Tag: Ethan Coen

August 29-September 1 Box Office Predictions

Three newcomers and one summer classic celebrating a half century in existence will work hard to earn box office dollars this Labor Day weekend. We have comedy remake The Roses with Benedict Cumberbatch and Olivia Colman, Darren Aronofsky’s crime thriller Caught Stealing starring Austin Butler and Zoë Kravitz, Peter Dinklage in the splatter reboot The Toxic Avenger Unrated, and the 50th anniversary reissue of Steven Spielberg’s Jaws out. You can peruse my detailed prediction posts on the quartet here:

The Roses Box Office Prediction
Caught Stealing Box Office Prediction
Jaws 50th Anniversary Box Office Prediction
The Toxic Avenger Unrated Box Office Prediction

We’ll discuss Netflix’s KPop Demon Hunters A Sing-Along Event in the results section below. We know it won’t be #1 since the streamer put it out only as a two-day multiplex event on Saturday and Sunday this past weekend.

That means Weapons should return to the top spot as I don’t see the fresh foursome challenging it. The acclaimed horror flick should remain in the teens as holdovers usually have meager declines or even slight increases over the Friday to Monday of Labor Day weekend compared to the previous weekend.

The Roses could manage the best start of the new titles though I have it slightly behind the fourth weekend of Freakier Friday.

Caught Stealing might be stuck in fourth with The Fantastic Four: First Steps just behind in fifth and the Jaws reissue in sixth.

As for Toxic, my $1.8 million guesstimate puts it far down the charts.

The only placement I’m confident in is Weapons in 1st while the others jockey for position. Keep in mind that these estimates are made for the four-day holiday and here’s how I envision the top six:

1. Weapons

Predicted Gross: $15.9 million

2. Freakier Friday

Predicted Gross: $9.4 million

3. The Roses

Predicted Gross: $7.9 million

4. Caught Stealing

Predicted Gross: $6.3 million

5. The Fantastic Four: First Steps

Predicted Gross: $6.1 million

6. Jaws 50th Anniversary

Predicted Gross: $5.6 million

Box Office Results (August 22-24)

After two months plus on the streaming service, Netflix made an unconventional move by releasing a sing-along version of their massive hit KPop Demon Hunters on Saturday and Sunday. They were conventional in not officially reporting its numbers. However, estimates put it at $19.2 million and that’s ahead of my $13.8 million call and easily strong enough for 1st place. With an over $11k plus per screen average, kids had no trouble getting their folks to bring them out. The specialized engagement is only for the aforementioned two days.

Weapons was second with $15.4 million, just under my $16.1 million projection. Zach Cregger’s disappearance tale has amassed $115 million in three weeks.

Freakier Friday was third with $8.8 million, on pace with my $8.7 million forecast. The Disney sequel has taken in $70 million after three weeks.

The Fantastic Four: First Steps, in week five, was fourth with $6 million (I said $5.8 million) for $257 million thus far.

The Bad Guys 2 rounded out the top five with $5.1 million, in line with my $5.2 million call for $66 million in four weeks.

Action sequel Nobody 2 tumbled 60% in its sophomore outing with $3.7 million. I was a bit more generous at $4.8 million. The tally is a mere $16 million.

Finally, Ethan Coen’s noirish comedy Honey Don’t! opened in 8th with $3 million. That’s nothing to brag about, but it did outshine my $1.8 million prediction.

