Oscar Predictions: The Phantom of the Open

Back in 2015, Mark Rylance scored an upset Supporting Actor Oscar victory over Sylvester Stallone (Creed) for his work in Steven Spielberg’s Bridge of Spies. He hasn’t made it back to the dance since, but he’s got two performances in 2022 generating praise.

The first was the spring’s spy drama The Outfit and the latest is The Phantom of the Open. The biographical comedic drama casts Rylance as Maurice Flitcroft, a golfer of questionable abilities who still managed to play the PGA Tour in the 1970s. Craig Roberts directs with a supporting cast including Sally Hawkins and Rhys Ifans.

Critics are mostly being kind and it holds a 91% rating on Rotten Tomatoes. That said, I’m skeptical this gets enough stateside exposure to become Rylance’s second nod. On the other hand, I wouldn’t be surprised if his performance here or in The Outfit lands him a BAFTA nomination. Another possibility could be making the cut for Best Actor in a Musical/Comedy at the Golden Globes. My Oscar Prediction posts will continue…

Spencer Review

Approximately a decade into their marriage, the union of Diana and Charles is as decayed as the floorboards in her abandoned childhood home and there seems to be nowhere to go but down. That early 90s mindset is where we find Kristen Stewart as the People’s Princess in Spencer from Pablo Larrain. Set at Christmas, it’s an unexpectedly claustrophobic mood piece punctuated by jazz beats and occasional moments of joy (mostly courtesy of young William and Harry). They’re weighed down by Diana’s loveless connection to her husband and in-laws.

Focused on someone who strained to follow royal patterns, it seems appropriate that Spencer refuses to follow ones in the biopic genre. That makes it unique and sometimes haunting – a bit like the title character. In 1991, Diana is well aware of the Prince’s other relationship. So are the paparazzi and they force curtains to be sewn shut as the Royals holiday at their Norfolk estate. Sewing the Princess’s garments are Maggie (Sally Hawkins), one of the few subjects that Diana can talk to. The same cannot be said for Major Gregory (Timothy Spall), who runs the home with the same military precision as the cooks preparing their meals.

In her room that she appears not to share with Charles, the reading list is suggestive. A novel about Anne Boleyn (a 16th century Queen executed by her King) leads to Diana having strange visions of the long beheaded branch of the complicated family tree.

Spencer is not concerned with historical accuracy as much as how history affected the former Miss Spencer’s psyche. She longs to break free as evidenced by an excursion to her former residence. The dialogue between her and Charles (Jack Farthing) or the Queen (Stella Gonet) is curt and strained. There are no pearls of wisdom found in their interactions.

With a stirring score from Jonny Greenwood and masterful cinematography by Claire Mathon, this is a gorgeously rendered production. Stewart has shown her considerable talents post Twilight before – particularly in Personal Shopper. While she may not closely resemble Diana, her mannerisms do and her vulnerability is often something to marvel at. Those looking for a traditional experience may not gel with Spencer. I found myself not being able to look away.

***1/2 (out of four)

Spencer Box Office Prediction

Blogger’s Note (11/03): I’ve seen some unconfirmed data indicating Spencer will open on just under 1000 screens. If that holds true, I’m revising my estimate from $4.6M to $4.1M.

Kristen Stewart appears destined to make plenty of red carpet trips next year with her performance as Princess Diana in Spencer. Directed by Pablo Larrain (who last tackled American royalty with Natalie Portman as Jackie), the pic looks to be an awards contender for its star and in several other categories. Costars include Jack Farthing (as Prince Charles), Sally Hawkins, Timothy Spall, and Sean Harris.

So how will it perform at the box office? That’s a tricky one and some simply for practical reasons. Spencer is hitting screens this Friday, but I’ve yet to see a theater count. When that’s available (hopefully Thursday), don’t be surprised if my current estimate is altered.

Practicalities aside, Oscar bait entries such as this often play out over the course of the season. In other words, don’t expect hefty grosses right away. That said, the buzz already being generated with Stewart as the Best Actress frontrunner and the fascination with the life and death of Diana should contribute to a decent per theater average. We just don’t know how many venues that is at the moment.

For those reasons, I’ll peg this in the $4-6 million range for its start (this is assuming a 1500 screen count which is a number I’ve heard rumored). That should nab it anywhere from the 3-6 position on the chart. Checking back on Thursday is probably wise.

