Tag: Inside Out

97th Academy Awards Predictions: June 23rd Edition

It has been two weeks since my previous Oscar predictions in the eight major categories of Picture, Director, the four acting derbies, and the two screenplay competitions.

Perhaps the biggest development in that time frame (nothing really significant happened via the Tribeca Film Festival) is the massive box office performance for Disney/Pixar’s Inside Out 2. Not only did it land the second highest animated feature debut of all time, it just scored the biggest second weekend ($100 million) for its genre in history. As it is easily exceeding expectations at multiplexes, could it sneak into the Best Picture race?

I doubt it. There have only been 3 animated pics up for the grand prize (all Disney): 1991’s Beauty and the Beast, 2009’s Up, and 2010’s Toy Story 3. You’ll notice that 2015’s Inside Out is not on the list and it garnered stronger reviews than its sequel. Part 2 is a shoo-in for an Animated Feature nom and it could even make an appearance in Adapted Screenplay (though you’ll see its toward the bottom of my hopefuls).

As far as rankings, there is movement to discuss. I’ve vaulted Amy Adams to #1 in my Best Actress quintet for Nightbitch. It was announced earlier this week that it will screen at the Toronto Film Festival in September and that Adams will receive the Tribute Performer Award while there. Other recent takers of that prize are Joaquin Phoenix (Joker), Anthony Hopkins (The Father), Jessica Chastain (The Eyes of Tammy Faye), and Brendan Fraser (The Whale). Wanna take a wild guess what they all have in common?

Oh… there’s more. I am now putting Sing Sing atop the charts for Best Picture over Steve McQueen’s Blitz. The buzz for the former has been steady since its Toronto unveiling in 2023 and it sounds like the type of crowdpleaser that the Academy could eat up. Like CODA from 2021, it could be a BP recipient where its director fails to get nominated. Speaking of that category, I’m elevating Denis Villeneuve to the top spot for Dune: Part Two over McQueen.

You can read all the movement below and I’ll have another update posted in two weeks!

Best Picture

Predicted Nominees:

1. Sing Sing (Previous Ranking: 4) (+3)

2. Dune: Part Two (PR: 2) (E)

3. Blitz (PR: 1) (-2)

4. Conclave (PR: 3) (-1)

5. Anora (PR: 5) (E)

6. Queer (PR: 6) (E)

7. Emilia Pérez (PR: 7) (E)

8. The Seed of the Sacred Fig (PR: 10) (+2)

9. The Piano Lesson (PR: 9) (E)

10. The End (PR: 8) (-2)

Other Possibilities:

11. Nightbitch (PR: 15) (+4)

12. Joker: Folie à Deux (PR: 11) (-1)

13. The Apprentice (PR: 12) (-1)

14. A Real Pain (PR: 18) (+4)

15. The Fire Inside (PR: 17) (+2)

16. Nickel Boys (PR: 14) (-2)

17. His Three Daughters (PR: 13) (-4)

18. The Room Next Door (PR: Not Ranked)

19. Maria (PR: 16) (-3)

20. Here (PR: 23) (+3)

21. All We Imagine as Light (PR: 22) (+1)

22. Hit Man (PR: 19) (-3)

23. Dídi (PR: 20) (-3)

24. Gladiator II (PR: 25) (+1)

25. Nosferatu (PR: Not Ranked)

Dropped Out:

Bird

Kinds of Kindness

Best Director

Predicted Nominees:

1. Denis Villeneuve, Dune: Part Two (PR: 2) (+1)

2. Steve McQueen, Blitz (PR: 1) (-1)

3. Edward Berger, Conclave (PR: 3) (E)

4. Sean Baker, Anora (PR: 4) (E)

5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 5) (E)

Other Possibilities:

6. Jacques Audiard, Emilia Pérez (PR: 6) (E)

7. Greg Kwedar, Sing Sing (PR: 10) (+3)

8. Luca Guadagnino, Queer (PR: 7) (-1)

9. Joshua Oppenheimer, The End (PR: 8) (-1)

10. Marielle Heller, Nightbitch (PR: 13) (+3)

11. Todd Phillips, Joker: Folie à Deux (PR: 9) (-2)

12. Malcolm Washington, The Piano Lesson (PR: 11) (-1)

13. Payal Kapadia, All We Imagine as Light (PR: 12) (-1)

14. Pedro Almodóvar, The Room Next Door (PR: Not Ranked)

15. Ridley Scott, Gladiator II (PR: 15) (E)

Dropped Out:

