Video game based martial arts sequel Mortal Kombat II looks to kick off in the #1 spot while family friendly mystery The Sheep Detectives and concert pic Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) also debut. You can peruse my detailed prediction posts on the trio of newcomers here:
2021’s Mortal Kombat franchise reboot faced hurdles from COVID related closures, but still managed to significantly top expectations with a $21 million start. It is anticipated that the sequel could double that figure and that’s where I’m projecting it. If it underwhelms and doesn’t match my prediction, a #1 debut could be in jeopardy.
That’s because holdovers The Devil Wears Prada and Michael loom. The former performed in line with its general anticipated range (more on that below) while Michael showed sturdy legs in its sophomore outing. I do believe the former will be more front-loaded with a drop over 50% (though the Mother’s Day audience could help). If Michael falls less than 35% (definitely achievable), it could stay in the runner-up position.
The other newbies should follow. The Sheep Detectives with Hugh Jackman appears headed for a fourth place showing in the lower teens. I have the Billie Eilish concert film (directed by James Cameron!) just under double digits and rounding out the top five.
Here’s how I see it playing out:
1. Mortal Kombat II
Predicted Gross: $43.1 million
2. Michael
Predicted Gross: $37.6 million
3. The Devil Wears Prada 2
Predicted Gross: $36 million
4. The Sheep Detectives
Predicted Gross: $14.6 million
5. Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)
Predicted Gross: $8.3 million
Box Office Results (May 1-3)
While not quite beginning in grand fashion and exceeding expectations like Michael did, The Devil Wears Prada 2 still easily ruled the charts. With Meryl Streep, Anne Hathaway, and others reprising their roles from 20 years ago, the sequel hauled in $76.7 million. While that’s below my $86.5 million prediction, it is still a laudable figure. As mentioned above, the opening could be somewhat top heavy.
Michael showed commendable movement in second with a 44% decline at $54.4 million. That’s a tad more than my $51 million take as the record-setting biopic has earned $184 million in two weeks.
The Super Mario Galaxy Movie was third with $12.6 million, in line with my $12.1 million projection. The animated sequel crossed a milestone after five weeks with $402 million.
Project Hail Mary was fourth with $8.5 million (I said $8.2 million) for a seven-week tally of $318 million.
Haunted house horror flick Hokum, sporting fresh reviews, was fifth with $6.4 million. The Adam Scott headlined feature managed to outdo my $4.2 million forecast.
Finally, Andy Serkis’s animated rendering of Animal Farm flopped in sixth place with only $3.3 million though it did get beyond my $2.7 million estimate.
Songstress Billie Eilish and her sibling/producing partner Finneas O’Connell team with a rather well-known auteur for her latest concert feature when the generously titled Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) hits multiplexes on May 8th. Said director is James Cameron, taking a break from his Avatar pics in a somewhat unexpected venture (though he’s certainly familiar with 3D).
Expectations for two-time Best Song Oscar winner Eilish are obviously less than Taylor Swift’s Eras movie. The unlikely best case scenario might be the $21 million start achieved by Beyoncé’s Renaissance experience. I’m skeptical. I think it falls under double digits.
Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) opening weekend prediction: $8.3 million
As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.
What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?
For the 96th Academy Awards, we know Christopher Nolan’s Oppenheimer would have been one of them. It dominated the show by winning Best Picture, Director, Actor (Cillian Murphy), Supporting Actor (Robert Downey Jr.), Cinematography, Film Editing, and Original Score.
Picking the other 4 of 9 for the final five is less obvious. And I really mean it this time because, with one exception, selecting the others was tough. Here’s my best speculation.
American Fiction
Cord Jefferson’s dramedy performed better than anticipated with five nominations including a win in Adapted Screenplay over heavy hitters Barbie, Oppenheimer, Poor Things, and The Zone of Interest. Other nods were Jeffrey Wright in Actor, Sterling K. Brown for supporting, and Original Score.
