen McGrath, The Son (PR: 3) (E)
4. Brendan Gleeson, The Banshees of Inisherin (PR: 8) (+4)
5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 4) (-2)
7. Ben Whishaw, Women Talking (PR: 7) (E)
8. Anthony Hopkins, Armageddon Time (PR: Not Ranked)
9. Judd Hirsch, The Fabelmans (PR: 9) (E)
10. Anthony Hopkins, The Son (PR: 11) (+1)
11. Tom Hanks, Elvis (PR: 12) (+1)
12. Mark Strong, Tar (PR: Not Ranked)
13. Seth Rogen, The Fabelmans (PR: 13) (E)
14. Ralph Fiennes, The Menu (PR: 14) (E)
15. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (E)
Officially, The Banshees of Inisherin is Martin McDonagh’s follow-up to 2017’s Three Billboards Outside Ebbing, Missouri. Five years ago, that pic nabbed 6 Oscar nods including Picture and the playwright/filmmaker’s original screenplay while winning acting trophies for Frances McDormand and Sam Rockwell. Yet Banshees, thematically and personnel wise, may feel more like a follow-up to 2008’s In Bruges. That pitch black comedy earned critical raves and a Golden Globe for Colin Farrell in the Musical/Comedy Best Actor race. Mr. Farrell reunites with Brudges costar Brendan Gleeson in this 1920s set tale of Irish feuding friends. Barry Keoghan and Kerry Condon are among the supporting cast.
Early reviews are quite encouraging with some critics already claiming it’s McDonagh’s finest work to date. If that narrative holds, Banshees could be a bigger Oscar player than I had been assuming. It could even be Fox Searchlight’s strongest contender over Empire of Light, which has its ardent admirers but also drew some mixed Venice reaction. I certainly believe Farrell and Gleeson could be in line for their first nominations (I would think in Actor and Supporting Actor respectively). Condon is generating solid ink and could factor into Supporting Actress (though that category is looking increasingly stuffed). Original Screenplay seems a given while the Carter Burwell score could also make the cut.
If much of the above pans out, we could have another legit BP hopeful in Banshees. My Oscar Prediction posts will continue…
After its debut at Telluride, Sarah Polley’s Women Talking has awards pundits talking about its solid reception. Based on a 2018 novel by Miriam Toews, it focuses on a group of Mennonite women who are subject to sexual abuse. The powerhouse cast includes Rooney Mara, Claire Foy, Jessie Buckley, Ben Whishaw, and Frances McDormand.
Based on a small number of reviews, critics are positive across the board with a Rotten Tomatoes score of 100%. There wasn’t much doubt that Women could be a contender at the Oscars. A better question was which performers would stand out. First things first. McDormand (who serves as a producer) apparently has a small role so she will not vie for a fourth acting statue. If any of the cast goes lead, it sounds like Mara would be the choice and her inclusion in Best Actress could come down to competition. A likelier scenario is Buckley or Foy (or both) in Supporting Actress and Whishaw in Supporting Actor. That would mark the second nomination for Buckley after last year’s The Lost Daughter and the first for Foy (who was surprisingly snubbed in 2018 for First Man). This would also be Whishaw’s first trip to the dance. Early chatter has praised Judith Ivey and Sheila McCarthy as well, but I wouldn’t be surprised if United Artists focuses on the higher profile thespians.
I’ve had Women Talking in my ten BP hopefuls for weeks and Telluride confirms its placement there. Polley could make the final five for her direction and her inclusion for Adapted Screenplay seems assured. Hildur Guðnadóttir’s score (she’s a past winner for Joker) and Cinematography are tech possibilities.
Bottom line: Women. Talking is showing itself to be worthy of chatter in the months to come. My Oscar Prediction posts will continue…
Four actresses have won three or more acting Oscars. Katherine Hepburn leads the pack with four while Ingrid Bergman, Frances McDormand, and Meryl Streep are the trio boasting three. Could Cate Blanchett join that elite club with Tár, which has premiered at the Venice Film Festival ahead of its October 7th bow? Based on early reviews, it’s very possible.
The psychological drama, which clocks in at over two and a half hours, is the third feature from Todd Field and his first in 16 years. His previous psychological dramas In the Bedroom (2001) and Little Children (2006) scored a combined 8 Academy nods (five of them for their respective casts). Playing a conductor whose drive borders on insanity, critics are heaping praise on Blanchett and the film itself. The Rotten Tomatoes meter is at a clean 100%.