Pablo Larrain, Maria

Best Actress

Predicted Nominees:

1. Amy Adams, Nightbitch (PR: 3) (+2)

2. Angelina Jolie, Maria (PR: 1) (-1)

3. Mikey Madison, Anora (PR: 2) (-1)

4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)

5. Saoirse Ronan, The Outrun (PR: 5) (E)

Other Possibilities:

6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)

7. Natasha Lyonne, His Three Daughters (PR: 7) (E)

8. Tilda Swinton, The Room Next Door (PR: Not Ranked)

9. Ryan Destiny, The Fire Inside (PR: 10) (+1)

10. Tilda Swinton, The End (PR: 8) (-2)

11. Marianne Jean-Baptiste, Hard Truths (PR: 9) (-2)

12. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (-1)

13. Tessa Thompson, Hedda (PR: Not Ranked)

14. Zendaya, Challengers (PR: 12) (-2)

15. Florence Pugh, We Live in Time (PR: 13) (-2)

Dropped Out:

Noemie Merlant, Emmanuelle

Demi Moore, The Substance

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing (PR: 1) (E)

2. Ralph Fiennes, Conclave (PR: 2) (E)

3. Daniel Craig, Queer (PR: 3) (E)

4. André Holland, The Actor (PR: 4) (E)

5. Sebastian Stan, The Apprentice (PR: 5) (E)

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (+1)

7. John David Washington, The Piano Lesson (PR: 8) (+1)

8. Jesse Plemons, Kinds of Kindness (PR: 9) (+1)

9. Paul Bettany, The Collaboration (PR: Not Ranked)

10. Glen Powell, Hit Man (PR: 6) (-4)

11. Sebastian Stan, A Different Man (PR: 11) (E)

12. Tom Hanks, Here (PR: 14) (+2)

13. Andrew Garfield, We Live in Time (PR: 13) (E)

14. Paul Mescal, Gladiator II (PR: 15) (+1)

15. Jesse Eisenberg, A Real Pain (PR: Not Ranked)

Dropped Out:

George MacKay, The End

Kingsley Ben-Adir, Bob Marley: One Love

Best Supporting Actress

Predicted Nominees:

1. Isabella Rossellini, Conclave (PR: 1) (E)

2. Zoe Saldaña, Emilia Pérez (PR: 3) (+1)

3. Danielle Deadwyler, The Piano Lesson (PR: 5) (+2)

4. Aunjanue Ellis-Taylor, Nickel Boys (PR: 4) (E)

5. Saoirse Ronan, Blitz (PR: 2) (-3)

Other Possibilities:

6. Carrie Coon, His Three Daughters (PR: 7) (+1)

7. Lesley Manville, Queer (PR: 10) (+3)

8. Valeria Golino, Maria (PR: 6) (-2)

9. Julianne Moore, The Room Next Door (PR: Not Ranked)

10. Joan Chen, Dídi (PR: 8) (-2)

11. Elizabeth Olsen, His Three Daughters (PR: 12) (+1)

12. Selena Gomez, Emilia Pérez (PR: Not Ranked)

13. Erin Kellyman, Blitz (PR: 15) (+2)

14. Toni Collette, Juror No. 2 (PR: 13) (-1)

15. Catherine Keener, Joker: Folie à Deux (PR: 11) (-4)

Dropped Out:

Emily Watson, Small Things like These

Naomi Watts, Emmanuelle

Best Supporting Actor

Predicted Nominees:

1. Clarence Maclin, Sing Sing (PR: 1) (E)

2. Samuel L. Jackson, The Piano Lesson (PR: 2) (E)

3. Stanley Tucci, Conclave (PR: 3) (E)

4. Kieran Culkin, A Real Pain (PR: 4) (E)

5. Brian Tyree Henry, The Fire Inside (PR: 5) (E)

Other Possibilities:

6. Jeremy Strong, The Apprentice (PR: 6) (E)

7. John Lithgow, Conclave (PR: 8) (+1)

8. Drew Starkey, Queer (PR: 7) (-1)

9. Adam Pearson, A Different Man (PR: 9) (E)

10. Michael Shannon, The End (PR: 10) (E)

11. Denzel Washington, Gladiator II (PR: Not Ranked)

12. Harris Dickinson, Blitz (PR: 11) (-1)

13. Scoot McNairy, Nightbitch (PR: Not Ranked)

14. Stephen Graham, Blitz (PR: 12) (-2)

15. Barry Keoghan, Bird (PR: 14) (-1)

Dropped Out:

Brendan Gleeson, Joker: Folie à Deux

Javier Bardem, Dune: Part Two

Best Original Screenplay

Predicted Nominees:

1. Anora (PR: 1) (E)

2. Blitz (PR: 2) (E)

3. The End (PR: 4) (+1)

4. The Seed of the Sacred Fig (PR: 3) (-1)

5. A Real Pain (PR: 8) (+3)

Other Possibilities:

6. Emilia Pérez (PR: 7) (+1)

7. His Three Daughters (PR: 5) (-2)

8. The Room Next Door (PR: Not Ranked)

9. Hard Truths (PR: 6) (-3)

10. Kinds of Kindness (PR: 10) (E)

11. The Apprentice (PR: 9) (-2)

12. Dídi (PR: 14) (+2)

13. Maria (PR: 13) (E)

14. Challengers (PR: 12) (-2)

15. All We Imagine as Light (PR: 11) (-4)

Dropped Out:

We Live in Time

Best Adapted Screenplay

Predicted Nominees:

1. Conclave (PR: 1) (E)

2. Sing Sing (PR: 3) (+1)

3. Queer (PR: 2) (-1)

4. The Piano Lesson (PR: 4) (E)

5. Nightbitch (PR: 8) (+3)

Other Possibilities:

6. Dune: Part Two (PR: 6) (E)

7. Nickel Boys (PR: 7) (E)

8. Hit Man (PR: 5) (-3)

9. Joker: Folie à Deux (PR: 9) (E)

10. The Fire Inside (PR: 10 (E)

11. The Collaboration (PR: 13) (+2)

12. Here (PR: 11) (-1)

13. Inside Out 2 (PR: Not Ranked)

14. Gladiator II (PR: 14) (E)

15. The Actor (PR: 12) (-3)

Dropped Out:

Small Things like These

Oscar Predictions: The Imaginary

2024 has been quite a year for imaginary friends onscreen with horror pic Imaginary and John Krasinski’s family feature IF already out. We can soon add The Imaginary to the stateside mix when it releases on Netflix starting July 5th. Japan’s animated fantasy comes from Yoshiaki Nishimura. He is no stranger to Academy attention. 2014’s The Tale of the Princess Kaguya was nominated for Best Animated Feature. Same goes for When Marnie Was There which was up the following year. They lost to Big Hero 6 and Inside Out, respectively.

It was out in its home country last December, but the summer streaming bow would put this in contention for the upcoming Oscars. Reviews are fresh enough at 95% on Rotten Tomatoes. With a push from Netflix, it could make a play for the quintet of hopefuls. A win seems out of reach (there’s that Inside Out sequel for one). Yet a nomination seems realistic. My Oscar Prediction posts will continue…

June 21-23 Box Office Predictions

**Blogger’s Update (06/20): We have yet to even see a theater count for The Exorcism so I’m downgrading my estimate from $6.2 million to $3.2 million

The Bikeriders and The Exorcism enter a marketplace in which Inside Out 2 greatly exceeded expectations last weekend. The summer box office is finally looking up, but the two new entries could struggle for exposure. My detailed prediction posts on them can be accessed here:

The Bikeriders Box Office Prediction
The Exorcism Box Office Prediction

There’s no doubt that Inside Out 2 will be perched in 1st for a second weekend. A high 30s to low 40s decline would put it in the low to mid 90s. A sequel in its third frame – Bad Boys: Ride or Die – should remain in the runner-up slot with a mid 30s to 40% ease.

Now we get to the newbies. With decent reviews and the star power of Austin Butler, Tom Hardy, and Jodie Comer, The Bikeriders could still sputter with a third place showing. I think the big question is whether it reaches double digits and I have it barely accomplishing that minor goal.

