Summer 1989: The Top 10 Hits and More

In what has become tradition on this little blog of mine, the summer season brings us a lot of nostalgia on the silver screen. In the present, that means a slew of sequels and remakes and reboots coming on a near weekly basis. For these purposes, it means taking a look back on the movie summers of 30, 20, and 10 years ago.

As has been written in previous years, I’m listing the top ten hits as well as other notable pics and some flops. One thing is for sure about 1989. It will forever be known as the summer of the Batman and that blockbuster influenced what has become the predominant genre of the 21st century.

A recap of 1999 and 2009 will follow soon, but we start with what audiences were watching three decades ago.

10. Uncle Buck

Domestic Gross: $66 million

John Candy had one of his most notable headlining roles in this John Hughes family friendly comedy that also introduced the world to Macaulay Culkin. No sequel followed, but a short-lived TV series did.

9. Turner & Hooch

Domestic Gross: $71 million

Shortly before Tom Hanks started collecting Oscars and doing primarily dramatic work, he was still known for comedy in the late 80s. This one teamed him with a dog in a buddy comedy that followed the similarly themed with K9 with Jim Belushi from three months earlier. This one made a bit more cash.

8. When Harry Met Sally

Domestic Gross: $92 million

Rob Reiner’s romantic comedy (scripted by Nora Ephron) is considered one of the genre’s landmarks. Billy Crystal and Meg Ryan headlined with a diner scene that has become quite iconic.

7. Dead Poets Society

Domestic Gross: $95 million

Robin Williams seized the day and an Oscar nomination for his portrayal of an unorthodox English teacher in Peter Weir’s film, which also nabbed a nod for Best Picture.

6. Parenthood

Domestic Gross: $100 million

Ron Howard’s dramedy sported an ensemble cast with Steve Martin and a crowd pleasing vibe. This is a rare pic that spawned two TV shows. The one from 1990 flopped while the 2010 version ran six seasons. Parenthood marks appearance #1 in the top ten for Rick Moranis.

5. Ghostbusters II

Domestic Gross: $112 million

The eagerly awaited sequel to the 1984 phenomenon was a disappointment critically and commercially when considering the original’s $229 million haul. That said, it gives us appearance #2 for Rick Moranis. A direct sequel will follow in 2020.

4. Honey, I Shrunk the Kids

Domestic Gross: $130 million

And we reach the trifecta for Rick Moranis as Disney had an unexpected smash hit here. It stood as the studio’s largest grossing live-action feature for five years. Two less successful sequels followed.

3. Lethal Weapon 2

Domestic Gross: $147 million

Of the four action comedy pairings of Mel Gibson and Danny Glover, part 2 stands as the franchise’s top earner. This one threw Joe Pesci into the mix with sequels that followed in 1992 and 1998.

2. Indiana Jones and the Last Crusade

Domestic Gross: $197 million

While Harrison Ford’s third appearance as his iconic character didn’t match the grosses of Raiders of the Lost Ark in 1981, it did earn more than 1984 predecessor Temple of Doom. Pairing Indy with his dad played by Sean Connery, the character wouldn’t make it to the screen again until Steven Spielberg and Ford teamed up again 19 years later.

1. Batman

Domestic Gross: $251 million

As mentioned, 1989 was dominated by Tim Burton’s take on the Caped Crusader. While the casting of Michael Keaton in the title role was controversial upon announcement, it turned out quite well (as did Jack Nicholson’s turn as The Joker and a funky Prince soundtrack). Three sequels and multiple reboots followed.

And now for some notable pictures outside of the top ten:

The Abyss

Domestic Gross: $54 million

James Cameron was riding a high after The Terminator and Aliens when he made this sci-fi aquatic adventure. Known just as much for its difficult production as its Oscar winning visuals, it had a mixed reaction that has grown more positive through the years.

Weekend at Bernie’s

Domestic Gross: $30 million

Turns out corpses are hilarious in this low budget comedy that turned into enough of a hit that a sequel followed four summers later.

Road House

Domestic Gross: $30 million

It may not have had critics on its side or been a huge success originally, but Patrick Swayze’s turn as a midwestern bouncer became a serious cult hit subsequently.

Do the Right Thing

Domestic Gross: $27 million

A cultural milestone, Do the Right Thing served as the major breakout for Spike Lee and was named by numerous critics as the greatest film of 1989.

sex, lies, and videotape

Domestic Gross: $24 million

Winning the Cannes Film Festival, Steven Soderbergh’s provocative debut helped usher in a wave of independent films that followed in the 90s.

