We have reached 2020 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
2020 is a tricky year to consider. As we all know, it was a year dominated by the COVID-19 pandemic. Many of us were working from home and theaters were essentially shuttered for the majority of the year.
Beyond the challenging, tragic, and unprecedented news events of 2020, it was just a strange year for motion pictures. Eight pictures contended for the big prize. I have the leading nominee (with 10) missing the BP cut. The next most nominated film had 6 mentions… and there’s 6 of them. The other BP contender had 5.
My point? Whittling these 8 down to 5 is not easy. Considering it took BP, Director (Chloe Zhao, the second female ever to win), and Actress (Frances McDormand), we can safely reserve a spot for Nomadland. As for the rest? Let’s get into it!
The Father
Florian Zeller’s devastasting drama about Alzheimer’s missed a nod in Director, but Anthony Hopkins landed his second Actor statue over the late Chadwick Boseman in Ma Rainey’s Black Bottom, who was the frontrunner. Zeller did win Adapted Screenplay and this was also up for Supporting Actress (Olivia Colman), Film Editing, and Production Design.
Does It Make the Final Five?
Yes. Its two wins not only give me confidence of its inclusion in a quintet, but it could be argued this was runner-up to Nomadland.
Judas and the Black Messiah
Daniel Kaluuya won Supporting Actor for his performance as Fred Hampton in Shaka King’s historical drama. Costar Lakeith Stanfield was up in the same race andit was nominated for Original Screenplay and Cinematography. A second statue was given to H.E.R. for her original song “Fight for You”.
Does It Make the Final Five?
No but I certainly struggled with this one. The lack of directing and editing noms have it on the outside looking in.
Mank
This is where it gets complicated. David Fincher’s jaded Netflix aired look at Old Hollywood easily led the program with 10 mentions and it won Cinematography and Production Design. Fincher was also in contention for his behind the camera work. Other nods went to Gary Oldman for Actor, Amanda Seyfried in Supporting Actress, Costume Design, Makeup and Hairstyling, Original Score, and Sound.
Does It Make the Final Five?
Surprisingly enough… I’m saying no. Despite the haul, it is the only one of the 8 nominees not up for screenplay. Furthermore the Film Editing omission feels significant. It certainly isn’t normal to project the leader not making the final five. However, rules are meant to be broken.
Minari
Lee Isaac Chung also garnered a directing spot in that quintet while Youn yuh-Jung was the Supporting Actress recipient in this family drama. Other nods: Actor (Steven Yeun), Original Screenplay, and Original Score.
Does It Make the Final Five?
Yes though I went back and forth. This seemed to gather strength as the season wore on and not just with yuh-Jung. I think it squeaks in.
Promising Young Woman
Emerald Fennell was up for director and won Adapted Screenplay for this revenge dramedy. Carey Mulligan made the Actress cut (and may have been second to McDormand) and it was in for Film Editing.
Does It Make the Final Five?
Yes. The victory in Adapted Screenplay over four other BP hopefuls helps solidify that decision.
Sound of Metal
The impressive haul for the indie drama is Riz Ahmed in Actor, Paul Raci in Supporting Actor, Original Screenplay, and wins in Film Editing and Sound.
Does It Make the Final Five?
Yes though I again went back and forth. While director Darius Marder was left out, it’s the Editing and Sound combo that give it an edge over the three that got left out.
The Trial of the Chicago 7
7‘s six nods came (in addition to BP) in Supporting Actor (Sacha Baron Cohen), Original Screenplay, Cinematography, Film Editing, and Original Song. The Aaron Sorkin political drama is the only BP vier not to take home a single trophy.
Does It Make the Final Five?
No though I struggled again. This Netflix pic undoubtedly didn’t match awards expectations after it was once seen as the on paper favorite. The 0 for 6 performance make it easier to elevate some of the others.
And there you have it. That means my 2020 vision of the Final Five is:
The Father
Minari
Nomadland
Promising Young Woman
Sound of Metal
2021 will be be up soon! If you missed my entries covering 2009-19, you can find them here:
My deep dives into 6 high profile Oscar races reaches the top one with Best Picture. If you missed my posts on Director and the four acting competitions, you can find them here:
At this early November period from 2019-21, here’s how accurate I was with my BP forecast. Three years ago, I correctly called 8 of the 9 eventual nominees. That includes the winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The ninth hopeful was Joker and it was listed in Other Possibilities. In the wildly unpredictable 2020, I was right about 5 of 8 with two months left in the calendar – Nomadland (which won), The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named in Other Possibilities while Promising Young Woman and Sound of Metal were not yet in my top 15. In 2021, the Academy went back to a set number of 10 BP nominees. I rightly identified 7 of the 10 with Belfast, Dune, King Richard, Licorice Pizza, Nightmare Alley, The Power of the Dog, and West Side Story. The film that emerged victorious – CODA was not yet predicted but in Other Possibilities. So was Don’t Look Up while Drive My Car wasn’t among the 15.
Moving to 2022 – I can’t recall a year where four sequels were viable for inclusion. That’s where we stand at the moment. The top grosser of the year is Top Gun: Maverick and I do believe the Academy will reward it for bringing older audiences back to multiplexes (and of course for its quality). In a few weeks, we’ll have a better idea about Avatar: The Way of Water. I’m not ready to vault into my ten, but that could change soon. Knives Out missed out on BP in 2019 so I’m skeptical for Glass Onion: A Knives Out Mystery. And while Black Panther made the lineup in 2018, Wakanda Forever seems like a stretch despite the solid buzz. Nevertheless it’s not crazy to think that 40% of the BP players could be sequels.
On the non-sequel front, we begin with The Fabelmans. Steven Spielberg’s autobiographical coming-of-age tale has been listed at #1 for weeks on the blog. Only one of the filmmaker’s works – 1993’s Schindler’s List – has won BP. Shakespeare in Love was a surprise recipient in 1998 over the favored Saving Private Ryan. Nearly 30 years later, Fabelmans could have the credentials to be the second.
However, the frontrunner at this stage often doesn’t cross the finish line and Spielberg’s latest feels like a soft frontrunner. I could easily envision a scenario where the voters go outside the box with Everything Everywhere All at Once. A24’s multi-genre pic achieved wide acclaim and did great business at the box office. While spring releases rarely make the journey all the way through the awards calendar, Everything could buck that trend.
Other spoilers include The Banshees of Inisherin and Women Talking, which both garnered kudos at film festivals and will have their ardent admirers. I believe that logic also applies to Tár and The Whale though I don’t see either having a shot to win. And we are still waiting to see if Damien Chazelle’s Babylon is as viable as its pedigree suggests (we’ll know in a few days when it screens).
