Tag Archives: Tom Hardy

Venom Box Office Prediction

Sony Pictures hopes to kick off a franchise and set an October opening record next weekend when Venom debuts. The picture’s namesake is an anti-hero spawned from the Spider-Man comics. Moviegoers first saw him in the form of Topher Grace in SpiderMan 3. That rendering of the character didn’t sit too well with comic book aficionados.

The studio hopes this version changes that. Ruben Fleischer, best known for Zombieland, serves behind the camera. Playing Venom and his alter ego Eddie Brock is Tom Hardy. Costars include Michelle Williams, Riz Ahmed, Scott Haze, Reid Scott, Jenny Slate, and Woody Harrelson.

Sequels and spin-offs are hoped for and the marketing campaign has been pervasive. The reaction to trailers has been mostly positive, but word is that reviews won’t be published until the day before release. That’s not always a good sign. Similar buzz greeted Suicide Squad (among others) and it managed to meet expectations and gross $133 million in its first weekend. That stands as the largest August debut ever.

The correlation is that Venom could do the same in October, but estimates aren’t as high here. This is expected to gross between $60-$70 million. Even if it reached the low-end of that spectrum, this would top October record holder Gravity at $55 million. I’ll note that Halloween (out October 19) also stands a solid shot at exceeding that.

My feeling is this will meet projections, but on the lower end of the spectrum. How it performs in subsequent weekends will be dependent on buzz and that may be the biggest indicator on whether Sony gets its longed for cinematic universe.

Venom opening weekend prediction: $62.5 million

For my A Star Is Born prediction, click here:

https://toddmthatcher.com/2018/09/25/a-star-is-born-box-office-prediction/

Dunkirk Movie Review

Christopher Nolan’s Dunkirk has moments and plenty of them which are simply breathtaking. We expect the director of The Dark Knight trilogy, Inception, and Interstellar to serve up a visual treat as he enters the war genre and he does. Yet I didn’t quite anticipate occasional moments of emotional resonance and the tight running time that keeps it moving at a brisk pace. This is an often epic experience in a truncated frame. That decision by the director and his editors allow Dunkirk to capture the fierce urgency of warfare told from three perspectives.

The film recounts the Battle of Dunkirk in Northern France in 1940. The British and their French allies are on the losing side of this particular conflict with the Nazis and evacuation plans are underway. Nolan chooses not to tell the events in a traditional or linear manner. Three stories are highlighted – by land, sea, and air. I list them in that manner because the land piece develops over a week’s time. Our action on the water happens in a day. The air portion is a matter of just an hour.

On land, we meet a number of soldiers desperately searching for escape while trying to help their wounded fellow countrymen. We also listen in on the strategies of the military higher-ups, led by Kenneth Branagh’s sturdy commander.

On the water, Mr. Dawson (Mark Rylance) answers the call to take his own boat to help pick up soldiers from the extraction area. He brings his son (Tom Glynn-Carney) and friend (Barry Keoghan) along with him. On their way to their destination, they come upon a lone soldier (Cillian Murphy) who is experiencing shock from a U-boat attack.

In the air, Tom Hardy’s Air Force pilot and two fellow fighters must furiously try to down Nazi planes bombing those waiting in the evacuation region, while keeping an eye on their own fuel.

All of this activity unfolds in just over 100 minutes in a picture you’d expect to run closer to three hours. Character development is at a minimum but that’s not a demerit. Dunkirk captures the hectic nature, uncertainty, and chaos of war. With Nolan at the helm and cinematographer Hoyte van Hoytema behind the lense, it’s also filled with beautiful imagery on a beach filled with soldiers, on the expansive ocean, and in the clouds. The screenplay gives us just enough focus on its characters to make certain situations emotionally resonant. This especially holds true with the sea portion and Rylance’s determined skipper and Murphy’s battle weary soldier.

The time jumping element is one that would make Tarantino proud. That aspect adds an often fresh perspective to the well-worn WWII genre and its glorious and inglorious tales. By its conclusion, we marvel at personal acts by humans caught up in impossible situations in the fog of battle. In a week, a day, and an hour, Dunkirk expertly shows it.

***1/2 (out of four)

Dunkirk Box Office Prediction

Christopher Nolan is one of the few directors whose name can bring in audiences and his box office power will be tested next weekend when Dunkirk lands in theaters. The World War II pic looks to appeal to action fans, as well as adult moviegoers looking for something beyond sequels and reboots. Reviews are embargoed until Monday, but early word of mouth is quite solid. There could be even be Oscar buzz for categories outside of the expected technical nominations it should nab.

The cast is a mix of relative unknowns (Fionn Whitehead, Tom Glynn-Carney, Jack Lowden) and more familiar faces (Tom Hardy, Kenneth Branagh, Cillian Murphy, Mark Rylance). Early forecasts for its opening weekend potential have ranged everywhere from $30 million to possibly $60 million.

My feeling is that it will basically fall between that. Five of Nolan’s last six pictures have made over $45 million out of the gate (the outlier is 2006’s The Prestige). Of course, there’s the Dark Knight trilogy, which doesn’t serve as any sort of fair comparison. The better comps in the director’s filmography are 2010’s Inception and his last effort, 2014’s Interstellar. The former made $62 million and had the benefit of being Nolan’s follow-up to the phenomenon that was 2008’s The Dark Knight. The latter earned $47 million for its start.

