Star Wars: The Rise of Skywalker Movie Review

We talk about the Star Wars franchise the same way we speak of politics or sports. With passion and fervent opinions and disagreements. Perhaps we are giving it too much credit, but it’s become an American cinematic pastime. No group of films has inspired as much thought and re-thought. So we arrive at the ninth episode, The Rise of Skywalker, with all that baggage and more. After all, this one is tasked with closing out the saga that began at a time far, far away in 1977. Returning to direct with that weight on his shoulders is J.J. Abrams, who kickstarted the series for new owner Disney four years ago with The Force Awakens.

He does so two years following The Last Jedi from Rian Johnson, which sharply divided fans and critics by going in unexpected directions. Even Luke Skywalker himself, Mark Hamill, didn’t jive with the choices Johnson made with his character shuddered on an island and not wishing to utilize his Jedi skills. That was one compliant from some diehard fans, among others. You could say they had their knives out for it, so to speak.

I found The Last Jedi to be flawed and disjointed, but also filled with great moments. There aren’t many of them here in Skywalker. As I ponder it, episodes VII-IX do follow a similar arc as the iconic I-III. The Force Awakens was tasked with introducing new and exciting characters from these galaxies. It also had to mix in Luke and Leia and Han Solo and Chewie. I felt, for the most part, that it did so successfully. That especially applies to Rey (Daisy Ridley) and Kylo Ren (Adam Driver). In fact, their little therapy sessions from The Last Jedi were highlights of the whole trilogy. The common critique of Awakens is that it was a rehash of the first Star Wars. While this is with some merit, it didn’t take away my immense enjoyment of it.

As mentioned, The Last Jedi was more of a mixed bag. Yet with Johnson’s sometimes confounding but often daring choices, it was also the boldest. This is where a comparison with 1980’s The Empire Strikes Back seems fair. Don’t get me wrong. It’s nowhere in its league, but it did take what happened in the predecessor and take it in unexpected directions.

And now The Last Skywalker. Like 1983’s Return of the Jedi, this trilogy finale has to wrap it all up. Allow me to throw in this disclaimer – I don’t hold Return of the Jedi anywhere near the regards of what came before it. While I feel there are terrific moments, there’s a lot that didn’t work me and not just the Ewoks. It often felt a little tired and unsure of what to do with itself for a chunk of the running time. That applies to Skywalker and there’s aren’t as many terrific moments.

The similarities don’t end on just a quality level. Ultimately, the main plot here finds Rey facing a choice of whether to stay a Jedi or follow her lineage to the dark side… just as Luke did in Jedi. By the way, those lineage inquiries are addressed. Another complaint in Rian Johnson’s script was how he handled that aspect. Rey’s supporting cast is around with Finn (John Boyega) and Poe (Oscar Isaac) marshaling support to take on Kylo. And as the trailer suggested, Emperor Palpatine (Ian McDiarmid) is back in the mix, too. So is Billy Dee Williams as cocky fighter pilot Lando. His return isn’t exactly as pined for as what we got with Luke, Leia, and Han. As for Leia, Carrie Fisher does return utilizing unused footage from Awakens and Last Jedi. It’s handled delicately.

There are new players with Richard E. Grant joining Domhnall Gleeson as one of Kylo’s top lieutenants. Abrams throws some small parts to Keri Russell and Dominic Monaghan (who both starred in his TV shows). The short shrift is given to Rose (Kelly Marie Tran), who had more of a presence in Last Jedi, but is basically ignored. That’s not exactly a problem as this is the Rey and Kylo show. Once again, both Ridley and Driver’s performances are first rate. Truth be told, though, Johnson wrote their dynamic better the last time around.

For the major detractors of The Last Jedi, perhaps this episode will feel like a return to Star Wars normalcy. I’m happy to listen to an argument that Johnson’s effort pairs well with the return of Abrams, but it would take lots of convincing. Skywalker often reeks of a course correction. This is becoming more common with franchises. We just saw Terminator: Dark Fate ignore the three pictures ahead of it. The X-Men series had to get creative with their timeline and do away with it under specific circumstances.

