2019 SAG Awards WINNER Predictions

Another major Oscar precursor holds their ceremony this evening with the 26th Annual Screen Actors Guild (SAG) Awards. This particular show has definitely served as a massive indicator where the Academy might go with the acting winners. As for Best Picture, not so much.

So let’s get into it as I make my projections for what will happen tonight!

Outstanding Performance by a Female Actor in a Leading Role

The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Lupita Nyong’o (Us), Charlize Theron (Bombshell), Renee Zellweger (Judy)

Analysis: Nyong’o is the odd one out here as she didn’t nab an Oscar nomination. A win here by Johansson and Theron (both are possible) could set up a narrative as being Zellweger’s legit competition. Over the past decade, the SAG and Oscar winner have matched seven out of nine times. The outliers include last year when Glenn Close took the SAG for The Wife and Olivia Colman won the Academy Award for The Favourite. Tonight could also solidify Zellweger’s work as Judy Garland in the biopic. My suspicion is that it happens.

PREDICTED WINNER: RENEE ZELLWEGER

Outstanding Performance by a Male Actor in a Leading Role

The Nominees: Christian Bale (Ford v Ferrari), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Taron Egerton (Rocketman), Joaquin Phoenix (Joker)

Analysis: A Best Actor derby where ten performers were vying for five spots means 2 men here didn’t make the Oscar cut: Bale and Egerton. Therefore, I see this as a three person showdown between DiCaprio, Driver, and Phoenix. The Oscar/SAG linkage here is significant as eight of the last nine victors went on to take the Academy Award. 2016 was the only exception when Denzel Washington got the SAG for Fences and Casey Affleck was the Oscar recipient for Manchester by the Sea.

Driver could be the larger threat, but this season is shaping up to be a sweep for Phoenix. That’s where the smart money is tonight.

PREDICTED WINNER: JOAQUIN PHOENIX

Outstanding Performance by a Male Actor in a Supporting Role

The Nominees: Jamie Foxx (Just Mercy), Tom Hanks (A Beautiful Day in the Neighborhood), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)

Analysis: There is a 7 for 9 SAG/Oscar match in this category this decade. Foxx didn’t get the Academy attention. Hanks is beloved, but his movie has underwhelmed elsewhere. Pacino and Pesci should split votes. And the narrative continues for Pitt to have a terrific awards season.

PREDICTED WINNER: BRAD PITT

Outstanding Performance by a Female Actor in a Supporting Role 

The Nominees: Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Nicole Kidman (Bombshell), Jennifer Lopez (Hustlers), Margot Robbie (Bombshell)

Analysis: During the 2010s, there was an 8 for 8 SAG/Oscar match here from 2010-2017. Yet 2018 was the exception and a rather enormous one. Emily Blunt’s victory last year for A Quiet Place was a stunner since she had no Oscar nod. And the Academy’s winner (Regina King for If Beale Street Could Talk) didn’t get a SAG nod.

Could this set up a situation where Lopez, snubbed by the Academy, could walk to the podium tonight? I’m tempted to make that upset pick. However, Dern is unquestionably the favorite and I just can’t bet against her.

PREDICTED WINNER: LAURA DERN

Outstanding Performance by a Cast in a Motion Picture

Nominees: Bombshell, The Irishman, Jojo Rabbit, Once Upon a Time in Hollywood, Parasite

Analysis: Now here is where it gets interesting! Unlike the individual acting races, there isn’t as much of a history with this category matching up with Oscar’s Best Picture. This decade it’s happened four out of nine times. For the 21st century, it’s nine out of nineteen times.

You don’t see 1917 listed here and with its Golden Globe Best Drama and PGA victories, it’s the soft front runner for Oscar. An omission here doesn’t mean much as the last two Academy BP recipients (The Shape of Water, Green Book) missed here. Other than Bombshell, the nominees here are all nominated for Best Picture. Any of them winning tonight could position that film as the main competitor to 1917. That said, I don’t discount Bombshell taking the prize this evening as it received the greatest number of SAG nods.

