October 16-18 Box Office Predictions

A quartet of newcomers step into the box office ring this weekend. Video game adaptation Street Fighter looks to lead the pack while survival tale Whalefall, acclaimed documentary You Can See Everything, and the latest adaptation of Jane Austen’s Sense and Sensibility jockey for position in the top five. You can peruse my detailed prediction posts on them here:

Street Fighter Box Office Prediction

Whalefall Box Office Prediction

You Can See Everything Box Office Prediction

Sense and Sensibility Box Office Prediction

Arriving 32 years after the Jean-Claude Van Damme version was a considerable bomb, Street Fighter should fare better with a decent if unspectacular mid 20s start. That should easily give it a first place finish.

Whalefall features Resident Evil lead Austin Abrams stuck in the belly of a sperm whale and I have it logging a so-so fourth place start in the high single digits.

You Can See Everything is the major question mark. It made a splash at the Telluride Film Festival and the covering of Theranos founder Elizabeth Holmes before she entered prison should generate eyeballs. The challenge is that I’ve yet to see a screen count. My higher single digits estimate could put in anywhere from 2nd to 4th depending on the Other Mommy drop.

Jessica Chastain’s horror flick opened in line with expectations (more on that below) but poor reviews and a dreadful D+ Cinemascore grade could spell a mid to high 60s percentage decline in weekend #2.

Sense and Sensibility doesn’t seem to have significant buzz and my mid single digits take should have it rounding out the top six just behind Verity‘s third frame.

Here’s how I see it shaking out:

1. Street Fighter

Predicted Gross: $24.5 million

2. Other Mommy

Predicted Gross: $9.1 million

3. You Can See Everything

Predicted Gross: $8.9 million

4. Whalefall

Predicted Gross: $8.2 million

5. Verity

Predicted Gross: $5.9 million

6. Sense and Sensibility

Predicted Gross: $5.3 million

Box Office Results (October 9-11)

Audiences were hungry for horror despite a critical drubbing as Other Mommy brought in $27.8 million, on pace with my $27.2 million prediction. As mentioned, even with genre fans craving scares, this should fade quickly.

Verity dropped to second with $12 million, just under my $13.1 million call. The thriller with Anne Hathaway and Dakota Johnson eased 63% for a two-week total of $54 million.

Resident Evil was third in its fourth frame with $8.5 million compared to my $7.8 million projection. This video game adaptation grew to $138 million.

Heart of the Beast took fourth with $7.4 million (I said $6.6 million) as the Brad Pitt survival tale hit $50 million after three weeks.

Finally, Aaron Sorkin’s The Social Reckoning tanked in fifth with $5 million. Taking in just a quarter of what 2010 predecessor The Social Network achieved out of the gate, the tech drama couldn’t match my $7.4 million number.

And that does it for now, folks! Until next time…

Oscar Predictions: The Social Reckoning

In 2010, David Fincher’s The Social Network was an awards powerhouse with 10 nominations including Best Picture, Director, and Jesse Eisenberg in Actor (it would lose all three to The King’s Speech). It did emerge victorious for its Original Screenplay, Film Editing, and Original Score. Fincher and Eisenberg are not involved in the sequel The Social Reckoning which releases this weekend. Network‘s writer Aaron Sorkin returns in that role and in the director’s chair. Mikey Madison, Jeremy Allen White, Bill Burr, Wunmi Mosaku, Betty Gilpin, and Billy Magnussen lead the cast with Jeremy Strong taking over from Eisenberg as Facebook founder Mark Zuckerberg.