Those franchises aren’t Star Wars. The meeting between Han Solo and his son Kylo in The Force Awakens was a memorable, emotional, and surprising one. Whatever Mark Hamill and others might think about his treatment in The Last Jedi, a brief reunion with his sister in it was marvelous. In Skywalker, Abrams goes for a lot of those moments. And it felt, well, forced. The visual splendor and incredible production design (and the rousing John Williams score) is intact. A few scenes with Rey and Kylo work. Ultimately, I suspect my feelings about The Rise of Skywalker will be somewhat similar to Return of the Jedi – as an inferior product to its two predecessors.

**1/2 (out of four)

Oscar Watch – Star Wars: The Rise of Skywalker

One day before its galactic release, the review embargo for Star Wars: The Rise of Skywalker has expired and the news is not so great. The ninth chapter of the ginormous franchise sits at 59% on Rotten Tomatoes. For all the talk about the mixed reaction to predecessor The Last Jedi in 2017, its RT score was 91%. Even last year’s mostly disregarded spin-off Solo: A Star Wars Story managed 70%.

So… what does that mean for Oscar attention? Well, any remote possibility of Skywalker playing in top line categories like Picture is gone. Yet possibilities for tech nods remain intact. When counting the eight official episodes and spin-offs Rogue One and Solo, the series as a whole has gathered 34 total nominations and won seven. Six of them went to the 1977 original with another for 1980’s sequel The Empire Strikes Back. That’s right… it’s been almost 40 years since a Star Wars pic has nabbed a competitive gold statue. And I don’t expect that streak to end here.

In this currently trilogy, 2015’s The Force Awakens received five nominations: Score for the legendary John Williams, Visual Effects, Editing, and both Sound categories. The Last Jedi got the same nods minus Editing. I anticipate Skywalker will probably be recognized for the same four as Jedi and win none. Interestingly, there’s a solid chance it loses three of them (Score and the Sounds) to 1917. As for Visual Effects, that could go to The Irishman or another epic Disney franchise finale Avengers: Endgame. 

My Oscar Watch posts will continue…

Star Wars: The Rise of Skywalker Box Office Prediction

Blogger’s Note (12/19): Hours before its opening, I am revising my estimate down from $206.4M to $191.4M

The ninth episode in the galaxy is not far, far away as Star Wars: The Rise of Skywalker arrives in a theater near you next weekend. Capping the third trilogy of the landmark franchise, the film finds J.J. Abrams returning to the director’s chair after Rian Johnson (currently having his own box office hit with Knives Out) handled duties on previous entry The Last Jedi in 2017. The familiar faces introduced four years ago in The Force Awakens return with Daisy Ridley, Adam Driver, John Boyega, and Oscar Isaac headlining. Stars from the original trilogy are back including Carrie Fisher (via unreleased footage from previous efforts), Mark Hamill, Anthony Daniels, and two cast members making their respective first appearances since 1983’s Return of the Jedi and 2005’s Revenge of the Sith – Billy Dee Williams as Lando Calrissian and Ian McDiarmid as Palpatine. Other notable performers returning include Domhnall Gleeson, Lupita Nyong’o, and Kelly Marie Tran. Newcomers to the series are Naomi Ackie, Keri Russell, and Richard E. Grant.

Disney took over the reigns of George Lucas’s creation a few years back and the results have been billions more into the Mouse Factory’s considerable coffers. That said, the last two years have shown some chinks in the once impenetrable armor. The aforementioned Last Jedi divided audiences and critics and came in $300 million under Awakens. A few months later in May of 2018, prequel and spinoff Solo: A Star Wars Story was the first picture in the series that was a genuine disappointment and actually lost money.

In Star Wars world, “disappointing” numbers are relative. The Last Jedi took in $220 million for its start on this same weekend two years ago, ending its run at $620 million domestically (that’s still good for #9 all-time). Yet, as mentioned, that’s considerably below the $936 million that Awakens achieved. It continues to stand at #1 overall in terms of stateside dollars.

Estimates for Skywalker show a pretty wide range. Some are as low as $175 million. Only in this franchise and the Marvel Cinematic Universe would that number be called low. Despite the mixed Jedi reaction and Solo grosses, I have a hard time buying that this last entry of the trilogy could come in with $45 million less than its predecessor.

The more reasonable anticipation is that this manages to top $200 million. There is certainly more serious family competition than Last Jedi had with Jumanji: The Next Level being in its second frame (it was the inverse in 2017 with predecessor Welcome to the Jungle arriving the week after Jedi).

My projection here gives Skywalker the seventh biggest debut ever, in between MCU titles The Avengers and Black Panther. 

