The Suicide Squad Box Office Prediction

Putting the “The” in front of the title isn’t the only change for The Suicide Squad as the DC Comics adaptation hits theaters August 6th. Arriving five years after Suicide Squad, James Gunn (best known for making both Guardians of the Galaxy pics for the MCU) takes over directing duties from David Ayer. Will Smith is nowhere to be found though Margot Robbie reprises her role as Harley Quinn. Other returnees include Joel Kinnaman, Viola Davis, and Jai Courtney. New cast members in the mix are Idris Elba, John Cena, Sylvester Stallone, Peter Capaldi, Michael Rooker, and Pete Davidson.

The tenth feature in the DC Extended Universe series, the film will be a test of just how much audiences wish for a return engagement in this particular subsection of the franchise. In 2016, Suicide Squad (despite mostly poor reviews) exceeded expectations with its opening weekend. It grossed a frontloaded $133 million out of the gate with an eventual domestic haul of $325 million. In the spring of 2020, spin-off Birds of Prey, centered on Robbie’s character, was a different story. Prey made a full $100 million less than Squad for its start at $33 million with an $82 million overall stateside gross.

The Suicide Squad, like all Warner Bros product in 2021, will open simultaneously in theaters and on HBO Max’s streaming service. The studio has seen some positive results this year with that strategy including Godzilla vs. Kong (nearly $50 million in its five-day Easter debut) and Space Jam: A New Legacy at a better than expected $31 million.

Gunn’s Squad tale will not approach what was achieved five years ago. Yet I do suspect it will outdo the low 30s made by Prey. Hitting $50 million is achievable, but Delta variant complications and the availability of HBO Max could put it under that figure in the low to mid 40s range.

The Suicide Squad opening weekend prediction: $41.8 million

Summer 2010: The Top 10 Hits and More

Today on the blog, we come to the third and final replay of the cinematic summers from 30, 20, and 10 years ago. If you missed my posts covering 1990 and 2000, you may find them right here:

https://toddmthatcher.com/2020/07/18/summer-1990-the-top-10-hits-and-more/

https://toddmthatcher.com/2020/07/25/summer-2000-the-top-10-hits-and-more/

This brings us to 2010 where sequels ruled the top 3 slots and a couple of other significant franchises were born. We also all had our collective minds blown by Christopher Nolan’s brand of time shifting sci-fi action.

As I have with previous entries, I’ll recount the top ten hits, some other notable titles, and the flops of the season. Let’s get at it!

10. The Other Guys

Domestic Gross: $119 million

The buddy cop comedy marked the fourth collaboration in six years between director Adam McKay and his lead Will Ferrell after Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby, and Step Brothers. It also marks Ferrell’s first teaming with Mark Wahlberg and the pair would go on to make two successful and family friendlier Daddy’s Home pics.

9. The Last Airbender

Domestic Gross: $131 million

Based on the Nickelodeon animated series, the fantasy adventure marked a departure from M. Night Shyamalan’s twisty suspense thrillers. It did, however, maintain the filmmaker’s recent trend of critically savaged titles (arriving two years behind the lambasted The Happening). It couldn’t match its reported $150 million budget stateside.

8. Grown Ups

Domestic Gross: $162 million

Adam Sandler continued to prove himself review proof with this comedy where he recruited buddies Kevin James, Chris Rock, David Spade, and Rob Schneider for another sizable hit. A sequel followed three years later.

7. The Karate Kid

Domestic Gross: $176 million

Produced by his parents Will and Jada, this retooling of the 1984 blockbuster starred Jaden Smith with Jackie Chan as his mentor. Shot for just about $40 million, it grossed over $300 million worldwide. Surprisingly, a planned sequel never materialized.

6. Shrek Forever After

Domestic Gross: $238 million

Typically a gross of $238 million is quite an achievement, but not necessarily in this case for the Dreamworks animated franchise. Forever grossed less than its three predecessors and generated mixed critical reaction.