Does It Make the Final Five?
Yes, but I went back and forth on this one and came very close to saying no. Gods and Monsters from 1998 is the last Adapted Screenplay winner to not be nominated for BP so that’s what gives this a slight edge.
Anatomy of a Fall
The French legal drama was inexplicably not selected for International Feature Film, but nabbed a quintet of nods that included Director (Justine Triet), Actress (Sandra Hüller), Film Editing, and a victory in Original Screenplay (over The Holdovers and Past Lives).
Does It Make the Final Five?
No, but I went back and forth on this one and came very close to saying yes. Like with Fiction, there’s a screenplay component at play. Eternal Sunshine of the Spotless Mind from 2004 was the previous Original Screenplay winner to not be nominated for BP. In this case, the case for some other pics was just a tad stronger.
Barbie
Greta Gerwig’s smash hit had six other nods in Supporting Actor (Ryan Gosling), Adapted Screenplay, Costume Design, 2 Original Songs, and Production Design. The sole victory was for Billie Eilish’s ballad “What Was I Made For?”.
Does It Make the Final Five?
I went back and forth on this one… you get the idea. I’m going with no with its glaring omission for Gerwig’s direction and Margot Robbie’s snub to a lesser degree. That said, it is certainly feasible that AMPAS could’ve made room had this been a quintet.
The Holdovers
Alexander Payne’s dramedy was a winner in Supporting Actress for Da’Vine Joy Randolph with Paul Giamatti nominated in Actor and nods for Film Editing and Original Screenplay.
Does It Make the Final Five?
No. If Giamatti had taken lead actor or the screenplay been victorious, this would be a tougher choice. I think it’d be on the outside looking in.
Killers of the Flower Moon
Martin Scorsese’s historial epic had ten overall nominations behind Oppenheimer and Poor Things – directing, Actress (Lily Gladstone), Supporting Actor (Robert De Niro), Cinematography, Costume Design, Film Editing, Original Score, Original Song, and Production Design. It went 0 for 10 on the night.
Does It Make the Final Five?
Yes, but I don’t think it’s automatic. No nods for the adapted screenplay or Leonardo DiCaprio in Actor make me questions its inclusion. So do the zero trophies. Yet Scorsese’s clout causes me to grant it a spot.
Maestro
Bradley Cooper’s biopic of Leonard Bernstein is a seven-time nominee for Actor (Cooper), Actress (Carey Mulligan), Original Screenplay, Cinematography, Makeup and Hairstyling, and Sound. It did not pick up any of the hardware.
Does It Make the Final Five?
No, but it did perform quite well as far as nods. Cooper’s exclusion from Best Director was my deciding factor.
Past Lives
Celine Song’s romance was the least nominated of the BP contestants with Original Screenplay as its only other nom.
Does It Make the Final Five?
No and this was the easiest of the five to decide considering the amount of nominations.
Poor Things
The multi-genre experience from Yorgos Lanthimos was second only to Oppenheimer in terms of mentions with 11 including wins for Emma Stone in Actress, Costume Design, Makeup and Hairstyling, and Production Design. Other nods: director, Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Film Editing, and Original Score.
Does It Make the Final Five?
Yes and this was the easiest of the nine to leave in due to its volume of noms and victories.
The Zone of Interest
The wartime drama from Jonathan Glazer, with Anatomy of a Fall out of competition, easily took International Feature Film while also grabbing a Sound win and noms for direction and Adapted Screenplay.
Does It Make the Final Five?
I don’t think it is automatic, but yes. I nudged it just past Fall considering the IFF gold.
And that means my final 2023 five would be:
American Fiction
Killers of the Flower Moon
Oppenheimer
Poor Things
The Zone of Interest
I plan to post my selection for 2024 in the near future!