I believe Dunkirk will experience a very similar opening to Interstellar with a great chance that it will experience smallish drop-offs in subsequent weekends and play well throughout the month of August.

Dunkirk opening weekend prediction: $44.7 million

For my Valerian and the City of a Thousand Planets prediction, click here:

https://toddmthatcher.com/2017/07/12/valerian-and-the-city-of-a-thousand-planets-box-office-predictions/

For my Girls Trip prediction, click here:

https://toddmthatcher.com/2017/07/12/girls-trip-box-office-prediction/

 

 

The Revenant Movie Review

Chewing scenery.

It’s a movie term used for describing when performers overact. Think Al Pacino or John Travolta over the last 20 years. In Alejandro G. Inarritu’s The Revenant, we can use it differently. The landscapes presented here are a feast for us. They’re stunning. This is a tale of revenge best served cold with wintry scenes of blood soaked beauty.

Set in 1823 in the U.S. territories that later became the Dakotas (though this was mostly filmed in Canada), Leonardo DiCaprio is Hugh Glass, based on a real frontiersman. Along with his half Native American boy Hawk (Forrest Goodluck), widowed Glass is assisting a team of trappers through the rough terrain. The group is attacked and the few survivors includes schemer Fitzgerald (Tom Hardy), who clearly has not taken a liking to Glass and his mixed offspring.

The violent scenes of the trappers being massacred pale in comparison to the grisly scene that soon follows courtesy of a grizzly bear that attacks Glass, pummeling him to within an inch of his life. The surviving crew (including Domhnall Gleeson’s Army captain Andrew Henry and Will Poulter’s noble Jim) do what they can to help him. Fitzgerald has other ideas and his plan leaves Hawk dead and Glass left for dead.

The Revenant follows Glass’s journey back through the wild to find Fitzgerald under hellish conditions. Famously, Inarritu’s production reportedly could have used the same word for its conditions. The pic is shot using only natural light courtesy of master cinematographer Emmanuel Lubezki, who might as well been given his Oscar the day shooting commenced. There’s also little reliance on CG effects. That bear attack looks real. Frighteningly so.

Whatever harsh times Inarritu and his team experienced, the rewards are present onscreen. DiCaprio is one of his generation’s very finest actors and his commitment here is evident. In Mad Max: Fury Road (what a 2015 for Hardy), the actor barely said a word. By contrast, he’s a chatterbox here who’s constantly rationalizing his devious behavior in his Southern drawl. DiCaprio is the quiet one. He grunts more in pain than verbalizing it. Both performances are remarkable.

The unflinching violence comes infrequently in The Revenant, but when it does it is effective and jarring. Yes, the two and a half hour runtime probably could have been trimmed. After all, this is essentially a B movie revenge story told with an A Team of technicians, led by its director. Having said that, it would’ve left less minutes for those landscapes. Those amazing landscapes.

***1/2 (out of four)

 

Todd’s 2015 Oscar Winner Predictions: Round 1

It’s been two days since the Oscar nominations came out, allowing some time to pass to digest what and who is being recognized. After numerous posts prognosticating the nominations, we now arrive at this question: What Will Win??

Today brings my initial round of guesses on the movies and performers that I believe will get their gold statues. I will definitely have a second and final round posted probably two to three days before the February ceremony.

Let’s get to it:

BEST PICTURE

First off, there are four selections that basically should be happy with the nomination: Bridge of Spies, Brooklyn, The Martian, and Room. Mad Max: Fury Road is a major long shot. That leaves a three picture race and indeed it is. Between The Big Short, The Revenant, and Spotlight – this is truly a competitive category this time around. I’m currently giving the ever so slight edge to Spotlight, which has been considered the soft front runner for a while now. Be warned though: the other two are hot on its heels.

PREDICTED WINNER: Spotlight

BEST DIRECTOR

Tom McCarthy’s work in Spotlight could be honored with outside chances for Adam McKay (The Big Short) or George Miller (Mad Max). Lenny Abrahamson’s surprise nomination for Room succeeded in screwing up people’s predictions. He has no chance to win. Yet I’ll go with the Academy honoring Alejandro Gonzalez Inarritu’s direction in The Revenant, just one year after he received the prize for Birdman.

PREDICTED WINNER: Inarritu

BEST ACTOR

We will make this simple: it appears that Leonardo DiCaprio is finally going to win a statue for The Revenant. He is the very heavy favorite and if he doesn’t emerge victorious, it would probably constitute the largest upset of the evening.

PREDICTED WINNER: DiCaprio

BEST ACTRESS

Like lead Actor, there is a front runner here with Brie Larson in Room. Unlike Actor, the possibility for an upset is real with both Charlotte Rampling (45 Years) and Saoirse Ronan. I’ll stick with Larson though. Cate Blanchett (Carol) and Jennifer Lawrence (Joy) seem like non factors.

PREDICTED WINNER: Larson

BEST SUPPORTING ACTOR

This was an incredibly difficult category to predict with about 12 performances in the running. Now that we know the nominees, this is a race ripe for an upset. Any of the five – Christian Bale (The Big Short), Tom Hardy (The Revenant), Mark Ruffalo (Spotlight), Mark Rylance (Bridge of Spies), Sylvester Stallone (Creed) – are feasible recipients. Rylance has won some precursors, but like the Golden Globes, I’ll project that sentimentality wins out with Stallone standing center stage.

