Tag: New York Film Critics Circle

Oscar Predictions – My Undesirable Friends: Part I – Last Air in Moscow

My Undesirable Friends: Part I – Last Air in Moscow has a runtime to match the length of its title and it might have a shot at a Best Documentary Feature nom at the Oscars. Russian born filmmaker Julia Loktev helms the exploration of mostly female journalists in her native country. Clocking in at 324 minutes, Moscow was first screened at the New York Film Festival in 2024 before playing other fests this year.

As precursors have begun to name their best of’s, visibility has risen for the five-hour (so far) project. It won best doc at the Gotham Awards and New York Film Critics Circle this week. Recently the Critics’ Choice Documentary voters nominated it for their Best Political Documentary though it lost to The Alabama Solution. Rotten Tomatoes stands at 100% with Metacritic at 94.

The documentary branch at the Academy can be tough to predict. I haven’t had Moscow in my top 10 possibilities for the race, but don’t be surprised if that changes in my next update this weekend. With precursors and those reviews, discounting it might be a mistake. My Oscar Prediction posts will continue…

The NBR Gets Wicked

The National Board of Review often marches to the beat of its own awards drum when it comes to selecting their annual pictures and performers. In 2014, only four of their eleven top movies ended up generating an Academy nomination for Best Picture. In the past decade, there’s been one other year with just four and three years where it was five and two where it was six. There’s three other years where it’s seven and that’s as high as it gets. In most years, NBR names a Best Film with ten other favorite movies listed alphabetically. During that time period, here’s just a sampling of NBR top films that probably never came close to an Oscar BP nod: Fury, The LEGO Movie, Hail, Caesar!, Patriots Day, Baby Driver, Downsizing, Waves, The Forty-Year-Old Version, Red Rocket, and Ferrari.

I give all that context because there were some unexpected selections in their list today… but not really given their history. Jon M. Chu’s Wicked is Best Film. That one is anticipated to generate an Academy BP slot. This particular group often goes with blockbuster material like Wicked for their winner. Recent examples include Mad Max: Fury Road in 2015 (guess we should’ve seen that Furiosa nod coming) and Top Gun: Maverick in 2022.

Some others… not so much. The other ten are as follows: Anora, Babygirl, A Complete Unknown, Conclave, Furiosa: A Mad Max Saga, Gladiator II, Juror #2, Queer, A Real Pain, and Sing Sing. Only half of those features (Wicked, Anora, Conclave, A Real Pain, Sing Sing) are currently in my Oscar BP ten. Babygirl, Furiosa, Juror #2, and Queer likely stand little chance at the big dance while A Complete Unknown and Gladiator II have better shots.

There are some notable omissions from the list like The Brutalist, Emilia Pérez, and Dune: Part Two. That said, recent BP victors The Shape of Water, Parasite, and CODA were nowhere to be found with NBR.

The Wicked love continued in Director with Jon M. Chu being named. You have to go all the way to Martin Scorsese and 2006’s The Departed for the last NBR/Oscar match.

Nicole Kidman is your Best Actress for Babygirl and Daniel Craig is Best Actor for Queer. Both are considered bubble candidates for Oscar (I currently have Craig in and Kidman out). I will note that 8 of the last 10 NBR Actress winners have achieved an Academy spot. In Actor, it’s also 8.

Kieran Culkin racked up another Supporting Actor prize (right after the New York Film Critics Circle) for A Real Pain and Elle Fanning is Supporting Actress (a bit of an out of nowhere pick) for A Complete Unknown. The previous 10 Supporting Actor victors for NBR received Oscar attention as Culkin is expected to. For Supporting Actress, it’s 8.

In other NBR news for categories that correlate to the Academy Awards, Hard Truths and Sing Sing are your respective Original and Adapted Screenplay recipients. Flow snatched another Animated Feature trophy while The Seed of the Sacred Fig is their #1 International Feature. The Documentary prize went to Sugarcane with Nosferatu triumphant in Cinematography.

Keep an eye on this blog for all precursor Oscar chatter!