It’s become more common for an international feature film to get in and the two most likely to do so are All Quiet on the Western Front (which might just be Netflix’s most serious hopeful) and Decision to Leave. The reviews for Alejandro Gonzalez Inarritu’s Bardo should leave it out (it might not even make the separate international race).
While Guillermo del Toro’s Pinocchio is the favorite to be Best Animated Feature, I don’t see it breaking into the big dance. It’s probably the only animated title with any sort of chance.
The festival circuit always lessens the viability of some pics. In 2022, I would put the following on that list: Empire of Light, The Son, and Armageddon Time.
The Academy could choose to honor some moneymakers like Elvis and The Woman King (though putting Maverick in could check that box). Till may only show up in Best Actress for Danielle Deadwyler. And it’s tough to know what to make of the upcoming Emancipation considering it’s led by Will Smith (who has some, um, recent history with the ceremony).
Bottom line: there is a lot of uncertainty about BP. I feel fairly confident about The Fabelmans, Everything Everywhere, Women Talking, The Banshees of Inisherin, Top Gun: Maverick,Tár, and The Whale (more than others with that one). We’ll know about Babylon shortly so that leaves two spots. I could definitely see a sequel or a foreign flick jumping up. For now, the 9th and 10th entries go to Triangle of Sadness and She Said. Expect movement as the weeks roll along.
Best Picture
Predicted Nominees:
1 . The Fabelmans (Previous Ranking: 1) (Even)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
6. Top Gun: Maverick (PR: 6) (E)
7. Tár (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 9) (E)
10. She Said (PR: 12) (+2)
Other Possibilities:
11. All Quiet on the Western Front (PR: 11) (E)
12. Decision to Leave (PR: 10) (-2)
13. Avatar: The Way of Water (PR: 14) (+1)
14. Elvis (PR: 13) (-1)
15. Glass Onion: A Knives Out Mystery (PR: 15) (E)
Stay tuned for estimates on all the races coming up soon!
With two months to go for 2022 releases to make their mark with awards voters, it’s a opportune time to assess the six major Oscar races. That would be Picture, Director, and the four acting derbies.
It begins with Supporting Actor. Over the past couple of years, this has been the category that’s confounded me the most during this juncture in the calendar.
That was a different story three years ago. In late October of 2019, I correctly identified 4 out of the eventual 5 nominees. This included winner Brad Pitt for Once Upon a Time in Hollywood as well as Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other nominee – Joe Pesci for The Irishman – was in my #6 spot.
For the unpredictable year that was 2020 (due to constantly shifting release dates because of COVID), I only named 2 of the 5 hopefuls two months out – Sacha Baron Cohen for The Trial of the Chicago 7 and Leslie Odom Jr. for One Night in Miami. I still had eventual victor Daniel Kaluuya (Judas and the Black Messiah) projected for lead actor until the studio announced him for supporting.
In 2021, I made a point to say that the Supporting Actor derby was wide open in late October. And that was evidenced in my only identifying 1 of the eventual Supporting Actor quintet in the Halloween time frame – Ciaran Hinds in Belfast. I had Troy Kotsur (CODA), who would take the gold statue, in 10th place. Bradley Cooper (Licorice Pizza) was in first place and he missed out. Kodi Smit-McPhee (The Power of the Dog), who made the cut, was in 8th place. His costar Jesse Plemons and J.K. Simmons (Being the Ricardos) weren’t listed at all.
Which brings us to 2022 and at this spooky time of year, I would say this competition is up in the air with no obvious frontrunner. 12 months ago, however, I couldn’t have imagined I’d kick off the speculation with this sentence…
The Supporting Actor discussion starts with Ke Huy Quan.
The 51-year-old actor belongs in the mid 80s cinematic Hall of Fame with his turns as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His return to acting in Everything Everywhere All at Once has been met with raves. It’s also undeniable that his win would be a heckuva Academy narrative nearly 40 years after his iconic child performances. I’ve had him listed in first place for weeks and that remains.
In four of the last five years, we’ve witnessed double nominees in Supporting Actor. Last year it was the aforementioned Smit-McPhee and Plemons for The Power of the Dog. In 2020, we had the winner Daniel Kaluuya in Judas and the Black Messiah and his costar Lakeith Stanfield. 2019’s Irishman double duo was Pacino and Pesci. Five years ago, it was Sam Rockwell (who won) and Woody Harrelson for Three Billboards Outside Ebbing, Missouri.
Martin McDonagh directed Billboards and his follow-up is The Banshees of Inisherin. Brendan Gleeson has sat in the #2 position for several prediction posts in a row. He’s a threat to take the prize. I believe his costar Barry Keoghan may also get in.
Banshees is not the only viable option for double nominees. Ke Huy Quan’s Doom maker Steven Spielberg has The Fabelmans. Before it screened at the Toronto Film Festival, we wondered whether Paul Dano or Seth Rogen (or both) would be the likely nominee(s). Post screening, scene (just one scene) stealer Judd Hirsch bubbled up while Rogen’s viability dwindled. Dano’s work is understated and certainly not as flashy as Hirsch’s brief turn. That leads me to put Hirsch in with Dano on the outside looking in. I’ll admit it’s a coin flip.
Damien Chazelle’s Babylon screens for critics in two weeks. There’s a trio of possibilities with Brad Pitt, Jovan Adepo, and Tobey Maguire. I’ve had Pitt in my 5 previously. It’s fair to speculate whether his recent tabloid headlines could hinder him. We’ll know more once reviews roll in.
Ben Whishaw in Women Talking is a trendy selection and for good reason. I’m not completely sold as voters could opt to focus only on his female cast members Claire Foy and Jessie Buckley (and maybe others) in Supporting Actress. Yet it feels wrong to keep him out right now.
You have to go back to 2013 to find the last time the five contenders all came from Best Picture nominees. I’m not wild about the fact that my projections currently do. There’s a few names that could get in from movies I’m not putting in BP list. We have Eddie Redmayne in The Good Nurse, Brian Tyree Henry for Causeway, Jeremy Strong or Anthony Hopkins in Armageddon Time, Mark Rylance in Bones and All, Micheal Ward in Empire of Light, Don Cheadle in White Noise, and Tom Hanks in Elvis. Of that group, I’m starting to flirt with the idea of Rylance being the guy. He scored an upset win here with Bridge of Spies in 2015 over Sylvester Stallone in Creed and Bones has its ardent admirers. I wouldn’t discount the Redmayne pick as he’s a Best Actor winner in 2014 for The Theory of Everything who was nominated again the following year with The Danish Girl. If Elvis manages a BP nod (not out of the question), this would increase the inclusion of Hanks. I do have Triangle of Sadness in my BP ten and that could mean a third nomination for Woody Harrelson.