Star Wars: The Rise of Skywalker opening weekend prediction: $191.4 million

For my Cats prediction, click here:

https://toddmthatcher.com/2019/12/11/cats-box-office-prediction/

For my Bombshell prediction, click here:

https://toddmthatcher.com/2019/12/11/bombshell-box-office-prediction/

The Irishman Takes The NBR

The National Board of Review announced its victors this afternoon for their best of 2019. For the pictures and performers who were named as winners, you could say that it’s a double edged sword.

Allow me to explain. In this 2010’s, only one of their Best Film recipients took home Best Picture at the Oscars. That was last year with Green Book. This year, the award goes to Martin Scorsese’s The Irishman. So from an odds perspective, that could mean it faces an uphill battle for the big gold statue. On the other hand, all of the NBR Film winners from this decade, with the exception of 2014’s A Most Violent Year, have scored an Academy nod. This isn’t really in doubt for The Irishman so expect that trend to continue.

The Board always goes on to name their additional favorite 10 motion pictures and this year they are: 1917, Dolemite Is My Name, Ford v Ferrari, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, Richard Jewell, Uncut Gems, and Waves. In 2018, only three of the ten additional NBR selections got Picture noms: Black Panther, Roma and A Star Is Born. Some notable titles that didn’t make the NBR cut for 2019: A Beautiful Day in the Neighborhood, Bombshell, The Farewell, Joker, Little Women, Parasite, and The Two Popes. 

When it comes to Best Director, the news is even worse for the NBR recipient. No movie this decade has seen that winner match with Oscar. In fact, the last direct match was in 2006 for… Irishman maker Scorsese for The Departed. The NBR named Quentin Tarantino today for Once Upon a Time in Hollywood. He’s got history against his side for a walk up the Academy steps.

In Best Actor, it’s the same story as only Casey Affleck for 2016’s Manchester by the Sea won NBR and Oscar in the 2010s. Adam Sandler is the winner for Uncut Gems. He’s part of a packed Best Actor race where there’s about a dozen viable candidates looking for five spots. This victory could at least help him get in as only Oscar Isaac (Violent Year in 2014) and Tom Hanks (2017’s The Post) didn’t land nods.

The numbers improve only slightly for Best Actress with two matches: Julianne Moore for 2014’s Still Alice and Brie Larson for 2015’s Room. The NBR bestowed the award this year to Renee Zellweger for Judy, who could be considered a soft front-runner for Oscar.

This brings us to Brad Pitt, winner today for Supporting Actor in Once Upon a Time in Hollywood. He also holds the status of apparent favorite to win the Academy’s love. Yet there’s just two matches this decade between them and NBR: Christian Bale in 2010’s The Fighter and Christopher Plummer from 2011’s Beginners. 

Last year was the only match of the decade for Supporting Actress: Regina King in If Beale Street Could Talk. Kathy Bates took the NBR for Richard Jewell. I don’t see her winning the Oscar, but it could help her nomination odds.

In Original Screenplay, it’s interesting to note that 7 of the past nine NBR winners didn’t even get an Oscar nomination. Could that be a sign of trouble for honoree Uncut Gems? Time will tell…

And for Adapted Screenplay, the NBR went with The Irishman. Par for the course, just two matches here: 2010’s The Social Network and 2011’s The Descendants. 

Bottom line: the NBR announcements might help with fleshing out who certain nominees will be. As far as winners, that’s a whole different story…

The Addams Family Box Office Prediction

Blogger’s Note (10/10): My estimate has risen from $21.7 million to $26.9 million

Snapping into theaters over a half century after the TV series and over a quarter century after the two film versions of that show, an animated version of The Addams Family debuts next weekend. Originally based on the Charles Addams comics, this iteration of the macabre clan sounds like something Tim Burton should have his fingerprints all over. And indeed, he was once attached to direct it. However, it’s Conrad Vernon and Greg Tiernan (who last made the R rated Seth Rogen/Evan Goldberg toon Sausage Party) shepherding the project. Voices of the family include Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Finn Wolfhard, Nick Kroll, Snoop Dogg, Martin Short, Catherine O’Hara and Bette Midler, in addition to Allison Janney and Elsie Fisher.

Attempting to reach a kiddie audience pre Halloween (and a week before Maleficent: Mistress of Evil is out), it could be a somewhat tough sell for youngsters unfamiliar with the source material. That applies to the small screen 1960s version and the 1990s big screen one. In fact, this may not hit the $24 million achieved by 1991’s first live action Addams out of the gate (1993 sequel Addams Family Values didn’t fare as well).