And that does it for now, folks! Until next time…

August 22-24 Box Office Predictions

We’re in the dog days of August as Weapons seeks to three-peat at #1 this weekend though a fascinating challenger could emerge depending on Netflix’s reporting. KPop Demon Hunters A Sing-Along Event looks to capitalize on its massively successful animated streaming numbers with a Saturday and Sunday engagement of theatrical screenings. We also have Ethan Coen’s dark comedy Honey Don’t! out. You can peruse my detailed prediction posts on the newbies here:

KPop Demon Hunters A Sing-Along Event Box Office Prediction
Honey Don’t! Box Office Prediction

KPop Demon Hunters is already the highest viewed Netflix animated picture in history. The streamer decided to give it the silver screen sing-along treatment this Saturday and Sunday only. Here’s the catch: Netflix usually doesn’t report their numbers. I think they could make an exception due to the unprecedented nature of this release. If they do, I believe low teens is doable and maybe even more. If it manages to post a 1st or 2nd place debut, I would think Netflix would want the bragging rights. We shall see what they decide.

As for Don’t!, my lowly $1.8 million projection won’t get it in the top five regardless of whether KPop unveils its grosses. After receiving middling reviews from Cannes and being put out on a meager 1200 screens, look for this to fade rapidly.

That leaves holdovers and Weapons may see a drop in the mid 30s to repeat at #1. In fact, the top five should remain the same quintet if KPop isn’t in the mix. However, I suspect Nobody 2 might have the largest percentage drop and that could result in a fall from third to fifth (or fourth to sixth). That would allow The Fantastic Four: First Steps and The Bad Guys 2 to each rise a spot with Freakier Friday either remaining runner-up or being third.

Here’s my top 6 take with the caveat that KPop‘s placement might not occur:

1. Weapons

Predicted Gross: $16.1 million

**2. KPop Demon Hunters A Sing-Along Event

Predicted Gross: $13.8 million

3. Freakier Friday

Predicted Gross: $8.7 million

4. The Fantastic Four: First Steps

Predicted Gross: $5.8 million

5. The Bad Guys 2

Predicted Gross: $5.2 million

6. Nobody

Predicted Gross: $4.8 million

Box Office Results (August 15-17)

Weapons easily pummeled the competition yet again in its sophomore frame with $24.4 million, right in line with my $24.9 million call. Zach Cregger’s critically hailed horror thriller is up to $88 million after ten days.

Freakier Friday was second in weekend #2 with $14.2 million, slightly exceeding my forecast of $13 million. The Disney sequel has made $54 million.

Action sequel Nobody 2 with Bob Odenkirk opened at the lower end of expectations with $9.2 million, failing to catch my $11.3 million projection. While it managed to outdo its 2021 predecessor, the original faced COVID challenges.

The Fantastic Four: First Steps was fourth with $9 million (I said $7.5 million). The MCU pic’s tally is $247 million after four weeks.

The Bad Guys 2 rounded out the top five with $7.5 million. The 29% decline meant it surpassed my $5.5 million take. The animated sequel has earned $53 million in three weeks.

And that does it for now, folks! Until next time…

Honey Don’t! Box Office Prediction

Out August 22nd, the dark detective comedy Honey Don’t! marks the second feature in Ethan Coen and wife Tricia Cooke’s self-proclaimed “lesbian B-movie trilogy”. The first was last year’s Drive-Away Dolls and the follow-up returns Margaret Qualley in a starring role. Costars include Aubrey Plaza, Charlie Day, Billy Eichner, and Chris Evans.

The Focus Features product debuted at Cannes to muted reactions. Rotten Tomatoes stands at just 42% with 46 on Metacritic. Looking at comps, Dolls is the glaringly obvious one. It debuted to a lowly $2.4 million in February 2024. That premiered on over 2200 screens while Don’t is scheduled for a mere 1200.

With scant buzz and middling reviews, I’m not even sure this reaches two bucks for starters.

Honey Don’t opening weekend prediction: $1.8 million

For my KPop Demon Hunters prediction, click here:

KPop Demon Hunters A Sing-Along Event Box Office Prediction

Oscar Predictions: Honey Don’t!

Before to its domestic debut in August, Honey Don’t! dropped at Cannes for a midnight screening. The crime comedy is Ethan Coen and wife Tricia Cooke’s follow-up to last year’s Drive-Away Dolls. It also stars Margaret Qualley with a supporting cast including Aubrey Plaza, Charlie Day, and Chris Evans.