Bottom line: I feel pretty confident about Ke Huy Quan and Brendan Gleeson. Everything everywhere else is up in the air.
With that said, here’s my state of the race:
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (Previous Ranking: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Ben Whishaw, Women Talking (PR: 4) (+1)
4. Judd Hirsch, The Fabelmans (PR: 6) (+2)
5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Paul Dano, The Fabelmans (PR: 3) (-3)
7. Brad Pitt, Babylon (PR: 7) (E)
8. Mark Rylance, Bones and All (PR: Not Ranked)
9. Woody Harrelson, Triangle of Sadness (PR: 8) (-1)
10. Eddie Redmayne, The Good Nurse (PR: Not Ranked)
Dropped Out:
Brian Tyree Henry, Causeway
Tom Hanks, Elvis
My deep dive with the Supporting Actress field is next!
On the bright side for Netflix, I have Guillermo del Toro’s Pinocchio at #1 in Animated Feature where it’s been perched all along. That would mean the streamer could nab its first victory ever in that race.
Now the bad news as my current Best Picture nominees leaves Netflix on the cutting room floor. In 2018, Roma was the first hopeful in the big dance. It was expected to win, but lost to Green Book. 2019 brought double nominees with The Irishman and Marriage Story. Same in 2020 with Mank and The Trial of the Chicago 7. And there were two contenders again last year in Don’t Look Up and The Power of the Dog (a frontrunner until CODA fever emerged).
I had All Quiet on the Western Front in the mix 11 days ago. Yet I’ve had a nagging feeling that another blockbuster not named Top Gun: Maverick will get in. So for the first time, Elvis is in the top ten. That moneymaker spot could also be filled with Glass Onion: A Knives Out Mystery (from Netflix), Avatar: The Way of Water, or Black Panther: Wakanda Forever. Think could also be called the “Second Sequel” slot, I suppose.
Don’t be surprised if Netflix eventually gets back in. Quiet, the aforementioned Onion, Bardo, and Pinocchio are all viable (maybe even White Noise). For now, my BP hopefuls would mean a disappointing nomination morning for the streamer.
She Said received mostly positive notices when it was unveiled Thursday at the New York Film Festival. It could absolutely be a BP contender, but I’m got it just on the outside and feel more comfortable forecasting it as a lone screenplay nominee (I don’t love the current 76% RT meter for it). You’ll note I don’t have any of the cast in my top tens. Perhaps the eventual announcement of category placements could change that.
In other developments:
I’ve decided to move Babylon‘s Margot Robbie back in Best Actress instead of supporting (can we please get that placement announcement??). It means she’s back in and Olivia Colman (Empire of Light) is out.
Bill Nighy’s work in Living returns to Actor five with Diego Calva (Babylon) sliding into sixth position.
With Robbie returning to lead, Dolly De Leon (Triangle of Sadness) is elevated to fifth in Supporting Actress.
My Supporting Actor dual nominee projections of Brendan Gleeson and Barry Keoghan for The Banshees of Inisherin shifts to Paul Dano and Judd Hirsch for The Fabelmans. That means Hirsch rises while Keoghan falls.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Rank: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 4) (+1)
4. Women Talking (PR: 3) (-1)
5. The Banshees of Inisherin (PR: 5) (E)
6. Tar (PR: 6) (E)
7. Top Gun: Maverick (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Elvis (PR: 13) (+4)
10. Triangle of Sadness (PR: 9) (-1)
Other Possibilities:
11. All Quiet on the Western Front (PR: 10) (-1)
12. She Said (PR: Not Ranked)
13. Avatar: The Way of Water (PR: 12) (-1)
14. Decision to Leave (PR: 11) (-3)
15. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
Dropped Out:
Till
The Woman King
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Sarah Polley, Women Talking (PR: 3) (E)
4. Daniels, Everything Everywhere All at Once (PR: 4) (E)
5. Todd Field, Tar (PR: 5) (E)
Other Possibilities:
6. Martin McDonagh, The Banshees of Inisherin (PR: 8) (+2)
7. Edward Berger, All Quiet on the Western Front (PR: 6) (-1)
8. Park Chan-wook, Decision to Leave (PR: 7) (-1)
9. James Cameron, Avatar: The Way of Water (PR: 9) (E)
10. Ruben Ostlund, Triangle of Sadness (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 3) (+1)
3. Danielle Deadwyler, Till (PR: 2) (-1)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: Not Ranked) – moved from Supporting
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 5) (-1)
7. Viola Davis, The Woman King (PR: 6) (-1)
8. Ana de Armas, Blonde (PR: 8) (E)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)
10. Jennifer Lawrence, Causeway (PR: 9) (-1)
Dropped Out:
Carey Mulligan, She Said
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Austin Butler, Elvis (PR: 2) (E)
3. Colin Farrell, The Banshees of Inisherin (PR: 3) (E)
4. Hugh Jackman, The Son (PR: 4) (E)
5. Bill Nighy, Living (PR: 6) (+1)
Other Possibilities:
6. Diego Calva, Babylon (PR: 5) (-1)
7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)
8. Song Kang-ho, Broker (PR: 9) (+1)
9. Adam Driver, White Noise (PR: 8) (-1)
10. Jeremy Pope, The Inspection (PR: Not Ranked)
Dropped Out:
Will Smith, Emancipation
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Jessie Buckley, Women Talking (PR: 2) (E)
3. Kerry Condon, The Banshees of Inisherin (PR: 4) (+1)
4. Hong Chau, The Whale (PR: 5) (+1)
5. Dolly De Leon, Triangle of Sadness (PR: 7) (+2)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (E)
7. Nina Hoss, Tar (PR: 8) (+1)
8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 9) (+1)
9. Thuso Mbedu, The Woman King (PR: 10) (+1)
10. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)
Dropped Out:
Margot Robbie, Babylon (moved to Best Actress)
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Paul Dano, The Fabelmans (PR: 3) (E)
4. Ben Whishaw, Women Talking (PR: 4) (E)
5. Judd Hirsch, The Fabelmans (PR: 7) (+2)
Other Possibilities:
6. Barry Keoghan, The Banshees of Inisherin (PR: 5) (-1)
7. Brad Pitt, Babylon (PR: 6) (-1)
8. Woody Harrelson, Triangle of Sadness (PR: 9) (+1)
9. Tom Hanks, Elvis (PR: Not Ranked)
10. Brian Tyree Henry, Causeway (PR: Not Ranked)
Dropped Out:
Jeremy Strong, Armageddon Time