After scores of Oscar Prediction posts, 35 Case Of write-ups making the argument for and against winners in BP, Director, and the four acting derbies, and numerous articles covering the key precursors – we have arrived at my final winner predictions for the 96th Academy Awards. The ceremony airs Sunday night with Jimmy Kimmel back hosting (remember: it starts an hour earlier than normal at 7PM EST).
Truth be told, some of the major races come with little to zero suspense and you’ll read about that below. On the other hand, there are a handful of competitions that are quite unpredictable with the most visible being Best Actress.
As I do each year, I’ll give you the nominees, brief analysis, and a winner and runner-up pick for all the feature-length categories. Let’s get to it!
BEST PICTURE
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
Let’s keep this simple. Oppenheimer is the easiest BP selection to predict in quite some time and there’s been some obvious ones recently (including Everything Everywhere All at Once last year). It has taken all the precursors it needs to including the Globes, BAFTA, SAG and Critics Choice. Frankly, the more difficult call is runner-up (and it doesn’t really matter). I’ll go with Poor Things since it had the second most noms and showed up in all the major races where it was expected to contend.
Prediction: Oppenheimer
Runner-Up: Poor Things
BEST DIRECTOR
Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)
You could literally copy and paste everything about Picture for Director with the man who made Oppenheimer and throw in the fact that he took DGA as well. Another no brainer.
Prediction: Christopher Nolan, Oppenheimer
Runner-Up: Jonathan Glazer, The Zone of Interest (I guess)
BEST ACTRESS
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)
And now it gets complicated. Of the four acting races, this is by far the hardest one. Why? It appears to be a coin flip between Stone and Gladstone. They split the Golden Globes as anticipated. Stone received BAFTA and Critics Choice and appeared to be out front. And then Gladstone swooped in for SAG. That recency factor could serve as a boost. Additionally, Gladstone’s victory would be historic. For Stone, it would be her second statue in seven years after her La La Land prize. Stone could absolutely make the podium trip and it wouldn’t be unexpected at all. Yet for the reasons above…
Prediction: Lily Gladstone, Killers of the Flower Moon
Runner-Up: Emma Stone, Poor Things
BEST ACTOR
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
Best Actor also looked like a pick ’em for a bit between Murphy and Giamatti. They split the Globes and then Giamatti was your Critics Choice choice. Murphy, however, regained momentum with BAFTA and SAG. A Giamatti win could occur, but it seems unlikelier now.
Prediction: Cillian Murphy, Oppenheimer
Runner-Up: Paul Giamatti, The Holdovers
BEST SUPPORTING ACTRESS
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
There was some thought that this race could become interesting at some point with an Emily Blunt upset at SAG or maybe even Brooks scoring a shocking victory. It never happened and Randolph has emerged everywhere. This is one of the easiest categories to call.
Prediction: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
BEST SUPPORTING ACTOR
Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)
This quintet of performers all come from BP nominees, but the winner will be from the BP recipient. Downey Jr. has swept this season thus far and that’ll continue.
Prediction: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
BEST ORIGINAL SCREENPLAY
Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives
You’ll notice a common theme with both Screenplay derbies. It looked like each would difficult to figure out, but precursors have had consistency. In Original, that’s been Anatomy of a Fall and this should mark its sole Oscar since France inexplicably didn’t make it their International Feature Film submission.
Prediction: Anatomy of a Fall
Runner-Up: The Holdovers
BEST ADAPTED SCREENPLAY
Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest
There is a little more intrigue here with Barbie in the mix and a potential Oppenheimer juggernaut being rewarded even here. That said, Fiction kept racking up precursors and I can’t bet against it for its solo prize.
Prediction: American Fiction
Runner-Up: Oppenheimer
BEST INTERNATIONAL FEATURE FILM
Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest
As mentioned, with Anatomy left out, this becomes easy. Zone is the only BP nominee listed in this group.
Prediction: The Zone of Interest
Runner-Up: Society of the Snow
BEST ANIMATED FEATURE
Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse
We’ve got real drama here as Heron took the Globe and BAFTA while Spidey is the Annie and Critics Choice selection. I’m leaning toward the latter, but Heron could fly away with the minor upset.