With the review embargo having lifted just a day before its theatrical debut, it seems like Reckoning will not resonate with awards voters. Rotten Tomatoes is at 70% with Metacritic only at 50. Madison and Strong are getting by relatively unscathed (the same cannot be said for Sorkin’s script according to several critics). However, I don’t see Madison (in her first role since her Oscar-winning lead performance in 2024’s Anora), Strong, or anyone else generating much chatter for their work. A nominee two years ago for The Apprentice, I’ve had Strong listed in my Supporting Actor possibilities in the top 10 for months (though not as a nominee). There’s a good chance he drops out of contention altogether. I’m struggling to see Social getting in anywhere. My Oscar Prediction posts will continue…

October 9-11 Box Office Predictions

Horror looks to rule the charts with Jessica Chastain as the creepy Other Mommy while Aaron Sorkin’s The Social Reckoning also debuts. You can peruse my detailed prediction posts on the two newcomers here:

Other Mommy Box Office Prediction

The Social Reckoning Box Office Prediction

With an effective trailer and a likely hunger for scary material as we’re into the month of October, my mid 20s projection for Mommy easily gives it the victory.

The Social Reckoning may have to settle for anywhere between third and fifth place. A sort of sequel to 2010’s acclaimed The Social Network, this updated look at Facebook/Meta isn’t carrying the type of buzz that greeted its predecessor. I have this making only a third of what Network achieved over a decade and a half ago.

As for holdovers, Verity had a fantastic opening (more on that below). The C+ Cinemascore grade is a bit troubling and a 60% sophomore dip would put it in a distant second. With my soft outlook for Reckoning, I’ll say that Resident Evil narrowly edges it out for third with Heart of the Beast rounding out the top five.

Here’s how I see it playing out:

1. Other Mommy

Predicted Gross: $27.2 million

2. Verity

Predicted Gross: $13.1 million

3. Resident Evil

Predicted Gross: $7.8 million

4. The Social Reckoning

Predicted Gross: $7.6 million

5. Heart of the Beast

Predicted Gross: $6.6 million

Box Office Results (October 2-4)

A couple weeks back, I couldn’t have imagined not discussing where Digger would place in the top five in its sophomore frame, but here we are.

We will get to Tom Cruise’s box office disaster shortly though we’ll start with positive results. Verity, based on the Colleen Hoover novel, opened at the highest end of expectations with $32 million. The thriller starring Anne Hathaway (in her fifth 2026 flick) and Dakota Johnson blew past my $20.4 million prediction. As mentioned, it should see a large decline this weekend but this is a fine result for Amazon MGM.

Resident Evil stayed in second place with $12.6 million, in range with my $12 million projection. The video game based horror tale has taken in $125 million after three weeks.

Heart of the Beast was third with $10.8 million, on pace with my $11.2 million call. The Brad Pitt/German Shepherd survival tale is up to $38 million in two weeks.

Digger was fourth and marked Tom Cruise’s lowest opening since 2007’s Lions for Lambs (in which he was a supporting player). With mixed reviews and a C+ Cinemascore, audiences and critics were divided and the result was only $8 million compared to my $10.3 million forecast. Warner Bros as we know it (after Paramount’s acquisition) goes out with a whimper as this will be a significant money loser for the studio.

Primetime rounded out the top five and I incorrectly had it on the outside looking in. Also with $8 million, the two-week tally is $34 million.

Finally, last week’s #1 Avengers: Endgame Encore fell a lot further than I figured in seventh with $4.4 million. That’s an 83% decline and I was far more generous at $10 million. Don’t feel bad for the MCU, however, as its overall gross since 2019 ballooned to $894 million.

And that does it for now, folks! Until next time…

The Social Reckoning Box Office Prediction

Sixteen years after its predecessor became an Oscar player and one of the best regarded pictures of the 21st century, The Social Reckoning posts up in theaters on October 9th. A sequel of sorts to The Social Network, the main participant from that movie returning is writer/director Aaron Sorkin. He penned the screenplay for Network and takes over directorial duties from David Fincher. None of the original cast return with Jeremy Strong as Facebook founder Mark Zuckerberg in place of Jesse Eisenberg. The legal thriller’s cast also includes Mikey Madison (in her first major role since her Oscar-winning turn in Anora), Jeremy Allen White, Wunmi Mosaku, Betty Gilpin, Billy Magnussen, and Bill Burr.