It wasn’t all success stories in the summer of 1989 and here’s some that failed to meet expectations:

Star Trek V: The Final Frontier

Domestic Gross: $52 million

Captain Kirk himself directed this installment after Leonard Nimoy made its two well received predecessors. This one was met with ambivalence and stands at the second lowest earner of this particular Trek franchise.

The Karate Kid Part III

Domestic Gross: $38 million

In 1984, the original made $90 million and the 1986 sequel made $115 million. Three summers later, moviegoers had tired of Ralph Macchio and Pat Morita in their signature roles. Yet TV watchers are currently tuned to a series reboot with Macchio back as Daniel.

Licence to Kill

Domestic Gross: $34 million

Timothy Dalton’s second turn as 007 was a stateside flop and is the lowest grossing Bond flick when adjusted for inflation. Its star would never return in the role and the six year gap that followed when Pierce Brosnan reinvigorated the series with Goldeneye stands as the lengthiest gap in its near 60 years of existence.

Lock Up

Domestic Gross: $22 million

Sylvester Stallone had plenty of hits during the decade, but this one casting him as a tortured convict wasn’t one of them.

Casualties of War

Domestic Gross: $18 million

Brian de Palma was coming off a massive hit with The Untouchables, but this Vietnam War drama with Michael J. Fox and Sean Penn didn’t find an audience.

Pink Cadillac

Domestic Gross: $12 million

Three summers later, Clint Eastwood entered Oscar territory with Unforgiven. This action comedy with Bernadette Peters is one of his forgotten efforts and stalled with critics and crowds.

I hope you enjoyed this look back on the 1989 summer period and I’ll have 1999 up soon!

Best Year’s Ever

As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).

And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!

25. Channing Tatum (2012)

It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance The Vow, hit comedy 21 Jump Street, and his signature and semi-autobiographical title role in the summer sleeper Magic Mike (also from Mr. Soderbergh).

24. John Travolta (1996)

Two years following his major comeback in Pulp Fiction and a year following his Golden Globe nominated lead in Get Shorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller Broken Arrow and fantasy dramas Phenomenon and Michael.

23. Clint Eastwood (1971)

The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller Play Misty for Me. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and Million Dollar Baby. In December, Eastwood starred as Dirty Harry which spawned his lucky cop franchise.

22. Sigourney Weaver (1988)

Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for Gorillas in the Mist and Supporting Actress for Working Girl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.

21. Joe Pesci (1990)

Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic Home Alone.

20. Kevin Spacey (1995)

Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in The Usual Suspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in  Outbreak and headlined the critically approved indie comedy Swimming with Sharks.

19. Nicolas Cage (1997)

Leaving Las Vegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: Con Air and Face/Off.

18. Will Ferrell (2003)

Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s Old School as Frank the Tank and in the winter as Buddy in Elf.

17. Morgan Freeman (1989)

The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner Driving Miss Daisy, a dedicated and stern principal in Lean on Me, and a Civil War officer in Glory.

16. Steven Soderbergh (2000)

The prolific filmmaker made two Best Picture nominees with Erin Brockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.

15. Halle Berry (2001)

Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’s Ball. This was all sandwiched between XMen hits.

14. Hugh Jackman (2017)

Berry’s XMen cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical The Greatest Showman was an unexpected smash.

13. Leonardo DiCaprio (2002)

Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s Gangs of New York and Steven Spielberg’s Catch Me If You Can left little doubt. He’s been one of Hollywood’s most dependable stars since.

12. Francis Ford Coppola (1974)

In 1972, Coppola made perhaps the greatest American film of all time with The Godfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller The Conversation.

11. Michael Douglas (1987)

His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s Wall Street won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller Fatal Attraction, which was the year’s second largest grosser.

10. Julia Roberts (1999)

She started the decade with a smash star making turn in Pretty Woman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: Notting Hill with Hugh Grant and Runaway Bride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for Erin Brockovich.

9. Tom Cruise (1996)

1986 wasn’t too shabby either with Top Gun and The Color of Money. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s Jerry Maguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.

8. Sandra Bullock (2013)

Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy The Heat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.

7. Sylvester Stallone (1985)

Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind Back to the Future. They were for his two signature characters with Rambo: First Blood Part II and Rocky IV.

6. Robert Downey Jr. (2008)

A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in Iron Man, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s Tropic Thunder, which earned Downey a rare Oscar nod for a comedic performance.