Prediction: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
BEST DOCUMENTARY FEATURE
Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol
Doc Feature can be a head scratcher from time to time and I’m tempted to go with Daughters or even something else to shake it up. Mariupol, though, has collected the bulk of notable precursors. It’s the safe pick.
Prediction: 20 Days in Mariupol
Runner-Up: Four Daughters
BEST CINEMATOGRAPHY
Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things
Sometimes brevity is appreciated. There are some of these tech races where Oppenheimer is way out front. This would be one.
Prediction: Oppenheimer
Runner-Up: Poor Things
BEST COSTUME DESIGN
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Here’s one where Oppenheimer isn’t really expected to win. Instead, like Production Design, this should be between Barbie and Poor Things and it’s 50/50 in my view. I have a strange feeling that Barbie will win more than 1 Oscar (there’s one coming below where it’s basically a slam dunk). This could mark that second trophy.
Prediction: Barbie
Runner-Up: Poor Things
BEST FILM EDITING
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
A very easy call for Oppenheimer.
Prediction: Oppenheimer
Runner-Up: Anatomy of a Fall
BEST MAKEUP AND HAIRSTYLING
Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow
Poor Things is a genuine threat, but I’ll say this is Maestro‘s only victory.
Prediction: Maestro
Runner-Up: Poor Things
BEST ORIGINAL SCORE
Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things
It is Oppenheimer‘s destiny to take this one.
Prediction: Oppenheimer
Runner-Up: Killers of the Flower Moon
BEST ORIGINAL SONG
Nominees: “The Fire Inside” from Flamin’ Hot; “I’m Just Ken” from Barbie; “It Never Went Away” from American Symphony; “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon; “What Was I Made For?” from Barbie
Here’s where Barbie is the safe pick with either tune. “Ken” nabbed a Critics Choice prize, but Billie Eilish’s ballad scored at the Globes and Grammys.
Prediction: “What Was I Made For?” from Barbie
Runner-Up: “I’m Just Ken” from Barbie
BEST PRODUCTION DESIGN
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Per Costume Design, a showdown between Barbie and Bella of Poor Things. Unlike Costume Design, my coin is flipped to Poor Things for what I’m projecting is its only Academy Award.
Prediction: Poor Things
Runner-Up: Barbie
BEST SOUND
Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest
This looked like a no thinking pick for Oppenheimer until Zone managed the BAFTA. I could see that repeating, but I’m not confident enough to bet against Oppenheimer.
Prediction: Oppenheimer
Runner-Up: The Zone of Interst
BEST VISUAL EFFECTS
Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon
Along with Actress, this is where I’ve struggled the most. VE is kinda wild this year with Oppenheimer not listed (it won Critics Choice), Dune: Part Two having been pushed to 2024, and Poor Things (which won BAFTA) not in the quintet. So… your guess is as good as mine. I’m really tempted to go with Godzilla. Guardians and Napoleon are possible (I really don’t see Mission as the pick). Yet I’ll say The Creator edges them out as it just took some Visual Effects Society awards. Confidence level? Nada.
Prediction: The Creator
Runner-Up: Godzilla Minus One
That means I’m speculating that every BP nominee except Past Lives will win an Oscar… and that Barbie is the only other picture with more than one trophy other than Oppenheimer.