In 2004, Blanchett won her first statue in Supporting Actress for The Aviator in which she played the aforementioned Hepburn. Nine years later, she took Best Actress for Woody Allen’s Blue Jasmine. With Tár, a third Oscar could follow nine years after that. Initial reaction is saying this is one of her greatest performances. This would be her 8th nomination overall and first since 2015’s Carol. I would go as far to say that her inclusion in the Actress final five is already close to assured.
What of its other prospects? It’s worth noting that Bedroom and Children both received adapted screenplays nods. This is Field’s first original screenplay in a category that could be jam packed. He helped his cause today with the Venice buzz (and that could include a directing mention as well). That said, even some of the gushing write-ups warn that Tár may not be accessible to mainstream audiences. This could potentially complicate its viability in Best Picture, but it certainly announced itself as a possibility.
I can’t help but think of 2010’s Black Swan from Darren Aronofsky as a comp. The two pics seem to share similar plot themes. It premiered in Italy 12 years ago and eventually received 5 Oscar nods including a win for its star Natalie Portman. Tár would love to follow that trajectory considering Picture and Director were among the quintet of Swan nominations.
Besides Blanchett, supporting actresses Nina Hoss and Noemie Merchant are picking up laudatory ink. I’m guessing Focus Features will mount a campaign for the former yet that remains to be seen. Cinematography and Score are among the chances for tech nods.
Bottom line: it’s hard to imagine Blanchett not being a major force in the Actress field for 2022. How far Tár goes beyond that is more in question. I do think its chances of being in my ten BP picks is better today than it was yesterday. My Oscar Prediction posts will continue…
How important is the Venice Film Festival when it comes to premiering Oscar hopefuls? In the past decade, nearly half of the Best Picture winners got their rollout in Italy. That would be Birdman, Spotlight, The Shape of Water, and Nomadland. It’s tough to find a recent Venice fest where there’s not at least 2 eventual nominees for the Academy’s biggest race.
This year’s competition kicks off tomorrow and you can anticipate plenty of individualized Oscar prediction posts coming your way. Telluride follows this weekend (with the lineup announcement on Thursday) and Toronto starts next Thursday (I’ll be there!).
Let’s take a look at ten Venice entries looking to create their Oscar buzz over the next few days…
All the Beauty and the Bloodshed
Laura Poitras, who won an Academy Award for her 2014 Edward Snowden documentary Citizenfour, turns her eye to activist Nan Goldin and her fight against the opioid epidemic. This could certainly be a player in the Doc competition.
The Banshees of Inisherin
The last time filmmaker Martin McDonagh, Colin Farrell, and Brendan Gleeson collaborated, the result was the acclaimed 2008 black comedy In Bruges. They’re playing in the same genre here with McDonagh’s follow-up to 2017’s Three Billboards Outside Ebbing, Missouri, which earned acting Oscars for Frances McDormand and Sam Rockwell.
Bardo
3 out of Alejandro Gonzalez Inarritu’s last four films were nominated for Best Picture. Birdman took gold with Babel and The Revenant contending. Expectations are that his latest drama (available on Netflix in December) could be the streamer’s most serious contender and it could immediately become a frontrunner for International Feature Film.
Blonde
Andrew Dominik’s Marilyn Monroe biopic starring Ana de Armas (another Netflix offering) comes with an NC-17 rating and lots of prognosticators wondering if it’s too risqué to get awards attention. We’ll know soon.
Bones & All
Luca Guadagnino had a pic in the BP derby five years ago with Call Me by Your Name and then followed with the confounding Suspiria remake. This horror romance with cannibalistic themes stars Timothee Chalamet and Taylor Russell. I have’t really had this as much of a threat for the Oscar race so let’s see if that narrative shifts.
Don’t Worry Darling
Olivia Wilde’s follow-up to Booksmart is a tale of marital and suburban strife headlined by Florence Pugh and Harry Styles. The thriller has been generating headlines for some wrong reasons lately, but great reviews could turn that buzz around.
The Son
Florian Zeller took home a Screenplay Oscar for 2020’s The Father while Anthony Hopkins won Best Actor. The Father is next and Hugh Jackman is seeking his first statue. The supporting cast includes Laura Dern, Vanessa Kirby, Zen McGrath, and Hopkins. Any and all could be in the mix for acting honors.
Tar
Cate Blanchett could be lined up for a third Oscar win in Todd Field’s latest in which the acclaimed actress plays a composer. It’s the director’s first feature in over 15 years after both In the Bedroom and Little Children received Academy nods.