PREDICTED WINNER: Stallone

BEST SUPPORTING ACTRESS

No major front runner here but Alicia Vikander had a great year with another heralded role in Ex Machina. I’ll predict her work in The Danish Girl eeks out a win over Rooney Mara (Carol), Jennifer Jason Leigh (The Hateful Eight), Globes winner Kate Winslet (Steve Jobs), and Rachel McAdams (Spotlight).

PREDICTED WINNER: Vikander

BEST ORIGINAL SCREENPLAY

Short and sweet here – Spotlight is the heavy front runner here and I’ll be surprised if it doesn’t win here. I’m much more confident in predicting a victory for it here than in Picture.

PREDICTED WINNER: Spotlight

BEST ADAPTED SCREENPLAY

The Martian or Room have outside shots, but this looks like a win for The Big Short.

PREDICTED WINNER: The Big Short

BEST ANIMATED FEATURE

Anomalisa has its hardcore fans, but Pixar’s Inside Out is the big favorite.

PREDICTED WINNER: Inside Out

BEST FOREIGN FILM

Easy pick. Son of Saul is a huge front runner. Mustang is the only completion.

PREDICTED WINNER: Son of Saul

BEST DOCUMENTARY FEATURE

Amy, chronicling the career of the late singer Amy Winehouse, is the favorite. For now, however, I’m going with an upset pick in the form of Cartel Land.

PREDICTED WINNER: Cartel Land

BEST ORIGINAL SCORE

The legendary John Williams could be in the running for his latest Star Wars score, but I’ll predict the Academy honors another legend: Ennio Morricone for The Hateful Eight.

PREDICTED WINNER: The Hateful Eight

BEST ORIGINAL SONG

Was very surprised to see “See You Again” from Furious 7 snubbed. To me, that would have been the main competition for “Til It Happens To You” from The Hunting Ground, performed by Lady Gaga.

PREDICTED WINNER: “Til It Happens To You” from The Hunting Ground

BEST SOUND EDITING

I believe these sound categories will come down to a battle between Mad Max and Star Wars, with The Revenant as a spoiler. For now, I’m splitting the difference.

PREDICTED WINNER: Star Wars: The Force Awakens

BEST SOUND MIXING

See above.

PREDICTED WINNER: Mad Max: Fury Road

BEST VISUAL EFFECTS

Once again, I see this as a contest between Chewbacca and Max. I’ll give Max the slight edge.

PREDICTED WINNER: Mad Max: Fury Road

BEST PRODUCTION DESIGN

This is another tough one with Mad Max maintaining a small edge over The Revenant and The Martian.

PREDICTED WINNER: Mad Max: Fury Road

BEST CINEMATOGRAPHY

The Hateful Eight stands a chance here, as does Mad Max. However, I believe Emmanuel Lubezki will take home his third Oscar in a row for The Revenant.

PREDICTED WINNER: The Revenant

BEST EDITING

This race often matches Picture and could here with Spotlight. The Big Short, Mad Max, and The Revenant are in the mix. This is practically a coin flip for me right now so don’t be shocked if this changes.

PREDICTED WINNER: The Big Short

BEST MAKEUP AND HAIRSTYLING

Only three nominees here and Mad Max and The Revenant are likely the only two winner possibilities.

PREDICTED WINNER: Mad Max: Fury Road

BEST COSTUME DESIGN

Sandy Powell could split her own vote between Carol and Cinderella. Mad Max and The Danish Girl are in the running, but I’ll go with Powell and her work in Carol.

PREDICTED WINNER: Carol

And there you have it! My first Oscar winner predictions.

 

 

Todd’s FINAL 2015 Oscar Predictions

Here we are folks! After numerous posts prognosticating on what and whom will be nominated for the Academy Awards honoring 2015’s best, we will all collectively find out tomorrow morning. This Oscar season has been filled with much intrigue and a great deal of uncertainty.

Many questions abound:

  • Will the performances of Rooney Mara (Carol) and Alicia Vikander (The Danish Girl) be recognized in lead Actress or Supporting Actress? That query alone makes predicting both of those races tricky this year. I will go with both being recognized in Supporting, but if Oscar voters go lead with one or both, it changes the whole dynamic. There’s also the possibility that Vikander could be honored in Supporting for Ex Machina and not Danish, which adds to the confusion.
  • Will the Academy nominate their first Star Wars pic (The Force Awakens) since the original 38 years ago? It’s already become the highest grossing film of all time and could certainly lead to even more eyeballs watching the telecast. That said, I have it narrowly missing the cut.
  • Will Leonardo DiCaprio finally win the gold statue for his work in The Revenant? Precursor awards including the Golden Globes point to yes. A nomination seems assured.
  • Is Spotlight truly the front runner or not? Many other possibilities are out there for an “upset” win. It is, at best, a soft front runner.
  • I’ll finally note that my predictions reflect a belief that Straight Outta Compton will be shut out. This goes against what several other predictors are saying and many have it being recognized in Best Picture. Another high profile offering that I have coming up empty: Black Mass.