Micheal Ward, Empire of Light
Best Original Screenplay
Predicted Nominees:
1. The Fabelmans (PR: 2) (+1)
2. Everything Everywhere All at Once (PR: 1) (-1)
3. The Banshees of Inisherin (PR: 3) (E)
4. Triangle of Sadness (PR: 4) (E)
5. Tar (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. Decision to Leave (PR: 7) (E)
8. Armageddon Time (PR: 8) (E)
9. Empire of Light (PR: 9) (E)
10. The Menu (PR: Not Ranked)
Dropped Out:
Broker
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 5) (+2)
4. Glass Onion: A Knives Out Mystery (PR: 3) (-1)
5. White Noise (PR: 4) (-1)
Other Possibilities:
6. Living (PR: 6) (E)
7. Till (PR: 10) (+3)
8. Bones and All (PR: 7) (-1)
9. Top Gun: Maverick (PR: 8) (-1)
10. The Son (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Strange World (PR: 3) (E)
4. Wendell and Wild (PR: 5) (+1)
5. Marcel the Shell with Shoes On (PR: 4) (-1)
Other Possibilities:
6. The Bad Guys (PR: 8) (+2)
7. The Sea Beast (PR: 6) (-1)
8. My Father’s Dragon (PR: 7) (-1)
9. Minions: The Rise of Gru (PR: 9) (E)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. All Quiet on the Western Front (PR: 1) (E)
2. Decision to Leave (PR: 2) (E)
3. Close (PR: 3) (E)
4. Bardo (PR: 5) (+1)
5. Saint Omer (PR: 4) (-1)
Other Possibilities:
6. Klondike (PR: 8) (+2)
7. Holy Spider (PR: 6) (-1)
8. Alcarras (PR: 9) (+1)
9. Argentina, 1985 (PR: 7) (-2)
10. Corsage (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 2) (+1)
2. Descendant (PR: 1) (-1)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Fire of Love (PR: 6) (+1)
Other Possibilities:
6. The Territory (PR: 5) (-1)
7. Good Night Oppy (PR: 7) (E)
8. Moonage Daydream (PR: 9) (+1)
9. Last Flight Home (PR: 8) (-1)
10. Aftershock (PR: Not Ranked)
Dropped Out:
Sr.
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Empire of Light (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Bardo (PR: 5) (+1)
5. All Quiet on the Western Front (PR: 4) (-1)
Other Possibilities:
6. Avatar: The Way of Water (PR: 6) (E)
7. Top Gun: Maverick (PR: 7) (E)
8. The Banshees of Inisherin (PR: 8) (E)
9. Everything Everywhere All at Once (PR: 9) (E)
10. Emancipation (PR: Not Ranked)
Dropped Out:
The Batman
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. Mrs. Harris Goes to Paris (PR: 5) (+1)
5. Corsage (PR: 7) (+2)
Other Possibilities:
6. The Woman King (PR: 5) (-1)
7. The Fabelmans (PR: 6) (-1)
8. Living (PR: 9) (+1)
9. Everything Everywhere All at Once (PR: 8) (-1)
10. Blonde (PR: Not Ranked)
Dropped Out:
Amsterdam
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Fabelmans (PR: 4) (+1)
4. Babylon (PR: 3) (-1)
5. Women Talking (PR: 8) (+3)
Other Possibilities:
6. Elvis (PR: 6) (E)
7. Tar (PR: 9) (+2)
8. All Quiet on the Western Front (PR: 5) (-3)
9. Avatar: The Way of Water (PR: 7) (-2)
10. Bardo (PR: Not Ranked)
Dropped Out:
Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. The Batman (PR: 5) (+1)
5. Everything Everywhere All at Once (PR: 4) (-1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. The Woman King (PR: 10) (+3)
8. X (PR: 8) (E)
9. Blonde (PR: Not Ranked)
10. Three Thousand Years of Longing (PR: Not Ranked)
Dropped Out:
Amsterdam
Corsage
Best Original Score
Predicted Nominees:
1. The Fabelmans (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Empire of Light (PR: 3) (E)
4. Tar (PR: 6) (+2)
5. The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
7. Women Talking (PR: 4) (-3)
8. Bardo (PR: 10) (+2)
9. All Quiet on the Western Front (PR: 7) (-2)
10. Avatar: The Way of Water (PR: 8) (-2)
Dropped Out:
Top Gun: Maverick
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Nobody Like U” from Turning Red (PR: 2) (E)
3. “Naatu Naatu” from RRR (PR: 4) (+1)
4. “Applause” from Tell It Like a Woman (PR: 3) (-1)
5. “Stand Up” from Till (PR: Not Ranked)
Other Possibilities:
6. “Carolina” from Where the Crawdads Sing (PR: 5) (-1)
7. “This is a Life” from Everything Everywhere All at Once (PR: 8) (+1)
8. “New Body Rhumba” from White Noise (PR: 7) (-1)
9. “On My Way” from Marry Me (PR: 6) (-3)
10. “Love Is Not Love” from Bros (PR: Not Ranked)
Dropped Out:
“I Ain’t Worried” from Top Gun: Maverick
“Heartbeat” from Lyle, Lyle, Crocodile
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 4) (+2)
3. Avatar: The Way of Water (PR: 2) (-1)
4. Black Panther: Wakanda Forever (PR: 3) (-1)
5. Bardo (PR: 7) (+2)
Other Possibilities:
6. The Fabelmans (PR: 5) (-1)
7. Everything Everything All at Once (PR: 8) (+1)
8. Empire of Light (PR: 6) (-2)
9. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
10. The Batman (PR: 10) (E)
Dropped Out:
All Quiet on the Western Front
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. Babylon (PR: 4) (E)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Black Panther: Wakanda Forever (PR: 7) (E)
8. Nope (PR: 9) (+1)
9. The Fabelmans (PR: Not Ranked)
10. Bardo (PR: Not Ranked)
Dropped Out:
Everything Everywhere All at Once
Thirteen Lives
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Doctor Strange in the Multiverse of Madness (PR: 5) (+1)
5. The Batman (PR: 6) (+1)
Other Possibilities:
6. Guillermo del Toro’s Pinocchio (PR: 4) (-2)
7. Black Panther: Wakanda Forever (PR: 8) (+1)
8. RRR (PR: 7) (-1)
9. Good Night Oppy (PR: 9) (E)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Nope
That equates to these movies getting these numbers of nominations:
10 Nominations
Babylon
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once
7 Nominations
Women Talking
6 Nominations
The Banshees of Inisherin, Elvis
5 Nominations
Tar, Top Gun: Maverick, The Whale
3 Nominations
All Quiet on the Western Front, Avatar: The Way of Water, Bardo, Triangle of Sadness
2 Nominations
The Batman, Black Panther: Wakanda Forever, Empire of Light, Till, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, Close, Corsage, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, She Said, The Son, Strange World, Tell It Like a Woman, Wendell and Wild, White Noise
I’m used to saying the Golden Globes will air Sunday evening, but that’s not the case in 2022. The ceremony honoring the best of 2021 will come to us in an as yet undetermined format. This is due to various controversies brought to light recently about the Hollywood Foreign Press Association and NBC’s decision not to broadcast the show.