5. Tom Hanks (1993)

There’s more than one year to consider for Hanks… 1995 (Apollo 13, Toy Story) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic Sleepless in Seattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for Forrest Gump.

4. Mel Brooks (1974)

The director managed to make two of the most beloved comedies of all time in one year… Blazing Saddles and Young Frankenstein. The two features combined contain some of the funniest scenes ever filmed.

3. Jennifer Lawrence (2012)

Already an Oscar nominee two years prior for Winter’s Bone, Lawrence’s road to superstardom was paved in 2012. In March came The Hunger Games, the year’s third top earner that spawned three sequels. In December came Silver Linings Playbook, where she won Best Actress.

2. Jim Carrey (1994)

In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber all hit screens.

1. Steven Spielberg (1993)

In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale Jurassic Park in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’s List won seven Academy Awards (including Picture and for Spielberg’s direction).

I hope your New Year is your best yet, readers! Have a happy one…

Creed II Movie Review

When a little underdog of a movie named Rocky came out 42 years ago, a litany of Roman numeral titled sequels wasn’t foreseeable. Fantastic box office returns and a surprising Best Picture Oscar win changed that dynamic. 1979’s Rocky II was eagerly awaited and served as nothing much more than a retread of its predecessor. It was a dull copy at that where the main difference was its hero Rocky Balboa (Sylvester Stallone) besting rival Apollo Creed (Carl Weathers).

Creed came out in 2015 and it had underdog status itself. The concept of shifting the focus to Apollo’s illegitimate son Adonis (Michael B. Jordan) and his prowess in the ring seemed a little lame upon its announcement. However, like Rocky, the picture exceeded expectations with energetic direction from Ryan Coogler, fine work from Jordan, and an emotional storyline with Rocky’s cancer diagnosis. Stallone was even nominated again for an Academy Award.

Financial success has brought those Greek digits back. Creed II has a deeper well to drain from as far as plot compared to Rocky II because of the further follow-ups. Coogler isn’t behind the camera anymore as he took on the phenomenon that was Black Panther. Steven Caple Jr. takes over the reins while Stallone shares script credit (something he didn’t do three years ago).

1985’s Rocky IV is the entry that the second Creed taps for material. As you’ll recall, this was the saga where Balboa fought fierce Russian competitor Ivan Drago (Dolph Lundgren) while seemingly punching out Communism too. Part four was cheesy, very much of its time, and highly enjoyable. It’s also the one where Drago delivered a fatal blow to Apollo after the energetic “Living in America” performance of James Brown.

Adonis gets an opportunity to avenge his father here. Drago’s son Viktor (Florian Munteanu) is an up-and-comer with his sights on the now heavyweight champion. His pops Ivan sees it as revenge after mother Russia shunned him following his loss to Balboa. The daddy issues don’t end there. Creed is now engaged to singer Bianca (Tessa Thompson) and she’s expecting. Rocky is estranged from his son as Adonis often fills that void.

The Italian Stallion isn’t thrilled with the prospect of Creed/Drago II, considering Apollo died in his arms. And we know that training montages will keep the drama unfolding. We don’t have a Xerox like situation with this sequel. It does follow the path of #4 in numerous ways, including a Soviet set main event.

Ivan Drago was a man of few words in ‘85 and he still is. His back story of abandonment from his wife (Brigitte Nielsen, who cameos) and countrymen has the potential to be compelling, but it’s given the short shrift. Jordan is still excellent in the title role, as is his chemistry with Thompson. Stallone’s character arch here is considerably less captivating than the last time around. This franchise is shifting away from him to Adonis and you feel it.

Like Creed, the ring action is more realistic than anything in the Rocky tales, where punches landed with a percentage of around 110%. Caple Jr. does decent work filming them, though not to the level of what Coogler accomplished.

Creed II is a superior direct sequel than Rocky II. The common thread is that neither are particularly memorable or necessary. To add to the clichés that permeate this series (sometimes in supreme guilty pleasure ways), it’s not a knockout. If you’re a true fan, though, it certainly won’t break you.

**1/2 (out of four)

Oscar Watch: Creed II

Three years ago, the biggest surprise of Oscar night was Sylvester Stallone losing Best Supporting Actor to Mark Rylance in Bridge of Spies. The legendary performer was nominated for his seventh portrayal of Rocky Balboa in Creed, nearly 40 years after Rocky won Best Picture.