As I’ve done for the last several weeks, I’m listing my predicted nominees and other possibilities in each category by likelihood of being nominated. Just because I have something listed as #1 doesn’t mean I’m predicting it to win (I’ll have my first blog post up predicting the winners this weekend). In parentheses after each entry is how far each predicted nominee/possibility has fallen from my previous predictions last week. On Thursday evening, I’ll have a post up letting you know how well (or not so much) I did.

Let’s get to it, shall we? My FINAL predictions:

Best Picture

As I see it, there are 21 films vying for anywhere from 5-10 spots. The magic number is usually 9 (last year it was 8). I’m going with 9 this year, though I believe 10 is more probable than 8. And strangely enough, my predicted nine has stayed the same over the course of the last month or so. Straight Outta Compton, Sicario, and even The Force Awakens have made some waves of late, but I still have them narrowly missing.

  1. Spotlight (No Change)
  2. The Big Short (No Change)
  3. The Revenant (+3)
  4. Mad Max: Fury Road (-1)
  5. The Martian (No Change)
  6. Carol (+1)
  7. Bridge of Spies (+1)
  8. Room (-4)
  9. Brooklyn (No Change)

Other Possibilities:

10. Straight Outta Compton (No Change)

11. Star Wars: The Force Awakens (No Change)

12. The Hateful Eight (No Change)

13. Sicario (+1)

14. Inside Out (-1)

15. Steve Jobs (+1)

16. Ex Machina (+2)

17. Trumbo (No Change)

18. Beasts of No Nation (-3)

19. Son of Saul (+1)

20. The Danish Girl (-1)

21. Creed (No Change)

Best Director

Tuesday’s Directors Guild of America usually provides a reasonably reliable snap shot of at least three or four of the nominees that will end up being recognized here. Their picks were Tom McCarthy, Ridley Scott, George Miller, Alejandro Gonzalez Inarritu, and Adam McKay. Of those, McKay seems the most vulnerable (with Miller and Scott behind). I’ll keep my prediction for Todd Haynes in and there’s certainly a chance there’s a shocker nominee as we sometimes see in this category.

  1. Tom McCarthy, Spotlight (+1)
  2. Alejandro Gonzalez Inarritu, The Revenant (+1)
  3. Ridley Scott, The Martian (+1)
  4. George Miller, Mad Max: Fury Road (-3)
  5. Todd Haynes, Carol (No Change)

Other Possibilities:

6. Steven Spielberg, Bridge of Spies (+1)

7. Adam McKay, The Big Short (-1)

8. Denis Villenueve, Sicario (+5)

9. Lenny Abrahamson, Room (-1)

10. F. Gary Gray, Straight Outta Compton (+1)

11. John Crowley, Brooklyn (-2)

12. Quentin Tarantino, The Hateful Eight (-2)

13. J.J. Abrams, Star Wars: The Force Awakens (-1)

14. Jay Roach, Trumbo (Previously Unranked)

15. Cary Fukanaga, Beasts of No Nation (-1)

16. Alex Garland, Ex Machina (Previously Unranked)

17. Laszlo Nemes, Son of Saul (-2)

18. Ryan Coogler, Creed (Previously Unranked)

19. Danny Boyle, Steve Jobs (Previously Unranked)

20. Tom Hooper, The Danish Girl (Previously Unranked)

Best Actor

This race is increasingly looking like ‘The Leo Show” with Mr. DiCaprio likely to nab (finally) his first Oscar. Only Leo seems to be a totally safe bet (though it would be a surprise to me if Redmayne and Fassbender don’t get in and probably Cranston too). I would say numbers 5-8 are practically interchangeable while anything 9 or below would be a fairly big surprise.

  1. Leonardo DiCaprio, The Revenant (No Change)
  2. Eddie Redmayne, The Danish Girl (No Change)
  3. Michael Fassbender, Steve Jobs
  4. Bryan Cranston, Trumbo (No Change)
  5. Matt Damon, The Martian (+1)

Other Possibilities:

6. Steve Carell, The Big Short (-1)

7. Will Smith, Concussion (No Change)

8. Johnny Depp, Black Mass (No Change)

9. Ian McKellen, Mr. Holmes (No Change)

10. Michael Caine, Youth (No Change)

11. Michael B. Jordan, Creed (+1)

12. Geza Rohrig, Son of Saul (-1)

Best Actress

As previously discussed, all the rules go out the window if either Rooney Mara or Alicia Vikander are recognized here instead of in Supporting Actress. That said, I feel pretty confident about Larson, Ronan, and Blanchett. The rest? Not so much.

  1. Brie Larson, Room (No Change)
  2. Saoirse Ronan, Brooklyn (No Change)
  3. Cate Blanchett, Carol (No Change)
  4. Jennifer Lawrence, Joy (+1)
  5. Charlotte Rampling, 45 Years (-1)

Other Possibilities:

6. Charlize Theron, Mad Max: Fury Road (+1)

7. Helen Mirren, Woman in Gold (+1)

8. Emily Blunt, Sicario (+3)

9. Blythe Danner, I’ll See You in My Dreams (+1)

10. Sarah Silverman, I Smile Back (-1)

11. Maggie Smith, The Lady in the Van (Previously Unranked)

Best Supporting Actor

Bottom line: I feel like Rylance and Stallone are the only safe bets here. This category has been wide open for quite some time and all 12 performers listed here could get in. Very curious to see how this works out come tomorrow.