As for The Exorcism, Russell Crowe’s second horror pic in as many years dealing with the subject matter probably won’t reach the $10 million that The Pope’s Exorcist did in April of 2023.

The five spot may go to holdover Kingdom of the Planet of the Apes in its seventh week of release and here’s how I have the high five playing out:

1. Inside Out 2

Predicted Gross: $93.6 million

2. Bad Boys: Ride or Die

Predicted Gross: $21.3 million

3. The Bikeriders

Predicted Gross: $10.5 million

4. Kingdom of the Planet of the Apes

Predicted Gross: $4.1 million

5. The Exorcism

Predicted Gross: $3.2 million

Box Office Results (June 14-16)

Disney/Pixar were feeling all the happy emotions as Inside Out 2 blasted past forecasts for the 2nd best animated opening of all time. That would also be the 2nd largest Pixar haul behind record holder Incredibles 2. The sequel to the 2015 Oscar winning blockbuster posted $154.2 million, way beyond my $92.4 million call. It’s also the biggest 2024 premiere thus far.

Bad Boys: Ride or Die only fell 40% after its huge start with $33.7 million, riding past my $29.8 million take. The fourth entry in the three-decade old franchise has amassed $113 million.

Kingdom of the Planet of the Apes actually rose 2% to $5.5 million in third, dwarfing my $3.1 million projection as this sequel’s six-week tally is $158 million.

The over performance of Inside Out 2 caused other family friendly titles to plummet. The Garfield Movie was fourth with $4.7 million (I said $6.1 million) for $78 million in four weeks. IF was fifth with $3.6 million (I said $4.9 million) for $101 million in five weeks.

Finally, The Watchers was sixth in its sophomore frame with $3.5 million compared to my $2.9 million prediction. The two-week total is $13 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Inside Out 2

Of the 23 Best Animated Feature Oscar winners (the category didn’t start until 2001), Disney/Pixar has taken 11 of them. The Mouse Factory itself has picked up an additional four through their traditionally animated tales. One of the Pixar winners is 2015’s Inside Out and the sequel is out this weekend. Kelsey Mann makes his directorial debut with a voice cast including Amy Poehler, Phyllis Smith, Lewis Black, Tony Hale, Liza Lapira, Maya Hawke, Ayo Edebiri, Adéle Exarchopoulos, Paul Walter Hauser, Kensington Tallman, Diane Lane, and Kyle MacLachlan.

Due to Disney and Pixar’s aforementioned track record, it’s no surprise that Inside Out 2 was the frontrunner for gold sight unseen. With the review embargo lifted, is that still true? Probably, but it’s not a slam dunk.

Reviews are unsurprisingly positive with a 91% RT score. Some of the reaction has critics in their feels as they say it’s on par with the original that managed a 98% Fresh rating. Other write-ups, while mainly of the thumbs up variety, say it doesn’t match its predecessor.

Disney has lost the Academy’s animated prize for two years running. In 2022, Guillermo del Toro’s Pinocchio defeated Turning Red. Last year, The Boy and the Heron flew by Elemental. If the Oscars were held today, Inside Out 2 would likely emerge victorious. However, the year is only half over and other contenders are hoping to challenge it in the months to come. My Oscar Prediction posts will continue…

June 14-16 Box Office Predictions

Disney/Pixar looks to dominate the box office charts in a way they haven’t for some time with Inside Out 2. The sequel to the 2015 hit is the only newcomer in the marketplace and you can peruse my detailed prediction post on it here:

Inside Out 2 Box Office Prediction

After some fairly underwhelming grosses for the studio, Out could exceed the $90 million premiere achieved by its predecessor nine summers ago. I have it just doing so for what would be the fifth largest Pixar opening in its nearly three decade history.

Bad Boys: Ride or Die got off to a sizzling start (more on that below) and a mid to high 40s decline would have it in the $30 million range for its sophomore outing.

Spots 3 and 4 are likely to be a family friendly zone with The Garfield Movie and IF. Both will probably see slightly heftier declines than this past weekend considering the Mouse Factory competition.

Ishana Night Shyamalan’s horror debut The Watchers failed to attract genre viewers and I suspect its second weekend will see a dip in the 60% region. That could mean Kingdom of the Planet of the Apes stays in fifth with The Watchers in sixth.