Parasite is the only nominee where none of its individual performers were nominated. You could argue that the voters simply saved for their votes for this race. Jojo has its hardcore fans. The Irishman boasts a trio of acting legends.

Ultimately, I’m leaning toward the sprawling cast of Hollywood. Yet I’ll freely admit that this category seems wide open.

PREDICTED WINNER: ONCE UPON A TIME IN HOLLYWOOD

And there you have it! I’ll have a post up recounting how I did and what it means for the Oscar race soon enough…

2019 SAG Award Predictions

In a week filled with Oscar precursor activity, the Screen Actors Guild (SAG) Award nominees will be announced tomorrow morning. This comes just two days following the reveal of the Golden Globe nods.

As you’re likely aware, this particular ceremony is made up of voters from the card carrying acting community. The top race is not honoring the Best Picture of the year. Instead, it’s bestowing the trophy for the favorite ensemble cast. This explains why, in this decade, the Oscar winner for BP and the winner here have matched only 4 of 9 times.

Let’s break it down in each category as I reveal my anticipated nominees with a first and second alternate. I’ll have a post up tomorrow recounting how I did and how the nominations could impact the Academy’s thought process.

Outstanding Performance by an Ensemble in a Motion Picture

The SAG voters are a tricky bunch to predict and the Ensemble race presents at least a dozen pictures that I feel could make the cut. When predicting the nominees, I’ll divide into three tiers that relate to the impending Oscar nods:

Our first tier consists of movies that are widely expected to be Best Picture nominees and contenders that might potentially win. That list would be The Irishman, Marriage Story, Once Upon a Time in Hollywood, and Parasite. I believe the first three here are close to guarantees for attention here. If any of them miss out, it’ll be widely reported as a surprising snub.

Our second tier consists of movies that are legitimate players for Best Picture nominations, but are unlikely to win. This list includes Bombshell, The Farewell, Jojo Rabbit, and Little Women. An argument could be made that Women would be most obvious to get in. Yet I think this could give Jojo the boost it needs for greater Academy attention.

Our third tier consists of movies that are long shot contenders for Oscar attention. We usually see one of these get a SAG nod. This list includes Dolemite Is My Name, Downton Abbey, Hustlers, Knives Out, and Waves. The trendy pick here is Knives as it should be quite fresh on the minds of voters. Waves would be the largest beneficiary since it’s received scant awards chatter lately. I have a hunch that Dolemite could register with the actors branch here.

Predicted Nominees

Dolemite Is My Name

The Irishman

Jojo Rabbit

Marriage Story

Once Upon a Time in Hollywood

First Alternate – Little Women

Second Alternate – Knives Out

Outstanding Performance by a Male Actor in a Leading Role in a Motion Picture

The last five years of nominees have shown one 5 for 5 match with Oscar in 2016. The other four years gave us 4 out of the 5 eventual Academy nominees. In other words, this race is a massive indication of where voters may go.

2019 presents a challenge as there are nearly dozen legit contenders in the mix. Adam Driver and Joaquin Phoenix feel safe. The rest is a free for all.

Keeping with my Dolemite theme, the SAG branch may feel tempted to name the legendary Eddie Murphy here. I feel more confident about his inclusion than Adam Sandler, despite his early precursor attention.

Then I’m picking two spots between Christian Bale, Antonio Banderas, Robert De Niro, Leonardo DiCaprio, Taron Egerton, Paul Walter Hauser, and Jonathan Pryce. Not an easy task. The Globes notably snubbed De Niro. If that occurs here, expect lots of talk about his dwindling Oscar chances. I’ll say he makes it in along with Leo.

Predicted Nominees

Robert De Niro, The Irishman

Leonardo DiCaprio, Once Upon a Time in Hollywood

Adam Driver, Marriage Story

Eddie Murphy, Dolemite Is My Name

Joaquin Phoenix, Joker

First Alternate – Antonio Banderas, Pain and Glory

Second Alternate – Jonathan Pryce, The Two Popes

Outstanding Performance by a Female Actor in a Leading Role in a Motion Picture

Renee Zellweger and Scarlett Johansson feel like shoo-ins. The rest is uncertain. While Charlize Theron in Bombshell looks good for Oscar, I don’t think it’s a slam dunk she’s named here. My feeling that Little Women gets snubbed in Ensemble could filter down to Saoirse Ronan and her chances. Awkwafina, Cynthia Erivo, and Lupita Nyong’o are all in the mix.