The buzz for Reckoning seems considerably lower than what greeted Network in 2010. Trailers have been met with a collective shrug. Unlike Network, awards talk isn’t really occurring. The review embargo is still up but early word-of-mouth equals the trailer reaction.

The Social Network kicked off with $22.4 million and I suspect the follow-up will be lucky to make half or even a third of that figure for starters.

The Social Reckoning opening weekend prediction: $7.6 million

For my Other Mommy prediction, click here:

Other Mommy Box Office Prediction

Oscar Predictions: A Real Pain

A Real Pain is the second directorial feature from Jesse Eisenberg after When You Finish Saving the World. The dramedy about two cousins (Eisenberg and Kieran Culkin) on a Holocaust tour following their Grandma’s death could be a real contender next year. Searchlight Pictures apparently thinks so since it forked over $10 million for distribution rights after its Sundance premiere.

Reviews indicate this is a crowdpleaser that delicately balances tough subjects with humor. The RT score is 100%. Eisenberg, a Best Actor nominee in 2010 for The Social Network, could be in line for an Original Screenplay nod (that seems more likely than Director). Costars include Jennifer Grey (of Ferris Bueller and Dirty Dancing fame) and Will Sharpe. It could be Culkin (a freshly minted Emmy recipient for Succession) that garners acting attention in supporting. We usually see at least one Best Picture nominee start its journey in Park City (this year’s is Past Lives). A Real Pain is in contention. My Oscar Prediction posts will continue…

Oscar Predictions: The Killer

David Fincher’s last five films have received at least one Oscar nomination with three (The Curious Case of Benjamin Button, The Social Network, Mank) up for Best Picture. His latest is The Killer with a Venice premiere this weekend, limited theatrical release October 27th, and Netflix stream beginning on November 10th. The action thriller stars Michael Fassbender in the title role with a supporting cast including Arliss Howard, Charles Parnell, Kerry O’Malley, Sala Baker, Sophie Charlotte, and Tilda Swinton.

The reviews indicate this is right up Fincher’s alley as a cold tale of an assassin that is unquestionably pristinely made. The Rotten Tomatoes meter is at 88%. The reaction also hints that this will not be the awards player in the big categories that his last batch were. That quintet of previously nominated pics all nabbed acting nominations. Despite praise for Fassbender’s lead work, Best Actor already looks too crowded for his inclusion. It also sounds like Swinton in Supporting Actress is a non-starter.

Per usual with Fincher’s work, tech nods could come in Film Editing (that’s where Dragon Tattoo won), Cinematography (where Mank was victorious), and Score (where Social Network reigned supreme). There’s also the chance it’s the filmmaker’s first not nominated movie since 2007’s Zodiac. My Oscar Prediction posts will continue…

Best Picture 2010: The Final Five

After the 2008 Oscars, the Academy decided to expand the number of Best Picture nominees from five to ten. This rule would hold for 2009 and 2010 and then it shifted from anywhere between 5 and 10 (where it was typically 8 or 9). As of 2021, we’re back to a set 10.

Yet what if that had never happened? What if only five nominees from the last decade plus made the cut? My initial writeup where I predicted which five from 2009 would have done so can be found here:

Best Picture 2009: The Final Five

Now we move to 2010. It was a year in which Tom Hooper’s The King’s Speech led the evening with 11 nominations. It would win four – Director, Colin Firth for Best Actor, Original Screenplay, and the big prize Picture. So there’s 20% of our theoretical lineup.

As for the others, let’s take them one by one and I’ll give my thoughts on whether each would’ve made that other 80% of the quintet.

127 Hours

In 2010, Danny Boyle was coming off 2008’s Slumdog Millionaire. That little film that could cleaned up on Oscar night with 8 trophies including Picture. This survival drama with James Franco landed six nods. It won zero, but earned recognition in the Best Pic prerequisites that count like screenplay and editing.