The New York Critics Circle The Brutalist

Seventeen out of the past 20 New York Film Critics Circle recipients for Best Film have achieved a Best Picture nomination at the Oscars including winners No Country for Old Men, The Hurt Locker, and The Artist. Will Brady Corbet’s The Brutalist join that list? It’s almost a certainty. The epic historical drama won the NYFCC top prize in addition to Adrien Brody’s performance for Best Actor. These are the first major precursor honors for the pic I currently have ranked #1 in my BP derby (same goes Brody). It’s highly unlikely to be the last.

Corbet, however, did not take Director. That honor went to RaMell Ross for Nickel Boys and his film also took the Cinematography prize. I currently don’t have Ross in my director lineup though I do have it scoring a BP nod. 11 out of the previous 15 behind the camera winners did end up with an Oscar nomination.

In Best Actress, it was Marianne Jean-Baptiste for Mike Leigh’s Hard Truths. Half of the previous ten NYFCC leading women received Academy recognition. That seems appropriate as Jean-Baptiste’s odds are around 50/50 in my view.

That’s not the case in Supporting Actor where Kieran Culkin (A Real Pain) took that Big Apple competition. He’s widely expected to be one of the final five and perhaps even make a podium walk.

The NYFCC did manage to provide a shocker with Carol Kane taking Supporting Actress for the little-seen Between the Temples. The veteran performer is not expected to contend at the Oscars.

Finally, All We Imagine as Light (which India did not submit as their horse in International Feature Film) is the Best Foreign Language Film. No Other Land, which could be a player in the Academy’s Documentary Feature race, was NYFCC’s Best Non-Fiction Film. Both of those pics won their respective categories at the Gotham Awards yesterday as well. Latvian tale Flow is the Best Animated Feature and it should follow suit with Oscar.

Keep an eye on this blog for all Oscar precursor coverage!

NBR Shoots for the Moon

Just as the New York Film Critics Circle (NYFCC) honored Martin Scorsese’s Killers of the Flower Moon as their best of 2023, the National Board of Review followed suit today. Like the Big Apple’s group, it’s not one of the more predictive precursors for Oscar glory. However, there are plenty of nominees solidifying themselves for at least making the cut with each victory.

That logic definitely applies to Killers, which took Best Film, Director, and Actress (Lily Gladstone). It’s pretty much of a lock for inclusion in the Academy’s Best Picture 10. Yet a win is far from guaranteed. I currently have it behind Oppenheimer. The last NBR Film recipient that took BP at the Oscars is 2018’s Green Book. Before that it was 2008’s Slumdog Millionaire.

The other big winner at NBR is The Holdovers. It’s the pick for Actor (Paul Giamatti), Supporting Actress (Da’Vine Joy Randolph), and Original Screenplay. I’m really beginning to think Randolph is a serious threat to be the gold statue Supporting Actress selection (even though I’ve had her ranked second behind Danielle Brooks from The Color Purple).

Mark Ruffalo is your Supporting Actor for Poor Things while Spider-Man: Across the Spider-Verse took the Animated prize, Anatomy of a Fall (ineligible for International Feature Film at the Oscars) is the International Film here, and Still: A Michael J. Fox Movie won Documentary.

It’s actually rare that all four acting recipients from NBR make the Oscar quintet in their respective races. I will say that Gladstone, Giamatti, Randolph, and Ruffalo all stand excellent chances.

Lastly, this Board selects other Top Films beyond their #1. This year the others are (alphabetically) Barbie, The Boy and the Heron, Ferrari, The Holdovers, The Iron Claw, Maestro, Oppenheimer, Past Lives, and Poor Things. There’s recently been about a 6-7 match correlation with Oscar. Killers is almost certainly in. The same can be said (with some of these more certain that others) for Barbie, The Holdovers, Maestro, Oppenheimer, Past Lives, and Poor Things. Heron and Ferrari are, at best, long shots. The Iron Claw is worth keeping an eye on for a late push.

And please continue to keep an eye on the blog for all speculation as Oscar nominations approach!

2020: The Year of Chadwick Boseman

Prior to 2018, Chadwick Boseman was known primarily for his acclaimed turns as real life historical figures like Jackie Robinson in 42, James Brown in Get On Up, and Thurgood Marshall in Marshall. It was the title role as Black Panther in the MCU juggernaut where he created his own history in the only superhero flick to nab a Best Picture nomination.