SAG has given us surprise contenders before, like Sarah Silverman in 2015’s I Smile Back. Could we see something in that order with Mary Kay Place (Diane) or Elisabeth Moss (Her Smell)?

Predicted Nominees

Awkwafina, The Farewell

Cynthia Erivo, Harriet

Scarlett Johansson, Marriage Story

Charlize Theron, Bombshell

Renee Zellweger, Judy

First Alternate – Saoirse Ronan, Little Women

Second Alternate – Lupita Nyong’o, Us

Outstanding Performance by a Male Actor in a Supporting Role in a Motion Picture

Brad Pitt and The Irishman double play of Al Pacino and Joe Pesci should see their names called. Here’s a category where a non Oscar nominee can get in – think Hugh Grant in 2016’s Florence Foster Jenkins or Steve Carell in 2017’s Battle of the Sexes. That spot could go to someone like Wesley Snipes if my Dolemite love turns out real. There’s also Shia LaBeouf in Honey Boy, Song Kang-Ho in Parasite, or Sterling K. Brown for Waves. 

Yet I suspect the final two slots will be between Willem Dafoe, Tom Hanks, and Anthony Hopkins. I’ll readily admit it feels awfully strange to predict actors will leave Hanks out, but I’ll go there with trepidation.

Predicted Nominees

Willem Dafoe, The Lighthouse

Anthony Hopkins, The Two Popes

Al Pacino, The Irishman

Joe Pesci, The Irishman

Brad Pitt, Once Upon a Time in Hollywood

First Alternate – Tom Hanks, A Beautiful Day in the Neighborhood

Second Alternate – Shia LaBeouf, Honey Boy

Outstanding Performance by a Female Actor in a Supporting Role in a Motion Picture

SAG threw everyone for a loop last year when they didn’t nominate Regina King in If Beale Street Could Talk. She ended up taking home the Globe and Oscar. Prior to that, the previous nine SAG winners here also were victorious with the Academy.

Truth be told, this is the category I fear I could go 2 for 5 in. Laura Dern and Jennifer Lopez seem relatively safe. And then it’s picking three slots among Kathy Bates, Annette Bening, Scarlett Johansson (I do believe this is her best opportunity for a double nod), Florence Pugh, Margot Robbie, Zhao Shuzhen, and Maggie Smith. Good luck cracking this one!

Predicted Nominees

Laura Dern, Marriage Story

Scarlett Johansson, Jojo Rabbit

Jennifer Lopez, Hustlers

Florence Pugh, Little Women

Zhao Shuzhen, The Farewell 

First Alternate – Margot Robbie, Bombshell

Second Alternate – Annette Bening, The Report

That does it for now! Expect a recap coming your way at some juncture tomorrow…

AFI Sharpens The Oscar Focus

The AFI Film Awards came out with their 2019 honors today and they do things a little differently. This particular group names their favorite 10 pictures of the year without naming a winner. And their top films are the only category they bother with.

Today those ten movies were as follows: 1917, The Farewell, The Irishman, Jojo Rabbit, Joker, Knives Out, Little Women, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell. 

So what’s to learn when it comes to Oscar pontificating? Let’s start with comparing this list to yesterday’s announcement of the National Board of Review’s 10 honored titles… eleven actually because their winner was The Irishman. The NBR’s different titles were Dolemite Is My Name, Ford v Ferrari, Uncut Gems, and Waves. Not on NBR’s list from AFI:  The Farewell and Little Women. 

Shared AFI/NBR pics: The Irishman, 1917, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell. If you think getting Picture mentions in both guarantees Oscar love, 2018 proved otherwise. Five films did just that last year and didn’t land Best Pictures nods: Eighth Grade, First Reformed, If Beale Street Could Talk, Mary Poppins Returns, and A Quiet Place.