Spencer opening weekend prediction: $4.1 million

For my Eternals prediction, click here:

Eternals Box Office Prediction

2021 Oscar Predictions: The State of the Supporting Actress Race

The 2021 derby for Best Supporting Actress at the Oscars might have a bit more clarity than the currently wide open Supporting Actor race, but not much. I’m doing a deep dive on the four acting races as well as Picture and Director. If you missed the first post covering Supporting Actor, you can peruse it right here:

2021 Oscar Predictions: The State of the Supporting Actor Race

At this point when I was projecting the race in 2019 and 2020, I correctly identified three out of the five eventual nominees. Two years ago, that included the winner Laura Dern in Marriage Story as well as Florence Pugh (Little Women) and Margot Robbie for Bombshell. Scarlett Johansson was mentioned in Other Possibilities while I didn’t have Kathy Bates (Richard Jewell) listed. Last year, the trio of Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), and Amanda Seyfried (Mank) were in my five. Eventual victor Yuh-jung Youn (Minari) and Maria Bakalova (Borat Subsequent Moviefilm) were in Other Possibilities.

Since 2010, there have been three instances where two actresses for the same picture made the cut here. In 2010, it was Melissa Leo (who won) and Amy Adams in The Fighter. A year later, Octavia Spencer took gold for The Help while costar Jessica Chastain also got in. In 2018, both Emma Stone and Rachel Weisz were nominated for The Favourite. 

The best chance of that happening in 2021 lies with Caitriona Balfe and Judi Dench for Belfast. The former could be considered the frontrunner at press time. I’m confident that Balfe will be in the quintet of hopefuls. My Supporting Actor forecast has both Jamie Dornan and Ciaran Hinds in for Kenneth Branagh’s period drama. It might be foolish to bet against Dench and she could absolutely get her 8th nod. I do, however, feel the competition is steeper than Supporting Actor at the moment and she could miss out.

Other double nominee possibilities lie with Jessie Buckley and Dakota Johnson in The Lost Daughter, but I could just as easily see lead Olivia Colman garnering all the attention. The as yet unscreened Nightmare Alley could see either Toni Collette or Rooney Mara competing.

Then there’s Mass. Ann Dowd looks to be a better bet than Martha Plimpton. If the acclaimed drama catches on with the Academy, there could be room for both. For now, I’m far more confident in Dowd receiving her first nod after her somewhat surprise omission for 2012’s Compliance. 

With Balfe and Dowd penciled in, Kirsten Dunst also appears headed for her inaugural inclusion at the dance for The Power of the Dog. She could even be a threat to win.

After that, it gets murky. There’s plenty of hopefuls. 50 years ago, Rita Moreno took gold as Anita for West Side Story. The forthcoming remake could see Ariana DeBose nominated for the same role in Steven Spielberg’s remake. Marlee Matlin (35 years after taking Best Actress for Children of a Lesser God) got fine reviews for CODA. If the film registers with voters, she could be swept in. King Richard is anticipated to give Will Smith a solid chance at his first Oscar crowning and Aunjanue Ellis (as the mother of Venus and Serena Williams) could share in the wealth. Salma Hayek is part of the House of Gucci ensemble. She hasn’t been visible in the trailers and that gives me pause. Online chatter will be heavy for Rebecca Ferguson in Dune, though I question whether any of its cast makes its way in. Also worthy of mention: Olga Merediz (In the Heights), Gaby Hoffman (C’Mon C’Mon), Kathryn Hunter (The Tragedy of Macbeth), Sally Hawkins (Spencer), and Jayne Houdyshell (The Humans). All are feasible but will need lot some critics prizes to elevate their chances.

Meryl Streep is gunning for her 22nd (!) nomination for Don’t Look Up. Playing the President of the United States in the political satire, it feels strange to leave her out of the top 5 for such a high profile role. Let’s see what the critics think before I more carefully consider her.

One performer who seems to catching on is Ruth Negga for Passing. Nominated for Actress five years back for Loving, I was basically down to a coin flip between her and Aunjanue Ellis for a current slot. I’m leaning toward Negga in what would probably be the film’s sole nod.

Bottom line: right now I have Balfe, Dunst, and Dowd as (fairly) safe bets with the other two spots up for grabs. Here’s where it shakes out as October closes:

Best Supporting Actress

Predicted Nominees:

1. Caitriona Balfe, Belfast (Previous Ranking: 1)

2. Kirsten Dunst, The Power of the Dog (PR: 2)

3. Ann Dowd, Mass (PR: 3)

4. Ariana DeBose, West Side Story (PR: 5)

5. Ruth Negga, Passing (PR: 6)

Other Possibilities:

6. Aunjanue Ellis, King Richard (PR: 4)

7. Judi Dench, Belfast (PR: 7)

8. Marlee Matlin, CODA (PR: 9)

9. Meryl Streep, Don’t Look Up (PR: Not Ranked)

10. Jayne Houdyshell, The Humans (PR: 10)

Dropped Out:

Rooney Mara, Nightmare Alley

Next up: Best Actor!

Oscar Predictions: Spencer

The screenings at Venice and Telluride are rolling in at a furious level (expect lots of posts up this evening). From Italy, one of the most eagerly awaited was Spencer, Pablo Larrain’s biopic of Princess Diana starring Kristen Stewart. The director is no stranger to real life tales of political figures and their tragic circumstances. In 2016, Larrain made Jackie and it resulted in a Best Actress nomination for Natalie Portman.