5. Despicable Me

Domestic Gross: $251 million

At the start of summer 2010, not many would have have projected this original Illumination Entertainment animated tale would outdo Shrek. Yet that’s exactly what occurred and two sequels and the Minions spin-off franchise have followed.

4. Inception

Domestic Gross: $292 million

Coming hot off the heels of 2008’s The Dark Knight, Christopher Nolan had another huge earner in his collaboration with Leonardo DiCaprio. It might have been a challenge to follow the plot, but audiences gave it their best and a worldwide take over $800 million occurred. Multiple Oscar nominations, including Best Picture (though not Nolan’s direction), resulted.

3. The Twilight Saga: Eclipse

Domestic Gross: $300 million

2010 found audiences still enraptured by the Robert Pattinson and Kristen Stewart and Taylor Lautner vampire romance. The third entry in the series set a midnight earnings ($30 million) opening record that stood for a year before Harry Potter swept it away.

2. Iron Man 2

Domestic Gross: $312 million

The Marvel Cinematic Universe was still in its infancy a decade ago as this was the third pic of the bunch. Part 2 posted fine numbers, but was considered a bit of a letdown compared to the first edition. It did mark the first appearance of Scarlett Johansson’s Black Widow and a buff and whip cracking Mickey Rourke as the main villain.

1. Toy Story 3

Domestic Gross: $415 million

Pixar easily ruled the season with the third flick in the studio’s startup series. Arriving 15 years after the original, the return of Woody and Buzz was a critical darling that earned a Best Picture nomination and lots of love from all ages. Part 4 would follow in 2019.

And now for some other noteworthy pictures from the time frame:

Salt

Domestic Gross: $118 million

Arriving two years after her action hit Wanted, this spy thriller hovered just outside the top 10 and managed to just outgross its $110 million budget in North America.

The Expendables

Domestic Gross: $105 million

Sylvester Stallone led a band of action heroes in this early August title that tapped the nostalgia of moviegoers. A pair of sequels followed that would bring in more genre heavy hitters like Arnold Schwarzenegger, Jean-Claude Van Damme, Bruce Willis, Wesley Snipes, Chuck Norris, and Harrison Ford.

Eat Pray Love

Domestic Gross: $80 million

This adaptation of a 2006 bestseller starring Julia Roberts brought in a sizable female audience and hit just over $200 million worldwide against a $60 million budget.

Dinner for Schmucks

Domestic Gross: $73 million

Steve Carell and Paul Rudd headlined this midsize hit that got mixed reviews. It has since turned into a bit of a cult favorite in subsequent years.

Scott Pilgrim vs. the World

Domestic Gross: $31 million

There’s no question that I could have put this teen action romance in the misfires column as it made just a fraction of its $85 million price tag. However, the Edgar Wright title has since achieved significant status as an impressive original work with a major following.

The Kids Are All Right

Domestic Gross: $20 million

This domestic dramedy became a major awards player and was nominated for Best Picture with acting nods going to Annette Bening, Julianne Moore, and Mark Ruffalo.

MacGruber

Domestic Gross: $8 million

Just as with Pilgrim, this SNL spin-off with Will Forte was a financial bomb. Yet it has also turned into a cult classic and there’s a rumored sequel or TV spin-off in the making.

Winter’s Bone

Domestic Gross: $6 million

This indie mystery is notable for introducing Jennifer Lawrence to critics, if not a wide audience. Bone would earn the star her first Oscar nomination in addition to a Best Picture nod. Of course, Ms. Lawrence would break out in the next two years with the X-Men and Hunger Games series and her Oscar victory happened in 2012 with Silver Linings Playbook. 

And now for some movies that didn’t match their expectations:

Robin Hood

Domestic Gross: $105 million

With a budget that may have been as high as $200 million, Robin Hood reunited Russell Crowe with Ridley Scott. A decade earlier, they made Gladiator which was a giant hit that won Best Picture. As for this version of the oft told saga, it’s largely forgotten.