Marking Ethan’s second narrative work sans brother Joel (and with Cookie co-scripting), Don’t! mostly arrived with a shrug in France. The Rotten Tomatoes score is 54% with Metacritic at 47. That’s below the respective 63/56 ratings for Dolls. Coen’s “first” picture never came close to being an awards contender and this won’t either. My Oscar Prediction posts will continue…

Oscar Predictions: Drive-Away Dolls

Ethan Coen makes his solo directorial debut with Drive-Away Dolls, which parks in theaters this Friday and is co-scripted by his wife Tricia Cooke. Originally slated for a fall 2023 bow until the five month push, the screwball road comedy clocks in at a brisk 84 minutes. Margaret Qualley and Geraldine Viswanathan star with a supporting cast including Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, and Matt Damon.

In 2021, Ethan’s brother Joel made his first behind the camera effort sans his sibling with The Tragedy of Macbeth. That Shakespearian tale garnered three Oscar nods for Actor (Denzel Washington), Cinematography, and Production Design.

Early reviews for Dolls are all over the map with a current RT rating of 72%. Attention from the Academy seems highly unlikely. I’m not confident the Globes will bite either in their Musical/Comedy competitions (though maybe Qualley or Viswanathan could sneak in if the Actress race is weak). My Oscar Prediction posts will continue…

February 23-25 Box Office Predictions

Bob Marley: One Love, after a terrific opening well above expectations, looks to make it two weeks in a row atop the charts. Competition comes from Japan’s animated sequel Demon Slayer: Kimetsu no Yaiba – To the Hashira Training, inspirational drama Ordinary Angels with Hilary Swank, and Ethan Coen’s road comedy Drive-Away Dolls. You can peruse my detailed prediction posts on the trio of newbies here:

Demon Slayer: Kimetsu no Yaiba – To the Hashira Training Box Office Prediction
Ordinary Angels Box Office Prediction
Drive-Away Dolls Box Office Prediction

With a A Cinemascore grade, Marley could be loved enough for a mid to high 40s decline in its sophomore outing. That should put it in the low to mid teens and I figure that’ll be strong enough for the gold.

I have Demon Slayer in the runner-up slot just past $10 million (similar to what predecessor To the Swordsmith Village achieved).

The wildcard might be Ordinary Angels. Faith-based titles can often exceed estimates and I wouldn’t be shocked if it rises to above $10 million. My current projection has it in third.

While Marley outperformed predictions, Madame Web got off to a rocky start and a concerning C+ Cinemascore grade. I’m envisioning a mid 60s plummet and fourth place.

Argylle should round out the top five in a close call with Migration. Then there’s Drive-Away Dolls. Despite a reported 2000 theater rollout, promotion has been scant and it might have to settle for seventh behind Migration.

Here’s how I envision the top 7 playing out:

1. Bob Marley: One Love

Predicted Gross: $16.2 million

2. Demon Slayer: Kimetsu no Yaiba – To the Hashira Training

Predicted Gross: $10.5 million

3. Ordinary Angels

Predicted Gross: $8 million

4. Madame Web

Predicted Gross: $5.6 million

5. Argylle

Predicted Gross: $3 million

6. Migration

Predicted Gross: $2.9 million

7. Drive-Away Dolls

Predicted Gross: $2.6 million

Box Office Results (February 16-19)

The affection was evident over Valentine’s Day/President’s Day for Bob Marley: One Love as the biopic (despite so-so reviews) blew away forecasts with $33.6 million from Friday to Monday and $51.5 million since its Wednesday start on Valentine’s Day. That’s way beyond my respective takes of $19.2 million and $28.9 million.

Madame Web got tangled up in bad buzz and poor critical reaction and the financial figures followed suit. Dakota Johnson’s superhero tale made only $15.3 million for the four-day and $26 million since Wednesday. I was more generous at $21.5 million and $30.7 million. As mentioned, look for it to fade rapidly.