Word-of-mouth indicates that Spencer could be a serious Oscar player (it’s out November 5). This is particularly true for Stewart. The actress’s post Twilight career includes praised performances for Clouds of Sils Maria and Personal Shopper, but she’s yet to garner any attention from the Academy.

It’s always risky to be too declarative at this stage of prognosticating and with so many pictures left to screen, but it feels warranted here. So here goes: Kristen Stewart is going to be one of the five names for Best Actress. You can write it in ink. I will probably have her listed at #1 when I do updated predictions (which will come on Monday).

Other nominations are less certain, but totally feasible. This includes Best Picture, Director, Original Screenplay, Cinematography, Costume Design, Makeup and Hairstyling, and Score. I don’t foresee nods for the supporting cast which includes Sally Hawkins, Jack Farthing, Timothy Spall, and Sean Harris.

Bottom line: a gold statue could be in Stewart’s future and Spencer could factor into several other categories. My Oscar Prediction posts for the films of 2021 will continue…

2021 Oscar Predictions: August 5th Edition

As we await film festivals that will shed light on many of the pictures mentioned below, today brings us my second weekly outlook on the major Oscar categories.

So what’s happened since last Thursday? That House of Gucci trailer came out and it didn’t do anything to dissuade my feeling that it’s a contender. In fact, while I shouldn’t use trailers to judge, it was enough for me to put Jared Leto in my final five (taking out Idris Elba for The Harder They Fall).

In other developments:

    • A Hero is in my top 10 for Best Picture over Kenneth Branagh’s Belfast. The film also is in my projections for Original Screenplay to the detriment of Blue Bayou.
    • CODA (which I was very tempted this week to put in BP) makes the Adapted Screenplay cut over Dune. 
    • The Director, Actress, Actor, and Supporting Actress fields remain the same – with some movement in the rankings.

By this time next week, we should have a good idea of where Jennifer Hudson’s performance in Respect stands since it releases next week. It remains in my five at spot four.

Finally, I didn’t have Matt Damon in Stillwater listed in my top 15 possibilities last week. Based on the film’s subpar box office performance and some comments that landed Damon in hot water, I don’t anticipate him surfacing at any point.

Check out all the activity below!

Best Picture

Predicted Nominees:

1. House of Gucci (Previous Ranking: 1)

2. The Power of the Dog (PR: 2)

3. The Tragedy of Macbeth (PR: 3)

4. Nightmare Alley (PR: 4)

5. Dune (PR: 5)

6. Soggy Bottom (PR: 6)

7. Don’t Look Up (PR: 10)

8. Mass (PR: 7)

9. West Side Story (PR: 8)

10. A Hero (PR: 11)

Other Possibilities:

11. CODA (PR: 12)

12. Belfast (PR: 9)

13. The French Dispatch (PR: 14)

14. Spencer (PR: 15)

15. Cyrano (PR: 17)

16. King Richard (PR: 20)

17. Tick Tick… Boom! (PR: 16)

18. Flee (PR: 13)

19. The Humans (PR: 18)

20. Blue Bayou (PR: 19)

21. The Last Duel (PR: 21)

22. The Worst Person in the World (PR: Not Ranked)

23. Being the Ricardos (PR: Not Ranked)

24. In the Heights (PR: 23)

25. Annette (PR: 25)

Dropped Out:

Dear Evan Hansen

Last Night in Soho

Best Director

Predicted Nominees:

1. Ridley Scott, House of Gucci (PR: 1)

2. Jane Campion, The Power of the Dog (PR: 3)

3. Denis Villeneuve, Dune (PR: 2)

4. Guillermo del Toro, Nightmare Alley (PR: 4)

5. Joel Coen, The Tragedy of Macbeth (PR: 5)

Other Possibilities:

6. Paul Thomas Anderson, Soggy Bottom (PR: 6)

7. Asghar Farhadi, A Hero (PR: 7)

8. Adam McKay, Don’t Look Up (PR: 10)

9. Steven Spielberg, West Side Story (PR: 9)

10. Fran Kranz, Mass (PR: 11)

11. Wes Anderson, The French Dispatch (PR: 14)

12. Kenneth Branagh, Belfast (PR: 8)

13. Sian Heder, CODA (PR: 12)

14. Pablo Larrain, Spencer (PR: 15)

15. Joe Wright, Cyrano (PR: Not Ranked)

Dropped Out:

Jonas Poher Rasmussen, Flee

Best Actress

Predicted Nominees:

1. Lady Gaga, House of Gucci (PR: 1)

2. Kirsten Dunst, The Power of the Dog (PR: 3)

3. Frances McDormand, The Tragedy of Macbeth (PR: 2)

4. Jennifer Hudson, Respect (PR: 4)

5. Jessica Chastain, The Eyes of Tammy Faye (PR: 5)

Other Possibilities:

6. Kristen Stewart, Spencer (PR: 7)

7. Emilia Jones, CODA (PR: 8)

8. Cate Blanchett, Nightmare Alley (PR: 10)

9. Penelope Cruz, Parallel Mothers (PR: 6)

10. Nicole Kidman, Being the Ricardos (PR: 12)

11. Renate Reinsve, The Worst Person in the World (PR: 11)

12. Jodie Comer, The Last Duel (PR: 13)

13. Rachel Zegler, West Side Story (PR: 9)

14. Olivia Colman, The Lost Daughter (PR: 15)

15. Jennifer Lawrence, Don’t Look Up (PR: 14)

Best Actor

Predicted Nominees:

1. Denzel Washington, The Tragedy of Macbeth (PR: 1)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2)

3. Will Smith, King Richard (PR: 3)

4. Adam Driver, House of Gucci (PR: 4)

5. Amir Jadidi, A Hero (PR: 5)

Other Possibilities:

6. Leonardo DiCaprio, Don’t Look Up (PR: 10)

7. Andrew Garfield, Tick Tick… Boom! (PR: 6)

8. Peter Dinklage, Cyrano (PR: 8)

9. Bradley Cooper, Nightmare Alley (PR: 9)

10. Joaquin Phoenix, C’Mon C’Mon (PR: 11)

11. Clifton Collins, Jr., Jockey (PR: 7)

12. Adam Driver, Annette (PR: 13)

13. Nicolas Cage, Pig (PR: 15)

14. Michael B. Jordan, A Journal for Jordan (PR: Not Ranked)

15. Cooper Hoffman, Soggy Bottom (PR: 12)

Dropped Out:

Javier Bardem, Being the Ricardos

Best Supporting Actress

Predicted Nominees:

1. Ann Dowd, Mass (PR: 1)

2. Ariana DeBose, West Side Story (PR: 2)

3. Jayne Houdyshell, The Humans (PR: 4)

4. Marlee Matlin, CODA (PR: 5)

5. Martha Plimpton, Mass (PR: 3)

Other Possibilities:

6. Toni Collette, Nightmare Alley (PR: 10)

7. Ruth Negga, Passing (PR: 6)

8. Rooney Mara, Nightmare Alley (PR: Not Ranked)

9. Olga Merediz, In the Heights (PR: 7)

10. Thomasin McKenzie, The Power of the Dog (PR: 9)

11. Meryl Streep, Don’t Look Up (PR: 13)

12. Judi Dench, Belfast (PR: 11)

13. Aunjanue Ellis, King Richard (PR: Not Ranked)

14. Audra McDonald, Respect (PR: 14)

15. Anya Taylor-Joy, Last Night in Soho (PR: 12)

Dropped Out:

Regina King, The Harder They Fall

Sally Hawkins, Spencer

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Soggy Bottom (PR: 1)

2. Jesse Plemons, The Power of the Dog (PR: 2)

3. Jason Isaacs, Mass (PR: 3)

4. Richard Jenkins, The Humans (PR: 4)

5. Jared Leto, House of Gucci (PR: 8)

Other Possibilities:

6. Corey Hawkins, The Tragedy of Macbeth (PR: 6)

7. Richard E. Grant, Everybody’s Talking About Jamie (PR: 7)

8. Idris Elba, The Harder They Fall (PR: 5)

9. Mark Rylance, Don’t Look Up (PR: Not Ranked)

10. Reed Birney, Mass (PR: 9)

11. Bradley Whitford, Tick Tick… Boom! (PR: Not Ranked)

12. Ben Mendelsohn, Cyrano (PR: 10)

13. Adam Driver, The Last Duel (PR: 12)

14. Simon Helberg, Annette (PR: Not Ranked)

15. Brendan Gleeson, The Tragedy of Macbeth (PR: 14)

Dropped Out:

Jamie Dornan, Belfast

Al Pacino, House of Gucci

David Alvarez, West Side Story

Best Original Screenplay

Predicted Nominees:

1. Soggy Bottom (PR: 2)

2. Mass (PR: 1)

3. Don’t Look Up (PR: 3)

4. The French Dispatch (PR: 4)

5. A Hero (PR: Not Ranked)

Other Possibilities:

6. C’Mon C’Mon (PR: 8)

7. Being the Ricardos (PR: 10)

8. Spencer (PR: 7)

9. The Worst Person in the World (PR: Not Ranked)

10. Last Night in Soho (PR: 9)

11. Blue Bayou (PR: 5)

12. Belfast (PR: 6)

13. Parallel Mothers (PR: Not Ranked)

14. King Richard (PR: Not Ranked – moved from Adapted Screenplay)

15. Annette (PR: 11)

Dropped Out:

The Harder They Fall

After Yang

Nine Days

Red Rocket

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 2)

2. House of Gucci (PR: 1)

3. The Tragedy of Macbeth (PR: 3)

4. Nightmare Alley (PR: 4)

5. CODA (PR: 6)

Other Possibilities:

6. The Humans (PR: 7)

7. Dune (PR: 5)

8. Cyrano (PR: 9)

9. West Side Story (PR: 8)

10. The Last Duel (PR: 12)

11. Tick Tick… Boom! (PR: 10)

12. Passing (PR: Not Ranked)

13. The Lost Daughter (PR: 13)

14. A Journal for Jordan (PR: 15)

15. Dear Evan Hansen (PR: 11)

Dropped Out:

King Richard (moved to Original Screenplay)

Back at it next week!

2021 Oscar Predictions: July 29th Edition

I can’t help myself. I keep doing my Oscar predictions earlier and earlier each year. Today marks the first edition of my ranked forecasts in the 8 biggest races: Picture, Director, the four acting competitions, and the two screenplay contests.

It probably stands to reason that the sooner you do projections – the more inaccurate they might be. Oh but it’s so very fun to speculate! I do like to put my initial rankings up before the Toronto, Venice, and Telluride Film Festivals make the picture more clear and we are only about a month from that. Those events will bring us early buzz on The Power of the Dog, Dune, Spencer, The Last Duel, The Humans, Parallel Mothers, Belfast, Dear Evan Hansen, The Eyes of Tammy Faye, Last Night in Soho, and more.

This post comes about three weeks ahead of when I did this in 2020. That year, to say the least, was hard to figure out. In fact, many of the pictures and performers I had in my 2020 inaugural rankings were moved back to 2021 due to COVID delays. Think Dune, The French Dispatch, West Side Story, Respect, C’Mon C’Mon, Annette, and The Eyes of Tammy Faye.

So how did my first ranked predictions from 2020 pan out? My Best Picture guesstimates yielded three of the eventual nominees: winner Nomadland, Mank, and The Trial of the Chicago 7. Nomadland started out of the gate at #2 (behind Mank). Three other contenders were listed under Other Possibilities – The Father, Judas and the Black Messiah, and Minari. Promising Young Woman and Sound of Metal were not mentioned.

2 of the 5 director nominees were correctly identified: winner Chloe Zhao (Nomadland) and David Fincher (Mank). None of the other hopefuls (Lee Isaac Chung for Minari, Emerald Fennell for Promising Young Woman, or Another Round‘s Thomas Vinterberg) were even in Other Possibilities.

In Best Actress, I initially identified 2 – winner Frances McDormand (Nomadland) and Viola Davis (Ma Rainey’s Black Bottom). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were Other Possibilities while Vanessa Kirby in Pieces of a Woman didn’t score a listing.

As for Actor, winner Anthony Hopkins (The Father) and Gary Oldman (Mank) made my first cut. I incorrectly had Daniel Kaluuya (Judas and the Black Messiah) projected here instead of Supporting Actor (which he won). **This is a good time to remind you all that some of the acting contenders thought to be in lead right now will switch to supporting and vice versa. As further evidence, I had Chadwick Boseman (Ma Rainey) predicted in supporting, but he contended here. I did not yet have Riz Ahmed (Sound of Metal) or Steven Yeun (Minari) on my radar.

Two Supporting Actress players were correctly called: Glenn Close (Hillbilly Elegy) and Olivia Colman (The Father) with Amanda Seyfried (Mank) in Other Possibilities. No mention for the winner Youn Yun-jung in Minari or Maria Bakalova for Borat Subsequent Moviefilm.

Per above, Daniel Kaluuya’s work in Judas was slotted in lead, but he emerged victorious here. My Supporting Actor picks did get 2 of 5: Lakeith Stanfield in Judas and Sacha Baron Cohen for Chicago 7. The two others (Leslie Odom Jr. in One Night in Miami and Paul Raci in Sound of Metal) went unnoticed at the early stage.

Just one nominee in Original Screenplay got the initial mention – Chicago 7. I did have 3 others (winner Promising Young Woman, Judas, Minari) down for Other Possibilities while Sound of Metal wasn’t mentioned. And in Adapted Screenplay, I only rightly projected Nomadland. Winner The Father, One Night in Miami, and The White Tiger were other possibilities with no mention for Borat.

Whew. OK. I’m not going through all for 2019. However, I will say my results were better two years ago with my first picks (evidence of the uncertainty of last year). The quick rundown: I got 6 of the 9 nominees in Best Picture and identified the remaining three in other possibilities. In Director, it was 4 out of 5. For Actress – 4 for 5 with the other nominee listed sixth. Actor – 3 for 5 with the two others as possibilities. The weak spot was Supporting Actress – just 1 out of 5 with 2 others as possibilities. 2 for 5 in Supporting Actor with 2 others as possibilities. 3 for 5 initially in both screenplay races.