Sex and the City 2

Domestic Gross: $95 million

The second installment cinematically of the beloved HBO series, part 2 made more than $50 million below its predecessor from 2008. Critics also savaged it.

Prince of Persia: The Sands of Time

Domestic Gross: $90 million

A hoped for franchise for Disney, the $150 million fantasy pic couldn’t hit the century mark in North America. Lead Jake Gyllenhaal has since expressed his regret for doing it.

The A-Team

Domestic Gross: $77 million

A year after his breakthrough in The Hangover, this action pic based on the 1980s TV series didn’t quite turn Bradley Cooper (alongside Liam Neeson) into an action star. Audience mostly found it, well, expendable.

Knight and Day

Domestic Gross: $76 million

Tom Cruise and Cameron Diaz couldn’t provide enough star power for this action comedy to get near its budget north of $100 million.

Cats & Dogs: The Revenge of Kitty Galore

Domestic Gross: $43 million

Perhaps nine years was too long a break between sequels. The original family tale was an unexpected hit at $93 million in 2001, but the long gestating sequel didn’t gross half that number.

Jonah Hex

Domestic Gross: $10 million

This DC Comics based title with Josh Brolin in the title role and Megan Fox was an instant flop, barely making eight figures against a $47 million budget. It also held a sad 12% Rotten Tomatoes rating.

And that wraps up my looks at the summers of decades past, folks! I’ll have 1991, 2001, and 2011 recaps up in a year’s time…

A Marvel Cinematic Oscar History: Best Supporting Actor

Continuing with my series showcasing the voluminous amount of Oscar nominees and winners that have appeared in the 25 Marvel Cinematic Universe pictures (including the upcoming Black Widow and The Eternals), we arrive at Best Supporting Actor.

If you missed my previous posts covering the lead performers in Actor and Actress, you can find them here:

https://toddmthatcher.com/2020/04/12/a-marvel-cinematic-oscar-history-best-actor/

https://toddmthatcher.com/2020/04/14/a-marvel-cinematic-oscar-history-best-actress/

Supporting Actor, of the four acting categories, contains the most nominees at 36. However, there are only 4 wins represented. As a reminder, the MCU has given us 110 total nominees and 20 golden recipients.

Let’s start with the four gentlemen who made a trip to the podium:

Sam Rockwell, who costarred in Iron Man 2, took gold in 2017 for Three Billboards Outside Ebbing Missouri 

Tommy Lee Jones, who appeared in Captain America: First Avenger, emerged victorious in 1993 for The Fugitive

Benicio del Toro, who memorably appeared in Guardians of the Galaxy, won in 2000 for Traffic

J.K. Simmons, who popped up in Spider-Man: Far From Home reprising his role as J. Jonah Jameson from the original Spidey trilogy, won in 2014 for Whiplash

And now the 29 additional performers who received nods:

Tony Stark himself, Robert Downey Jr., received a nomination in 2008 for Tropic Thunder

Jeff Bridges, the Iron Man villain, is a four-time nominee for 1971’s The Last Picture Show, 1974’s Thunderbolt and Lightfoot, 2000’s The Contender, and Hell or High Water in 2016

Samuel L. Jackson, who has played Nick Fury in numerous MCU entries, got a nod in 1994 for Pulp Fiction

Edward Norton, who was the Hulk before Mark Ruffalo, is a two-time nominee for 1996’s Primal Fear and 2014’s Birdman

Tim Roth, bad guy in Norton’s The Incredible Hulk, for 1995’s Rob Roy

William Hurt, whose MCU appearances also began in The Incredible Hulk, for 2005’s A History of Violence

Sam Rockwell was nominated a year after his Billboards win in 2018 for Vice

Anthony Hopkins, Thor’s dad, for 1997’s Amistad and last year’s The Two Popes

Stanley Tucci, also of Captain America: First Avenger, in 2010 for The Lovely Bones