Confused? Welcome to the world of awards speculation. As I see it currently, there are only two shared 2019 AFI/NBR features that could miss out on the big race: Knives Out and Richard Jewell. I’ll also take this opportunity to note that Parasite (which is looking decent for Best Pic attention) is ineligible for AFI since it’s a foreign film.

As for Best Pic hopefuls that landed no love from these groups, we have A Beautiful Day in the Neighborhood (I believe its chances are fading quickly) and Bombshell (not as convinced that it cannot rebound). It could get the 2018 Vice slot, which was ignored by AFI/NBR. There’s also Rocketman, which can hang on to the thought that it could be this year’s Bohemian Rhapsody.

When you look at the AFI list’s history over the past half decade, it is a fairly reliable barometer on certain directions the Academy will take. Last year, five out of the eventual eight nominees were on their list and that’s the lowest percentage. In 2016 and 2017, it was 7 for 9. In 2014 and 2015, it was 6 for 8. So you can pretty much bank on at least half of AFI’s list and probably a bit more landing Oscar nominations.

I’ll leave you with this: while Knives Out is certainly one of the most obvious candidates for something that could miss a Picture nod, I like its chances better than I ever have before. This could be a case of perfect timing as it just opened, had a much bigger debut than expected, and audiences and critics are singing its praises. I wouldn’t count it out. In fact, I suspect when I update my estimates on Monday – it will rank higher than ever before and enter my top 15 possibilities. That will knock a candidate out and Mister Rogers could be the unfortunate victim.

The Irishman Takes The NBR

The National Board of Review announced its victors this afternoon for their best of 2019. For the pictures and performers who were named as winners, you could say that it’s a double edged sword.

Allow me to explain. In this 2010’s, only one of their Best Film recipients took home Best Picture at the Oscars. That was last year with Green Book. This year, the award goes to Martin Scorsese’s The Irishman. So from an odds perspective, that could mean it faces an uphill battle for the big gold statue. On the other hand, all of the NBR Film winners from this decade, with the exception of 2014’s A Most Violent Year, have scored an Academy nod. This isn’t really in doubt for The Irishman so expect that trend to continue.

The Board always goes on to name their additional favorite 10 motion pictures and this year they are: 1917, Dolemite Is My Name, Ford v Ferrari, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, Richard Jewell, Uncut Gems, and Waves. In 2018, only three of the ten additional NBR selections got Picture noms: Black Panther, Roma and A Star Is Born. Some notable titles that didn’t make the NBR cut for 2019: A Beautiful Day in the Neighborhood, Bombshell, The Farewell, Joker, Little Women, Parasite, and The Two Popes. 

When it comes to Best Director, the news is even worse for the NBR recipient. No movie this decade has seen that winner match with Oscar. In fact, the last direct match was in 2006 for… Irishman maker Scorsese for The Departed. The NBR named Quentin Tarantino today for Once Upon a Time in Hollywood. He’s got history against his side for a walk up the Academy steps.

In Best Actor, it’s the same story as only Casey Affleck for 2016’s Manchester by the Sea won NBR and Oscar in the 2010s. Adam Sandler is the winner for Uncut Gems. He’s part of a packed Best Actor race where there’s about a dozen viable candidates looking for five spots. This victory could at least help him get in as only Oscar Isaac (Violent Year in 2014) and Tom Hanks (2017’s The Post) didn’t land nods.

The numbers improve only slightly for Best Actress with two matches: Julianne Moore for 2014’s Still Alice and Brie Larson for 2015’s Room. The NBR bestowed the award this year to Renee Zellweger for Judy, who could be considered a soft front-runner for Oscar.

This brings us to Brad Pitt, winner today for Supporting Actor in Once Upon a Time in Hollywood. He also holds the status of apparent favorite to win the Academy’s love. Yet there’s just two matches this decade between them and NBR: Christian Bale in 2010’s The Fighter and Christopher Plummer from 2011’s Beginners. 