Here’s how I see it playing out:

1. Inside Out 2

Predicted Gross: $92.4 million

2. Bad Boys: Ride or Die

Predicted Gross: $29.8 million

3. The Garfield Movie

Predicted Gross: $6.1 million

4. IF

Predicted Gross: $4.9 million

5. Kingdom of the Planet of the Apes

Predicted Gross: $3.1 million

6. The Watchers

Predicted Gross: $2.9 million

Box Office Results (June 7-9)

Will Smith can breathe a sigh of relief as Bad Boys: Ride or Die topped estimates with a boisterous $56.5 million. While that’s under the $62 million that 2020 predecessor Bad Boys for Life achieved, it’s still an impressive number considering this summer of underachievers. I didn’t give it enough credit with a $47.3 million forecast. For Smith, it’s a sign that moviegoers are willing to shell out their bucks after The Slap. Don’t be surprised to see him and Martin Lawrence back for a fifth adventure.

The Garfield Movie was second with a meager 29% slide at $10 million, ahead of my $8.9 million call. The three-week total is $68 million as it hopes to reach $100 million domestically.

IF only fell 25% for third at $7.8 million, in range with my $7.4 million projection. It is approaching nine digits with $93 million after four weeks.

The aforementioned The Watchers couldn’t capitalize on the Shyamalan family name as poor reviews sunk it. The gross was just $7 million for fourth compared to my $10.2 million estimate.

Kingdom of the Planet of the Apes rounded out the top five with $5.4 million (I said $6 million) for five-week earnings of $149 million.

Lastly, Furiosa: A Mad Max Saga plummeted another 61% in sixth with $4.2 million. I was kinder at $5.7 million as the prequel has only hit $58 million after three weeks.

And that does it for now, folks! Until next time…

Inside Out 2 Box Office Prediction

Disney/Pixar hope for a reversal of recent fortunes when Inside Out 2 arrives in theaters June 14th. A sequel to the 2015 megahit Animated Feature Oscar winner, Kelsey Mann takes over directorial duties from Pete Docter. Returning voices include Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan. Replacing Bill Hader from the original is Tony Hale while Liza Lapira, Maya Hawke, Ayo Edebiri, Adéle Exarchopoulos, Paul Walter Hauser, and Kensington Tallman as the now teenage Riley join the cast.

Nine summers ago, the original made $90 million in its premiere frame with an eventual domestic tally of $356 million. That stands as the fifth largest opening of all time for Pixar and the sixth heftiest overall final take.

As mentioned, the studio has dealt with its own emotional rollercoasters as of late. 2022’s Lightyear was a high profile flop with a lowly (for Pixar) $118 million total. Last summer, Elemental fared better with $154 million while that’s still a ways from their typical numbers.

This sequel should brighten their emotions. Part 1 is well-regarded and family audiences should be primed for a second helping. Estimates have this making around what the predecessor accomplished out of the gate. It might manage slightly more. Each Toy Story, for instance, improved with the first weekend figures. Incredibles 2 and Finding Dory dwarfed the starts of their precursors.

I’ll go glass half full and say this just manages to outdo the original while not reaching nine digits in its first three days.

Inside Out 2 opening weekend prediction: $92.4 million

Oscar Predictions: Orion and the Dark

Orion and the Dark is streaming as of today on Netflix. Produced by DreamWorks Animation and marking the directorial debut of Sean Charmatz, the animated fantasy deals with themes of existentialism and fear. This is not too surprising considering the script comes from Charlie Kaufman, adapting Emma Yarlett’s children’s book. The voice cast includes Jacob Tremblay, Colin Hanks, Paul Walter Hauser, Angela Bassett, Ike Barinholtz, Natasia Demetriou, Nat Faxon, Carla Gugino, and Werner Herzog.

Kaufman is no stranger to the genre. He wrote and directed 2015’s Anomalisa. That critically acclaimed effort was up for Animated Feature at the Oscars, ultimately losing to Pixar’s Inside Out. Netflix knows how to get their animated material awards attention. Recent nominees include The Mitchells vs. the Machines, The Sea Beast, the victorious Guillermo del Toro’s Pinocchio, and Nimona.

Orion is getting a warm reception so far with 88% on Rotten Tomatoes. We don’t know yet what this category’s landscape will look like several months down the road. However, I wouldn’t underestimate the chances for this to make it in. My Oscar Prediction posts will continue…

AFI Top Ten Predictions 2022

The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.

Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.

So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.

It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out, Star Wars: The Force Awakens, and Straight Outta Compton.

Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.

We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.

I’ll have a recap up tomorrow with commentary and how I did!

AFI Top Predictions

Avatar: The Way of Water

Babylon

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Guillermo del Toro’s Pinocchio

Top Gun: Maverick

The Woman King

Women Talking

2020 AFI Top 10 Films Predictions

The American Film Institute will announce their top 10 pictures of the year tomorrow and it’s usually a safe predictor of half or more of the films that will land Best Picture nods at the Oscars. Over the past five years, the magic number has been 7 of the AFI selections getting Oscar love in the big race. That holds true for 2016, 2017, and 2019. In 2015 – it was 6. In 2018- it was 5.

So where do we stand this year? My overall estimates keep the estimated AFI number at 7 for my current Best Picture hopefuls (which could and probably will change). It is worth noting that for the previous two years, there’s a bit of an asterisk. Being that it’s the American Film Institute, foreign selections are ineligible. Due to this, surefire Oscar contenders Roma and Parasite didn’t qualify. This would apply in 2020 to The Father which is a British production.

As for the matches, they are as follows: Ma Rainey’s Black Bottom, Mank, Minari, News of the World, Nomadland, One Night in Miami, and The Trial of the Chicago 7.

Now for the differences. AFI has shown a Disney love recently that the Academy did not share. AFI nominated Inside Out, Zootopia, and Mary Poppins Returns over the last five years with Oscar not following suit. Therefore I’m saying Pixar’s Soul makes the AFI cut.

The other two are critical favorites that (at press time) I have just missing Oscar’s cut: Promising Young Woman and Sound of Metal. This means the three pics I have getting Oscar’s attention and not from AFI are Da 5 Bloods, The Father, and Judas and the Black Messiah.

What else could surprise? I would not be shocked to see Borat Subsequent Moviefilm make AFI’s list. If they don’t choose that comedy, there’s a lesser chance that Palm Springs could show up. AFI has also selected some blockbusters that Oscar ignored as of late. Examples include Knives Out, A Quiet Place, Wonder Woman, and Star Wars: The Force Awakens. However, due to COVID in 2020, there’s just not a huge list of those types of contenders. Could Tenet sneak in? Doubtful.

Others that could be sleepers are First Cow, Pieces of a Woman, Malcolm & Marie, and Hillbilly Elegy, but here’s my take on what AFI does tomorrow:

AFI TOP TEN LIST PREDICTIONS

Ma Rainey’s Black Bottom

Mank

Minari

News of the World

Nomadland

One Night in Miami

Promising Young Woman

Soul

Sound of Metal

The Trial of the Chicago 7

Oscar Watch: Soul

Disney/Pixar’s second 2020 release Soul has long been seen as their most viable Oscar contender over this spring’s Onward. Today’s buzz after it held the first screening at the London Film Festival confirms that. The jazz infused tale from Pete Docter and Kemp Powers is being called two familiar adjectives in the studio’s lexicon – heartfelt and crowd pleasing. Soul, after experiencing delays due to the COVID pandemic, is slated for a Disney+ debut on Christmas Day.

Featuring the voices of Jamie Foxx, Tina Fey, Questlove, Phylicia Rashad, Daveed Diggs, and Angela Bassett, several reviews are already claiming it’s in the upper echelon of Pixar pics. Docter is no stranger to Academy love. All three of his directorial efforts – Monsters Inc., Up, Inside Out – were nominated for Best Animated Feature. The latter two emerged victorious and Up is one of three animated flicks to achieve a Best Picture nomination.

The question is not whether Soul will make the final cut in Animated Feature. It absolutely will and it’s absolutely the strong front runner to win. A better debate is whether this is the fourth animated effort to contend for the big prize. I don’t believe that’s automatic. Inside Out also garnered sterling critical reaction in 2015 and fell short of that achievement. However, Soul has solidified its position as a legit hopeful.

Additionally, expect Best Sound and the Original Score by Trent Reznor and Atticus Ross to be in the mix. Bottom line: Soul helped it cause to play beyond Animated Feature. My Oscar Watch posts will continue…