Mark Ruffalo is a three-time nominee: 2010’s The Kids Are All Right, 2014’s Foxcatcher, and in 2015 for Spotlight

Jeremy Renner, aka Hawkeye, in 2010’s The Town

Ben Kingsley, from Iron Man 3, is a two-time mention for 1991’s Bugsy and 2001’s Sexy Beast

Benicio del Toro also received a nomination for 2003’s 21 Grams

Bradley Cooper, Rocket from Guardians of the Galaxy, for 2013’s American Hustle

Djimon Hounsou, who first appeared in Guardians, for both 2003’s In America and 2006’s Blood Diamond

John C. Reilly, another Guardians performer, for 2002’s Chicago

Josh Brolin, aka Thanos, for 2008’s Milk

Sylvester Stallone, who appeared in the Guardians sequel, for 2015’s Creed

Matt Damon, who had a cameo in Thor: Ragnarok, for Invictus in 2009

Jude Law, from Captain Marvel, received a nomination 20 years earlier for The Talented Mr. Ripley

Jake Gyllenhaal, villain for Spider-Man: Far From Home, for 2005’s Brokeback Mountain

And that does it for now, folks! I’ll have Supporting Actress up in short order…

 

 

A Marvel Cinematic Oscar History: Best Actor

I was rewatching Avengers: Endgame over the weekend and it once again struck me how many famous actors are in that thing. I mean… seriously. It’s rather amazing. This got me thinking and yes, current world events may have given me an opportunity to do so:

Just how many performers that have been in Marvel Cinematic Universe entries have won Oscars or been nominated for Oscars? I knew the number would be high, but the answer still astonished me. In fact, you have to back to 1981 for a year where no actor that eventually appeared in the MCU didn’t receive a nomination.

If you count Marvel’s next two pictures (Black Widow, The Eternals) and then count the 23 movies prior that started in 2008 with Iron Man, it encapsulates 110 acting nominations and 20 wins! I am not yet putting Christian Bale in there though he’s rumored to be playing the villain in the fourth Thor flick. I’ll wait for confirmation on that. If you did count Bale, the numbers go to 114 nods and 21 Academy victories.

Due to this research, I’m writing 4 blog posts dedicated to each acting race and we begin with Best Actor:

The leading man category makes up 33 out of the 110 nominations with 6 wins. The victorious gentlemen are as follows:

Jeff Bridges, the main baddie in Iron Man, won in 2009 for Crazy Heart

William Hurt, who appeared in The Incredible Hulk and other MCU titles, took Best Actor in 1985 for Kiss of the Spider Woman

Anthony Hopkins, aka Thor’s Dad, was stage bound in 1991 for his iconic role as Dr. Hannibal Lecter in The Silence of the Lambs

Ben Kingsley, who sparred with Tony Stark in Iron Man 3, is a 1982 recipient in the title role of Gandhi

Michael Douglas, who appeared in both Ant-Man pics, was Best Actor in 1987 for Wall Street

Forest Whitaker, who costarred in Black Panther, took gold in 2006 for The Last King of Scotland

Aside from the winners, here are the other 27 Actor nods:

Iron Man himself, Robert Downey Jr., for 1992’s Chaplin

Terrence Howard, who was in the first Iron Man, for 2005’s Hustle & Flow

Jeff Bridges scored two additional nominations for 1984’s Starman and 2010’s True Grit

Edward Norton, who was Hulk before Mark Ruffalo, for 1998’s American History X

William Hurt, like fellow winner Bridges, also landed two other nods for 1986’s Children of a Lesser God and 1987’s Broadcast News

Don Cheadle, who replaced Terrence Howard in Iron Man 2 and more, for 2004’s Hotel Rwanda