Creed was an unexpected critical and box office smash with a knockout score of 95% on Rotten Tomatoes. However, Oscar attention was reserved for Stallone only. Creed II opens on Wednesday and reviews are out. The tale of the tape indicates a mostly satisfying if predictable experience that serves as a follow-up to Rocky IV. The Tomato meter currently sits at 72%.

While its predecessor was heralded for Stallone’s work, early critical reaction here is more focused on Michael B. Jordan’s return in the title role. Yet any awards attention he receives will be for his supporting role in Black Panther, I suspect.

Bottom line: Creed II may please fans of the franchise. Like the Rocky sequels, don’t expect awards voters to punch ballots for it. My Oscar Watch posts will continue…

Creed II Box Office Prediction

Blogger’s Note (11/20): On the eve of its premiere, I have increased my prediction for Creed II

When Creed debuted three Thanksgiving weekends ago, it did so in the manner of the character who began the franchise nearly four decades prior… as an underdog. The Rocky spinoff managed to majorly defy expectations with rave reviews and even Oscar chatter for costar Sylvester Stallone in Supporting Actor. That wave of buzz resulted in a $29 million Friday to Sunday start and $42 million total for the five-day holiday weekend. The eventual gross was $109 million.

Like Rocky before it, now come the sequels with Roman numerals as Creed II premieres next week. Michael B. Jordan is back along with Stallone, Tessa Thompson, Phylicia Rashad, and Milo Ventimiglia (reprising his role as Balboa’s son from 2006’s Rocky Balboa). And that’s not the only blast from the past as Adonis Creed is fighting the son of Ivan Drago from 1985’s Rocky IV. That means Dolph Lundgren returns with a reported appearance from Brigitte Nielsen as well. Florian Munteanu is Drago’s spawn and other new cast members include Wood Harris and Russell Hornsby. Steven Caple, Jr. takes over directorial duties from Ryan Coogler, who moved onto a little something called Black Panther earlier this year (he does executive produce).

So how will the second round measure up? Jordan has certainly increased his visibility even more with his acclaimed villainous role in the aforementioned Panther. And part 4 of the Rocky series that this harkens back to is perhaps the most well-known sequel of the bunch.

That leads me to think II will open on an even keel with its predecessor. Yet I’m not seeing a compelling reason for it premiering much bigger. This might seem like a dull prediction, but I truly think the box office decision will match what came before.

Creed II opening weekend prediction: $31.4 million (Friday to Sunday); $45.3 million (Wednesday to Sunday)

For my Ralph Breaks the Internet prediction, click here:

https://toddmthatcher.com/2018/11/13/ralph-breaks-the-internet-box-office-prediction/

For my Robin Hood prediction, click here:

https://toddmthatcher.com/2018/11/14/robin-hood-box-office-prediction/

For my Green Book prediction, click here:

https://toddmthatcher.com/2018/11/17/green-book-box-office-prediction/

Best Supporting Actor: A Look Back

Continuing on with my look back at the major categories from 1990 to the present at the Oscars, we arrive at Best Supporting Actor! If you missed my post regarding Supporting Actress, you can find it right here:

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

As I did with that blog entry, I’m picking the top 3 least surprising winners (performers who essentially sailed right through awards season) and the 3 biggest upsets in each race. I am also selecting the strongest and weakest fields overall.

As a primer, here are the 28 actors whose support earned them a golden statue:

1990 – Joe Pesci, GoodFellas

1991 – Jack Palance, City Slickers

1992 – Gene Hackman, Unforgiven

1993 – Tommy Lee Jones, The Fugitive

1994 – Martin Landau, Ed Wood

1995 – Kevin Spacey, The Usual Suspects

1996 – Cuba Gooding Jr., Jerry Maguire

1997 – Robin Williams, Good Will Hunting

1998 – James Coburn, Affliction

1999 – Michael Caine, The Cider House Rules

2000 – Benicio del Toro, Traffic

2001 – Jim Broadbent, Iris

2002 – Chris Cooper, Adaptation

2003 – Tim Robbins, Mystic River

2004 – Morgan Freeman, Million Dollar Baby

2005 – George Clooney, Syriana

2006 – Alan Arkin, Little Miss Sunshine

2007 – Javier Bardem, No Country for Old Men

2008 – Heath Ledger, The Dark Knight

2009 – Christoph Waltz, Inglourious Basterds

2010 – Christian Bale, The Fighter

2011 – Christopher Plummer, Beginners

2012 – Christoph Waltz, Django Unchained

2013 – Jared Leto, Dallas Buyers Club

2014 – J.K. Simmons, Whiplash

2015 – Mark Rylance, Bridge of Spies

2016 – Mahershala Ali, Moonlight

2017 – Sam Rockwell, Three Billboards Outside Ebbing, Missouri 

There are plenty to choose from as far least surprising winners, but here’s my top ones:

3. Gene Hackman, Unforgiven

Clint Eastwood’s Western picked up a slew of awards on Oscar night and Hackman’s inclusion in that race was never really in doubt. It was his second statue after winning Best Actor 21 years previously for The French Connection.