I do envision this managing a debut of over $20 million, but perhaps not by much. That would likely put it in third place behind Joker and Gemini Man.

The Addams Family opening weekend prediction: $26.9 million

For my Gemini Man prediction, click here:

https://toddmthatcher.com/2019/10/01/gemini-man-box-office-prediction/

For my Jexi prediction, click here:

https://toddmthatcher.com/2019/10/02/jexi-box-office-prediction/

2018 Weekly Oscar Predictions: October 4th Edition

My first Oscar predictions of October are here as the new month has brought in some important scheduling announcements!

First, it has been confirmed that Clint Eastwood’s The Mule will indeed be released in 2018. While some reports suggest it’s more of a commercial play for Warner Bros than an awards one… its release means I’m including it for the first time in a number of categories as a possibility (Picture, Director, Actor, Supporting Actress, Adapted Screenplay). You just can’t discount Eastwood from the awards derby.

We also learned that Mike Leigh’s Peterloo and the sci-fi tale Alita: Battle Angel have been moved to 2019. While neither of them were considered players in the major categories, both could have been contenders in down the line tech races. Not anymore.

In other developments:

  • Timothee Chalamet (Beautiful Boy) has been ranked #1 since late August in Supporting Actor, but that now changes to Mahershala Ali in Green Book.
  • The first trailer for Vice is out. It maintains its spot at #9 on my Best Picture possibilities, but I’ve now moved Sam Rockwell into the five predicted nominees for Supporting Actor. I’m also vaulting Christian Bale from the 5 spot in Best Actor to second.

Let’s get to it!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. First Man (PR: 3)

4. The Favourite (PR: 5)

5. Green Book (PR: 4)

6. BlacKkKlansman (PR: 6)

7. If Beale Street Could Talk (PR: 7)

8. Black Panther (PR: 8)

9. Vice (PR: 9)

Other Possibilities:

10. Can You Ever Forgive Me? (PR: 10)

11. Widows (PR: 11)

12. Boy Erased (PR: 12)

13. Mary Queen of Scots (PR: 15)

14. Crazy Rich Asians (PR: 13)

15. The Mule (PR: Not Ranked)

16. The Ballad of Buster Scruggs (PR: 14)

17. On the Basis of Sex (PR: 19)

18. Bohemian Rhapsody (PR: 16)

19. Mary Poppins Returns (PR: 20)

20. At Eternity’s Gate (PR: 18)

21. The Sisters Brothers (PR: 17)

22. Beautiful Boy (PR: 23)

23. Leave No Trace (PR: 21)

24. The Front Runner (PR: 24)

25. Eighth Grade (PR: 22)

Dropped Out:

Stan and Ollie

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 3)

3. Damien Chazelle, First Man (PR: 2)

4. Spike Lee, BlacKkKlansman (PR: 5)

5. Yorgos Lanthimos, The Favourite (PR: 4)

Other Possibilities:

6. Barry Jenkins, If Beale Street Could Talk (PR: 6)

7. Peter Farrelly, Green Book (PR: 7)

8. Adam McKay, Vice (PR: 9)

9. Ryan Coogler, Black Panther (PR: 8)

10. Marielle Heller, Can You Ever Forgive Me? (PR: 10)

11. Steve McQueen, Widows (PR: 11)

12. Josie Rourke, Mary Queen of Scots (PR: 15)

13. Clint Eastwood, The Mule (PR: Not Ranked)

14. Joel and Ethan Coen, The Ballad of Buster Scruggs (PR: 14)

15. Joel Edgerton, Boy Erased (PR: 13)

Dropped Out:

Jacques Audiard, The Sisters Brothers 

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 5)

3. Willem Dafoe, At Eternity’s Gate (PR: 3)

4. Ryan Gosling, First Man (PR: 2)

5. Viggo Mortensen, Green Book (PR: 4)

Other Possibilities:

6. Rami Malek, Bohemian Rhapsody (PR: 6)

7. Robert Redford, The Old Man & The Gun (PR: 7)

8. Clint Eastwood, The Mule (PR: Not Ranked)

9. Lucas Hedges, Boy Erased (PR: 8)

10. Ethan Hawke, First Reformed (PR: 10)

11. Steve Carell, Beautiful Boy (PR: 9)

12. Ben Foster, Leave No Trace (PR: 11)

13. John David Washington, BlacKkKlansman (PR: 13)

14. Hugh Jackman, The Front Runner (PR: 14)

15. John C. Reilly, The Sisters Brothers (PR: 12)

Dropped Out:

Chadwick Boseman, Black Panther

Best Actress

1. Glenn Close, The Wife (PR: 1)

2. Lady Gaga, A Star Is Born (PR: 2)

3. Olivia Colman, The Favourite (PR: 3)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Yalitza Aparicio, Roma (PR: 5)

Other Possibilities:

6. Viola Davis, Widows (PR: 6)

7. Felicity Jones, On the Basis of Sex (PR: 7)

8. Saoirse Ronan, Mary Queen of Scots (PR: 8)

9. Nicole Kidman, Destroyer (PR: 9)

10. Toni Collette, Hereditary (PR: 11)

11. Julia Roberts, Ben Is Back (PR: 10)

12. Keira Knightley, Colette (PR: 15)

13. Emily Blunt, Mary Poppins Returns (PR: 12)

14. Carey Mulligan, Wildlife (PR: 14)

15. Kiki Layne, If Beale Street Could Talk (PR: 13)

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 2)

2. Timothee Chalamet, Beautiful Boy (PR: 1)

3. Sam Elliot, A Star Is Born (PR: 4)

4. Richard E. Grant, Can You Ever Forgive Me? (PR: 3)

5. Sam Rockwell, Vice (PR: 8)

Other Possibilities:

6. Daniel Kaluuya, Widows (PR: 5)

7. Adam Driver, BlacKkKlansman (PR: 6)

8. Michael B. Jordan, Black Panther (PR: 8)

9. Steve Carell, Vice (PR: 14)

10. Russell Crowe, Boy Erased (PR: 11)

11. John C. Reilly, Stan and Ollie (PR: 10)

12. Nicholas Hoult, The Favourite (PR: 9)

13. Armie Hammer, On the Basis of Sex (PR: 12)

14. Jason Clarke, First Man (PR: 13)

15. David Tennant, Mary Queen of Scots (PR: Not Ranked)

Dropped Out:

Oscar Isaac, At Eternity’s Gate

Best Supporting Actress

1. Claire Foy, First Man (PR: 1)

2. Regina King, If Beale Street Could Talk (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Amy Adams, Vice (PR: 5)

Other Possibilities:

6. Natalie Portman, Vox Lux (PR: 7)

7. Nicole Kidman, Boy Erased (PR: 6)

8. Michelle Yeoh, Crazy Rich Asians (PR: 9)

9. Sissy Spacek, The Old Man & The Gun (PR: 8)

10. Marina de Tavira, Roma (PR: 11)

11. Margot Robbie, Mary Queen of Scots (PR: 10)

12. Rachel McAdams, Disobedience (PR: Not Ranked)

13. Thomasin McKenzie, Leave No Trace (PR: 13)

14. Kathy Bates, On the Basis of Sex (PR: 14)

15. Dianne Wiest, The Mule (PR: Not Ranked)

Dropped Out:

Elizabeth Debicki, Widows

Linda Cardellini, Green Book

Best Adapted Screenplay

1. BlacKkKlansman (PR: 1)

2. If Beale Street Could Talk (PR: 2)

3. A Star Is Born (PR: 3)

4. First Man (PR: 4)

5. Can You Ever Forgive Me? (PR: 5)

Other Possibilities:

6. Widows (PR: 7)

7. Leave No Trace (PR: 6)

8. Crazy Rich Asians (PR: 8)

9. Boy Erased (PR: 9)

10. Black Panther (PR: 10)

11. Mary Queen of Scots (PR: 11)

12. Disobedience (PR: 13)

13. Beautiful Boy (PR: 15)

14. The Sisters Brothers (PR: 12)

15. The Mule (PR: Not Ranked)

Dropped Out:

The Front Runner

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 3)

3. Green Book (PR: 2)

4. Vice (PR: 5)

5. Eighth Grade (PR: 4)

Other Possibilities:

6. The Ballad of Buster Scruggs (PR: 9)

7. First Reformed (PR: 6)

8. At Eternity’s Gate (PR: 12)

9. On the Basis of Sex (PR: 7)

10. A Quiet Place (PR: 8)

11. Private Life (PR: Not Ranked)

12. Hereditary (PR: 14)

13. Bohemian Rhapsody (PR: 13)

14. Ben Is Back (PR: 10)

15. Stan and Ollie (PR: 11)

Dropped Out:

Sorry to Bother You 

2018 Weekly Oscar Predictions: September 27th Edition

As my weekly Oscar predictions roll along, I finally had a week not loaded with festival news and screenings. As you can see, placements in the major categories don’t have quite as much volatility this week.