Last year was the only match of the decade for Supporting Actress: Regina King in If Beale Street Could Talk. Kathy Bates took the NBR for Richard Jewell. I don’t see her winning the Oscar, but it could help her nomination odds.

In Original Screenplay, it’s interesting to note that 7 of the past nine NBR winners didn’t even get an Oscar nomination. Could that be a sign of trouble for honoree Uncut Gems? Time will tell…

And for Adapted Screenplay, the NBR went with The Irishman. Par for the course, just two matches here: 2010’s The Social Network and 2011’s The Descendants. 

Bottom line: the NBR announcements might help with fleshing out who certain nominees will be. As far as winners, that’s a whole different story…

Will The Indie Spirits Nominees Showcase Oscar Gems?

This afternoon, the nominations for the 35th Independent Spirit Awards were released as we prepare for the onslaught of Oscar precursors to follow. And make no mistake – the Indie Spirits are indeed a precursor. In this decade from 2010-2018, five of the nine Best Feature winners emerged victorious with the Academy for Best Picture: 2011’s The Artist, 2013’s 12 Years a Slave, 2014’s Birdman, 2015’s Spotlight, and 2016’s Moonlight. Some of these years have three or four of the five nominees get Oscar nods in the big race.

However, 2018 marked the first year of this decade when none of the five nominated pictures at the Indies garnered any Academy love. I don’t expect that to occur for a second year in a row.

In this post, I’ll break down Feature, Director, and the four acting races and what it might mean for Oscar:

Best Feature

Nominees: A Hidden Life, Clemency, The Farewell, Marriage Story, Uncut Gems

First things first: Marriage Story is going to get a Best Picture nomination and probably wins here. And it might be the only one here that does. The Farewell has a decent shot and Uncut Gems is a potential sleeper (though I wouldn’t bet on it).

That said, Gems did tie The Lighthouse for most Indie mentions (5). And that brings us back to Marriage Story. The voters here chose to give it a special Robert Altman award honoring the team behind it. That includes cast members Adam Driver, Scarlett Johansson, Laura Dern, and Alan Alda. They all probably would’ve heard their names here had that not occurred and same goes for director Noah Baumbach. If that seems like a bit of a cheat (taking out probable winners like Driver and Baumbach), I wouldn’t argue. The silver lining is that it does make some of these categories more interesting.

Best Director

Nominees: Robert Eggers (The Lighthouse), Alma Hor’el (Honey Boy), Julius Onah (Luce), Ben and Josh Safdie (Uncut Gems), Lorene Scafaria (Hustlers)

Like Best Feature, 2018 saw no directors recognized get Academy attention. With Baumbach getting his Altman award and out of the running, that could certainly happen again as I don’t even have any of these directors in my top ten Oscar possibilities. Perhaps this could help spur chatter for the Safdies or Scafaria. Again… I wouldn’t bet on it.

Best Female Lead

Nominees: Karen Allen (Colewell), Hong Chau (Driveways), Elisabeth Moss (Her Smell), Mary Kay Place (Diane), Alfre Woodard (Clemency), Renee Zellweger (Judy)

Six out of nine winners here from 2010-2018 went onto win the Best Actress statue: Natalie Portman (Black Swan), Jennifer Lawrence (Silver Linings Playbook), Cate Blanchett (Blue Jasmine), Julianne Moore (Still Alice), Brie Larson (Room), and Frances McDormand (Three Billboards Outside Ebbing, Missouri).

Even with Johansson not included, it could be 7/10 as Zellweger is my current Oscar front runner. Woodard and Moss stand shots at nods. The other three need not shop for red carpet dresses.

One noticeable omission is Awkwafina in The Farewell, who many are predicting for Oscar attention. I currently had her on the outside looking in at sixth. That could slide when I update my estimates on Monday.

Best Male Lead

Nominees: Chris Galust (Give Me Liberty), Kelvin Harrison, Jr. (Luce), Robert Pattinson (The Lighthouse), Adam Sandler (Uncut Gems), Matthias Schoenarts (The Mustang)

Jean Dujardin (The Artist), Matthew McConaughey (Dallas Buyers Club), and Casey Affleck (Manchester by the Sea) are the three Indie/Oscar recipients. Only in 2015 and (yes) 2018 did no nominees get Oscar nods…

I expect that to occur again. I believe only Sandler stands a chance, but it’s a reach based on severe competition.

