Tag: Jemaine Clement

Oscar Predictions: Moana (2026)

Arriving in theaters this weekend and not even a decade behind the animated original, Disney’s live-action version of Moana hopes for smooth sailing at the box office. Broadway vet Thomas Kail makes his directorial debut with Dwayne Johnson headlining and Catherine Laga’aia in the title role. Costars include Rena Owen, John Tui, Frankie Adams, and Jemaine Clement.

In 2016, the Mouse House had a commercial and critical darling with the animated pic. The Rotten Tomatoes score was 95% with Metacritic at 81. A Best Animated Feature nomination followed (losing to the studio’s own Zootopia) along with an Original Song mention for “How Far I’ll Go” (written by Lin-Manuel Miranda). Reviews were not as strong for the 2024 sequel (61% RT, 58 MC) and no Oscar attention was paid.

The downward trend continues with this live-action rendering. The Tomato meter is a lowly 36% with Metacritic at 45. Even though Miranda contributes an Original Song, it’s safe to assume this Moana will not be an awards player in any way. My Oscar Prediction posts will continue…

Moana (2026) Box Office Prediction

Out July 10th and arriving nearly a decade behind the original, Moana is Disney’s latest live-action rendering of their animated blockbusters. The musical adventure marks the directorial debut of Broadway vet Thomas Kail with Dwayne Johnson reprising his role as Maui and Catherine Laga’aia making her big screen debut in the title role. Costars include John Tui, Frankie Adams, Jemaine Clement, and Rena Owen.

In 2016, Moana kicked off with $56 million over the traditional Thanksgiving weekend and $82 million over the five-day holiday frame. The domestic haul was an eventual $248 million. Over Turkey Day in 2024, Moana 2 tremendously exceeded expectations with $139 million from Friday to Sunday, $225 million for the five-day, and $460 million overall.

The Mouse House wasted no time with this live-action version to capitalize on the franchise’s viability. An argument could be made that the eight-year wait between the first two Moana‘s helped with anticipation. That may not be the case for this version considering that two years hasn’t even lapsed. Minions & Monsters and Toy Story 5 are still offering competition for family crowds. That could spell trouble for Moana and I’m projecting only mid 50s for what would be seen as a major letdown.

Moana opening weekend prediction: $54.3 million

For my Evil Dead Burn prediction, click here:

Evil Dead Burn Box Office Prediction

For my The Invite prediction, click here:

The Invite Box Office Prediction

Oscar Predictions – Avatar: Fire and Ash

Avatar: Fire and Ash, James Cameron’s third feature in his epic sci-fi franchise, is the last major piece of the 98th Academy Awards puzzle to come into focus. Opening Friday, the review embargo was lifted today as it hopes to rule the box office over the holidays. While it looks to join the multi-billion dollar club like its two predecessors, Fire additionally seeks to heat up Oscar ballots.

The 2009 original landed nine nominations – Picture, Director, Art Direction (which it won), Cinematography (another victory), Film Editing, Original Score, Sound Editing, Sound Mixing, and Visual Effects (a third trophy). Its Rotten Tomatoes score was 81% with 83 on Metacritic.

When Avatar: The Way of Water came out 13 years later, Sound Editing and Sound Mixing was combined into just Sound while Art Direction was now Production Design. Water was nominated for both along with Picture. The sole win came for its Visual Effects. Rotten Tomatoes was 76% with Metacritic at 67.

Fire critical reaction is so far the weakest of the trilogy with 70% on RT and a 61 Metacritic. With Oscar shortlists released this afternoon, we already know it won’t be nominated for Cinematography since it is not one of the contending 16 features. It did make four other shortlisted races – Original Score, Original Song (the Miley Cyrus track “Dream As One”), Sound, and Visual Effects.

Let’s get the obvious out of the way – Visual Effects is a given and Fire is the frontrunner. Sound is likely. I’m not convinced it makes the musical cut in either Score or Song.

What’s left is Picture and Production Design – the other two competitions where the other Avatar‘s got in. The latter is a stronger possibility. This third trip to Pandora could still get into BP. Yet if the Academy goes with a successful late 2025 sequel, I’d give Wicked: For Good an edge. It’s entirely feasible that neither get in. I suspect Fire may only rise in tech competitions when all is said and done. My Oscar Prediction posts will continue…

Avatar: Fire and Ash Box Office Prediction

Avatar: Fire and Ash hopes to heat up the holiday box office season on December 19th. Clocking in at nearly 3 hours and 20 minutes, James Cameron’s epic sci-fi threequel arrives 16 years after the record breaking original and 3 years behind Avatar: The Way of Water. The large list of returning cast members doing their motion capture work includes Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver, Kate Winslet, CCH Pounder, Giovanni Ribisi, Joel David Moore, Dileep Rao, Matt Gerald, Cliff Curtis, Edie Falco, Brendan Cowell, Jemaine Clement, Britain Dalton, Trinity Jo-Li Bliss, and Jack Champion. Oona Chaplin (daughter of Geraldine and granddaughter of Charlie) is a new addition and said to be a standout in a villainess turn.