However, the show will go on (possibly streaming on your computer) and the Globes still serve as a barometer for what Oscar voters could be thinking in coming weeks. That said, the HFPA is certainly capable of providing surprises. Just last year, Andra Day’s victory in Best Actress (Drama) for The United States vs. Billie Holiday and Jodie Foster as Supporting Actress for The Mauritanian were legitimate upsets.
As a reminder, the Globes split their picture and lead acting races into Drama and Musical/Comedy though not with the supporting derbies or screenplay. I will be making my picks along with runner-up selections while also providing numbers showing the correlation of Globe winners to Oscar recipients in each respective category for the last ten years.
Let’s get to it!
Best Motion Picture (Drama)
Nominees:
Belfast
CODA
Dune
King Richard
The Power of the Dog
Predicted Winner: Belfast
Runner-Up: The Power of the Dog
Globe Winner to Oscar Winner Ratio: 4 out of last 10 years
Commentary: The HFPA competition for the drama prize is the first major showdown between Oscar frontrunners Belfast and The Power of the Dog. With the international flavor and feel good vibes of the former, I’m picking Kenneth Branagh’s coming-of-age drama to come out ahead. If there’s a shocker in store, it could be CODA (which seems to picking up more steam on a weekly basis).
I will admit that picking Belfast to win Drama and take no other awards (as you’ll see below) feels strange. There is recent precedent, however, with 2016’s Moonlight.
Best Motion Picture (Musical/Comedy)
Nominees:
Cyrano
Don’t Look Up
Licorice Pizza
Tick, Tick… Boom!
West Side Story
Predicted Winner: West Side Story
Runner-Up: Licorice Pizza
Globe Winner to Oscar Winner ratio: 2 out of the last 10 years
Commentary: I wouldn’t count out Licorice Pizza but its miss in Best Director could be telling. West Side Story should be right up HFPA’s alley and its the only feature where its maker made the director cut.
Best Director
Nominees:
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Maggie Gyllenhaal, The Lost Daughter
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Predicted Winner: Steven Spielberg, West Side Story
Runner-Up: Jane Campion, The Power of the Dog
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: This is a tough one. Maggie Gyllenhaal’s nod for The Lost Daughter was unexpected and she’s the only contender that I feel stands no chance of winning. Branagh could certainly ride a wave of Belfast love. Villeneuve could be honored for the technical mastery of Dune. And Campion is the hopeful picking up the bulk of critics prizes. Yet I’ll go with the HFPA honoring the legendary Spielberg.
Best Performance in a Motion Picture – Drama (Actress)
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Predicted Winner: Kristen Stewart, Spencer
Runner-Up: Jessica Chastain, The Eyes of Tammy Faye
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: This is the first test to see whether Stewart really is the frontrunner that could sweep through the season. I’m skeptical and I honestly believe any of the performers could take this (I struggled to pick the runner-up as it could be any of them). I wouldn’t put money on it, but I’ll say Stewart manages to nab the crown.
Best Performance in a Motion Picture – Drama (Actor)
Nominees:
Mahershala Ali, Swan Song
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Predicted Winner: Will Smith, King Richard
Runner-Up: Benedict Cumberbatch, The Power of the Dog
Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years
Commentary: As you can see, this is a rather reliable predictor of where the Academy could go. For 2021’s features, the ceremonies should boil down to Smith v. Cumberbatch. I don’t think HFPA will pass up a chance to honor one of cinema’s most durable draws for the last 25 years in one of his most acclaimed performances.
Best Performance in a Motion Picture – Musical/Comedy (Actress)
Nominees:
Marion Cotillard, Annette
Alana Haim, Licorice Pizza
Jennifer Lawrence, Don’t Look Up
Emma Stone, Cruella
Rachel Zegler, West Side Story
Predicted Winner: Emma Stone, Cruella
Runner-Up: Rachel Zegler, West Side Story
Globe Winner to Oscar Winner Ratio: 3 out of the last 10 years
Commentary: There was an upset last year when Rosamund Pike (I Care a Lot) emerged over the favored Maria Bakalova for Borat Subsequent Moviefilm. The West Side love extending to Zegler is probably the smartest pick to make. Alana Haim’s work in Pizza could deliver her a victory and she probably should be listed as the runner-up. Yet if there’s any upset, I could see Stone surprising and there’s almost always one during the Globes. Perhaps against my better judgment, I’m going with it.
Best Performance in a Motion Picture – Musical/Comedy (Actor)
Nominees:
Leonardo DiCaprio, Don’t Look Up
Peter Dinklage, Cyrano
Andrew Garfield, Tick, Tick… Boom!
Cooper Hoffman, Licorice Pizza
Anthony Ramos, In the Heights
Predicted Winner: Andrew Garfield, Tick, Tick… Boom!
Runner-Up: Leonardo DiCaprio, Don’t Look Up
Globe Winner to Oscar Winner Ratio: 1 out of the last 10 years
Commentary: Dinklage is a threat though I’ll go with DiCaprio as the runner-up since he’s arguably the biggest star in Hollywood. That said, Garfield (he’s likely #3 in the Oscar contest at the moment) is the most likely winner.
Best Supporting Performance in a Motion Picture (Actress)
Nominees:
Caitriona Balfe, Belfast
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Ruth Negga, Passing
Predicted Winner: Ariana DeBose, West Side Story
Runner-Up: Aunjanue Ellis, King Richard
Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years
Commentary: Jodie Foster’s win for 2020 came out of nowhere so who really knows? I’ll go with a West Side pick and DeBose. Other than Negga, I could foresee any of these candidates making (theoretical) podium trips.