Here’s the projected breakdown for victories:
8 Wins
Oppenheimer
2 Wins
Barbie
1 Win
American Fiction, Anatomy of a Fall, The Creator, The Holdovers, Killers of the Flower Moon,Maestro, Poor Things, Spider-Man: Across the Spider-Verse, 20 Days in Mariupol, The Zone of Interest
And there you have it! I’ll have a recap up Sunday evening with how I did and general takeaways…
One of 2023’s most anticipated titles is out Friday with Greta Gerwig’s Barbie and the review embargo has lifted for the Mattel property. The box office expectations have steadily risen in recent weeks and I’ve got it nearly reaching $130 million out of the gate. Margot Robbie is, of course, the title character with Ryan Gosling as Ken. The sprawling supporting players include America Ferrera, Rhea Perlman, Will Ferrell, Kate McKinnon, Issa Rae, Alexandra Shipp, Emma Mackey, Dua Lipa, Kingsley Ben-Adir, Simu Liu, Michael Cera, Ariana Greenblatt, and Helen Mirren.
It could be said that the embargo has been eagerly awaited as well. With 70 write-ups in at publication press, the Rotten Tomatoes meter stands at a robust 90%. Even when the trailers debuted, we could see awards potential in a few technical races. This includes Production Design, Makeup and Hairstyling, and Costume Design. Expect it to be in contention for all three.
The bigger question is whether it plays beyond the down the line races. Gerwig cowrote wrote the screenplay with her partner Noah Baumbach. Many reviews hone in on the clever take for the iconic IP and Adapted Screenplay seems like the most likely major category nod. If Barbie is a moneymaking behemoth (and especially if it holds decently after an expected humongous start), Best Picture and Director mentions are feasible. I’ll note that Gerwig’s two previous pics – 2017’s Lady Bird and 2019’s Little Women – both landed BP slots.
As for the performances, both Robbie in Actress and Gosling in Supporting Actor are doable. This would be the former’s third nod after 2017’s I, Tonya and 2019’s Bombshell (for supporting) and the latter’s third behind 2006’s Half Nelson and 2016’s La La Land. Based on early buzz, I see Gosling as more probable than Robbie. However, we need to see how much competition emerges in the fall. There should be plenty considering that’s when the bulk of Oscar hopefuls debut. America Ferrera is also drawing some raves for her work so we shall see if WB makes a push for her in Supporting Actress.
Lastly, Billie Eilish has the tune “What Was I Made For?” and it may be the soundtrack’s entry in Original Song. As you may recall, she won the gold statue in that race in 2021 for her title track “No Time to Die”. It will be interesting to see if Warner Bros also mounts a campaign for “I’m Just Ken”, sung by Gosling.
Bottom line: the right combo of critical praise and box office bucks could propel Barbie to plenty of nominations. Another path could involve some tech stuff and the script. My Oscar Prediction posts will continue…
Shortlists covering seven of the feature film races at the Oscars were unveiled this afternoon. We now know the 15 pictures that will contend for Best Original Score, Original Song, International Feature Film, and Documentary Feature. Additionally, we have our 10 finalists for Makeup and Hairstyling, Sound, and Visual Effects.
I’ll go over each competition below, but I went 62 for 90 in my overall picks. It was a good day for Black Panther: Wakanda Forever and All Quiet on the Western Front. They got in everywhere they reasonably could have.
With The Batman and Everything Everywhere All at Once, it was a mixed announcement as both made the cut for some and not others where they were expected to. The documentary Good Night Oppy had perhaps the worst day. It was widely anticipated to get in for Documentary and (to a lesser degree) Visual Effects and made neither.
Let’s break it down! **Selections that I correctly called are in bold
Best Original Score
Nominees:
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Banshees of Inisherin
Black Panther: Wakanda Forever
Devotion
Don’t Worry Darling
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
Guillermo del Toro’s Pinocchio
Nope
She Said
The Woman King
Women Talking
HOW I DID: 9/15
The most notable omissions here are Empire of Light and The Batman while Devotion in particular wasn’t expected to be included. I also incorrectly named Bardo, Living, RRR, and White Noise. My top 5 from my projections 3 days ago (Women Talking, Babylon, The Fabelmans, Guillermo del Toro’s Pinocchio, The Banshees of Inisherin) remain.