The Whale
Darren Aronofsky directed Natalie Portman to the podium in 2010’s Black Swan. There’s chatter he could do the same and assist in mounting a significant career comeback for Brendan Fraser (something he did for Mickey Rourke with 2008’s The Wrestler). The Mummy star plays a 600 pound man reconnecting with his daughter (Sadie Sink).
White Noise
Noah Baumbach’s last Netflix film was the BP contending Marriage Story from 2019. His Marriage star Adam Driver is back in this adaptation of a 1980s sci-fi dark comedy. It will open Venice tomorrow and it will be my first Oscar Predictions post. Stay tuned!
My final Oscar predictions for the month of August could rightfully be called the calm before the storm. That’s because Venice, Telluride, and Toronto are about to blow in screenings for several legitimate contenders. And there’s no doubt it will change the forecasts below.
My plan is to do the next update on Labor Day (ten days from now). By that point, there should be reviews and awards buzz out for Venice pics like White Noise, Tar, Bardo, Bones and All, The Banshees of Inisherin, and Don’t Worry Darling, among others. There’s also anything that plays Telluride over the holiday weekend (expect that to potentially include The Son and Women Talking). My next update should be about a week later.
Those next updates will incorporate the lengthy list of Toronto screenings and late Venice leftovers. That list includes Blonde, The Fabelmans, Glass Onion: A Knives Out Mystery, The Greatest Beer Run Ever, Empire of Light, The Good Nurse, The Menu, The Lost King, The Woman King, Bros, Chevalier, and more. In other words… buckle up because the Oscar picture is going to be in much sharper focus over the next three weeks!
My Best Picture ten remains the same, but I’ve made a change in Director with Ruben Ostlund (Triangle of Sadness) in over Sarah Polley for Women Talking.
In Best Actress, there’s a new #1 as I’ve vaulted Cate Blanchett (Tar) to the top spot over Michelle Yeoh (Everything Everywhere All at Once). Yeoh spent only a week in first after she replaced Babylon‘s Margot Robbie, who’s now in third position. We will know in a matter of days whether Blanchett’s promotion is warranted courtesy of Venice.
I’ve switched Micheal Ward’s performance in Empire of Light from supporting to lead. Toronto’s fest should shed light on whether that’s the right call. Due to this, Bill Nighy (Living) falls out of my actor quintet. In Supporting Actor, Babylon‘s Brad Pitt is back in the mix since I’ve taken Ward out. In Original Screenplay, I’m switching in Bardo with The Banshees of Inisherin out.
You can read all the movement below and keep an eye out for lots of individualized prediction posts for the pictures playing in Italy, Colorado, and Canada in the coming weeks!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Bardo (PR: 4) (E)
5. The Son (PR: 6) (+1)
6. Women Talking (PR: 5) (-1)
7. Empire of Light (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 10) (+1)
10. Top Gun: Maverick (PR: 9) (-1)
Other Possibilities:
11. Tar (PR: 13) (+2)
12. Decision to Leave (PR: 14) (+2)
13. White Noise (PR: 12) (-1)
14. She Said (PR: 11) (-3)
15. Elvis (PR: 15) (E)
16. Avatar: The Way of Water (PR: 16) (E)
17. Broker (PR: 20) (+3)
18. The Banshees of Inisherin (PR: 17) (-1)
19. Black Panther: Wakanda Forever (PR: 21) (+2)
20. Till (PR: 18) (-2)
21. The Menu (PR: 22) (+1)
22. Bones and All (PR: 19) (-3)
23. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
24. The Greatest Beer Run Ever (PR: 25) (+1)
25. Living (PR: 24) (-1)
Dropped Out:
The Woman King
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Alejandro Gonzalez Inarritu, Bardo (PR: 4) (E)
5. Ruben Ostlund, Triangle of Sadness (PR: 6) (+1)
Other Possibilities:
6. Sarah Polley, Women Talking (PR: 5) (-1)
7. Sam Mendes, Empire of Light (PR: 7) (E)
8. Park Chan-wook, Decision to Leave (PR: 8) (E)
9. Florian Zeller, The Son (PR: 9) (E)
10. Darren Aronofsky, The Whale (PR: 10) (E)
11. Todd Field, Tar (PR: 13) (+2)
12. James Cameron, Avatar: The Way of Water (PR: 11) (-1)
13. Noah Baumbach, White Noise (PR: 12) (-1)
14. Baz Luhrmann, Elvis (PR: 14) (E)
