After starring in last year’s Oscar winning Best Picture CODA, Emilia Jones is back onscreen in two features playing at the Sundance Film Festival. One is Fairyland which I’ll get to in my prediction posts shortly. The other is thriller Cat Person from director Susanna Fogel (who cowrote 2019’s acclaimed coming-of-age dramedy Booksmart).
Based on a short story that generated lots of attention after it was published in The New Yorker, Jones plays a college student in a dangerous online romance with an older man (Nicholas Braun from Succession). Costars include Geraldine Viswanathan, Hope Davis, Michael Gandolfini, Liza Koshy, and Isabella Rossellini.
Early reviews are of the mixed variety with a current 75% rating based on the small sampling via Rotten Tomatoes. This could generate some buzz with audiences after a distributor picks it up and that should occur imminently. I doubt it will follow suit with awards chatter. My Oscar Prediction posts will continue…
Blogger’s Note (09/08): I am downgrading my original estimate from $4.3 million down to just $2.3 million. Simply put, this probably would have been better off going the streaming route.
Sony Pictures is hoping that a young audience will turn out for next weekend’s The Broken Hearts Gallery. The romantic comedy comes from first time director Natalie Krinsky and was originally scheduled for a July release before the COVID-19 pandemic altered the plans. Executive produced by Selena Gomez, it stars Geraldine Viswanathan (best known for Blockers and HBO’s Bad Education) and Dacre Montgomery (Billy from Netflix’s Stranger Things). Costars include Utkarsh Ambudkar, Molly Gordon, and Bernadette Peters.
I’m a bit skeptical that this has any breakout potential. Many similar pics in this genre are based on novels with a hoped for built-in audience. Gallery doesn’t have that advantage or much star power to lure its intended demographic into the multiplex. The best hope for Sony is that this crowd is simply starved for anything to go see.
I don’t believe that’ll be enough to get this over $3 million.
The Broken Hearts Gallery opening weekend prediction: $2.3 million
Few actors had a better movie year as Hugh Jackman’s 2017 with two smash hits – Logan and TheGreatestShowman. Yet despite the acclaim, Oscar didn’t honor him. In fact, his sole nod came five years prior in LesMiserables. Last year’s TheFrontRunner looked like awards bait, but it fizzled quickly.
Now we have BadEducation for possible consideration as it screened in Toronto. The comedic drama tells the true tale of a beloved New York school superintendent cheating the system. And Variety has called it Jackman’s best performance to date. Other reviews also praise his work in this effort from director Cory Finley. This is his sophomore film following 2017’s well regarded Thoroughbreds. Costars include Allison Janney (who did win in 2017 for I, Tonya), Geraldine Viswanathan, Ray Romano, and Alex Woolf.
I say possible consideration because Education has yet to land a distributor. However, that shouldn’t be a problem. The real question is whether this gets released in 2019. If so, I would expect a campaign to be mounted for its lead actor. And as I’ve said repeatedly in the past few festival days, that race is looking incredibly competitive. Unlike TheFrontRunner, I would anticipate some critics vying for his inclusion. It could be a long shot, but he’s in the large mix. A Golden Globe nod in Musical/Comedy might be more reachable. My Oscar Watch posts will continue…
Perhaps Emoji decoding will be a term that is looked upon as a dated reference years from now when one views Blockers with fresh eyes. However, it’s one that’s used to humorous effect in 2018 in a comedy that lands more comedic punches than it misses. This is a raunchy confection laced with an often surprising amount of sweetness. Director Kay Cannon, making her directorial debut after writing the PitchPerfect franchise, is careful to mix them well and she’s got a game cast along the way.
The plot is straightforward: three high school seniors make a pact to lose their virginity on prom night. In the 1980s when these types of flicks were more prevalent, it would usually be just the boys plotting these actions. In Blockers, it’s the girls. Julie (Kathryn Newton) is ready to do the deed with her beau and she’s got ultra clingy single mom Lisa (Leslie Mann) constantly breathing down her neck. Kayla (Geraldine Viswanathan) has overprotective pops Mitchell (John Cena) and a date who amusingly uses his culinary skills for mind expanding purposes. Sam (Gideon Adlon) has a strained relationship with her party boy dad Hunter (Ike Barinholtz) and a fedora clad prom partner that doesn’t match her personal preferences.
When the trio of parents discover their daughters plans, they set out to disrupt the deflowering scheme and go to humiliating lengths to do just that. At one point, that means butt chugging at an after party for a certain wrestler turned thespian. Not exactly high brow stuff, but a funny sight gag nonetheless.
At other junctures, Blockers deftly portrays its teens as both naive due to their age and occasionally more intelligent than their over reactive folks. They’re not bad kids solely focused on sex, even though their elders focus is centered on stopping that for varying reasons. The whole coddling storyline with Mann and Cena’s characters is a well-worn one. However, both performers shine in their sometimes familiar scenarios. Barinholtz’s arch with his daughter is little more unique and a bit fresher – and he winningly avoids making his character one-dimensional. Of the three young women, Viswanathan is an actress to keep an eye on in the future.
There’s sex, drugs, and Hailee Steinfeld songs in Blockers, where sin and sentiment manage to coincide well most of the time. The thumbs up emoji applies.