  1. Mark Rylance, Bridge of Spies (No Change)
  2. Sylvester Stallone, Creed (+1)
  3. Idris Elba, Beasts of No Nation (-1)
  4. Paul Dano, Love and Mercy (+1)
  5. Christian Bale, The Big Short (-1)

Other Possibilities:

6. Michael Keaton, Spotlight (No Change)

7. Michael Shannon, 99 Homes (No Change)

8. Mark Ruffalo, Spotlight (No Change)

9. Tom Hardy, The Revenant (No Change)

10. Jacob Tremblay, Room (+1)

11. Benicio del Toro, Sicario (-1)

12. Jason Mitchell, Straight Outta Compton (Previously Unranked)

Best Supporting Actress

Rooney Mara and Alicia Vikander seem like safe bets – as long as they’re nominated here and not in Actress. Kate Winslet (fresh off a Globe win) and Jennifer Jason Leigh should play here, too. The fifth slot is truly up for grabs, I feel.

  1. Alicia Vikander, The Danish Girl (No Change)
  2. Rooney Mara, Carol (No Change)
  3. Kate Winslet, Steve Jobs (+1)
  4. Jennifer Jason Leigh, The Hateful Eight (-1)
  5. Helen Mirren, Trumbo (+1)

Other Possibilities:

6. Jane Fonda, Youth (-1)

7. Kristen Stewart, Clouds of Sils Maria (No Change)

8. Rachel McAdams, Spotlight (+1)

9. Joan Allen, Room (-1)

10. Alicia Vikander, Ex Machina (No Change)

11. Elizabeth Banks, Love and Mercy (No Change)

12. Marion Cotillard, MacBeth (Previously Unranked)

Best Original Screenplay

  1. Spotlight (No Change)
  2. Inside Out (No Change)
  3. Bridge of Spies (+1)
  4. The Hateful Eight (-1)
  5. Sicario (+1)

Other Possibilities:

6. Ex Machina (-1)

7. Straight Outta Compton (No Change)

8. Love and Mercy (No Change)

9. Son of Saul (+2)

Best Adapted Screenplay

  1. The Big Short (No Change)
  2. Carol (No Change)
  3. Room (No Change)
  4. Steve Jobs (+1)
  5. Brooklyn (-1)

Other Possibilities:

6. The Martian (No Change)

7. The Revenant (+1)

8. Beasts of No Nation (+1)

9. Trumbo (-2)

10. Mad Max: Fury Road (Previously Unranked)

11. Anomalisa (No Change)

Best Animated Feature

  1. Inside Out (No Change)
  2. Anomalisa (No Change)
  3. Shaun the Sheep Movie (No Change)
  4. Kahlil Gabran’s The Prophet (No Change)
  5. The Peanuts Movie (+1)

Other Possibilities:

6. The Good Dinosaur (-1)

7. When Marnie Was There (No Change)

8. Minions (Previously Unranked)

Best Documentary Feature (First Time Predictions)

  1. Amy
  2. The Look of Silence
  3. Winter on Fire
  4. Going Clear: Scientology and the Prison of Belief
  5. He Named Me Malala

Other Possibilities:

6. Listen to Me Marlon

7. Best of Enemies

8. The Hunting Ground

9. Where to Invade Next

10. Heart of the Dog

Best Foreign Language Film (First Time Predictions)

  1. Son of Saul
  2. Mustang
  3. A War
  4. The Brand New Testament
  5. Embrace of the Serpent

Other Possibilities:

6. The Fencer

7. Labyrinth of Lies

8. Theeb

9. Viva

Best Production Design

  1. The Danish Girl (No Change)
  2. Mad Max: Fury Road (+1)
  3. Bridge of Spies (+1)
  4. Carol (-2)
  5. The Revenant (+4)

Other Possibilities:

6. Brooklyn (-1)

7. The Martian (Previously Unranked)

8. Star Wars: The Force Awakens (+3)

9. The Hateful Eight (-3)

10. Cinderella (-3)

Best Cinematography

  1. The Revenant (No Change)
  2. Mad Max: Fury Road (No Change)
  3. The Hateful Eight (No Change)
  4. Bridge of Spies (+1)
  5. Sicario (-1)

Other Possibilities:

6. Carol (+1)

7. Son of Saul (+2)

8. The Martian (-2)

9. The Assassin (-1)

10. Spotlight (Previously Unranked)

Best Costume Design

  1. The Danish Girl (No Change)
  2. Carol (No Change)
  3. Cinderella (+1)
  4. Brooklyn (-1)
  5. Far from the Madding Crowd (No Change)

Other Possibilities:

6. Mad Max: Fury Road (+6)

7. The Hateful Eight (-1)

8. Suffragette (-1)

9. The Revenant (No Change)

10. Mr. Holmes (Previously Unranked)

Best Editing

  1. Mad Max: Fury Road (No Change)
  2. The Big Short (No Change)
  3. Spotlight (+2)
  4. The Revenant (No Change)
  5. Bridge of Spies (+2)

Other Possibilities:

6. The Martian (-3)

7. Sicario (+3)

8. Steve Jobs (-2)

9. Star Wars: The Force Awakens (+3)

10. The Hateful Eight (-1)

11. Room (-3)

Best Makeup and Hairstyling

  1. Mad Max: Fury Road (No Change)
  2. The Revenant (No Change)
  3. The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+1)

Other Possibilities:

4. Black Mass (-1)

5. Mr. Holmes (No Change)

6. Concussion (No Change)

7. Legend (No Change)

Best Sound Mixing

  1. Mad Max: Fury Road (No Change)
  2. The Revenant (+3)
  3. Star Wars: The Force Awakens (No Change)
  4. Sicario (No Change)
  5. The Martian (-3)

Other Possibilities:

6. The Hateful Eight (No Change)

7. Bridge of Spies (Previously Unranked)

8. Jurassic World (-1)

Best Sound Editing

  1. Mad Max: Fury Road (No Change)
  2. Star Wars: The Force Awakens (No Change)
  3. The Revenant (No Change)
  4. The Martian (No Change)
  5. The Hateful Eight (+1)

Other Possibilities:

6. Sicario (-1)

7. Jurassic World (+1)

8. Bridge of Spies (Previously Unranked)

Best Visual Effects

  1. Mad Max: Fury Road (No Change)
  2. Star Wars: The Force Awakens (No Change)
  3. Jurassic World (No Change)
  4. The Martian (No Change)
  5. The Revenant (Previously Unranked)

Other Possibilities:

6. Ex Machina (-1)

7. The Walk (No Change)

8. Ant-Man (Previously Unranked)

9. Avengers: Age of Ultron (-1)

10. In the Heart of the Sea (-4)

Best Score

  1. The Hateful Eight (No Change)
  2. Carol (+1)
  3. Star Wars: The Force Awakens (+2)
  4. Bridge of Spies (-2)
  5. The Danish Girl (-1)

Other Possibilities:

6. Spotlight (No Change)

7. Mad Max: Fury Road (+1)

Best Original Song

  1. “See You Again” from Furious 7 (+2)
  2. “Til It Happens to You” from The Hunting Ground (-1)
  3. “Writing’s on the Wall” from Spectre (+4)
  4. “Simple Song #3” from Youth (No Change)
  5. “So Long” from Concussion (-3)

Other Possibilities:

6. “Love Me Like You Do” from Fifty Shades of Grey (-1)

7. “Earned It” from Fifty Shades of Grey (-1)

These FINAL predictions reflect a belief that the following pictures will receive this number of nominations:

10 Nominations

The Revenant

9 Nominations

Mad Max: Fury Road

8 Nominations

Carol

7 Nominations

Bridge of Spies

6 Nominations

The Martian

5 Nominations

The Danish Girl, The Hateful Eight

4 Nominations

The Big Short, Brooklyn, Spotlight, Star Wars: The Force Awakens

3 Nominations

Room, Sicario, Steve Jobs

2 Nominations

Inside Out, Trumbo

1 Nomination

Beasts of No Nation, Cinderella, Concussion, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Hunting Ground, Joy, Jurassic World, Love and Mercy, The 100 Year Old Man Who Climbed Out of the Window and Disappeared, Spectre, Youth

And there you have it, folks! My final Oscar predictions! I’ll have an update posted tomorrow. Until then…

 

Todd’s Weekly Oscar Predictions: January 8th Edition

We have arrived at my weekly Friday predictions for who and what will be nominated for the Oscars honoring 2015 pictures. This will be the last Friday I’ll be doing so because the nominations themselves come out this Thursday, January 14th. I will have one final post of predictions either on Tuesday or Wednesday next week.

One consistent source of consternation is whether Rooney Mara will be nominated in lead Actress or Supporting Actress for Carol (same goes, to a lesser degree, for Alicia Vikander’s work in The Danish Girl). Last week, I had her in Actress, but now I’m switching back to Supporting. We shall see. As with my posts every week, it will show where the movers and shakers have shifted around with chances of nomination.

So here goes… my penultimate Oscar predictions…

Best Picture

  1. Spotlight (No Change)
  2. The Big Short (+1)
  3. Mad Max: Fury Road (+1)
  4. Room (-2)
  5. The Martian (+1)
  6. The Revenant (+1)
  7. Carol (-2)
  8. Bridge of Spies (+1)
  9. Brooklyn (-1)

Other Possibilities:

10. Straight Outta Compton (+3)

11. Star Wars: The Force Awakens (-1)

12. The Hateful Eight (No Change)

13. Inside Out (-2)

14. Sicario (+4)

15. Beasts of No Nation (-1)

16. Steve Jobs (No Change)

17. Trumbo (+2)

18. Ex Machina (Previously Unranked)

19. The Danish Girl (+1)

20. Son of Saul (-5)

21. Creed (-4)

DROPPED OUT: Anomalisa

WHAT’S CHANGED: No Changes

Best Director

  1. George Miller, Mad Max: Fury Road (+1)
  2. Tom McCarthy, Spotlight (-1)
  3. Alejandro Gonzalez Inarritu, The Revenant (+1)
  4. Ridley Scott, The Martian (-1)
  5. Todd Haynes, Carol (No Change)

Other Possibilities:

6. Adam McKay, The Big Short (No Change)

7. Steven Spielberg, Bridge of Spies (+1)

8. Lenny Abrahamson, Room (-1)

9. John Crowley, Brooklyn (+3)

10. Quentin Tarantino, The Hateful Eight (-1)

11. F. Gary Gray, Straight Outta Compton (Previously Unranked)

12. J.J. Abrams, Star Wars: The Force Awakens (-1)

13. Denis Villenueve, Sicario (Previously Unranked)

14. Cary Fukanaga, Beasts of No Nation (-1)

15. Laszlo Nemes, Son of Saul (-5)

DROPPED OUT: Ryan Coogler, Creed

WHAT’S CHANGED: No Changes

Best Actor

  1. Leonardo DiCaprio, The Revenant (No Change)
  2. Eddie Redmayne, The Danish Girl (+1)
  3. Michael Fassbender, Steve Jobs (-1)
  4. Bryan Cranston, Trumbo (+1)
  5. Steve Carell, The Big Short (+3)

Other Possibilities:

6. Matt Damon, The Martian (-2)

7. Will Smith, Concussion (No Change)

8. Johnny Depp, Black Mass (-2)

9. Ian McKellen, Mr. Holmes (+1)

10. Michael Caine, Youth (-1)

11. Geza Rohrig, Son of Saul (+2)

12. Michael B. Jordan, Creed (-1)

DROPPED OUT: Tom Hanks, Bridge of Spies

WHAT’S CHANGED – In: Carell. Out: Damon.

Best Actress

  1. Brie Larson, Room (No Change)
  2. Saoirse Ronan, Brooklyn (No Change)
  3. Cate Blanchett, Carol (No Change)
  4. Charlotte Rampling, 45 Years (+2)
  5. Jennifer Lawrence, Joy (No Change)

Other Possibilities:

6. Rooney Mara, Carol (-2) MOVED TO SUPPORTING

7. Charlize Theron, Mad Max: Fury Road (No Change)

8. Helen Mirren, Woman in Gold (+1)

9. Sarah Silverman, I Smile Back (Previously Unranked)

10. Blythe Danner, I’ll See You in My Dreams (-2)

11. Emily Blunt, Sicario (Previously Unranked)

WHAT’S CHANGED – In: Rampling. Out: Mara (moved to supporting)

Best Supporting Actor

  1. Mark Rylance, Bridge of Spies (No Change)
  2. Idris Elba, Beasts of No Nation (+1)
  3. Sylvester Stallone, Creed (-1)
  4. Christian Bale, The Big Short (No Change)
  5. Paul Dano, Love and Mercy (+4)

Other Possibilities:

6. Michael Keaton, Spotlight (No Change)

7. Michael Shannon, 99 Homes (-2)

8. Mark Ruffalo, Spotlight (-1)

9. Tom Hardy, The Revenant (-1)

10. Benicio del Toro, Sicario (+1)

11. Jacob Tremblay, Room (-1)

WHAT’S CHANGED – In: Dano. Out: Shannon.

Best Supporting Actress

  1. Alicia Vikander, The Danish Girl (+2)
  2. Rooney Mara, Carol (Previously Ranked in lead Actress)
  3. Jennifer Jason Leigh, The Hateful Eight (-2)
  4. Kate Winslet, Steve Jobs (-2)
  5. Jane Fonda, Youth (+2)

Other Possibilities:

6. Helen Mirren, Trumbo (-2)

7. Kristen Stewart, Clouds of Sils Maria (+2)

8. Joan Allen, Room (-3)

9. Rachel McAdams, Spotlight (-3)

10. Alicia Vikander, Ex Machina (-2)

11. Elizabeth Banks, Love and Mercy (-1)

WHAT’S CHANGED – In: Mara, Fonda. Out: Mirren, Allen.

Best Original Screenplay

  1. Spotlight (No Change)
  2. Inside Out (No Change)
  3. The Hateful Eight (No Change)
  4. Bridge of Spies (No Change)
  5. Ex Machina (No Change)

Other Possibilities:

6. Sicario (+4)

7. Straight Outta Compton (-1)

8. Love and Mercy (-1)

9. Trainwreck (Previously Unranked)

10. Mad Max: Fury Road (Previously Unranked)

11. Son of Saul (-2)

12. 99 Homes (-4)

DROPPED OUT: Joy

WHAT’S CHANGED: No Changes

Best Adapted Screenplay

  1. The Big Short (No Change)
  2. Carol (+1)
  3. Room (-1)
  4. Brooklyn (+1)
  5. Steve Jobs (-1)

Other Possibilities:

6. The Martian (No Change)

7. Trumbo (+3)

8. The Revenant (-1)

9. Beasts of No Nation (-1)

10. The Danish Girl (+2)

11. Anomalisa (-2)

DROPPED OUT: Creed, Mad Max: Fury Road (moved to Original)

WHAT’S CHANGED: No Changes

Best Animated Feature

  1. Inside Out (No Change)
  2. Anomalisa (No Change)
  3. Shaun the Sheep Movie (No Change)
  4. Kahlil Gabran’s The Prophet (+1)
  5. The Good Dinosaur (+1)

Other Possibilities:

6. The Peanuts Movie (-2)

7. When Marnie Was There (No Change)

DROPPED OUT: Minions

WHAT’S CHANGED – In: The Good Dinosaur. Out: The Peanuts Movie.

Best Production Design

  1. The Danish Girl (+1)
  2. Carol (-1)
  3. Mad Max: Fury Road (No Change)
  4. Bridge of Spies (No Change)
  5. Brooklyn (+2)

Other Possibilities:

6. The Hateful Eight (-1)

7. Cinderella (-1)

8. MacBeth (+3)

9. The Revenant (-1)

10. Far From the Madding Crowd (No Change)

11. Star Wars: The Force Awakens (-2)

WHAT’S CHANGED – In: Brooklyn. Out: The Hateful Eight.