2. Heath Ledger, The Dark Knight

It was director Christopher Nolan giving numerous awards speeches on behalf of the late Ledger, as his work playing the iconic villain swept all precursors as well. This remains not only the only win in the omnipresent superhero genre in the 21st century, but the only nomination.

1. Javier Bardem, No Country for Old Men

Like Ledger, Bardem created a bad guy for the ages in the Coen Brothers Oscar-winning picture. He picked up all the precursors as well for his role.

And now the upsets!

3. James Coburn, Affliction

There was clearly no front-runner in 1998 as a different actor was honored in each preceding awards show. Ed Harris took the Golden Globe for The Truman Show, Billy Bob Thornton (A Simple Plan) was victorious at the Critics Choice Awards, Robert Duvall’s role in A Civil Action was honored at SAG, and Geoffrey Rush (Elizabeth) was the BAFTA recipient. Surely one of them would win the Oscar, but it instead went to Mr. Coburn.

2. Mark Rylance, Bridge of Spies

In 2015, the general consensus was that Sylvester Stallone would punch out the competition in his signature role for Creed. That would have been quite a feat after Rocky took Best Picture in 1976 – nearly four decades prior. Yet it didn’t materialize when Rylance made the trip to the podium.

1. Alan Arkin, Little Miss Sunshine

Along the same lines, Eddie Murphy was the strong favorite for his rare dramatic work in Dreamgirls. With Jennifer Hudson as a sure thing for Supporting Actress (which did happen), the musical looked safe for a supporting sweep. The Academy surprisingly went another route by honoring Arkin.

And now to the fields overall and choosing a strongest and weakest. For the least impressive of the bunch, I’m going with 2011. Here were the nominees:

Christopher Plummer, Beginners (winner)

Kenneth Branagh, My Week with Marilyn

Jonah Hill, Moneyball

Nick Nolte, Warrior

Max Von Sydow, Extremely Loud and Incredibly Close

When it comes to best overall field, I chose 1993. This is the year that Tommy Lee Jones got the gold in The Fugitive. That’s a rare acting win for an action flick. It was deserved in my view and the other four nominees were very strong as well. They were:

Leonardo DiCaprio, What’s Eating Gilbert Grape

Ralph Fiennes, Schindler’s List

John Malkovich, In the Line of Fire

Pete Postlethwaite, In the Name of the Father

Furthermore, I could keep going with other deserving actors that year, including Val Kilmer in Tombstone and Sean Penn for Carlito’s Way. 

The next trip down memory lane will be Best Actress and it will be up soon!

Summer 1988: The Top 10 Hits and More

We are in the midst of the blockbuster summer season of 2018. As I do every year on the blog, I’m recounting the summers of 30, 20, and 10 years ago with the top 10 moneymakers and other notable features and flops. We begin with 1988 and unlike the current 2018 crop that is dominated by big-budget sequels, it was surprising to find that there were a host of follow-up flops three decades ago. Sequels make up just 20% of the top ten here.

The seasons of 1998 and 2008 will be posted shortly, but here’s what what was happening 30 years ago at the cinema:

10. Bull Durham

Domestic Gross: $50 million

Writer/director Ron Shelton’s sports comedy came as Kevin Costner was experiencing a string of hits in the late 80s and early 90s. Considered one of the finest sports films ever made, it also featured showcase roles for Susan Sarandon and Tim Robbins and was nominated for an Oscar for Best Original Screenplay.

9. Rambo III

Domestic Gross: $53 million

The third go-round for Sylvester Stallone as John Rambo earned only a third of what Rambo: First Blood Part II achieved three summers prior and received mostly negative reviews. The star would revise the character 20 years later in Rambo.

8. Willow

Domestic Gross: $57 million

Ron Howard’s fantasy adventure (with a story conceived by George Lucas) was considered only a moderate success at time of its release and critical notices were mixed. It has since gone on to garner cult status.