And now we come to 2021. Will I look back next year and be happy with the accuracy or shake my head? Hopefully a mix (that’s probably the best case scenario). In about two months, I will start predictions for all categories covering feature films and whittle BP from 25 to 15 hopefuls with all others going from a projected 15 to 10.

There already was some news from when I penned my early and unranked predictions last week. David O. Russell’s Canterbury Glass, with an all star cast led by Christian Bale and Margot Robbie, has reportedly moved to 2022. It was mentioned in numerous categories (Picture, Director, Actor, Actress, Supporting Actor – John David Washington) and it now waits its turn until next year. Same story for Taika Waititi’s Next Goal Wins and Blonde from Andrew Dominik.

Let’s get to it!

Best Picture

Predicted Nominees:

1. House of Gucci

2. The Power of the Dog

3. The Tragedy of Macbeth

4. Nightmare Alley

5. Dune

6. Soggy Bottom

7. Mass

8. West Side Story

9. Belfast

10. Don’t Look Up

Other Possibilities:

11. A Hero

12. CODA

13. Flee

14. The French Dispatch

15. Spencer

16. Tick Tick… Boom!

17. Cyrano

18. The Humans

19. Blue Bayou

20. King Richard

21. The Last Duel

22. Dear Evan Hansen

23. In the Heights

24. Last Night in Soho

25. Annette

Best Director

Predicted Nominees:

1. Ridley Scott, House of Gucci

2. Denis Villeneuve, Dune

3. Jane Campion, The Power of the Dog

4. Guillermo del Toro, Nightmare Alley

5. Joel Coen, The Tragedy of Macbeth

Other Possibilities:

6. Paul Thomas Anderson, Soggy Bottom

7. Asghar Farhadi, A Hero

8. Kenneth Branagh, Belfast

9. Steven Spielberg, West Side Story

10. Adam McKay, Don’t Look Up

11. Fran Kranz, Mass

12. Sian Heder, CODA

13. Jonas Poher Rasmussen, Flee

14. Wes Anderson, The French Dispatch

15. Pablo Larrain, Spencer

Best Actress

1. Lady Gaga, House of Gucci

2. Frances McDormand, The Tragedy of Macbeth

3. Kirsten Dunst, The Power of the Dog

4. Jennifer Hudson, Respect 

5. Jessica Chastain, The Eyes of Tammy Faye

Other Possibilities:

6. Penelope Cruz, Parallel Mothers

7. Kristen Stewart, Spencer

8. Emilia Jones, CODA

9. Rachel Zegler, West Side Story

10. Cate Blanchett, Nightmare Alley

11. Renate Reinsve, The Worst Person in the World

12. Nicole Kidman, Being the Ricardos

13. Jodie Comer, The Last Duel

14. Jennifer Lawrence, Don’t Look Up

15. Olivia Colman, The Lost Daughter

Best Actor

Predicted Nominees:

1. Denzel Washington, The Tragedy of Macbeth

2. Benedict Cumberbatch, The Power of the Dog

3. Will Smith, King Richard

4. Adam Driver, House of Gucci

5. Amir Jadidi, A Hero

Other Possibilities:

6. Andrew Garfield, Tick Tick… Boom!

7. Clifton Collins, Jr., Jockey

8. Peter Dinklage, Cyrano

9. Bradley Cooper, Nightmare Alley

10. Leonardo DiCaprio, Don’t Look Up

11. Joaquin Phoenix, C’Mon C’Mon

12. Cooper Hoffman, Soggy Bottom

13. Adam Driver, Annette

14. Javier Bardem, Being the Ricardos

15. Nicolas Cage, Pig

Best Supporting Actress

Predicted Nominees:

1. Ann Dowd, Mass

2. Ariana DeBose, West Side Story

3. Martha Plimpton, Mass

4. Jayne Houdyshell, The Humans

5. Marlee Matlin, CODA

Other Possibilities:

6. Ruth Negga, Passing

7. Olga Merediz, In the Heights

8. Regina King, The Harder They Fall

9. Thomasin McKenzie, The Power of the Dog

10. Toni Collette, Nightmare Alley

11. Judi Dench, Belfast

12. Anya Taylor-Joy, Last Night in Soho

13. Meryl Streep, Don’t Look Up

14. Audra McDonald, Respect

15. Sally Hawkins, Spencer

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Soggy Bottom

2. Jesse Plemons, The Power of the Dog

3. Jason Isaacs, Mass

4. Richard Jenkins, The Humans

5. Idris Elba, The Harder They Fall

Other Possibilities:

6. Corey Hawkins, The Tragedy of Macbeth

7. Richard E. Grant, Everybody’s Talking About Jamie

8. Jared Leto, House of Gucci

9. Reed Birney, Mass

10. Ben Mendelsohn, Cyrano

11. Jamie Dornan, Belfast

12. Adam Driver, The Last Duel

13. Al Pacino, House of Gucci

14. Brendan Gleeson, The Tragedy of Macbeth

15. David Alvarez, West Side Story

Best Original Screenplay

Predicted Nominees:

1. Mass

2. Soggy Bottom

3. Don’t Look Up

4. The French Dispatch

5. Blue Bayou

Other Possibilities:

6. Belfast

7. Spencer

8. C’Mon C’Mon

9. Last Night in Soho

10. Being the Ricardos

11. Annette

12. The Harder They Fall

13. After Yang

14. Nine Days

15. Red Rocket

Best Adapted Screenplay

Predicted Nominees:

1. House of Gucci

2. The Power of the Dog

3. The Tragedy of Macbeth

4. Nightmare Alley

5. Dune

Other Possibilities:

6. CODA

7. The Humans

8. West Side Story

9. Cyrano

10. Tick Tick… Boom!

11. Dear Evan Hansen

12. The Last Duel

13. The Lost Daughter

14. King Richard

15. A Journal for Jordan

Back at it next week, ladies and gents!

Early 2021 Oscar Predictions: Best Supporting Actress

My earliest 2021 Oscar predictions continues with Best Supporting Actress! If you missed my first post covering the supporting gentlemen, you can find it here:

Early 2021 Oscar Predictions: Best Supporting Actor

In that post, you can find all the caveats about how early we are in the season and so forth. We will have the Venice and Toronto in weeks and that will certainly shape the race.

One season ago, amidst all the pandemic uncertainty, I correctly called 2 of the 5 eventual nominees here (Glenn Close in Hillbilly Elegy and Olivia Colman for The Father). Amanda Seyfried (Mank) was listed in the possibilities section. Eventual winner Youn Yuh-Jung (Minari) and Maria Bakalova (Borat Subsequent Moviefilm) were not mentioned.

Next week I’ll begin the official rankings, but here’s where I have the competition at this early moment:

EARLY OSCAR PREDICTIONS: BEST SUPPORTING ACTRESS

Cate Blanchett, Nightmare Alley

Ariana DeBose, West Side Story

Ann Dowd, Mass

Kirsten Dunst, The Power of the Dog

Ruth Negga, Passing

Other Possibilities:

Toni Collette, Nightmare Alley

Sally Hawkins, Spencer

Salma Hayek, House of Gucci

Jayne Houdyshell, The Humans

Marlee Matlin, CODA

Audra McDonald, Respect

Olga Merediz, In the Heights

Martha Plimpton, Mass

Meryl Streep, Don’t Look Up

Anya Tayl0r-Joy, Last Night in Soho

Best Actor is up next!

Godzilla: King of the Monsters Review

Looking back on my Godzilla review from 2014, I spoke of how it felt like a party where the main character (that would be the fire breathing title one) wasn’t invited until halfway through. You expected Godzilla to be there the whole time. That left a level of disappointment, but the Gareth Edwards reboot of the franchise was worth the wait in the end. The sequel Godzilla: King of the Monsters RSVP’s the main attraction early on and he brings some familiar friends to the shindig. That doesn’t make the party better.

Michael Dougherty takes over directorial duties in a follow-up that feels bigger with its sprawling cast and action sequences. It also feels more cluttered and more like a prelude to what’s coming next in the MonsterVerse (Godzilla vs. Kong). That’s not an issue shared by 2014’s predecessor. Monsters picks up five years after the events of Godzilla when the creature managed to save the world and leave some collateral damage. That includes the young son of biologist Dr. Emma Russell (Vera Farmiga) and animal behavioralist Mark (Kyle Chandler). The parents have reacted differently and separately from the tragedy. Dr. Emma still believes in Godzilla’s global saving abilities, but in a dangerous way that teams her with an ecoterrorist (Charles Dance). Mark’s grief is directed toward Godzilla. Daughter Madison (Millie Bobby Brown) is caught in the middle.

The family drama pits the estranged couple on opposites ends of the battle. More monsters are awoken from their slumber in various Monarch stations to wreak havoc. It results in the destruction of monuments in quite familiar Independence Day/Transformers style fashion. Toho stalwarts Rodan, Mothra, and King Ghidorah are the aforementioned party dwellers joining the fray. The big fights are shot in destinations where the forecast is either a downpour or so dark that it’s often frustratingly hard to tell what is happening.