Argylle was third with $5.8 million over the long holiday compared to my $4.5 million call. The three-week total is $37 million.

The fourth and fifth place performers were holiday holdovers that I incorrectly had outside of the top five. Migration made $5.3 million to bring its haul to $116 million while Wonka added $4.6 million for $211 million overall.

The Chosen Season 4: Episodes 4-6 was sixth with $3.9 million, not matching my $6.1 million projection. It opened on Thursday so the total is $4.7 million.

Finally, The Beekeeper was seventh at $3.7 million (I said $2.6 million) for $60 million in its coffers.

And that does it for now, folks! Until next time…

Drive-Away Dolls Box Office Prediction

Ethan Coen of the legendary Coen Brothers makes his solo directorial debut (not counting his documentary Jerry Lee Lewis: Trouble in Mind) with Drive-Away Dolls on February 23rd. He cowrote the road comedy with his wife Tricia Cooke and it follows brother Joel’s initial solo work The Tragedy of Macbeth from 2021. Margaret Qualley and Geraldine Viswanathan star with a supporting cast including Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, and Matt Damon.

Dolls was originally slated for September of last year before the five-month delay. That eliminated the possibility of a festival run or awards buzz and this seems to be flying under the radar. Despite some high profile cast members and a reported 2000 screen count, this may only bring out the hardest core Coen followers. That should mean a stalled start.

Drive-Away Dolls opening weekend prediction: $2.6 million

For my Demon Slayer: Kimetsu no Yaiba – To the Hashira Training prediction, click here:

Demon Slayer: Kimetsu no Yaiba – To the Hashira Training Box Office Prediction

For my Ordinary Angels prediction, click here:

Ordinary Angels Box Office Prediction

Best Picture 2007: The Expanded Ten

Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in. It started with 2008 and that post can be accessed here:

Best Picture 2008: The Expanded Ten

We now move to 2007. And we, of course, know five movies that would make the cut. That would be the quintet of pics that got nominated. No Country for Old Men from the Coen Brothers was the night’s big winner with four victories: Picture, Director, Supporting Actor (Javier Bardem), and Adapted Screenplay. It also nabbed four additional nominations.

Tying Country for the most mentions is Paul Thomas Anderson’s There Will Be Blood with 8 nods and two wins for Actor (Daniel Day-Lewis) and Cinematography.

The other three contenders all took home one Oscar. Joe Wright’s Atonement received 7 noms and was victorious for the Original Score. Jason Reitman’s Juno tallied 4 mentions and a win in Original Screenplay. Tony Gilroy’s Michael Clayton achieved 7 nods with Tilda Swinton taking Supporting Actress.

Moving to the five pictures that I believe would’ve joined an expanded cut, Pixar strikes again. For 2008, I picked Wall-E as an addition. For 2007, the acclaimed Ratatouille had five nominations and a win for Animated Feature. I believe that’s enough that we would’ve seen it included.

The same goes for Julian Schnabel’s The Diving Bell and the Butterfly. Schnabel was in the mix for Best Director and it was also up in heavy hitter races Adapted Screenplay, Cinematography, and Film Editing. It could’ve been #6 on the board.

After that, it gets a little tricky. There are a few films that generated a couple of important nods, but didn’t manage to break out elsewhere. Away from Her saw Julie Christie in contention for Actress plus an Adapted Screenplay mention. The Savages saw Laura Linney in Best Actress along with Original Screenplay. The Assassination of Jesse James by the Coward Robert Ford made two lists for Supporting Actor (Casey Affleck and Cinematography). Yet its reputation has grown in time. Elizabeth: The Golden Age saw Cate Blanchett in Actress and it won Costume Design. 3:10 to Yuma was up for Original Score and Sound Mixing. Ultimately I decided none of these would make the dance.