Best Supporting Performance in a Motion Picture (Actor)
Nominees:
Ben Affleck, The Tender Bar
Jamie Dornan, Belfast
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Kodi Smit-McPhee, The Power of the Dog
Predicted Winner: Kodi Smit-McPhee, The Power of the Dog
Runner-Up: Troy Kotsur, CODA
Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years
Commentary: Another tricky one in a race where the Globes and Academy typically match. Assuming the Belfast boys split and Affleck isn’t a factor, this comes down to Smit-McPhee vs. Kotsur. A win for either could propel them to a glorious season ahead. I’m really tempted to go with Kotsur, but I’ll say this marks the best opportunity for HFPA to bestow an honor for Dog. This is a coin flip.
Best Screenplay
Nominees:
Being the Ricardos
Belfast
Don’t Look Up
Licorice Pizza
The Power of the Dog
Predicted Winner: Licorice Pizza
Runner-Up: Belfast
Globe Winner to Oscar Winner Ratio: 5 out of the last 10 years (counting both Original and Adapted Screenplays at the Oscars)
Commentary: Your guess is as good as mine here. I’m going with a bit of an upset with Pizza, but the smart money is probably on Belfast or Dog. I also wouldn’t count out Aaron Sorkin for Ricardos (he took this category last year for The Trial of the Chicago 7). And Adam McKay could be called up for Don’t Look Up which (despite its mixed reviews) is drawing plenty of ink.
Best Animated Feature
Nominees:
Encanto
Flee
Luca
My Sunny Maad
Raya and the Last Dragon
Predicted Winner: Encanto
Runner-Up: Flee
Globe Winner to Oscar Winner Ratio: 7 out of the last years
Commentary: The Globes are capable of unexpected picks here (2019’s Missing Link for example). Don’t be surprised if Flee from Iran gets this, but I’ll go with Disney’s likeliest hopeful of its trio of nominees and that’s Encanto.
Best Foreign Language Film
Nominees:
Compartment No. 6
Drive My Car
The Hand of God
A Hero
Parallel Mothers
Predicted Winner: Drive My Car
Runner-Up: Parallel Mothers
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: Watch out for Mothers to pull off an upset, but this is Drive My Car‘s race to lose. The Japanese drama has established itself as the frontrunner in international competitions at all ceremonies.
Best Original Score
Nominees:
Dune
Encanto
The French Dispatch
Parallel Mothers
The Power of the Dog
Predicted Winner: Dune
Runner-Up: Parallel Mothers
Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years
Commentary: Another race that Mothers could unexpectedly take, I also wouldn’t discount Dispatch or Dog. This should be Dune‘s best opportunity to take a prize though.
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“Here I Am” from Respect
“No Time to Die” from No Time to Die
Predicted Winner: “No Time to Die” from No Time to Die
Runner-Up: “Be Alive” from King Richard
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: This should be the battle of Billie (Eilish) for “Die” vs. Beyonce (it’s just Beyonce) for “Alive” and that should be the dynamic for the Oscars. The HFPA has honored the last two Bond themes for Skyfall and Spectre. I’ll give it a very slight edge.
And there you have it! The Golden Globes will air, err happen, Sunday. I’ll have reaction up on the blog shortly thereafter.
Nicole Kidman and Aaron Sorkin could be in line for their respective fifth acting and writing nods at the Oscars with Being the Ricardos. The biopic, out December 10 in limited fashion before its Amazon Prime premiere December 21, centers on Kidman’s Lucille Ball and Javier Bardem’s Desi.
After generating some casting controversy ink for its leads, an early screening this weekend has been met with positive social media reaction. It indicates Kidman has a better chance at making the top five in Best Actress than I originally anticipated. If so, this would mark her fifth nod overall after winning 19 years ago for The Hours (the others were in lead with Moulin Rouge! and Rabbit Hole and supporting for Lion).
Bardem’s inclusion could be a less likely scenario though not impossible if voters fall hard for the pic. A Supporting Actor victor for 2007’s No Country for Old Men, he’s a two-time Actor contestant with Before Nights Falls and Biutiful.
In a Supporting Actor race that’s seemingly wide open, J.K. Simmons (playing William Frawley) could be back seven years after his gold statue for Whiplash. Same goes for Nina Arianda’s Vivian Vance though it is worth noting there’s several viable possibilities in Supporting Actress.
As for the writer/director, I’d say Sorkin’s original screenplay has a far better shot at making it than his behind the camera work. That’s similar to his trajectory last year when his penmanship of The Trial of the Chicago 7 received a nomination. He’s thrice been up before with his screenplays for The Social Network (where he won), Moneyball, and Molly’s Game.
Last and certainly not least, the Academy often falls for fare about its own industry and a Best Picture nod is not out of the question. I’ve yet to list Ricardos in my top 15. Look for that to change on Thursday when I update and you can certainly anticipate its quartet of actors to rise. My Oscar Predictions for the films of 2021 will continue…
I’m closing out my deep dives of the major Oscar races with the granddaddy of them all – Best Picture. If you missed my posts covering Best Director and the four acting categories, you can find them here:
Unlike the previous several years where the Picture nominees could fluctuate between 5-10 (though 8 and 9 were the magic numbers), 2021 brings fluidity with a set 10 films being honored (I’d like to thank the Academy for that).
As I’ve done with the others, let’s take a look back at how I was performing in the early November time frame from 2019 and 2020. Two years ago, I had 8 of the eventual 9 movies pegged: winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The other – Joker – was mentioned in Other Possibilities.
2020 was trickier at this stage, but I identified 5 of the 8 hopefuls: winner Nomadland along with The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named as a possibility while I didn’t have Promising Young Woman or Sound of Metal yet in the 15 selections.
For 2021 – I feel confident that four already screened entries will make the dance. We begin with Kenneth Branagh’s Belfast, the 1960s set coming-of-age drama that could be looked at as the soft frontrunner. It’s been listed at #1 in my estimates for several weeks.
Belfast displaced The Power of the Dog from Jane Campion in that spot, but I still see the Netflix title having no trouble securing its placement among the contenders.
King Richard should find its way as the inspirational sports flick that will have audiences on its side. Furthermore, Will Smith appears in position to possibly win Best Actor. You have to go back to Jeff Bridges (Crazy Heart) twelve years ago where the Oscar winning actor didn’t see his movie recognized in Picture.
Then there’s Dune. The sci-fi epic from Denis Villeneuve got the box office and critical kudos it needed to storm the competition. The filmmaker could make a victory play for his direction while the picture itself seems destined for a nod here and tech wins elsewhere.