15. Maria Schrader, She Said (PR: 15) (E)
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 3) (+2)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 1) (-1)
3. Margot Robbie, Babylon (PR: 2) (-1)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 8) (+2)
7. Viola Davis, The Woman King (PR: 7) (E)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (+1)
9. Regina King, Shirley (PR: 6) (-3)
10. Carey Mulligan, She Said (PR: 10) (E)
11. Frances McDormand, Women Talking (PR: 11) (E)
12. Tang Wei, Decision to Leave (PR: 14) (+2)
13. Florence Pugh, Don’t Worry Darling (PR: Not Ranked)
14. Florence Pugh, The Wonder (PR: 12) (-2)
15. Jessica Chastain, The Good Nurse (PR: 15) (E)
Dropped Out:
Helen Mirren, Golda (moved to 2023)
Best Actor
Predicted Nominees:
1. Hugh Jackman, The Son (PR: 1) (E)
2. Brendan Fraser, The Whale (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Daniel Gimenez Cacho, Bardo (PR: 4) (E)
5. Micheal Ward, Empire of Light (PR: Not Ranked) – moved from Supporting
Other Possibilities:
6. Bill Nighy, Living (PR: 5) (-1)
7. Song Kang-ho, Broker (PR: 9) (+2)
8. Diego Calva, Babylon (PR: 8) (E)
9. Adam Driver, White Noise (PR: 6) (-3)
10. Colin Farrell, The Banshees of Inisherin (PR: 7) (-3)
11. Tom Cruise, Top Gun: Maverick (PR: 10) (-1)
12. Paul Mescal, Aftersun (PR: Not Ranked)
13. Kelvin Harrison, Jr., Chevalier (PR: 14) (+1)
14. Gabriel LaBelle, The Fabelmans (PR: 13) (-1)
15. Park Hae-il, Decision to Leave (PR: Not Ranked)
Dropped Out:
Christian Bale, The Pale Blue Eye
Timothee Chalamet, Bones and All
Harry Styles, My Policeman
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Vanessa Kirby, The Son (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Stephanie Hsu, Everything Everywhere All at Once (PR: 4) (E)
5. Griselda Sicillani, Bardo (PR: 5) (E)
Other Possibilities:
6. Laura Dern, The Son (PR: 7) (+1)
7. Hong Chau, The Whale (PR: 6) (-1)
8. Jean Smart, Babylon (PR: 9) (+1)
9. Sadie Sink, The Whale (PR: 8) (-1)
10. Dolly De Leon, Triangle of Sadness (PR: 12) (+2)
11. Samantha Morton, She Said (PR: 11) (E)
12. Zoe Kazan, She Said (PR: 10) (-2)
13. Dakota Johnson, Cha Cha Real Smooth (PR: 13) (E)
14. Claire Foy, Women Talking (PR: 15) (+1)
15. Nina Hoss, Tar (PR: 14) (-1)
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 2) (E)
3. Zen McGrath, The Son (PR: 4) (+1)
4. Brad Pitt, Babylon (PR: 6) (+2)
5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Colin Firth, Empire of Light (PR: 9) (+3)
7. Ben Whishaw, Women Talking (PR: 8) (+1)
8. Brendan Gleeson, The Banshees of Inisherin (PR: 7) (-1)
9. Judd Hirsch, The Fabelmans (PR: 14) (+5)
10. Toby Jones, Empire of Light (PR: Not Ranked)
11. Anthony Hopkins, The Son (PR: Not Ranked)
12. Tom Hanks, Elvis (PR: 11) (-1)
13. Seth Rogen, The Fabelmans (PR: 10) (-3)
14. Ralph Fiennes, The Menu (PR: 12) (-2)
15. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (E)
Dropped Out:
Micheal Ward, Empire of Light (moved to Best Actor)
Anthony Hopkins, Armageddon Time
Best Original Screenplay
Predicted Nominees:
Everything Everywhere All at Once (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Triangle of Sadness (PR: 4) (+1)
4. Babylon (PR: 3) (-1)
5. Bardo (PR: 7) (+2)
Other Possibilities:
6. Empire of Light (PR: 6) (E)
7. The Banshees of Inisherin (PR: 5) (-2)
8. Tar (PR: 9) (+1)
9. Decision to Leave (PR: 8) (-1)
10. The Menu (PR: 10) (E)
11. Broker (PR: 11) (E)
12. Bros (PR: 13) (+1)
13. Cha Cha Real Smooth (PR: 12) (-1)
14. Don’t Worry Darling (PR: 14) (E)
15. Chevalier (PR: 15) (E)
Best Adapted Screenplay
Predicted Nominees:
1. The Son (PR: 1) (E)
2. Women Talking (PR: 2) (E)
3. The Whale (PR: 3) (E)
4. She Said (PR: 5) (+1)
5. White Noise (PR: 4) (-1)
Other Possibilities:
6. Living (PR: 8) (+2)
7. Top Gun: Maverick (PR: 7) (E)
8. Bones and All (PR: 6) (-2)
9. Glass Onion: A Knives Out Mystery (PR: 10) (+1)
With the Venice Film Festival less than two weeks away and Toronto and Telluride on its heels, the Oscar races are poised to become clearer quite soon. We are mostly in speculation mode at this juncture, but there’s change afoot in the Actor and Supporting Actor with this latest update.