Best Supporting Female

Nominees: Jennifer Lopez (Hustlers), Taylor Russell (Waves), Lauren Spencer (Give Me Liberty), Octavia Spencer (Luce), Shuzhen Zhou (The Farewell)

Four winners here have picked up Academy trophies – Lupita Nyong’o (12 Years a Slave), Patricia Arquette (Boyhood), and the past two winners Allison Janney (I, Tonya) and Regina King (If Beale Street Could Talk).

With soft front runner Laura Dern in the Marriage Story special category thing, we could still see a third year in a row match with Lopez. Zhou and Spencer (to a lesser degree) may also find themselves in the Oscar mix.

And with Taylor Russell’s nod here, it’s a good time to mention that Waves really came up short with the Indies today. That doesn’t help its Oscar viability.

Best Supporting Male

Nominees: Willem Dafoe (The Lighthouse), Noah Jupe (Honey Boy), Shia LaBeouf (Honey Boy), Jonathan Majors (The Last Black Man in San Francisco), Wendell Pierce (Burning Cane)

This category is another ultra crowded one for Oscar attention, but Dafoe and LaBeouf are legit contenders for nods. Not so with the other three. The omission of Sterling K. Brown in Waves is a surprise.

There have been four Indie/Oscar victors this decade: Christopher Plummer (Beginners), Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), and Sam Rockwell (Three Billboards Outside Ebbing, Missouri). With Brad Pitt (Once Upon a Time in Hollywood) and Al Pacino (The Irishman) as likely favorites for the Academy, I wouldn’t expect a fifth match.

And there you have it, folks! My take on the Indies and which Oscar gems they could produce…

Early 2019 Oscar Predictions: Best Supporting Actress

And away we go with my very early initial Oscar predictions for the films of 2019! As has become tradition on this here blog, I make my first projections in the six top races (the acting categories, Director, Picture) in late August. This is right on the cusp of festival season (Toronto, Venice, Telluride, New York) when dozens of hopefuls will screen beginning Thursday and into the next several weeks. Expect a whole bunch of Oscar Watch posts coming your way!

At that time, the outlook will become considerably clearer when it comes to real deal contenders and pretenders. Beginning Thursday and through October, I will have a weekly column estimating my top 25 Best Picture possibilities and 15 entries in the five other races. They will be ranked unlike these first posts. Starting in November, that will dwindle down to 15 Pictures and top 10 predictions in all other categories weekly.

There is no doubt that these lists will fluctuate significantly as the year progresses. We begin with Supporting Actress. Last year, only one of my initial 5 predictions for this race ended up being nominated. It happened to be the winner… Regina King in If Beale Street Could Talk. Of the 10 performers below the estimated five, two scored nods (Amy Adams in Vice and Rachel Weisz in The Favourite).

So without further adieu, Todd’s first Oscar calls for 2019!

EARLY PREDICTIONS: BEST SUPPORTING ACTRESS

Annette Bening, The Report

Laura Dern, Marriage Story

Florence Pugh, Little Women

Margot Robbie, Once Upon a Time in Hollywood

Shuzhen Zhou, The Farewell

Other Possibilities:

Anne Hathaway, Dark Waters 

Jennifer Hudson, Cats

Scarlett Johansson, Jojo Rabbit

Nicole Kidman, Bombshell

Nicole Kidman, The Goldfinch

Janelle Monae, Harriet

Maggie Smith, Downton Abbey

Meryl Streep, The Laundromat

Meryl Streep, Little Women

Emma Watson, Little Women

Best Supporting Actor is next!

Oscars Spread The Love: A Recap

It was an evening in which the Academy was generous with their selections – so much so that all eight Best Picture nominees took at least one gold statue. It was also a night where many of the viewers (including me) may have pondered, “Maybe we don’t need a host after all…”

As far as the Oscars go, the ceremony moved rather briskly with a focus on the categories and minimal filler. The telecast saved the surprises for the end portion and they were fairly significant.