Best Original Song
“Applause” from Tell It Like a Woman
“Carolina” from Where the Crawdads Sing
“Ciao Papa” from Guillermo del Toro’s Pinocchio
“Dust and Ash” from The Voice of Dust and Ash
“Good Afternoon” from Spirited
“Hold My Hand” from Top Gun: Maverick
“Lift Me Up” from Black Panther: Wakanda Forever
“My Mind & Me” from Selena Gomez: My Mind & Me
“Naatu” from RRR
“New Body Rhumba” from White Noise
“Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water
“Stand Up” from Till
“This Is a Life” from Everything Everywhere All at Once
“Til You’re Home” from A Man Called Otto
“Time” from Amsterdam
HOW I DID: 10/15
As expected, there’s some heavy hitters in the mix with Lady Gaga, Rihanna, Taylor Swift, The Weeknd, and Selena Gomez (who I didn’t predict). The highest profile omission is Billie Eilish for “Nobody Like U” in Turning Red. My other misses were “Keep Rising” from The Woman King, “On My Way (Marry Me)” from Marry Me (a miss for Jennifer Lopez), and “Ready As I’ll Ever Be” from The Return of Tanya Tucker – Featuring Brandi Carlile.
Best International Feature Film
All Quiet on the Western Front (Germany)
Argentina, 1985 (Argentina)
Bardo (Mexico)
The Blue Caftan (Morocco)
Cairo Conspiracy (Sweden)
Close (Belgium)
Corsage (Austria)
Decision to Leave (South Korea)
EO (Poland)
Holy Spider (Denmark)
Joyland (Pakistan)
Last Film Show (India)
The Quiet Girl (Ireland)
Return to Seoul (Cambodia)
Saint Omer (France)
HOW I DID: 13/15
My best showing as I incorrectly had Spain’s Alcarras and Mars One from Brazil. India saved a little face with Last Film Show getting in. They didn’t select RRR and it could have won. There are really no major surprises here.
Best Documentary Feature
All That Breathes
All the Beauty and the Bloodshed
Bad Axe
Children of the Mist
Descendant
Fire of Love
Hallelujah: Leonardo Cohen, a Journey, a Song
Hidden Letters
A House Made of Splinters
The Janes
Last Flight Home
Moonage Daydream
Navalny
Retrograde
The Territory
HOW I DID: 10/15
I took a swing by not including The Territory and it got in. As forthe aforementioned Good Night Oppy and Sr., they were anticipated to be here and are not. My other whiffs were Gabby Giffords Won’t Back Down, Riotsville, U.S.A., and Wildcat. My high five from December 18th – All That Breathes, Navalny, Fire of Love, All the Beauty and the Bloodshed, Descendant – remain.
Best Makeup and Hairstyling
All Quiet on the Western Front
Amsterdam
Babylon
The Batman
Black Panther: Wakanda Forever
Blonde
Crimes of the Future
Elvis
Emancipation
The Whale
HOW I DID: 7/10
Here’s a race where Everything Everywhere isn’t to be found. I also went with Three Thousand Years of Longing and The Woman King. Once again my top five from the weekend is in. The Crimes of the Future nod is truly unexpected.
Best Sound
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Batman
Black Panther: Wakanda Forever
Elvis
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
Moonage Daydream
Top Gun: Maverick
HOW I DID: 7/10
Once again my quintet of picks from 3 days ago are safe. Nope is a significant omission as is RRR (Thirteen Lives is my other miss). The unexpected addition of the Bowie doc Moonage Daydream is being praised.
Best Visual Effects
All Quiet on the Western Front
Avatar: The Way of Water
The Batman
Black Panther: Wakanda Forever
Doctor Strange in the Multiverse of Madness
Fantastic Beasts: The Secrets of Dumbledore
Jurassic World: Dominion
Nope
ThirteenLives
Top Gun: Maverick
HOW I DID: 6/10
Here’s where my predicted five will undoubtedly be altered when I make my update. I had Everything Everywhere and RRR at 3rd and 4th, respectively. They are gone. I also incorrectly called Good Night Oppy and Thor: Love and Thunder. This means Avatar (which should win), Maverick, and Multiverse are the trio remaining that I projected. In my view, this bodes well for Panther getting in. The fifth slot is far trickier to estimate at the moment.