Best Cinematography

  1. The Revenant (No Change)
  2. Mad Max: Fury Road (+1)
  3. The Hateful Eight (-1)
  4. Sicario (No Change)
  5. Bridge of Spies (No Change)

Other Possibilities:

6. The Martian (No Change)

7. Carol (+1)

8. The Assassin (Previously Unranked)

9. Son of Saul (-2)

DROPPED OFF: Star Wars: The Force Awakens

WHAT’S CHANGED: No Changes

Best Costume Design

  1. The Danish Girl (+1)
  2. Carol (-1)
  3. Brooklyn (+1)
  4. Cinderella (-1)
  5. Far from the Madding Crowd (No Change)

Other Possibilities:

6. The Hateful Eight (No Change)

7. Suffragette (+3)

8. Trumbo (Previously Unranked)

9. The Revenant (No Change)

10. MacBeth (-2)

11. Star Wars: The Force Awakens (No Change)

12. Mad Max: Fury Road (-5)

WHAT’S CHANGED: No Changes

Best Editing

  1. Mad Max: Fury Road (No Change)
  2. The Big Short (+5)
  3. The Martian (+1)
  4. The Revenant (-2)
  5. Spotlight (-2)

Other Possibilities:

6. Steve Jobs (-1)

7. Bridge of Spies (+1)

8. Room (+4)

9. The Hateful Eight (No Change)

10. Sicario (-4)

11. Straight Outta Compton (Previously Unranked)

12. Star Wars: The Force Awakens (-2)

DROPPED OUT: Carol

WHAT’S CHANGED – In: The Big Short. Out: Steve Jobs.

Best Makeup and Hairstyling

  1. Mad Max: Fury Road (No Change)
  2. Black Mass (+1)
  3. The Revenant (-1)

Other Possibilities:

4. The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+2)

5. Concussion (-1)

6. Mr. Holmes (-1)

7. Legend (No Change)

WHAT’S CHANGED: No Changes

Best Sound Mixing

  1. Mad Max: Fury Road (No Change)
  2. The Martian (+2)
  3. Star Wars: The Force Awakens (-1)
  4. Sicario (+1)
  5. The Revenant (-2)

Other Possibilities:

6. The Hateful Eight (No Change)

7. Jurassic World (+1)

8. In the Heart of the Sea (-1)

WHAT’S CHANGED: No Changes

Best Sound Editing

  1. Mad Max: Fury Road (No Change)
  2. Star Wars: The Force Awakens (+1)
  3. The Revenant (-1)
  4. The Martian (No Change)
  5. Sicario (+1)

Other Possibilities:

6. The Hateful Eight (+1)

7. In the Heart of the Sea (-2)

8. Jurassic World (No Change)

WHAT’S CHANGED – In: Sicario. Out: In the Heart of the Sea.

Best Visual Effects

  1. Mad Max: Fury Road (No Change)
  2. Star Wars: The Force Awakens (No Change)
  3. Jurassic World (+1)
  4. The Martian (-1)
  5. Ex Machina (No Change)

Other Possibilities:

6. In the Heart of the Sea (No Change)

7. The Walk (No Change)

8. Avengers: Age of Ultron (Previously Unranked)

9. Everest (-1)

DROPPED OFF: The Revenant

WHAT’S CHANGED: No Changes

Best Original Score

  1. The Hateful Eight (No Change)
  2. Bridge of Spies (No Change)
  3. Carol (No Change)
  4. The Danish Girl (+1)
  5. Star Wars: The Force Awakens (-1)

Other Possibilities:

6. Spotlight (No Change)

7. Steve Jobs (No Change)

8. Mad Max: Fury Road (+1)

DROPPED OFF: Inside Out, The Revenant

WHAT’S CHANGED: No Changes

Best Original Song

  1. “Til It Happens to You” from The Hunting Ground (No Change)
  2. “So Long” from Concussion (+1)
  3. “See You Again” from Furious 7 (-1)
  4. “Simple Song #3” from Youth (No Change)
  5. “Love Me Like You Do” from Fifty Shades of Grey (+2)

Other Possibilities:

6. “Earned It” from Fifty Shades of Grey (-1)

7. “Writing’s on the Wall” from Spectre (-1)

WHAT’S CHANGED – In: “Love Me Like You Do”. Out: “Earned It”.

These current predictions reflect the following breakdown of films getting these numbers:

9 Nominations

Mad Max Fury Road

8 Nominations

Carol, The Revenant

6 Nominations

Bridge of Spies, The Martian

5 Nominations

The Big Short, Brooklyn, The Danish Girl

4 Nominations

The Hateful Eight, Spotlight, Star Wars: The Force Awakens

3 Nominations

Room. Sicario, Steve Jobs

2 Nominations

Ex Machina, Inside Out

1 Nomination

Anomalisa, Beasts of No Nation, Black Mass, Cinderella, Concussion, Creed, Far from the Madding Crowd, Fifty Shades of Grey, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, Joy, Jurassic World, Kahlil Gabran’s The Prophet, Love and Mercy, Shaun the Sheep Movie, Trumbo, Youth

That’ll do it for now, folks! I’ll have my FINAL Oscar predictions up next week…