In past years, the bulk of nominees in Picture were screened at festivals. In 2021, that dynamic could shift as there’s a slew of unscreened material that seems like Oscar bait. That list includes Guillermo del Toro’s Nightmare Alley, Paul Thomas Anderson’s Licorice Pizza, Steven Spielberg’s West Side Story, Ridley Scott’s House of Gucci, Lin-Manuel Miranda’s Tick, Tick… Boom!, and Adam McKay’s Don’t Look Up.
The first four of the six are ones I’ve had in my ten for a bit and I’m not changing it today. That said, this could be altered quickly once their official reviews are up (and that will be soon). Some prognosticators are more confident with Don’t Look Up. I’ll believe it when I see it.
With the pics that have been seen, Pablo Larrain’s Spencer is sure looking like it will garner Kristen Stewart her first ever nod with a solid chance at a victory. I do believe the Princess Diana tale will manage to make the cut, but it could go either way.
This also holds true for Joel Coen’s The Tragedy of Macbeth, which should also manage some tech recognition and for its lead Denzel Washington and maybe Frances McDormand.
I will admit that it seems strange to leave off any titles that screened early at Sundance. After all, last year there were 3 pics from the fest (The Father, Minari, Promising Young Woman) that got in. There’s a trio that could do the same in 2021 and they’re all listed in Other Possibilities: CODA, Flee, and Mass. Of that group, Flee (which I do have predicted in Animated Feature, Documentary Feature, and International Feature Film) may have the strongest chance.
Foreign flicks could factor in and they include A Hero, The Hand of God, Parallel Mothers, and The Worst Person in the World. I wouldn’t completely discount Netflix hopefuls such as The Lost Daughter and Passing.
Then there’s high profile fare where the luster has been lost either to mixed reviews or poor box office. That list includes Wes Anderson’s The French Dispatch, Ridley Scott’s The Last Duel, and certainly Chloe Zhao’s Eternals.
The bottom line is this – in 2021, with two months left to go in the calendar, there’s a lot yet to be determined. Here’s my take for now:
Best Picture
Predicted Nominees:
1. Belfast (Previous Ranking: 1)
2. The Power of the Dog (PR: 2)
3. King Richard (PR: 3)
4. Dune (PR: 4)
5. Licorice Pizza (PR: 6)
6. Nightmare Alley (PR: 5)
7. West Side Story (PR: 7)
8. House of Gucci (PR: 8)
9. Spencer (PR: 9)
10. The Tragedy of Macbeth (PR: 10)
Other Possibilities:
11. Flee (PR: 13)
12. Don’t Look Up (PR: 11)
13. Mass (PR: 12)
14. Tick, Tick… Boom! (PR: 15)
15. CODA (PR: 14)
And that wraps the detailed looks, folks! Next weekend I’ll be back with updated estimates…
Starting on the blog today, I’m taking a deeper dive into the four acting derbies at the Oscars as well as Picture and Director. It begins with Supporting Actor.
If I could use a couple words to describe this particular race – “very open” immediately comes to mind. With just two months left in the calendar year, I would go as far to say that not I’m not 100% certain on any performer discussed below making the final five. That’s rare.
Before I delve into the many hopefuls, let’s take a look at where my projections were at in 2019 and 2020 during the same time frame. Two years ago, I had already correctly pegged four of the five eventual nominees: winner Brad Pitt (Once Upon a Time Hollywood), Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other contender was Joe Pesci (also for The Irishman) and I had him listed at #6 in Other Possibilities. In hindsight, Supporting Actor was well on its way to being established with two months remaining in 2019.
Not so much for 2020. Last year was more difficult than perhaps any before it in figuring out who’d make the cut (much of that uncertainty was due to COVID and the constantly shifting release schedule). On November 1, 2020 – my forecasted five contenders yielded just two of the eventual nominees: Sacha Baron Cohen in The Trial of the Chicago 7 and Leslie Odom, Jr. for One Night in Miami. I still had the winner (Daniel Kaluuya in Judas and the Black Messiah) listed for the lead Actor competition. Both Lakeith Stanfield (Judas) and Paul Raci (Sound of Metal) were not yet mentioned in Other Possibilities.
With that context, we arrive in 2021. And I would say this year looks more like the previous one as opposed to 2019. There has been one constant since I began projecting the race back in the summer: Bradley Cooper for Licorice Pizza (known as Soggy Bottom just a couple of months ago). I’ve had him listed at #1 the whole way and it’s a prediction based mostly on gut since no one has seen the picture (that’ll change shortly). Cooper is a four-time acting nominee (Silver Linings Playbook, American Hustle, American Sniper, A Star is Born). He’s yet to take the gold. Pizza looks like it should be a juicy role for him. On the other hand, we do not yet known just how big (or small) his role is. When reviews come out, he could solidify himself as the frontrunner or drop out altogether. There’s also the possibility that one of the other supporting players (Sean Penn or Benny Safdie) could rise. For now, I’m still hangin’ with Mr. Cooper until the word-of-mouth tells me otherwise.
Shifting gears – here’s a fun fact. In three out of the last four years, we’ve seen two actors from the same movie recognized here. In 2017, it was Sam Rockwell (who won) and Woody Harrelson in Three Billboards Outside Ebbing, Missouri. For 2019 – you had Pacino and Pesci in The Irishman. Last year, it was the victorious Kaluuya and Stanfield for Judas.
Could that happen again? Absolutely and the best chance for that right now appears to be Belfast. A strong contender to win Best Picture, we could also see Jamie Dornan and Ciaran Hinds punch their tickets here. I wouldn’t be at all surprised to see it happen. Dornan seems likelier to make it in, but Hinds is getting plenty of laudatory chatter as well.
There are other scenarios to make it four out of five years and some lie with pictures still not screened. Don’t Look Up has Jonah Hill, Rob Morgan, and Mark Rylance. Willem Dafoe and David Strathairn are viable for Nightmare Alley. And then there’s Jared Leto and Al Pacino in House of Gucci. The latest trailer features the latter more than the former. That disrupts the consensus that Leto has a better shot. I’m still going with Leto above Pacino, but when Gucci screens that dynamic may shift.
The double nominee situations don’t end there. Yet they both have actors that I believe have a significantly better chance than the other. For Mass, Jason Isaacs has been in my five while Reed Birney hasn’t made the top ten in some time. After The Power of the Dog was unveiled on the festival circuit, the narrative unexpectedly shifted to Kodi Smit-McPhee having a clearer path than Jesse Plemons. The Tragedy of Macbeth buzz solidified Corey Hawkins over Brendan Gleeson (though I’m skeptical either get in).