I have vaulted Bill Nighy (Living) into the top 5 for Best Actor and that removes Adam Driver in White Noise. I’ve struggled with Brad Pitt’s placement in Supporting Actor for Babylon. At this point, it’s not certain whether he’ll be campaigned for in lead or supporting. Therefore I have Pitt on the outside looking in for Supporting Actor and that allows The Son‘s Zen McGrath to enter the projected quintet.
While no changes were made in the Picture, Director, the Actress derbies, or screenplay – there’s a new #1 for Best Actress. Since I started my estimates back in April, I’ve had Margot Robbie (Babylon) perched atop the charts. I’m now switching that to Michelle Yeoh in Everything Everywhere All at Once.
Finally, I’ve dropped David O. Russell’s Amsterdam from contention in all races. The studio’s decision to move it up a month from November to October is something I look at as a bad sign. That’s in addition to it getting no festival screenings, a trailer that didn’t impress, and lingering personal issues and bad press for Mr. Russell.
A final note: at this pre-festival juncture in mid-August of 2021, my predictions yielded seven of the eventual 10 BP contenders.
You can read all the movement below and I’ll likely have one more update prior to August 30th before the festival season is upon us!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Bardo (PR: 4) (E)
5. Women Talking (PR: 5) (E)
6. The Son (PR: 6) (E)
7. Empire of Light (PR: 7) (E)
8. The Whale (PR: 9) (+1)
9. Top Gun: Maverick (PR: 8) (-1)
10. Triangle of Sadness (PR: 10) (E)
Other Possibilities:
11. She Said (PR: 12) (+1)
12. White Noise (PR: 11) (-1)
13. Tar (PR: 13) (E)
14. Decision to Leave (PR: 16) (+2)
15. Elvis (PR: 14) (-1)
16. Avatar: The Way of Water (PR: 15) (-1)
17. The Banshees of Inisherin (PR: 17) (E)
18. Till (PR: 19) (+1)
19. Bones and All (PR: 18) (-1)
20. Broker (PR: 20) (E)
21. Black Panther: Wakanda Forever (PR: 21) (E)
22. The Menu (PR: 23) (+1)
23. The Woman King (PR: 24) (+1)
24. Living (PR: Not Ranked)
25. The Greatest Beer Run Ever (PR: 22) (-3)
Dropped Out:
Amsterdam
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Alejandro Gonzalez Inarritu, Bardo (PR: 4) (E)
5. Sarah Polley, Women Talking (PR: 5) (E)
Other Possibilities:
6. Ruben Ostlund, Triangle of Sadness (PR: 6) (E)
7. Sam Mendes, Empire of Light (PR: 7) (E)
8. Park Chan-wook, Decision to Leave (PR: 10) (+2)
9. Florian Zeller, The Son (PR: 8) (-1)
10. Darren Aronofsky, The Whale (PR: 9) (-1)
11. James Cameron, Avatar: The Way of Water (PR: 11) (E)
12. Noah Baumbach, White Noise (PR: 12) (E)
13. Todd Field, Tar (PR: 13) (E)
14. Baz Luhrmann, Elvis (PR: 15) (+1)
15. Maris Schrader, She Said (PR: 14) (-1)
Best Actress
Predicted Nominees:
1. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (+1)
2. Margot Robbie, Babylon (PR: 1) (-1)
3. Cate Blanchett, Tar (PR: 3) (E)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Regina King, Shirley (PR: 8) (+2)
7. Viola Davis, The Woman King (PR: 7) (E)
8. Ana de Armas, Blonde (PR: 6) (-2)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (E)
10. Carey Mulligan, She Said (PR: 10) (E)
11. Frances McDormand, Women Talking (PR: 13) (+2)