I went 14 for 21 in my picks. The big winner would have to be Green Book, which took Best Picture, Supporting Actor (Mahershala Ali), and Original Screenplay. Its win in the top race was a bit unexpected as Roma had front-runner status. Alfonso Cuaron did win for his direction and the Mexican drama emerged victorious as Foreign Language Film and for its Cinematography.

The acting races went as planned until the last one. Rami Malek (Bohemian Rhapsody), Regina King (If Beale Street Could Talk), and Ali won. Actress was another story as Glenn Close (The Wife), after taking multiple precursors, lost to Olivia Colman’s work in The Favourite. Her speech was probably the funniest and most genuine of the evening.

It was a good night all around for Rhapsody, which also took Editing and both Sound races. Same for Black Panther, which was honored for Production Design, Costume Design, and Score.

Other winners:

Adapted Screenplay – BlacKkKlansman, marking Spike Lee’s first competitive Oscar victory

Animated Feature – SpiderMan: Into the SpiderVerse

Documentary Feature – Free Solo

Makeup and Hairstyling – Vice

Visual Effects – First Man

Song – “Shallow” from A Star is Born

Some other observations:

  • As mentioned, I didn’t miss having a host one bit, but Melissa McCarthy would be fine by me if she accepted next year.
  • In an awards show where musical performances can often be forgettable, the duet between Bradley Cooper and Lady Gaga was fantastic. The Queen opening was a pleasure to witness as well.
  • 2018 definitely proved itself to be a year where voters had no clear favorite to sweep anything. The wealth was spread.

And that’s my take! Keep an eye on this here blog for many posts to come guesstimating on the next Oscars!

The British Are Picking! A BAFTA Recap

Our British friends had their version of the Oscars today with the BAFTA Awards. The ceremony has a checkered history with its American counterpart in matching wins, particularly with Best Picture.

In this decade, the BAFTA and Oscar victor for the top prize matched from 2010-2013. However, the shows have honored different recipients for the last four years. The Picture winner tonight is Alfonso Cuarón’s Mexican drama Roma. Given the recent BAFTA history, perhaps that isn’t a great sign for its Academy prospects. Yet it’s performed extremely well with other precursors and likely remains the front-runner for that other awards program in two weeks. Cuarón also took Best Director and the BAFTA/Oscar for that race has lined up for the previous four years.

Rami Malek won Best Actor for Bohemian Rhapsody and that could have him sitting well for Oscar as the BAFTA winner has matched Oscar seven out of eight years this decade. I give him an edge over Christian Bale in Vice.

That seven for eight statistic also applies to Best Actress and things got a little interesting today as Olivia Colman (The Favourite) took the trophy instead of Glenn Close (The Wife) and Lady Gaga (A Star Is Born). I still think Close is the Academy’s favorite, but Colman is making a potential run.

The supporting races furthered a strong front-runner and gave another a first win. Mahershala Ali (Green Book) has made it a clean sweep in Supporting Actor in the precursors and he’s the heavy expected Oscar winner. For Supporting Actress, Regina King (If Beale Street Could Talk) wasn’t nominated here, but remains a slight favorite two Sunday’s from now. BAFTA’s favorite, however, was from The Favourite and it was Rachel Weisz picking up her first significant trophy.

Keep an eye on the blog for my final predictions for the Oscars!

2018 SAG Awards Reaction

The wealth was spread this evening at the 25th Annual Screen Actors Guild Awards as It provided more clues to how Oscar voters may choose their winners in February. I went 4 for 5 in my predictions and I’m pretty pleased with that because some of these races were quite unpredictable.

The miss was indeed a surprise as Emily Blunt took Supporting Actress for her work in A Quiet Place. She wasn’t even nominated for an Oscar and the exclusion of Regina King (If Beale Street Could Talk) here was significant. Ironically, the Blunt victory over the Academy nominated Amy Adams in Vice or Emma Stone and Rachel Weisz (The Favourite) may give King a boost come Oscar time.