2020 is shaping up to be the year where awards voters recognize Mr. Boseman. It is, of course, also the year in which the world mourned his passing on August 28 after a previously undisclosed battle with colon cancer at age 43. His turns in two Netflix pictures – Spike Lee’s Da 5 Bloods and George C. Wolfe’s Ma Rainey’s Black Bottom – have him in the running for Oscar nods and he could very conceivably get two. The Los Angeles Film Critics Association named him Best Actor for Rainey and the Academy may well follow suit. The New York Film Critics Circle bestowed their Supporting Actor prize for his work in Bloods and he could make his way to that Oscar shortlist.

In a year where the world of cinema lost legends such as Sean Connery, Kirk Douglas, Ennio Morricone, and Max Von Sydow, Boseman’s came as the most unexpected with an outpouring of grief and appreciation. His final year onscreen appears destined to come with the Academy’s recognition of the man who embodied real life heroes and created his own iconic one.

 

The Big Apple Has A Cow

The New York Film Critics Circle bestowed their best of 2020 honors today and the group provided a significant boost to Kelly Reichardt’s First Cow. The 19th century set drama took Best Film. Cow‘s chances at Oscar attention has seemed iffy so far this year. In fact, I have yet to have it listed in my predicted nominees for the Academy’s highest prize.

That might not change, but it does have recent history on its side. Only one of the Best Film honorees from the previous decade (2015’s Carol) failed to nab a Picture nod at the Oscars. On the other hand, only one of the New York Circle winners from the past ten years went on to win (2011’s The Artist).

It was also a good day for Never Rarely Sometimes Always as Eliza Hittman’s feature won Best Screenplay and Sidney Flanagan took Best Actress. Flanagan’s inclusion in Best Actress with the Academy looks questionable in that crowded field, but this first critics win certainly gives her exposure.

Best Director went to Chloe Zhao for Nomadland. She seems to be a shoo-in at the Oscars and will likely compete for the victory with David Fincher (Mank).

In other acting derbies, it was Delroy Lindo taking Best Actor for Da 5 Bloods and Chadwick Boseman in Supporting Actor for his role in Spike Lee’s picture. As for the what the Academy will do, it’s more feasible that Boseman could win against Lindo for his performance in Ma Rainey’s Black Bottom. 

Supporting Actress went the funny route with Maria Bakalova’s breakout role in Borat Subsequent Moviefilm. The NYFCC has shown a willingness to honor comedic performers in this race as recent as three years ago with Tiffany Haddish in Girls Trip. It’s worthy of mention that Haddish did not end up on Oscar’s radar and Bakalova’s inclusion is up in the air as well.

The group’s Documentary award went to Time (a strong contender for the Academy) while Brazil’s Bacarau took the Foreign Language Prize. The latter is not its country’s submitted movie for Oscar consideration.

Bottom line: it’s a good day for First Cow, though it remains to be seen whether it can milk its buzz through nomination morning next year.

Oscars 2019: The Case of Antonio Banderas

In my Case of posts outlining the pros and cons of pictures, directors, and actors vying for Oscar glory in the major categories, we arrive at the thespians. Now that my write-ups for the nine film nominees are complete, we start with Best Actor. The plan is to mix it up with these posts among the four acting races. We start with Antonio Banderas and his role in Pedro Almodovar’s Pain and Glory.

The Case for Antonio Banderas

Pain and Glory is one of the most acclaimed foreign language features of 2019 not named Parasite and it earned Banderas career best notices in a nearly 40 year cinematic span. The pic, which draws on Almodovar’s real life experiences, sports a 97% Rotten Tomatoes rating and continues a partnership with his lead actor that began in 1982 and includes such features as Women on the Verge of a Nervous Breakdown, Tie Me Up! Tie Me Down!, and The Skin I Live In. Banderas nabbed a Golden Globe nod and won some key critical precursors: the Los Angeles Film Critics Association and New York Film Critics Circle. The buzz for his work started months ago when he also took Best Actor at the Cannes Film Festival. This nomination marks his first ever from the Academy despite a long and fruitful career.

The Case Against Antonio Banderas

Best Actor was absolutely packed this year and it was uncertain whether Banderas would even get in. He missed a SAG nod. It’s extremely rare for an actor to win from a foreign language feature. For Best Actor, the list stands at one non-English speaking role with Roberto Benigni for 1998’s Life is Beautiful. 