Back in 2009, Avatar was seen a big risk for 20th Century Studios. After a $77 million opening, it legged out to (at the time) become the biggest blockbuster in history with $749 million domestically. That number has climbed to $785 million when factoring re-releases. The worldwide total is $2.9 billion. 2022’s The Way of Water actually underperformed in its first frame with $134 million but held fantastically throughout the holidays and beyond. It ended up with $688 million stateside after counting its recent re-release and $2.3 billion across the globe.

Forecasts have Fire coming in lower than Water and that makes sense. There was a 13 year build-up of anticipation for the first sequel. Only a three-year gap separates these. Competitors didn’t shy away from Fire either. While Water was the only wide release in its mid-December date, this will have animated biblical tale David, female catering The Housemaid, and a SpongeBob flick providing alternatives. To be fair, part of Water‘s lack of competition was due to COVID related lack of product.

Fire might fall just under $100 million for starters. Then it will look for a long and prosperous road ahead over the holidays and new year.

Avatar: Fire and Ash opening weekend prediction: $98 million

For my David prediction, click here:

David Box Office Prediction

For my The Housemaid prediction, click here:

The Housemaid Box Office Prediction

For my The SpongeBob Movie: Search for SquarePants prediction, click here:

The SpongeBob Movie: Search for SquarePants Box Office Prediction

M3GAN 2.0 Box Office Prediction

Two and a half years ago, Blumhouse scored a sci-fi horror hit with the demonic doll tale M3GAN and now the inevitable sequel M3GAN 2.0 arrives June 27th. Gerard Johnstone returns to direct along with cast members Allison Williams, Violet McGraw, Brian Jordan Alvarez, Amie Donald (embodying the title character), and Jenna Davis (voicing her). New faces to the franchise include Jenna Davis, Ivanna Sakhno, Aristotle Athari, Timm Sharp, and Jemaine Clement.

In January of 2023, M3GAN rode a wave of buzz to a better than anticipated $30 million premiere and $95 million overall domestic take. Early projections have part 2 (.0) achieving around the same number. It absolutely could, but I have a nagging feeling it may fall short.

I suspect there might be casual viewers who aren’t clamoring to view the AI killer’s next moves. There was a bit of a novelty factor to the original that may not carry over to those same theater goers. Therefore I’m saying low to mid 20s is more likely.

M3GAN 2.0 opening weekend prediction: $21.7 million

For my F1 prediction, click here:

F1 Box Office Prediction

Oscar Predictions: Harold and the Purple Crayon

Based on the 1955 kids book by Crockett Johnson, Harold and the Purple Crayon looks to draw in family audiences this weekend. That could be a struggle. Directed by Carlos Sandanha (who’s been heavily involved in the Ice Age franchise), the mix of live-action and animation stars Zachary Levi, Lil Rel Howery, Zooey Deschanel, Alfred Molina, Jemaine Clement, and Tanya Reynolds.

The buzz is muted as kiddos and paying parents have spent their summer cash on Inside Out 2 and Despicable Me 4. The Rotten Tomatoes score for Crayon is only 36%. The sole Oscar race this would be in contention for is Visual Effects. Despite some of the negative reviews giving the special effects a pass, it is not enough for this to enter the awards mix. My Oscar Prediction posts will continue…

Harold and the Purple Crayon Box Office Prediction

Nearly 70 years after the Crockett Johnson children’s book was published, the cinematic adaptation of Harold and the Purple Crayon hopes to draw in families on August 2nd. The Columbia release is directed by Carlos Saldanha, best known for his involvement in the Ice Age franchise. The live-action fantasy mixed with animation stars Zachary Levi, Lil Rel Howery, Jemaine Clement, Tanya Reynolds, Alfred Molina, and Zooey Deschanel.

While parents and their kiddos have made Inside Out 2 and Despicable Me 4 smash hits this summer, I don’t think most are pining for the Purple. That said, it could surprise and over perform if they are looking for air conditioned entertainment. If so, low double digits or low teens is doable. I suspect it might struggle and only hit higher single digits.

Harold and the Purple Crayon opening weekend prediction: $7.6 million

For my Trap prediction, click here:

Trap Box Office Prediction

Oscar Predictions: Thelma the Unicorn

Jared and Jerusha Hess, the married couple behind irreverent comedies Napoleon Dynamite and Nacho Libre, bring their sensibilities to the animated comedic musical Thelma the Unicorn. Based on a series of books by Aaron Blabey, the pic is out on Netflix this weekend. Voiceover work comes from Brittany Howard, Will Forte, Jemaine Clement, Edi Patterson, Fred Armisen, Zach Galifianakis, Napoleon himself Jon Heder, and Shondrella Avery.