In addition to the Russell family, lots of recognizable actors are left to mostly stand and gawk at the monstrous activity. The film does have the distinction of adding another performer to the trifecta of prominent N.W.A. members (speaking of monster verses!) from Straight Outta Compton. In Kong: Skull Island, we had Eazy-E (Jason Mitchell) and Dr. Dre (Corey Hawkins). Now we have O’Shea Jackson Jr. (who played his dad Ice Cube in Compton) as a soldier. David Strathairn, Sally Hawkins, and Ken Watanabe reprise their 2014 roles while Bradley Whitford, Thomas Middleditch, and Zhang Ziyi are fresh gawkers. There’s not really a human performance to highlight. Just as Bryan Cranston earned some rightful criticism for his wild overacting in Godzilla, here we have Kyle Chandler often speaking in an intense and earnest hoarse whisper that is perhaps more annoying.

There’s a brief middle section where Godzilla is given a unique wakeup call. It transpires underwater where we discover the iconic radioactive creature’s original habitat. I found this to be the most well-constructed and engaging sequence. It hints at ancient stories that would probably be cool to explore. This doesn’t last long and before we know it, we are back to the dimly lit and rain soaked above ground CG brawls. They’re occasionally fun, but they will fall straight outta mind in short order. Maybe King Kong getting in on this will brighten things up.

** (out of four)

For my Godzilla (2014) review, click here:

https://toddmthatcher.com/2014/09/20/godzilla-2014-movie-review/

For my Kong: Skull Island review, click here:

https://toddmthatcher.com/2017/04/11/kong-skull-island-movie-review/

Oscar History: 2013

Recapping the Oscar Season of 2013, a few things stick out. The big winners were 12 Years a Slave and Gravity, which cleaned up in the tech races. The big loser was American Hustle, which came away with zero victories despite 10 nominations (tying it for most nods with Gravity, which won 7 of them). Another take: it was a packed year for Best Actor with some deserving gents left out.

As I have done with previous years, let’s take a deeper dive in the 86th Academy Awards in the major races:

Steve McQueen’s 12 Years a Slave unsurprisingly came away with the Best Picture prize in a field that yielded eight other films. They were David O. Russell’s American Hustle, Paul Greengrass’s Captain Phillips, Jean-Marc Vallee’s Dallas Buyers Club, Alfonso Cuaron’s Gravity, Spike Jonze’s Her, Alexander Payne’s Nebraska, Philomena from Stephen Frears, and Martin Scorsese’s The Wolf of Wall Street. 

That’s a solid grouping of pictures and there’s probably no obvious omissions from my end in 2013.. That said, many young girls may protest Frozen not making the cut though it did win Best Animated Feature. And certainly Inside Llewyn Davis from the Coen Brothers had its ardent admirers.

There was a Picture/Director split with Cuaron emerging victorious for Gravity. The filmmaker would achieve the same feat five years later when he won for Roma but Green Book took Best Picture. Other nominees were McQueen, Payne, Russell, and Scorsese.I would argue that Greengrass and Jonze could have made the final five.

In the aforementioned crowded Best Actor derby, Matthew McConaughey took gold for his work in Dallas Buyers Club. The four other contenders were Christian Bale for Hustle, Bruce Dern in Nebraska, Leonardo DiCaprio for Wall Street, and Chiwetel Ejiofor in 12 Years a Slave. Note that all nominees came from Best Picture hopefuls.

Let’s start with Tom Hanks, who I absolutely feel should have gotten in for his remarkable performance in Captain Phillips. The clip I’ve included below proves it and then some. You could say the same for Joaquin Phoenix in Her. Others worth noting: Oscar Isaac in Inside Llewyn Davis, Hugh Jackman in Prisoners, and Robert Redford for All Is Lost. 

Cate Blanchett was the latest actress to be honored for her work in a Woody Allen picture as she took Best Actress for Blue Jasmine. The other nominees were Amy Adams (American Hustle), Sandra Bullock (Gravity), Judi Dench (Philomena), and the ever present Meryl Streep (August: Osage County).

I’ll mention three others left out worthy of consideration: Brie Larson in Short Term 12, Julia-Louis Dreyfus for Enough Said, and Emma Thompson in Saving Mr. Banks. For the latter, it was a bit unexpected that she was left out.

McConaughey’s Dallas Buyers costar Jared Leto won Supporting Actor over Barkhad Abdi (Captain Phillips), Bradley Cooper (American Hustle), Michael Fassbender (12 Years a Slave), and Jonah Hill (The Wolf of Wall Street). Again, all nominees stemmed from Picture contenders.

Some others that didn’t quite make it: Daniel Bruhl in Rush, Steve Coogan for Philomena, Paul Dano in Prisoners, and Will Forte in Nebraska.

Another big 12 Years victory was Lupita Nyong’o in Supporting Actress. She took the prize despite competition from Sally Hawkins (Blue Jasmine), Jennifer Lawrence (American Hustle), Julia Roberts (August: Osage County), and June Squibb (Nebraska).

Despite it being a voice only performance, I would say Scarlett Johansson in Her deserved a spot and the same could be said for Margot Robbie in Wall Street.

And there you have it, folks! My look back at the Oscar landscape in 2013. I’ll have 2014 up in due time…