As for the other acting categories, it was another trophy for Mahershala Ali in Green Book for Supporting Actor as he continues to solidify his status as the front-runner. Same goes for Glenn Close in The Wife in lead actress. In lead actor, that’s a bit murkier as Rami Malek took the Actor for Bohemian Rhapsody. I still consider the Oscar race close between him and Christian Bale in Vice. Bradley Cooper’s chances for A Star is Born have dimmed even more.

It was a bad night for that picture as it went 0 for 4. The top Ensemble race went to the sprawling cast of Black Panther. What does that do for its Oscar chances? Truth be told, I think not much as the victor here often doesn’t match the Academy’s Best Picture recipient.

There’s your recap, folks! Now it’s onto more speculation for Oscar…

2018 SAG Award Predictions

The 25th Annual Screen Actors Guild Award air tomorrow evening and they could shed some light on which performers are looking more solid for the Oscar in a few weeks. Let’s break down the top races with my winner predictions, shall we?

Outstanding Performance by a Cast in a Motion Picture

The Nominees: Black Panther, BlacKkKlansman, Bohemian Rhapsody, Crazy Rich Asians, A Star is Born

Analysis: It’s important to note that the SAG ceremony honors casts and not the “Best Picture” like other shows. This is about the ensemble. A Star is Born is really concentrated on three performances (Bradley Cooper, Lady Gaga, Sam Elliot) and they’re all up for their individual races, where they all have a shot of winning. I believe it’s entirely possible, however, that the trio also all lose and this could be a considerable consolation prize. The other four films have more sprawling casts. That’s especially true for Black Panther and I’ll say the voters ultimately reward in a different category to project.

Winner Prediction: Black Panther

Outstanding Performance by a Male Actor in a Leading Role

The Nominees: Christian Bale (Vice), Bradley Cooper (A Star is Born), Rami Malek (Bohemian Rhapsody), Viggo Mortensen (Green Book), John David Washington (BlacKkKlansman)

Analysis: As mentioned, Cooper is a possibility. Yet he’s come up empty in other precursors. This could come down to the two Golden Globe recipients for their categories – Bale and Malek. I think it’s a coin flip to be honest. I’ll give the latter a razor-thin edge.

Winner Prediction: Malek

Outstanding Performance by a Female Actor in a Leading Role

The Nominees: Emily Blunt (Mary Poppins Returns), Glenn Close (The Wife), Olivia Colman (The Favourite), Lady Gaga (A Star is Born), Melissa McCarthy (Can You Ever Forgive Me?)

Analysis: Gaga is the only actress whose picture is also nominated. Her tie with Glenn Close at the Critics Choice Awards made things even murkier. Colman is a possibility here, but I’ll say this branch of actors give it to Close after decades of memorable performances.

Winner Prediction: Close

Outstanding Performance by a Male Actor in a Supporting Role

The Nominees: Mahershala Ali (Green Book), Timothee Chalamet (Beautiful Boy), Adam Driver (BlacKkKlansman), Sam Elliot (A Star is Born), Richard E. Grant (Can You Ever Forgive Me?)

Analysis: I wouldn’t count out Elliot, but Ali appears to be the front-runner in all these shows. I think his streak continues.

Winner Prediction: Ali

Outstanding Performance by a Female Actor in a Supporting Role

The Nominees: Amy Adams (Vice), Emily Blunt (A Quiet Place), Margot Robbie (Mary Queen of Scots), Emma Stone (The Favourite), Rachel Weisz (The Favourite)

Analysis: A fascinating race as Oscar favorite Regina King’s work in If Beale Street Could Talk was surprisingly snubbed. Blunt is a double nominee, but stands little chance of emerging victorious in either spot. The Favourite ladies could split votes. Robbie didn’t land an Oscar nod and is a long shot. That leaves Adams, who could be a double winner tomorrow with her work in HBO’s Sharp Objects.

Winner Prediction: Adams

And there you have it! I’ll have a recap up after the program airs!