The hardest film to leave off was The Bourne Ultimatum. The third chapter in Matt Damon’s action franchise went 3 for 3 by taking both Sound races (they’ve since been combined) and Film Editing. However, I just couldn’t pull the trigger on it finding a spot among the ten.

The second toughest to leave off is La Vie en Rose for which Marion Cotillard took home Best Actress (as well as a Makeup victory). It didn’t, on the other hand, score well in precursors.

So what other three pictures get in? Tim Burton’s Sweeney Todd: The Demon Barber of Fleet Street won Art Direction and was up for Actor (Johnny Depp) and Costume Design. It also nabbed a Critics Choice nod and won the Golden Globe for Musical/Comedy (over Juno).

The Globes and Critics Choice also found room for Ridley Scott’s American Gangster. It underperformed at Oscar with two inclusions for Supporting Actress and Art Direction. Yet I suspect it might’ve just made it.

Into the Wild from Sean Penn is my final pick. It was another underwhelming performer with two spots for Supporting Actor (Hal Holbrook) and Film Editing. The Critics Choice inclusion puts it barely over some of the aforementioned hopefuls.

https://www.youtube.com/watch?v=1U_GoiFy6kw

There you have it! That means my expanded ten 2007 lineup consists of:

American Gangster

Atonement

The Diving Bell and the Butterfly

Into the Wild

Juno

Michael Clayton

No Country for Old Men

Ratatouille

Sweeney Todd: The Demon Barber of Fleet Street

There Will Be Blood

2006 will be up next!

Best Picture 2010: The Final Five

After the 2008 Oscars, the Academy decided to expand the number of Best Picture nominees from five to ten. This rule would hold for 2009 and 2010 and then it shifted from anywhere between 5 and 10 (where it was typically 8 or 9). As of 2021, we’re back to a set 10.

Yet what if that had never happened? What if only five nominees from the last decade plus made the cut? My initial writeup where I predicted which five from 2009 would have done so can be found here:

Best Picture 2009: The Final Five

Now we move to 2010. It was a year in which Tom Hooper’s The King’s Speech led the evening with 11 nominations. It would win four – Director, Colin Firth for Best Actor, Original Screenplay, and the big prize Picture. So there’s 20% of our theoretical lineup.

As for the others, let’s take them one by one and I’ll give my thoughts on whether each would’ve made that other 80% of the quintet.

127 Hours

In 2010, Danny Boyle was coming off 2008’s Slumdog Millionaire. That little film that could cleaned up on Oscar night with 8 trophies including Picture. This survival drama with James Franco landed six nods. It won zero, but earned recognition in the Best Pic prerequisites that count like screenplay and editing.

Does It Make the Final Five?

Yes. This is a tough one. As you’ll see below, there are more than five pics that check important boxes. My hunch is that it would’ve nabbed the fifth slot (though you may feel differently when you read on and I tell you what doesn’t make my cut).

Black Swan

Darren Aronofsky’s intense balletic drama earned Natalie Portman an Actress statue and four other nods: Director, Cinematography, and Film Editing. Certainly the director and editing mentions are notable as is Portman’s victory.

Does It Make the Final Five?

No. When Picture and Director were both set at five, they rarely matched. 4 out of 5 directors matching the BP nominations was most common. Here’s an example where I don’t think a match would’ve occurred. The biggest reason? Of the 10 BP nominees, Swan is the only one that didn’t land a screenplay nod. That’s significant.

The Fighter

Mark Wahlberg’s passion project didn’t land him a nod, but it did for three of his costars. Christian Bale took home Supporting Actor while onscreen mother Melissa Leo won Supporting Actress (with Amy Adams also nominated). The direction, screenplay, and editing also were up for a total of 7 nominations.

Does It Make the Final Five?

Yes. The wins in the two acting races and the fact that it hit in all the key precursors give the relevant tale of the tape.