That said, there was news. Of the few contenders that haven’t screened, it was announced that On the Basis of Sex will open this year’s AFI Fest in November and that Mary Queen of Scots will close it. Their inclusion in the fest bumps their stock up a bit in my rankings this time around. Of course, it won’t be until they screen that we know the real story.

In other developments related to my rankings:

  • Yalitza Aparicio (Roma) overtakes Viola Davis (Widows) for the five-spot in Best Actress.
  • Additionally in Best Actress, Glenn Close (The Wife) now holds the #1 predicted slot over Lady Gaga (A Star Is Born).
  • In Best Adapted Screenplay, the five predicted pictures remain the same. However, BlackKlansman and If Beale Street Could Talk now hold the 1-2 spots over A Star Is Born and First Man.
  • Ben Foster (Leave No Trace) will apparently be campaigned for in lead Actor and not Supporting so that change has been reflected in my estimates.

Let’s get to it!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. First Man (PR: 3)

4. Green Book (PR: 5)

5. The Favourite (PR: 4)

6. BlacKkKlansman (PR: 7)

7. If Beale Street Could Talk (PR: 6)

8. Black Panther (PR: 8)

9. Vice (PR: 9)

Other Possibilities:

10. Can You Ever Forgive Me? (PR: 10)

11. Widows (PR: 12)

12. Boy Erased (PR: 11)

13. Crazy Rich Asians (PR: 18)

14. The Ballad of Buster Scruggs (PR: 13)

15. Mary Queen of Scots (PR: 14)

16. Bohemian Rhapsody (PR: 17)

17. The Sisters Brothers (PR: 15)

18. At Eternity’s Gate (PR: 19)

19. On the Basis of Sex (PR: 23)

20. Mary Poppins Returns (PR: 21)

21. Leave No Trace (PR: 25)

22. Eighth Grade (PR: 24)

23. Beautiful Boy (PR: 20)

24. The Front Runner (PR: 16)

25. Stan and Ollie (PR: 22)

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Damien Chazelle, First Man (PR: 3)

3. Bradley Cooper, A Star Is Born (PR: 2)

4. Yorgos Lanthimos, The Favourite (PR: 4)

5. Spike Lee, BlacKkKlansman (PR: 5)

Other Possibilities:

6. Barry Jenkins, If Beale Street Could Talk (PR: 6)

7. Peter Farrelly, Green Book (PR: 7)

8. Ryan Coogler, Black Panther (PR: 8)

9. Adam McKay, Vice (PR: 9)

10. Marielle Heller, Can You Ever Forgive Me? (PR: 10)

11. Steve McQueen, Widows (PR: 12)

12. Jacques Audiard, The Sisters Brothers (PR: 11)

13. Joel Edgerton, Boy Erased (PR: 14)

14. Joel and Ethan Coen, The Ballad of Buster Scruggs (PR: 13)

15. Josie Rourke, Mary Queen of Scots (PR: 15)

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Ryan Gosling, First Man (PR: 2)

3. Willem Dafoe, At Eternity’s Gate (PR: 3)

4. Viggo Mortensen, Green Book (PR: 4)

5. Christian Bale, Vice (PR: 5)

Other Possibilities:

6. Rami Malek, Bohemian Rhapsody (PR: 8)

7. Robert Redford, The Old Man & The Gun (PR: 6)

8. Lucas Hedges, Boy Erased (PR: 10)

9. Steve Carell, Beautiful Boy (PR: 7)

10. Ethan Hawke, First Reformed (PR: 11)

11. Ben Foster, Leave No Trace (PR: Not Ranked – moved from Supporting Actor)

12. John C. Reilly, The Sisters Brothers (PR: 13)

13. John David Washington, BlacKkKlansman (PR: 12)

14. Hugh Jackman, The Front Runner (PR: 9)

15. Chadwick Boseman, Black Panther (PR: 14)

Dropped Out:

Joaquin Phoenix, You Were Never Really Here

Best Actress

1. Glenn Close, The Wife (PR: 2)

2. Lady Gaga, A Star Is Born (PR: 1)

3. Olivia Colman, The Favourite (PR: 3)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Yalitza Aparicio, Roma (PR: 6)

Other Possibilities:

6. Viola Davis, Widows (PR: 5)

7. Felicity Jones, On the Basis of Sex (PR: 10)

8. Saoirse Ronan, Mary Queen of Scots (PR: 11)

9. Nicole Kidman, Destroyer (PR: 7)

10. Julia Roberts, Ben Is Back (PR: 9)

11. Toni Collette, Hereditary (PR: 8)

12. Emily Blunt, Mary Poppins Returns (PR: 13)

13. Kiki Layne, If Beale Street Could Talk (PR: 12)

14. Carey Mulligan, Wildlife (PR: Not Ranked)

15. Keira Knightley, Colette (PR: 15)

Dropped Out:

Elsie Fisher, Eighth Grade

Best Supporting Actor

1. Timothee Chalamet, Beautiful Boy (PR: 1)

2. Mahershala Ali, Green Book (PR: 2)

3. Richard E. Grant, Can You Ever Forgive Me? (PR: 4)

4. Sam Elliot, A Star Is Born (PR: 3)

5. Daniel Kaluuya, Widows (PR: 5)

Other Possibilities:

6. Adam Driver, BlacKkKlansman (PR: 7)

7. Michael B. Jordan, Black Panther (PR: 9)

8. Sam Rockwell, Vice (PR: 8)

9. Nicholas Hoult, The Favourite (PR: 6)

10. John C. Reilly, Stan and Ollie (PR: 11)

11. Russell Crowe, Boy Erased (PR: 10)

12. Armie Hammer, On the Basis of Sex (PR: 12)

13. Jason Clarke, First Man (PR: 14)

14. Steve Carell, Vice (PR: Not Ranked)

15. Oscar Isaac, At Eternity’s Gate (PR: 15)

Dropped Out:

Ben Foster, Leave No Trace (moved to Lead Actor)

Best Supporting Actress

1. Claire Foy, First Man (PR: 1)

2. Regina King, If Beale Street Could Talk (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Amy Adams, Vice (PR: 5)

Other Possibilities:

6. Nicole Kidman, Boy Erased (PR: 6)

7. Natalie Portman, Vox Lux (PR: 8)

8. Sissy Spacek, The Old Man & The Gun (PR: 9)

9. Michelle Yeoh, Crazy Rich Asians (PR: 7)

10. Margot Robbie, Mary Queen of Scots (PR: 13)

11. Marina de Tavira, Roma (PR: 11)

12. Elizabeth Debicki, Widows (PR: 10)

13. Thomasin McKenzie, Leave No Trace (PR: 14)

14. Kathy Bates, On the Basis of Sex (PR: Not Ranked)

15. Linda Cardellini, Green Book (PR: 12)

Dropped Out:

Maura Tierney, Beautiful Boy

Best Adapted Screenplay

1. BlacKkKlansman (PR: 3)

2. If Beale Street Could Talk (PR: 4)

3. A Star Is Born (PR: 1)

4. First Man (PR: 2)

5. Can You Ever Forgive Me? (PR: 5)

Other Possibilities:

6. Leave No Trace (PR: 15)

7. Widows (PR: 6)

8. Crazy Rich Asians (PR: 8)

9. Boy Erased (PR: 7)

10. Black Panther (PR: 9)

11. Mary Queen of Scots (PR: 14)

12. The Sisters Brothers (PR: 12)

13. Disobedience (PR: 13)

14. The Front Runner (PR: 10)

15. Beautiful Boy (PR: 11)

Best Original Screenplay

1. The Favourite (PR: 1)

2. Green Book (PR: 3)

3. Roma (PR: 2)

4. Eighth Grade (PR: 5)

5. Vice (PR: 4)

Other Possibilities:

6. First Reformed (PR: 6)

7. On the Basis of Sex (PR: 14)

8. A Quiet Place (PR: 8)

9. The Ballad of Buster Scruggs (PR: 7)

10. Ben Is Back (PR: 12)

11. Stan and Ollie (PR: 9)

12. At Eternity’s Gate (PR: 10)

13. Bohemian Rhapsody (PR: 11)

14. Hereditary (PR: 13)

15. Sorry to Bother You (PR: 15)