Mickey Rourke, the villain in Iron Man 2, for 2008’s The Wrestler

Anthony Hopkins, following his Lambs victory, was nominated twice more for 1993’s The Remains of the Day and 1995’s Nixon

Tommy Lee Jones, from Captain America: First Avenger, for 2007’s In the Valley of Elah

Jeremy Renner, aka Hawkeye, for his breakthrough role in 2009’s The Hurt Locker

Robert Redford, who was in Captain America: The Winter Soldier, surprisingly only has one acting nod for 1973’s The Sting. He is, however, a twice nominated director and won in 1980 for Ordinary People 

Bradley Cooper, Rocket in Guardians of the Galaxy, has been nominated thrice with no wins: 2012’s Silver Linings Playbook, 2014’s American Sniper, and 2018’s A Star Is Born

Benedict Cumberbatch, aka Doctor Strange, for 2014’s The Imitation Game

Chiwetel Ejiofor, also in Doctor Strange, for 2013’s 12 Years a Slave

Sylvester Stallone, who popped up in Guardians of the Galaxy Vol. 2, for his signature role in 1976’s Rocky

Michael Keaton, the villain in Spider-Man: Homecoming, for 2014’s Birdman

Matt Damon, who had a memorable cameo in Thor: Ragnarok, is twice nominated for 1997’s Good Will Hunting and 2015’s The Martian

Daniel Kaluuya, Black Panther costar, for 2017’s Get Out

Laurence Fishburne, supporting player in Ant-Man and the Wasp, as Ike Turner in 1993’s What’s Love Got to Do With It

Jude Law, from Captain Marvel, for 2003’s Cold Mountain 

Whew. And there you have it. I’ll be back at it shortly with the Best Actress nominees who got their Marvel on!

Daily Streaming Guide: March 20th Edition

For today’s Daily Streaming Guide, let’s call this one the “in-between” movies. Three pictures that arrived at midpoints between career highlights for certain huge directors and stars. And all three are recommendable watches that stand on their own.

HBO Streaming

The sci-fi tale The Abyss hit theaters in 1989 from director James Cameron. Its release came in-between two acclaimed sequels from the filmmaker: 1986’s Aliens and 1991’s Terminator 2: Judgment Day. Cameron had two massive blockbusters in a row with the first Terminator and Aliens. This represented more of a gamble and the aquatic thriller divided critics and audiences. While it isn’t a classic like some of the director’s other efforts, The Abyss is well worth viewing (deservedly winning an Oscar for Best Visual Effects). Even South Park ended up parodying one of its memorable near death scenes in their landmark trilogy “Imaginationland”.

Netflix

1981’s Nighthawks is a gritty NYC crime thriller that arrived in-between the creation of Sylvester Stallone’s two iconic characters. It came five years after Rocky and its first sequel and one year prior to First Blood (aka Rambo). It also features Billy Dee Williams (in-between stints as Lando in The Empire Strikes Back and Return of the Jedi) with Rutger Hauer as the main baddie (a year prior to his more famed villainous turn in Blade Runner). As far as watching Stallone in non Rocky and Rambo material, this is on the higher end of material.

Amazon Prime

1974’s The Conversation was nominated for three Oscars, including Best Picture. Yet it’s also the movie in-between Francis Ford Coppola’s two masterpieces: The Godfather and its sequel. Gene Hackman is featured in one of his best roles as a surveillance expert caught up in a government conspiracy. In multiple ways, The Conversation is a film ahead of its time. In an era rich with great pictures, this is an often overlooked gem.