Inception

There’s speculation that the reason the Academy switched to 10 nominees is because Christopher Nolan’s The Dark Knight was omitted from the five in 2008. His follow-up two years later did not miss the expanded cut. It won Oscars for half of its 8 nominations – Sound Editing, Sound Mixing, Cinematography, and Visual Effects. The other three nods besides Picture were Original Screenplay, Score, and Art Direction.

Does It Make the Final Five?

No. And here’s where some readers may disagree. I’m giving 127 Hours an ever so slight edge over this. Why? The 8 nods don’t mean much to me because the bulk of them are in tech races. By the way, The Dark Knight also received 8 nominations. Its misses are what make me skeptical as Nolan didn’t get in for his direction and it also wasn’t up for editing.

The Kids Are All Right 

The family drama received acting mentions for Annette Bening and Mark Ruffalo and for its original screenplay.

Does It Make the Final Five?

No. Too many heavy hitters this year and it was probably toward the bottom of the ten that got in.

The Social Network

David Fincher’s saga about the founding of Facebook won three of its 8 nods in Adapted Screenplay, Film Editing, and Score.

Does It Make the Final Five?

Yes… easily. It was probably #2 behind King’s Speech in terms of winning Picture and Director.

Toy Story 3

The Pixar threequel holds the distinction of being the second animated title to make the BP list after Beauty and the Beast. On Oscar night, it won Animated Feature as well as Original Song and received an Adapted Screenplay nod.

Does It Make the Final Five?

No. The Academy probably would’ve been OK with it being a slam dunk Animated Feature winner if only five pics were in contention.

True Grit

The Coen Brothers Western remake was behind only King’s Speech in terms of nominations with 10. Beside Picture – you had Director(s), Actor (Jeff Bridges), Supporting Actress (Hailee Steinfeld), Adapted Screenplay, Sound Editing, Sound Mixing, Art Direction, Cinematography, and Costume Design. It went 0 for 10.

Does It Make the Final Five?

Yes. Despite the batting average, the sheer volume of nods indicates it would have still been included.

Winter’s Bone

This indie drama introduced the Academy and many moviegoers to Jennifer Lawrence. She received a nomination as did her costar John Hawkes in Supporting Actor. Adapted Screenplay was in the mix too.

Does It Make the Final Five? 

No but here is a prime example of a smaller film that received attention due to the broadening of the BP base.

So that means if there had been just five Best Picture nominees in 2010, I believe they would have been:

The King’s Speech

127 Hours

The Fighter

The Social Network

True Grit

I will be back soon with my final five take on 2011!

Best Picture 2009: The Final Five

And now for a new category on my blog that will update itself yearly after 13 initial posts covering 2009-21. It’s a simple concept. In 2009 – the Academy shifted their rules from a set amount of five Best Picture nominees to 10. That lasted for 2 years. In 2011, the number could fluctuate anywhere from 5-10. In most years, the magic number was 8 or 9 (it was never less than 8). Last year, the big race reverted back to a definite 10.

So… what if it hadn’t? What if 5 nominees was never altered? Well, Oscar speculators like yours truly would have to write posts predicting what would’ve been the final five. So that’s what this is all about.

Naturally it begins with 2009. Before that, something from 2008 might’ve contributed to the shift when The Dark Knight famously missed BP even though it was a critical darling and box office smash. A shift to 10 allowed popcorn favorites and smaller titles to make the cut. And they did.

When it comes to whittling down from 10 (or later 8 or 9) to five, there’s plenty of factors in play. What else did the movie get nominated for or win? Some races are more important than others like Director and Editing or the Screenplay derbies.

Yet it’s far from an exact science. This is educated guesswork based on Oscar history. I’ll walk through each title and give an ultimate Yes or No on whether it makes the five. The first is automatic and that’s whatever won. In 2009 that honor belonged to…

The Hurt Locker

Does It Make the Final Five?

Yes because it won Best Picture.

The other 9? That’s where it gets interesting. Let’s take them alphabetically, shall we?