The Verdict

For Banderas’s first shot at an Academy victory, the prize is the nomination in a field where there were at least 10 viable contenders and he made the cut.

My Case of posts will continue with my first Best Actress contender… Cynthia Erivo!

The Irishman Takes New York

The awards precursors keep coming as the New York Film Critics Circle named their best of 2019 today. Yesterday’s discussion focused on the National Board of Review winners. I explained how a victory with them often doesn’t equate to Oscar glory. And the same holds true for the film reviewers in the Big Apple.

That said, it’s the second day in a row where The Irishman has been named Best Film. Yet the last NYFCC recipient to take Best Picture was back in 2011 with The Artist. It’s the only one of this decade and in the 2000s, there were only three matches: Lord of the Rings: The Return of the King, No Country for Old Men, and The Hurt Locker. 

One might think that these critics in particular might name Martin Scorsese as Best Director. You would be wrong. It is Ben and Josh Safdie for Uncut Gems. This Adam Sandler crime pic is picking up steam at the right moment, but it could be a reach for them to be included in Director with the Academy.

While Mr. Sandler picked up Best Actor with the NBR trophy yesterday, the New York bunch went with Antonio Banderas in Pain and Glory. He’s an on the bubble candidate in an ultra crowded Oscar derby. If Banderas continues to rack up critical kudos, it could certainly help him make the final five.

For the second year in a row, the NYFCC had a surprise victor in Actress. Last year, they went quite outside the box with Regina Hall in Support the Girls. Today it’s Lupita Nyong’o in Us. While this isn’t as much of a shocker, she’s generally been seen as an unlikely candidate for Oscar attention. However, this category isn’t as packed as Actor and she could factor into the mix.

More Irishman love came in Supporting Actor and not for Al Pacino. No, it was Joe Pesci taking the prize and I’m becoming more and more convinced he gets the Academy nod along with his co-star Pacino. Interestingly, this leads me to think voice splitting could occur and that may help Brad Pitt’s chances even more for Once Upon a Time in Hollywood.

Supporting Actress is perhaps the only category where New York seems to match the Oscar front-runner with Laura Dern. NYFCC threw in a caveat, though, by naming her for both Marriage Story and Little Women. Oscar voters are nearly certain to only notice her in the former.

This critics do not divide original and adapted written works and it was Quentin Tarantino taking Screenplay for Hollywood. When it comes to the big show in Original Screenplay, he appears to have an edge over competitors like Marriage Story and Parasite. 

Bottom line: New York spread the love around with their news today, but it’s another solid showing for The Irishman. 

2018 Weekly Oscar Predictions: November 29th Edition

We’ve had the Gotham Awards, the National Board of Review, and New York Film Critics Circle transpire over the past week and my Oscar predictions are updated! Let’s get to it:

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. The Favourite (PR: 3)

4. Green Book (PR: 7)

5. If Beale Street Could Talk (PR: 4)

6. BlacKkKlansman (PR: 6)

7. Vice (PR: 5)

8. Black Panther (PR: 8)

9. Mary Poppins Returns (PR: 10)

10. First Man (PR: 9)

Other Possibilities:

11. First Reformed (PR: Not Ranked)

12. Eighth Grade (PR: 14)

13. Can You Ever Forgive Me? (PR: 12)

14. Widows (PR: 11)

15. Mary Queen of Scots (PR: 13)

Dropped Out:

The Mule

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Yorgos Lanthimos, The Favourite (PR: 3)

4. Barry Jenkins, If Beale Street Could Talk (PR: 4)

5. Spike Lee, BlacKkKlansman (PR: 5)

Other Possibilities:

6. Peter Farrelly, Green Book (PR: 7)

7. Adam McKay, Vice (PR: 6)

8. Ryan Coogler, Black Panther (PR: 9)

9. Damien Chazelle, First Man (PR: 8)

10. Rob Marshall, Mary Poppins Returns (PR: 10)

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 2)

3. Viggo Mortensen, Green Book (PR: 3)

4. Ethan Hawke, First Reformed (PR: 5)

5. Rami Malek, Bohemian Rhapsody (PR: 4)

Other Possibilities:

6. Ryan Gosling, First Man (PR: 6)

7. Willem Dafoe, At Eternity’s Gate (PR: 7)

8. Robert Redford, The Old Man & The Gun (PR: 9)

9. Clint Eastwood, The Mule (PR: 8)

10. Lucas Hedges, Boy Erased (PR: 10)

Best Actress

1. Lady Gaga, A Star Is Born (PR: 1)

2. Glenn Close, The Wife (PR: 3)

3. Olivia Colman, The Favourite (PR: 2)

4. Emily Blunt, Mary Poppins Returns (PR: 5)

5. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

Other Possibilities:

6. Yalitza Aparicio, Roma (PR: 6)

7. Viola Davis, Widows (PR: 7)

8. Toni Collette, Hereditary (PR: Not Ranked)

9. Julia Roberts, Ben Is Back (PR: 8)

10. Saoirse Ronan, Mary Queen of Scots (PR: 10)

Dropped Out:

Nicole Kidman, Destroyer

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 1)

2. Sam Elliot, A Star Is Born (PR: 3)

3. Richard E. Grant, Can You Ever Forgive Me? (PR: 2)

4. Adam Driver, BlacKkKlansman (PR: 5)

5. Timothee Chalamet, Beautiful Boy (PR: 4)

Other Possibilities:

6. Sam Rockwell, Vice (PR: 6)

7. Nicholas Hoult, The Favourite (PR: Not Ranked)

8. Michael B. Jordan, Black Panther (PR: 7)

9. Steve Carell, Vice (PR: 9)

10. Daniel Kaluuya, Widows (PR: 8)

Dropped Out:

Russell Hornsby, The Hate U Give

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 1)

2. Amy Adams, Vice (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 5)

5. Claire Foy, First Man (PR: 4)

Other Possibilities:

6. Nicole Kidman, Boy Erased (PR: 6)

7. Marina De Tavira, Roma (PR: Not Ranked)

8. Michelle Yeoh, Crazy Rich Asians (PR: 9)

9. Margot Robbie, Mary Queen of Scots (PR: 7)

10. Natalie Portman, Vox Lux (PR: 8)

Dropped Out:

Meryl Streep, Mary Poppins Returns

Best Adapted Screenplay

1. BlacKkKlansman (PR: 2)

2. A Star Is Born (PR: 3)

3. If Beale Street Could Talk (PR: 1)

4. Can You Ever Forgive Me? (PR: 4)

5. First Man (PR: 6)

Other Possibilities:

6. Widows (PR: 5)

7. Crazy Rich Asians (PR: 9)

8. The Hate U Give (PR: 7)

9. Boy Erased (PR: 8)

10. Leave No Trace (PR: 10)

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 2)

3. First Reformed (PR: 6)

4. Green Book (PR: 3)

5. Eighth Grade (PR: 5)

Other Possibilities:

6. Vice (PR: 4)

7. A Quiet Place (PR: 7)

8. Private Life (PR: 8)

9. The Ballad of Buster Scruggs (PR: 9)

10. The Mule (PR: 10)

Best Foreign Language Film

1. Roma (PR: 1)

2. Cold War (PR: 2)

3. Shoplifters (PR: 3)

4. Capernaum (PR: 5)

5. Burning (PR: 7)

Other Possibilities:

6. Never Look Away (PR: 8)

7. Border (PR: 10)

8. Girl (PR: 4)

9. Birds of Passage (PR: 6)

10. The Guilty (PR: Not Ranked)

Dropped Out:

I Am Not a Witch

Best Animated Feature

1. Incredibles 2 (PR: 1)

2. Isle of Dogs (PR: 2)

3. Spider-Man: Into the Spider-Verse (PR: 4)

4. Ralph Breaks the Internet (PR: 3)

5. Mirai (PR: 5)

Other Possibilities:

6. Smallfoot (PR: 8)

7. Early Man (PR: 6)

8. Lu Over the Wall (PR: 9)

9. Ruben Brandt, Collector (PR: 7)

10. Tito and the Birds (PR: Not Ranked)

Dropped Out:

Teen Titans Go! To the Movies

Best Documentary Feature

1. Won’t You Be My Neighbor? (PR: 1)

2. Three Identical Strangers (PR: 2)

3. Free Solo (PR: 3)

4. RBG (PR: 4)

5. Minding the Gap (PR: 5)

Other Possibilities:

6. Crime + Punishment (PR: 7)

7. Hale County This Morning, This Evening (PR: Not Ranked)

8. Dark Money (PR: 8)

9. Amazing Grace (PR: 6)

10. Science Fair (PR: Not Ranked)

Dropped Out:

Quincy

Jane Fonda in Five Acts

Best Film Editing

1. First Man (PR: 2)

2. A Star Is Born (PR: 1)

3. Roma (PR: 3)

4. Black Panther (PR: 7)

5. The Favourite (PR: 4)

Other Possibilities:

6. Widows (PR: 8)

7. Green Book (PR: 10)

8. Vice (PR: 5)

9. If Beale Street Could Talk (PR: 6)

10. BlacKkKlansman (PR: Not Ranked)

Dropped Out:

Mary Poppins Returns

Best Cinematography

1. Roma (PR: 1)

2. First Man (PR: 5)

3. The Favourite (PR: 2)

4. If Beale Street Could Talk (PR: 4)

5. A Star Is Born (PR: 3)

Other Possibilities:

6. Black Panther (PR: 6)

7. Cold War (PR: 7)

8. The Ballad of Buster Scruggs (PR: 8)

9. Widows (PR: 9)

10. Green Book (PR: Not Ranked)

Dropped Out:

BlacKkKlansman

Best Production Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. First Man (PR: 5)

4. Mary Poppins Returns (PR: 3)

5. Mary Queen of Scots (PR: 4)

Other Possibilities:

6. Roma (PR: 6)

7. A Star Is Born (PR: 8)

8. Crazy Rich Asians (PR: 7)

9. Fantastic Beasts: The Crimes of Grindelwald (PR: 9)

10. Colette (PR: Not Ranked)

Dropped Out:

The Nutcracker and the Four Realms

Best Costume Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Poppins Returns (PR: 3)

4. Mary Queen of Scots (PR: 4)

5. Colette (PR: 5)

Other Possibilities:

6. Fantastic Beasts: The Crimes of Grindelwald (PR: 7)

7. Crazy Rich Asians (PR: 6)

8. A Star Is Born (PR: Not Ranked)

9. Bohemian Rhapsody (PR: 8)

10. The Nutcracker and the Four Realms (PR: 9)

Dropped Out:

If Beale Street Could Talk

Best Makeup and Hairstyling

1. Black Panther (PR: 1)

2. Mary Queen of Scots (PR: 2)

3. Vice (PR: 3)

Other Possibilities:

4. Mary Poppins Returns (PR: 7)

5. The Favourite (PR: 4)

6. Stan & Ollie (PR: 5)

7. Colette (PR: 6)

8. A Star Is Born (PR: 8)

9. A Wrinkle in Time (PR: 10)

10. Solo: A Star Wars Story (PR: Not Ranked)

Dropped Out:

Suspiria

Best Sound Editing

1. First Man (PR: 1)

2. Black Panther (PR: 3)

3. A Star Is Born (PR: 2)

4. A Quiet Place (PR: 4)

5. Roma (PR: 6)

Other Possibilities:

6. Mary Poppins Returns (PR: 5)

7. Incredibles 2 (PR: 8)

8. Annihilation (PR: Not Ranked)

9. Avengers: Infinity War (PR: 10)

10. Ready Player One (PR: 9)

Dropped Out:

Bohemian Rhapsody

Best Sound Mixing

1. First Man (PR: 1)

2. A Star Is Born (PR: 2)

3. Black Panther (PR: 3)

4. Mary Poppins Returns (PR: 5)

5. A Quiet Place (PR: 4)

Other Possibilities:

6. Bohemian Rhapsody (PR: 7)

7. Roma (PR: 6)

8. Incredibles 2 (PR: 8)

9. Avengers: Infinity War (PR: 10)

10. Ready Player One (PR: 9)

Best Visual Effects

1. Avengers: Infinity War (PR: 2)

2. First Man (PR: 1)

3. Ready Player One (PR: 4)

4. Mary Poppins Returns (PR: 3)

5. Black Panther (PR: 5)

Other Possibilities:

6. Annihilation (PR: 6)

7. A Wrinkle in Time (PR: 8)

8. Solo: A Star Wars Story (PR: 7)

9. A Quiet Place (PR: 10)

10. Ant–Man and the Wasp (PR: 9)

Best Original Score

1. If Beale Street Could Talk (PR: 1)

2. First Man (PR: 2)

3. Mary Poppins Returns (PR: 3)

4. Mary Queen of Scots (PR: 4)

5. BlacKkKlansman (PR: 5)

Other Possibilities:

6. Widows (PR: 7)

7. Colette (PR: 6)

8. Incredibles 2 (PR: Not Ranked)

9. The Ballad of Buster Scruggs (PR: 8)

10. Roma (PR: 9)

Dropped Out:

Green Book

Best Original Song

1. “The Shallow” from A Star Is Born (PR: 1)

2. “The Place Where Lost Things Go” from Mary Poppins Returns (PR: 2)

3. “I’ll Fight” from RBG (PR: 3)

4. “All the Stars” from Black Panther (PR: 4)

5. “Time for Change” from On the Basis of Sex (PR: 9)

Other Possibilities:

6. “We Won’t Move” from The Hate U Give (PR: 6)

7. “Girl in the Movies” from Dumplin’ (PR: Not Ranked)

8. “I’ll Never Love Again” from A Star Is Born (PR: 5)

9. “Revelation” from Boy Erased (PR: 7)

10. “Gravity” from Free Solo (PR: Not Ranked)

Dropped Out:

“Always Remember Us This Way” from A Star Is Born

”A Place Called Slaughter Race” from Ralph Breaks the Internet

That equates to the following number of nominations for each picture:

11 Nominations

A Star Is Born

10 Nominations

The Favourite, First Man

9 Nominations

Black Panther

8 Nominations

Mary Poppins Returns

6 Nominations

If Beale Street Could Talk, Roma

5 Nominations

BlacKkKlansman

4 Nominations

Green Book, Mary Queen of Scots, Vice

3 Nominations

Can You Ever Forgive Me?

2 Nominations

First Reformed, A Quiet Place, RBG

1 Nomination

Bohemian Rhapsody, The Wife, Beautiful Boy, Eighth Grade, Cold War, Shoplifters, Capernaum, Burning, Incredibles 2, Isle of Dogs, Spider–Man: Into the Spider–Verse, Ralph Breaks the Internet, Mirai, Won’t You Be My Neighbor?, Three Identical Strangers, Free Solo, Minding the Gap, Colette, Avengers: Infinity War, Ready Player One, On the Basis of Sex

Roma Takes New York

One of the oldest critics group weighed in on the best of the year this morning as the New York Film Critics Circle bestowed their honors. And the writers of the Big Apple clearly took to Roma, which was victorious for Best Picture, Director (Alfonso Cuaron), and Cinematography.

There’s little doubt the Mexican drama will get a nomination at the Oscars. However, the NYFCC top prize certainly doesn’t ensure a win at the big race. Far from it. You have to go back to 2011 since the Oscar and NYFCC recipients matched – The Artist. 

Roma has held the #2 spot in my estimated nominees for weeks behind A Star Is Born. For now, I don’t see that changing.

For Best Actor, Ethan Hawke won for First Reformed and I don’t expect that will be the last of his critics group trophies. Hawke has established himself as a real threat to make the final 5 for the Academy. Additionally, the Screenplay award went to Reformed, furthering boosting the prospect of Paul Schrader getting his first Oscar nod in Original Screenplay.

The NYFCC is known for throwing a surprise in the acting categories (think Tiffany Haddish for Girls Trip) and this year was no different. Best Actress went to Regina Hall for the acclaimed indie dramedy Support the Girls. While the exposure here only helps, the Actress race is very crowded and Hall’s inclusion seems quite unlikely at the moment.

Richard E. Grant took Supporting Actor for Can You Ever Forgive Me? in what is shaping up to be a genuine three-person race between him, Mahershala Ali (Green Book), and Sam Elliot (A Star Is Born). Regina King got Supporting Actress for If Beale Street Could Talk as she appears to be the soft front-runner, with Amy Adams (Vice) and the women of The Favourite (Emma Stone, Rachel Weisz) lurking.

In down-the-line categories, Animated Feature went to Spider-Man: Into the Spider-Verse (which may just establish itself as a threat to Incredibles 2). Minding the Gap got the Non-Fiction race and Cold War took Best Foreign Language Film.

Other groups will be weighing in soon and I’ll have all the coverage right here!