That’s all for now, folks! Until next time…

Oscars 2019: The Case of Brad Pitt

My Case of posts for Oscar nominees hits our final nominee in Best Supporting Actor – Brad Pitt for Quentin Tarantino’s Once Upon a Time in Hollywood:

The Case for Brad Pitt

One decade after Inglourious Basterds, his first collaboration with Tarantino, Pitt is in the Oscar mix for the fourth time. For his acting that is. His first nod came nearly a quarter century ago in this category for 12 Monkeys and that was followed up by two lead nominations for 2008’s The Curious Case of Benjamin Button and 2011’s Moneyball. While he is 0 for 3 in the performance department, he does possess an Oscar as a producer on 2013’s Best Picture recipient 12 Years a Slave. It would appear the fourth time is the charm. Pitt has picked up all the significant precursors, including SAG, the Globes, BAFTA, and the Critics Choice. All other nominees here are heavyweights, but Pitt has been the favorite for some time. To add to that, his acceptance speeches over the past few weeks have been wildly entertaining.

The Case Against Brad Pitt

Quite frankly… I’m struggling. He is simply the massive front runner. That said, there have been upsets in recent history in Supporting Actor, including Mark Rylance (Bridge of Spies) over Sylvester Stallone (Creed) in 2015.

The Verdict

Expect Pitt’s star quality and self deprecation to be on full display when his name is called on Sunday evening.

My Case of posts will continue with Margot Robbie in Bombshell!

Downton Abbey Box Office Prediction

Mister Rogers isn’t the only PBS star getting the silver screen treatment this fall as Downton Abbey hits theaters next weekend. Based on the acclaimed drama about an aristocratic British clan in the 1920s, the film picks up after the series finale from 2016. Julian Fellowes, creator of the program which aired stateside on the public access channel, did the screenplay. Michael Engler directs with numerous cast members returning including Hugh Bonneville, Michelle Dockery, Laura Carmichael, Jim Carter, Elizabeth McGovern, Matthew Goode, Penelope Wilton, and Maggie Smith.

Abbey had lots of dedicated followers to go with its multitude of Emmys and they should be curious to see the saga continue. While some could choose to wait and watch the family on the small screen like they’re accustomed to, I suspect a sizable amount will turn up in the cinema.

I was surprised to see this is set to premiere on over 3000 screens. That puts it in contention to compete with Rambo: Last Blood and Ad Astra as the weekend’s highest grossing newcomer. My estimate of just over $20 million puts it just ahead of Mr. Stallone and ahead of Mr. Pitt.

Downton Abbey opening weekend prediction: $20.8 million

For my Rambo: Last Blood prediction, click here:

https://toddmthatcher.com/2019/09/11/rambo-last-blood-box-office-prediction/

For my Ad Astra prediction, click here:

https://toddmthatcher.com/2019/09/11/ad-astra-box-office-prediction/

Rambo: Last Blood Box Office Prediction

Sylvester Stallone returns to his second most popular signature role for the fifth time next weekend in Rambo: Last Blood. Arriving 37 years after First Blood, the pic finds the aging vet battling a Mexican drug cartel after they kidnap a friend’s daughter. Adrian Grunberg directs with Paz Vega, Sergio Peris-Mencheta, and Adriana Barraza among the costars.

It’s been nearly 12 years since the character graced the silver screen and Rambo earned $18.2 million for starters back in early 2008. Since then, Stallone had a resurgence with his Rocky character with Creed and its sequel. His increased visibility and a nostalgia factor could help this outperform part 4.

To hit the best debut of the franchise, this would need to top the $20.1 million made by 1985’s Rambo: First Blood Part II. Worth noting is that its number is not adjusted for inflation.

There is some competition in the form of Brad Pitt’s Ad Astra, but I’ll say Blood gets the better of it and barely manages to set that unadjusted record.

Rambo: Last Blood opening weekend prediction: $20.4 million

For my Ad Astra prediction, click here:

https://toddmthatcher.com/2019/09/11/ad-astra-box-office-prediction/

For my Downton Abbey prediction, click here:

https://toddmthatcher.com/2019/09/13/downton-abbey-box-office-prediction/

47 Meters Down: Uncaged Box Office Prediction

Two years after the original turned into an unanticipated summer success, shark sequel 47 Meters Down: Uncaged is unlocked in theaters next weekend. While director Johannes Roberts is back behind the camera, a whole new cast of potential chum is present. That includes Sophie Nelisse, Corinne Foxx (daughter of Jamie), Brianne Tju, Sistine Stallone (daughter of Sly), John Corbett, and Nia Long. Original star Mandy Moore is off somewhere and hopefully dry.