Avatar

When Oscar nominations rolled out near the beginning of 2010, James Cameron’s 3D sensation was basking in the glow of becoming the biggest movie ever. That meant he was breaking his own record from 13 years earlier with Titanic. Cameron was nominated for Director – losing to ex-wife Kathryn Bigelow for Locker. The film also didn’t manage a Screenplay nod though Cameron is known more for his technical prowess than writing skills. On the tech side it managed 7 nods and won three (Art Direction, Cinematography, Visual Effects). So…

Does It Make the Final Five?

Yes. Though it lost a number of its nods to Locker, the gargantuan grosses would’ve been enough for it to advance.

The Blind Side

Sandra Bullock’s crowd pleasing football drama made her an Oscar winner. Yet those are the only two nominations it received as it couldn’t make the Adapted Screenplay shortlist. In fact, Avatar and this are the only two BP nominees not to see their scripts mentioned.

Does It Make the Final Five?

No. This is a perfect example of a blockbuster getting in due to the expansion that wouldn’t have with just five.

District 9

Neill Blomkamp’s acclaimed sci-fi tale was a surprise summer hit and he’s yet to replicate its mix of audience and critical appreciation. It was nominated in three other races – Adapted Screenplay, Visual Effects, and Film Editing. No wins.

Does It Make the Final Five?

This one is actually close for me. The screenplay and editing nods certainly make it doable. If it had landed Director, I’d probably say yes. A bit of a coin flip, but I’ll land on No.

An Education

The coming-of-age pic scored Carey Mulligan an Actress nod as well as Adapted Screenplay.

Does It Make the Final Five?

It’s not totally out of the realm of possibility that it could’ve snuck in, but gotta go No. It missed a Golden Globe nod for example and a lot of the focus was on Mulligan’s work.

Inglourious Basterds

Quentin Tarantino’s WWII opus was his return to significant awards attention 15 years following Pulp Fiction. In addition to the Pic nod, he was nominated for his direction and screenplay (losing both to Locker). Other nominations: Sound Editing, Sound Mixing, Cinematography, Film Editing, and a Supporting Actor victory for Christoph Waltz.

Does It Make the Final Five?

Yes. The 8 nominations are enough to indicate as much.

Precious

The breakthrough drama from Lee Daniels scored five other mentions for Directing, Gabourey Sidibe in Actress, Mo’Nique in Supporting Actress (a victory), Adapted Screenplay (another win), and Editing.

Does It Make the Final Five?

Yes. The screenplay win puts it over the top.

A Serious Man

The Coen Brothers dark comedy received just one other nod for their screenplay with acclaimed lead Michael Stuhlbarg missing the Best Actor cut.

Does It Make the Final Five?

Even with the love for its brotherly makers – No.

Up

As far as I’m concerned, the Pixar masterpiece’s first few minutes should win Best Picture every year. The tearjerker was a rare animated Best Picture contender and it contended for four others. It obviously won Animated Feature as well as Original Score in addition to mentions in Original Screenplay and Sound Editing.

Does It Make the Final Five?

I’m saying No, but I’m not sure of that. I’d probably put it sixth.

Up in the Air

Our other Up contender is Jason Reitman’s workplace dramedy which received six nods. The others were Director, Actor (George Clooney), Supporting Actress (both Vera Farmiga and Anna Kendrick), and Adapted Screenplay.

Does It Make the Final Five?

Yes. While it retrieved no statues, I think it would’ve just edged other hopefuls such as Up or District 9.

So that means if 2009 had just five Best Picture nominees, I believe they would’ve been:

The Hurt Locker (winner)

Avatar

Inglourious Basterds

Precious

Up in the Air 

An important note – the movies here match the five Best Director nominees. That’s rare and that will be rare in subsequent postings on years that follow. From 2000-2008 that only occurred twice (2005 and 2008). So don’t get used to it.

I shall return soon with my rumblings and final five for 2010!