Critical reaction is mostly complimentary though not lavish in acclaim. The Rotten Tomatoes score is 70%. I’m guessing Netflix won’t make this a priority in their Best Animated Feature campaign. Perhaps it can make the final five if the field is especially weak though I wouldn’t bank on it. My Oscar Prediction posts will continue…

Oscars – The Case of Avatar: The Way of Water

My Case Of posts where I serve as the defense for and prosecution against the Best Picture, Director, and four acting competition hopefuls arrives at our second contender in the biggest race of all. That’s Avatar: The Way of Water, James Cameron’s long-in-development sequel to 2009’s 3D game changer.

The Case for Avatar: The Way of Water:

If the Academy wants to honor the highest grossing worldwide pic of the bunch, this is your movie. Cameron’s follow-up just surpassed $2 billion at the global box office and has ruled the domestic box office for seven weeks running.

The Case Against Avatar: The Way of Water:

If the Academy wants to honor the highest grossing domestic pic of the bunch, Top Gun: Maverick is their movie. It’s the sequel that had the best nominations haul on Oscar noms morning. Water‘s four overall mentions are less than half of the nine achieved by the original 13 years ago. It won three – Art Direction (now Production Design), Cinematography, and Visual Effects. This one seems destined for a sole victory. Cameron couldn’t make the final five for his direction (he did get a Globes nod) and editing is another significant omission.

Other Nominations:

Production Design, Sound, Visual Effects

The Verdict:

That likely win is in Visual Effects. With the aforementioned whiffs in direction and editing and the less than impressive haul (compared to part 1), Water was pretty fortunate to make the cut at all.

My Case Of posts will continue with The Banshees of Inisherin!

If you missed my posts covering the other BP contenders, click here:

Oscars: The Case of All Quiet on the Western Front
Oscars: The Case of The Banshees of Inisherin
Oscars: The Case of Elvis
Oscars: The Case of Everything Everywhere All at Once
Oscars: The Case of The Fabelmans
Oscars: The Case of Tár
Oscars – The Case of Top Gun: Maverick
Oscars: The Case of Triangle of Sadness

Avatar: The Way of Water Review

Avatar: The Way of Water is both visually sparkling and narratively flat. In that sense, James Cameron’s sequel is much like the 2009 original (which happens to be worldwide highest grosser in history). The effects thirteen years ago were revolutionary and kicked off a mostly unfortunate trend of tentpoles getting the three-dimensional treatment. That sense of wonder from Avatar is present occasionally below the surface in a few astounding underwater sequences. Many blockbusters have competed with this franchise in visual splendor and come up short and that includes some shoddy MCU battles. Cameron and his crew can still wow, but subpar writing and a lack of tight editing remains a problem. If you loved the forests of Pandora in part 1 and didn’t want to leave, you’ll likely love lounging in the aquatic action of this follow-up. If your feelings were mixed like mine were, expect a similar reaction.

Former Marine Jake Sully (Sam Worthington) and Na’vi spiritual leader in waiting Neytiri (Zoe Saldana) are married with four kids as Water begins (it’s set a decade and a half plus post Avatar). Adopted teenage daughter Kiri (voiced by Sigourney Weaver) is miraculously spawned from Sigourney’s scientist in the original. We suspect she might have special powers if she can get over her Jan Brady lot in life. Older brother Neteyam (Jamie Flatters) is the responsible one while second born boy Lo’ak (Britain Dalton) is the rebel. Youngest girl Tuk (Trinity Jo-Li Bliss) is eight and precocious. The Sully tribe are living a peaceful existence until those mean corporate Earthlings return to Pandora. On their list of plays is total colonization as the home planet is dying.

Due to a memory implant system, Stephen Lang’s villainous Colonel is leading the charge in the guise of a Na’vi big blue boy. He has revenge on his mind since it was Neytiri who arrowed him to death years ago. There’s also a son he left behind that the Sully’s are raising who goes by Spider (Jack Champion). Clad in a loincloth, his character comes off as a cartoonish plot device. He’s got about as much depth as Bam Bam Rubble. The dynamic between Spider and his father is one of a few daddy issues happening. I half expected a sky complected Maury Povich to interrupt and start moderating.

Since Jake is being targeted for his skill in fighting off the Sky People, he relocates his brood to the tropical island of At’wa Attu. They feel out of place among the residents who spend much of their day submerged. The chief of their clan known as the Metkayina is Tonwari (Cliff Curtis). He and his pregnant wife Ronal (Kate Winslet) are skeptical about harboring their guests. It’s in and around the island where some memorable moments happen. The Metkayina share a spiritual connection with the giant mammals swimming below. Lo’ak befriends one of them and it’s a subplot that clicks.

Part 2 relegates Jake and Neytiri to the sidelines for much of its three hours and 12 minutes. A larger focus is on their offspring and how they feel like fish out of water. The filmmaker’s own well-documented fascination with the deep comes in handy with the whale tale portions and beyond. The bulk of its themes, on the other hand, are heavily borrowed from before. Cameron and his tech wizards can enthrall us and exasperate us in this new habitat that questions our humanity.

*** (out of four)