In June 2017, the first Meters had an interesting journey to the big screen. A measly $5 million production, it was originally slated to be a VOD only release. After it was acquired by Entertainment Studios and perhaps assisted by Moore’s exposure in the hit series “This Is Us”, it was put into multiplexes and had an $11.2 million debut. Doubling its price tag out of the gate, it legged out quite well for its genre and ended up at $44 million.

The follow-up won’t be able to surprise everyone and come out of nowhere. Expectations are that it should at least match the start of its predecessor. I’ll project that it falls short of that by around a million.

47 Meters Down: Uncaged opening weekend prediction: $10.2 million

For my The Angry Birds Movie 2 prediction, click here:

https://toddmthatcher.com/2019/08/06/the-angry-birds-movie-2-box-office-prediction/

For my Good Boys prediction, click here:

https://toddmthatcher.com/2019/08/07/good-boys-box-office-prediction/

For my Blinded by the Light prediction, click here:

https://toddmthatcher.com/2019/08/11/blinded-by-the-light-box-office-prediction/

For my Where’d You Go, Bernadette prediction, click here:

https://toddmthatcher.com/2019/08/11/whered-you-go-bernadette-box-office-prediction/

Summer 1989: The Top 10 Hits and More

In what has become tradition on this little blog of mine, the summer season brings us a lot of nostalgia on the silver screen. In the present, that means a slew of sequels and remakes and reboots coming on a near weekly basis. For these purposes, it means taking a look back on the movie summers of 30, 20, and 10 years ago.

As has been written in previous years, I’m listing the top ten hits as well as other notable pics and some flops. One thing is for sure about 1989. It will forever be known as the summer of the Batman and that blockbuster influenced what has become the predominant genre of the 21st century.

A recap of 1999 and 2009 will follow soon, but we start with what audiences were watching three decades ago.

10. Uncle Buck

Domestic Gross: $66 million

John Candy had one of his most notable headlining roles in this John Hughes family friendly comedy that also introduced the world to Macaulay Culkin. No sequel followed, but a short-lived TV series did.

9. Turner & Hooch

Domestic Gross: $71 million

Shortly before Tom Hanks started collecting Oscars and doing primarily dramatic work, he was still known for comedy in the late 80s. This one teamed him with a dog in a buddy comedy that followed the similarly themed with K9 with Jim Belushi from three months earlier. This one made a bit more cash.

8. When Harry Met Sally

Domestic Gross: $92 million

Rob Reiner’s romantic comedy (scripted by Nora Ephron) is considered one of the genre’s landmarks. Billy Crystal and Meg Ryan headlined with a diner scene that has become quite iconic.

7. Dead Poets Society

Domestic Gross: $95 million

Robin Williams seized the day and an Oscar nomination for his portrayal of an unorthodox English teacher in Peter Weir’s film, which also nabbed a nod for Best Picture.

6. Parenthood

Domestic Gross: $100 million

Ron Howard’s dramedy sported an ensemble cast with Steve Martin and a crowd pleasing vibe. This is a rare pic that spawned two TV shows. The one from 1990 flopped while the 2010 version ran six seasons. Parenthood marks appearance #1 in the top ten for Rick Moranis.

5. Ghostbusters II

Domestic Gross: $112 million

The eagerly awaited sequel to the 1984 phenomenon was a disappointment critically and commercially when considering the original’s $229 million haul. That said, it gives us appearance #2 for Rick Moranis. A direct sequel will follow in 2020.