And that does it for now, folks! I’ll have updated predictions in all races up before Christmas!
Avatar: The Way of Water surfaces on your 3D and IMAX screens this Friday. It is, of course, James Cameron’s follow-up to 2009’s original which still stands as the biggest worldwide grosser of all time (and third overall domestically). The social media embargo lifted last week and the common refrain was “don’t bet against James Cameron”. I held off on my Oscar speculation until the official review embargo lapsed. That happened today.
Currently at 85% on Rotten Tomatoes (part 1 ended up at 82%), many critics are claiming this is an improvement over the first. Some of the same gripes remain including that it is overlong (3 hours and 12 minutes) and underdeveloped in its screenplay. Praise for its technical work is more universal.
In 2009, Avatar made an Oscar splash with nine nominations: Picture, Director, Art Direction (now Production Design), Cinematography, Film Editing, Original Score, Sound Editing, Sound Mixing (the Sound races are now combined), and Visual Effects. It won 3 – Art Direction, Cinematography, and Visual Effects.
Water has a chance of receiving the same number of nods. On Monday, the Golden Globes put it in their five for Picture (Drama) and Director. I already believe the Academy will make room for this in BP. It should be the second massive international blockbuster (alongside Top Gun: Maverick) in the mix. Cameron showing up in the directing quintet is not as automatic.
Let’s dispense with the easiest items. This is going to win Visual Effects just like its predecessor. That’s one of the slam dunk categories you can cross off already. Production Design and Cinematography and Sound are all probable inclusions. I’m less certain about the score and editing. Then there’s the Weeknd, who contributed the song “Nothing Is Lost (You Give Me Strength)”. I’m not so sure about its strength in that competition. He needs to overcome other superstars such as Lady Gaga, Rihanna, Taylor Swift, and Billie Eilish and that could be a tall order.
You’ll notice I haven’t discussed the performances or the screenplay. While there’s kudos for returnees like Zoe Saldana and Sigourney Weaver (in a different role than in 2009), don’t expect the acting to capture the attention of voters. Given that the writing is the most faulted aspect, don’t hold your breath expecting Cameron and cowriters Rick Jaffa and Amanda Silver to contend.
Bottom line: Avatar: The Way of Water looks to be Cameron’s third movie in a row (after Titanic and Avatar) to be in the BP race. Look for its nomination total to be at least 4-5 and maybe more. In other words, to borrow a phrase from most of Twitter last week, don’t bet against James Cameron. My Oscar Prediction posts will continue…
Selena Gomez My Mind & Me drops on Apple TV tomorrow after premiering at AFI Fest earlier this week. The film documents six years in the life of the pop singer and costar of Hulu’s hit comedy series Only Murders in the Building. Alek Keshishian is no stranger to the genre. Over 30 years ago, he was behind the camera for Madonna: Truth or Dare.
The streaming service premiering Mind is no stranger to the genre. Last year, Billie Eilish: The World’s a Little Blurry made the shortlist of titles in contention for Documentary Feature. It didn’t end up making the final five. Blurry also had the benefit of a limited theatrical release. Unless I missed it, I’ve yet to find evidence that Mind is receiving an awards qualifying run.
While early reviews are uniformly positive (100% on Rotten Tomatoes), it may simply not be eligible for consideration. Even it is, if Billie couldn’t get in, I doubt Selena would. My Oscar Prediction posts will continue…
And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.
These are my final picks for the races covering feature films. Will the Best Picture be CODA?
Or The Power of the Dog?
We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.
Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?
For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.
Let’s get to it! On Sunday evening, you will see a recap with how I performed…
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
Commentary:
Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…
However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.