12. Florence Pugh, The Wonder (PR: 15) (+3)
13. Helen Mirren, Golda (PR: 11) (-2)
14. Tang Wei, Decision to Leave (PR: Not Ranked)
15. Jessica Chastain, The Good Nurse (PR: 12) (-3)
Dropped Out:
Jennifer Lawrence, Causeway
Best Actor
Predicted Nominees:
1. Hugh Jackman, The Son (PR: 1) (E)
2. Brendan Fraser, The Whale (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Daniel Gimenez Cacho, Bardo (PR: 4) (E)
5. Bill Nighy, Living (PR: 6) (+1)
Other Possibilities:
6. Adam Driver, White Noise (PR: 5) (-1)
7. Colin Farrell, The Banshees of Inisherin (PR: 9) (+2)
8. Diego Calva, Babylon (PR: 8) (E)
9. Song Kang-ho, Broker (PR: 7) (-2)
10. Tom Cruise, Top Gun: Maverick (PR: 10) (E)
11. Christian Bale, The Pale Blue Eye (PR: 13) (+2)
12. Timothee Chalamet, Bones and All (PR: 12) (E)
13. Gabriel LaBelle, The Fabelmans (PR: 11) (-2)
14. Kelvin Harrison, Jr., Chevalier (PR: Not Ranked)
15. Harry Styles, My Policeman (PR: 15) (E)
Dropped Out:
Paul Mescal, Aftersun
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Vanessa Kirby, The Son (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Stephanie Hsu, Everything Everywhere All at Once (PR: 4) (E)
5. Griselda Sicillani, Bardo (PR: 5) (E)
Other Possibilities:
6. Hong Chau, The Whale (PR: 6) (E)
7. Laura Dern, The Son (PR: 7) (E)
8. Sadie Sink, The Whale (PR: 9) (+1)
9. Jean Smart, Babylon (PR: 10) (+1)
10. Zoe Kazan, She Said (PR: 8) (-2)
11. Samantha Morton, She Said (PR: 13) (+2)
12. Dolly De Leon, Triangle of Sadness (PR: 14) (+2)
13. Dakota Johnson, Cha Cha Real Smooth (PR: 12) (-1)
14. Nina Hoss, Tar (PR: 11) (-3)
15. Claire Foy, Women Talking (PR: Not Ranked)
Dropped Out:
Angela Bassett, Black Panther: Wakanda Forever
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 2) (E)
3. Michael Ward, Empire of Light (PR: 4) (+1)
4. Zen McGrath, The Son (PR: 7) (+3)
5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 3) (-3)
7. Brendan Gleeson, The Banshees of Inisherin (PR: 8) (+1)
8. Ben Whishaw, Women Talking (PR: 9) (+1)
9. Colin Firth, Empire of Light (PR: 6) (-3)
10. Seth Rogen, The Fabelmans (PR: 10) (E)
11. Tom Hanks, Elvis (PR: 12) (+1)
12. Ralph Fiennes, The Menu (PR: 11) (-1)
13. Anthony Hopkins, Armageddon Time (PR: 13) (E)
14. Judd Hirsch, The Fabelmans (PR: Not Ranked)
15. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (E)
Dropped Out:
Don Cheadle, White Noise
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Triangle of Sadness (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Empire of Light (PR: 6) (E)
7. Bardo (PR: 8) (+1)
8. Decision to Leave (PR: 7) (-1)
9. Tar (PR: 9) (E)
10. The Menu (PR: 10) (E)
11. Broker (PR: 11) (E)
12. Cha Cha Real Smooth (PR: 12) (E)
13. Bros (PR: 13) (E)
14. Don’t Worry Darling (PR: 15) (+1)
15. Chevalier (PR: Not Ranked)
Dropped Out:
Amsterdam
Best Adapted Screenplay
Predicted Nominees:
1. The Son (PR: 1) (E)
2. Women Talking (PR: 2) (E)
3. The Whale (PR: 3) (E)
4. White Noise (PR: 4) (E)
5. She Said (PR: 5) (E)
Other Possibilities:
6. Bones and All (PR: 6) (E)
7. Top Gun: Maverick (PR: 9) (+2)
8. Living (PR: 11) (+3)
9. Till (PR: 7) (-2)
10. Glass Onion: A Knives Out Mystery (PR: 8) (-2)
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