4. Honey, I Shrunk the Kids

Domestic Gross: $130 million

And we reach the trifecta for Rick Moranis as Disney had an unexpected smash hit here. It stood as the studio’s largest grossing live-action feature for five years. Two less successful sequels followed.

3. Lethal Weapon 2

Domestic Gross: $147 million

Of the four action comedy pairings of Mel Gibson and Danny Glover, part 2 stands as the franchise’s top earner. This one threw Joe Pesci into the mix with sequels that followed in 1992 and 1998.

2. Indiana Jones and the Last Crusade

Domestic Gross: $197 million

While Harrison Ford’s third appearance as his iconic character didn’t match the grosses of Raiders of the Lost Ark in 1981, it did earn more than 1984 predecessor Temple of Doom. Pairing Indy with his dad played by Sean Connery, the character wouldn’t make it to the screen again until Steven Spielberg and Ford teamed up again 19 years later.

1. Batman

Domestic Gross: $251 million

As mentioned, 1989 was dominated by Tim Burton’s take on the Caped Crusader. While the casting of Michael Keaton in the title role was controversial upon announcement, it turned out quite well (as did Jack Nicholson’s turn as The Joker and a funky Prince soundtrack). Three sequels and multiple reboots followed.

And now for some notable pictures outside of the top ten:

The Abyss

Domestic Gross: $54 million

James Cameron was riding a high after The Terminator and Aliens when he made this sci-fi aquatic adventure. Known just as much for its difficult production as its Oscar winning visuals, it had a mixed reaction that has grown more positive through the years.

https://m.youtube.com/watch?v=bdUboOde8eY

Weekend at Bernie’s

Domestic Gross: $30 million

Turns out corpses are hilarious in this low budget comedy that turned into enough of a hit that a sequel followed four summers later.

Road House

Domestic Gross: $30 million

It may not have had critics on its side or been a huge success originally, but Patrick Swayze’s turn as a midwestern bouncer became a serious cult hit subsequently.

Do the Right Thing

Domestic Gross: $27 million

A cultural milestone, Do the Right Thing served as the major breakout for Spike Lee and was named by numerous critics as the greatest film of 1989.

sex, lies, and videotape

Domestic Gross: $24 million

Winning the Cannes Film Festival, Steven Soderbergh’s provocative debut helped usher in a wave of independent films that followed in the 90s.

It wasn’t all success stories in the summer of 1989 and here’s some that failed to meet expectations:

Star Trek V: The Final Frontier

Domestic Gross: $52 million

Captain Kirk himself directed this installment after Leonard Nimoy made its two well received predecessors. This one was met with ambivalence and stands at the second lowest earner of this particular Trek franchise.

The Karate Kid Part III

Domestic Gross: $38 million

In 1984, the original made $90 million and the 1986 sequel made $115 million. Three summers later, moviegoers had tired of Ralph Macchio and Pat Morita in their signature roles. Yet TV watchers are currently tuned to a series reboot with Macchio back as Daniel.

Licence to Kill

Domestic Gross: $34 million

Timothy Dalton’s second turn as 007 was a stateside flop and is the lowest grossing Bond flick when adjusted for inflation. Its star would never return in the role and the six year gap that followed when Pierce Brosnan reinvigorated the series with Goldeneye stands as the lengthiest gap in its near 60 years of existence.

Lock Up

Domestic Gross: $22 million

Sylvester Stallone had plenty of hits during the decade, but this one casting him as a tortured convict wasn’t one of them.

Casualties of War

Domestic Gross: $18 million

Brian de Palma was coming off a massive hit with The Untouchables, but this Vietnam War drama with Michael J. Fox and Sean Penn didn’t find an audience.

Pink Cadillac

Domestic Gross: $12 million

Three summers later, Clint Eastwood entered Oscar territory with Unforgiven. This action comedy with Bernadette Peters is one of his forgotten efforts and stalled with critics and crowds.

I hope you enjoyed this look back on the 1989 summer period and I’ll have 1999 up soon!