7. A Fish Called Wanda

Domestic Gross: $62 million

This acclaimed heist comedy was an unexpected critical and audience darling with a screenplay from the legendary John Cleese. Both he and “Monty Python” cohort Michael Palin starred alongside Jamie Lee Curtis and Kevin Kline, in a rare comedic role that won an Oscar for Supporting Actor. Nine years later, the cast reunited for the less regarded Fierce Creatures. 

6. Cocktail

Domestic Gross: $78 million

Coming off his iconic role in Top Gun two years earlier, Tom Cruise propelled this bartender tale to major success despite poor reviews (even Cruise admitted it wasn’t so good years later). It did provide The Beach Boys with a big comeback hit in the form of “Kokomo”.

5. Die Hard

Domestic Gross: $83 million

It might be #5 on the list, but Die Hard is easily the most influential film of the summer of ’88. Rightfully considered the quintessential action movie, it served as a springboard for Bruce Willis’s film career and gave us an unforgettable villain in Alan Rickman’s Hans Gruber. Four sequels and numerous knock-offs would follow.

4. Crocodile Dundee II

Domestic Gross: $109 million

Paul Hogan’s Aussie creation struck box office gold in 1986 when the first Dundee made $174 million and was an unexpected smash. The sequel didn’t measure up to the first commercially or critically, but it still managed to edge past the $100 million mark.

3. Big

Domestic Gross: $114 million

Tom Hanks earned his first Oscar nomination (several would follow) for Penny Marshall’s classic comedy about a teenager wanting to be an adult. It also earned an Original Screenplay nomination.

2. Coming to America

Domestic Gross: $128 million

Eddie Murphy was about the biggest box office draw in the world circa 1988 and this serves as one of his classics. There’s been long rumored plans for a sequel, but whether or not it ever materializes is a legit question three decades later.

1. Who Framed Roger Rabbit

Domestic Gross: $156 million

This landmark blending of live-action and animation from director Robert Zemeckis combined beloved characters from the Warner Bros and Disney catalogs, winning three technical Oscars. The title character would appear in some animated shorts in the following years, but a traditional sequel surprisingly never followed.

And now for some other notable features from the summer:

Young Guns

Domestic Gross: $45 million

This Western about Billy the Kid and his gang cast many of the hot young stars of the day, including Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips, and Charlie Sheen. A sequel would follow two years later.

Midnight Run

Domestic Gross: $38 million

Serving as Robert De Niro’s first major foray into comedy (blended with action), Midnight Run found him brilliantly cast alongside Charles Grodin in this effort from Beverly Hills Cop director Martin Brest. Its status has only grown in subsequent years.

And now we arrive at some of the pictures that didn’t fare so well and we have 5 sequels that couldn’t match the potency of what came before them:

The Dead Pool

Domestic Gross: $37 million

Clint Eastwood’s fifth and final appearance as Dirty Harry was met with mixed reviews and lackluster box office. It’s got perhaps the best supporting cast of the lot, however, including Patricia Clarkson, Liam Neeson, and Jim Carrey a few years before he became a phenomenon.

Big Top Pee-Wee

Domestic Gross: $15 million

While Pee-Wee’s Big Adventure earned $40 million and introduced moviegoers to Tim Burton, this sequel underwhelmed. Star Paul Reubens would, um, pick up notoriety three years later for another experience in a movie theater.

Arthur 2: On the Rocks

Domestic Gross: $14 million

The 1981 original earned Academy Award nominations and a fantastic $95 million domestic haul. By the time the sequel followed seven years later, audiences weren’t interested in the comedy starring Dudley Moore and Liza Minnelli.

Poltergeist III

Domestic Gross: $14 million

The franchise began in 1982 with acclaim and huge dollars. A sequel diminished those returns and by the time part 3 hit screens, crowds were tuned out. Tragically, Heather O’Rourke (who famously played Carol Anne) died months before its release at the age of 12.

Caddyshack II

Domestic Gross: $11 million

Part 1 was a comedy classic. Part 2 was anything but. Chevy Chase was the only returning cast member to return and there was no repeating the magic with Jackie Mason, Robert Stack, Randy Quaid, and Dan Aykroyd.

And finally…

Mac and Me

Domestic Gross: $6 million

A notorious bomb, this E.T. rip-off received plenty of ink on account of its awfulness. There is a silver lining, however, as Paul Rudd has hilariously incorporated it into segments on Conan O’Brien’s show over the years.

And there you have the summer of 1988 in a nutshell! I’ll be back with 1998 soon…