We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.
I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Ryusuke Hamaguchi, Drive My Car
Steven Spielberg, West Side Story
Commentary:
This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.
PREDICTED WINNER:
Jane Campion, The Power of the Dog
Runner-Up:
Steven Spielberg, West Side Story
Best Actress
Nominees:
Jessicas Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penelope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Commentary:
Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.
PREDICTED WINNER:
Jessica Chastain, The Eyes of Tammy Faye
Riunner-Up:
Kristen Stewart, Spencer
Best Actor
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Commentary:
During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.
PREDICTED WINNER:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Commentary:
Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.
PREDICTED WINNER:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Commentary:
Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.
PREDICTED WINNER:
Troy Kotsur, CODA
Runner-Up:
Kodi Smit-McPhee, The Power of the Dog
Best Original Screenplay
Nominees:
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
Commentary:
Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).
PREDICTED WINNER:
Belfast
Runner-Up:
Licorice Pizza
Best Adapted Screenplay
Nominees
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Commentary:
CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Commentary:
I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.
PREDICTED WINNER:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best International Feature Film
Nominees:
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
Commentary:
This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.
PREDICTED WINNER:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Documentary Feature
Nominees:
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
Commentary:
With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.
PREDICTED WINNER:
Summer of Soul
Runner-Up:
Flee
Best Cinematography
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
Commentary:
Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.
PREDICTED WINNER:
Cruella
Runner-Up:
Dune
Best Film Editing
Nominees:
Don’t Look Up
Dune
King Richard
The Power of the Dog
tick, tick… Boom!
Commentary:
Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.
PREDICTED WINNER:
Dune
Runner-Up:
King Richard
Best Makeup and Hairstyling
Nominees:
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Commentary:
Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.
PREDICTED WINNER:
The Eyes of Tammy Faye
Runner-Up:
House of Gucci
Best Original Score
Nominees:
Don’t Look Up
Dune
Encanto
Parallel Mothers
The Power of the Dog
Commentary:
Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“No Time to Die” from No Time to Die
“Somehow You Do” from Four Good Days
Commentary:
Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.
PREDICTED WINNER:
“Dos Oruguitas” from Encanto
Runner-Up:
“No Time to Die” from No Time to Die
Best Production Design
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
For the last three categories, I could just say Dune and be done with it. In fact, I think I will…
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Sound
Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Visual Effects
Nominees:
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
There isn’t one… that’s how I’m confident I am that Dune takes it.
And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:
6 Wins
Dune
3 Wins
The Power of the Dog
2 Wins
Encanto, The Eyes of Tammy Faye
1 Win
Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story
Turning Red is the latest Pixar title and it is out Friday on Disney Plus. The coming-of-age tale comes from director Domee She, who won an Oscar in 2018 for her short film Bao (also from Disney/Pixar).
The review embargo is up today and the result so far is 93% on Rotten Tomatoes. Red was originally slated for a theatrical release but the pandemic altered that plan. It will follow in the footsteps of Soul, Raya and the Last Dragon, and Luca. What do they all have in common besides their studio? All were nominated or won (in Soul‘s case) for the Animated Feature Oscar.
With bicoastal limited theatrical showings, Red will qualify for next year’s Academy consideration. For 2021, 60% of the animated movies (Raya, Luca, Encanto) are Mouse Factory products.
While it’s certainly early, critical reaction here indicates this could easily make the cut. It’s also worth noting that Billie Eilish and brother Finneas O’Connell penned some original tunes that could be Original Song hopefuls. If that pans out, Eilish could be gunning for her second nod in a row as she’s currently up for “No Time to Die”. There’s also Ludwig Goransson who scored Red and he’s a previous Oscar winner for Black Panther.
The other Pixar product comes this summer with Lightyear. I wouldn’t write Red‘s inclusion in blue ink yet, but don’t be surprised if it’s listed a year from now. My Oscar Prediction posts will continue…
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