Now is a good time to point out that it’s been ten years since a Supporting Actor winner didn’t come from a Best Picture nominee (Christopher Plummer in Beginners). That’s why I find it a stretch that Ben Affleck (The Tender Bar), Idris Elba (The Harder They Fall), or Troy Kotsur (CODA) will be making trips to the podium. They could still get in, but their paths are tougher and they will all need heavy critics awards love to make the dance. There’s been some mentions for Jeffrey Wright in The French Dispatch, but (somewhat surprisingly) no Wes Anderson directed performance has been Academy nominated and I don’t see this being the first.
One actor where an exception could occur is Richard Jenkins in The Humans. I doubt it will land a Pic nod, but Jenkins is drawing raves for his work. Twice nominated before for The Visitor and The Shape of Water, I could see the veteran becoming a threat to win if Cooper falls.
Others worthy of mention include Jon Bernthal in King Richard. The attention could be so focused on Will Smith (who appears to be in the driver’s seat to take Actor) that his supporting cast fails to get in (that logic also applies to Supporting Actress hopeful Aunjanue Ellis). It’s also totally feasible that Richard is so popular with the Academy that it sweeps them all in. Andrew Garfield picked up solid notices for The Eyes of Tammy Faye. He might stand a better shot in lead for the upcoming and yet to be screened Tick, Tick… Boom! Timothy Spall for Spencer is doable, but Kristen Stewart is just as likely to be the sole nominee (and maybe the winner in Actress). The work of David Alvarez (West Side Story) and Javier Bardem (Being the Ricardos) has yet to be seen and is worth keeping an eye on.
So how does that all shake out? Truth be told, the five predicted performers listed below could look quite different a couple months from now. Here’s my best guesstimate for the moment:
I can’t help myself. I keep doing my Oscar predictions earlier and earlier each year. Today marks the first edition of my ranked forecasts in the 8 biggest races: Picture, Director, the four acting competitions, and the two screenplay contests.
It probably stands to reason that the sooner you do projections – the more inaccurate they might be. Oh but it’s so very fun to speculate! I do like to put my initial rankings up before the Toronto, Venice, and Telluride Film Festivals make the picture more clear and we are only about a month from that. Those events will bring us early buzz on The Power of the Dog, Dune, Spencer, The Last Duel, The Humans, Parallel Mothers, Belfast, Dear Evan Hansen, The Eyes of Tammy Faye, Last Night in Soho, and more.
This post comes about three weeks ahead of when I did this in 2020. That year, to say the least, was hard to figure out. In fact, many of the pictures and performers I had in my 2020 inaugural rankings were moved back to 2021 due to COVID delays. Think Dune, The French Dispatch, West Side Story, Respect, C’Mon C’Mon, Annette, and The Eyes of Tammy Faye.
So how did my first ranked predictions from 2020 pan out? My Best Picture guesstimates yielded three of the eventual nominees: winner Nomadland, Mank, and The Trial of the Chicago 7. Nomadland started out of the gate at #2 (behind Mank). Three other contenders were listed under Other Possibilities – The Father, Judas and the Black Messiah, and Minari. Promising Young Woman and Sound of Metal were not mentioned.
2 of the 5 director nominees were correctly identified: winner Chloe Zhao (Nomadland) and David Fincher (Mank). None of the other hopefuls (Lee Isaac Chung for Minari, Emerald Fennell for Promising Young Woman, or Another Round‘s Thomas Vinterberg) were even in Other Possibilities.
In Best Actress, I initially identified 2 – winner Frances McDormand (Nomadland) and Viola Davis (Ma Rainey’s Black Bottom). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were Other Possibilities while Vanessa Kirby in Pieces of a Woman didn’t score a listing.
As for Actor, winner Anthony Hopkins (The Father) and Gary Oldman (Mank) made my first cut. I incorrectly had Daniel Kaluuya (Judas and the Black Messiah) projected here instead of Supporting Actor (which he won). **This is a good time to remind you all that some of the acting contenders thought to be in lead right now will switch to supporting and vice versa. As further evidence, I had Chadwick Boseman (Ma Rainey) predicted in supporting, but he contended here. I did not yet have Riz Ahmed (Sound of Metal) or Steven Yeun (Minari) on my radar.
Two Supporting Actress players were correctly called: Glenn Close (Hillbilly Elegy) and Olivia Colman (The Father) with Amanda Seyfried (Mank) in Other Possibilities. No mention for the winner Youn Yun-jung in Minari or Maria Bakalova for Borat Subsequent Moviefilm.
Per above, Daniel Kaluuya’s work in Judas was slotted in lead, but he emerged victorious here. My Supporting Actor picks did get 2 of 5: Lakeith Stanfield in Judas and Sacha Baron Cohen for Chicago 7. The two others (Leslie Odom Jr. in One Night in Miami and Paul Raci in Sound of Metal) went unnoticed at the early stage.
Just one nominee in Original Screenplay got the initial mention – Chicago 7. I did have 3 others (winner Promising Young Woman, Judas, Minari) down for Other Possibilities while Sound of Metal wasn’t mentioned. And in Adapted Screenplay, I only rightly projected Nomadland. Winner The Father, One Night in Miami, and The White Tiger were other possibilities with no mention for Borat.
Whew. OK. I’m not going through all for 2019. However, I will say my results were better two years ago with my first picks (evidence of the uncertainty of last year). The quick rundown: I got 6 of the 9 nominees in Best Picture and identified the remaining three in other possibilities. In Director, it was 4 out of 5. For Actress – 4 for 5 with the other nominee listed sixth. Actor – 3 for 5 with the two others as possibilities. The weak spot was Supporting Actress – just 1 out of 5 with 2 others as possibilities. 2 for 5 in Supporting Actor with 2 others as possibilities. 3 for 5 initially in both screenplay races.
And now we come to 2021. Will I look back next year and be happy with the accuracy or shake my head? Hopefully a mix (that’s probably the best case scenario). In about two months, I will start predictions for all categories covering feature films and whittle BP from 25 to 15 hopefuls with all others going from a projected 15 to 10.
There already was some news from when I penned my early and unranked predictions last week. David O. Russell’s Canterbury Glass, with an all star cast led by Christian Bale and Margot Robbie, has reportedly moved to 2022. It was mentioned in numerous categories (Picture, Director, Actor, Actress, Supporting Actor – John David Washington) and it now waits its turn until next year. Same story for Taika Waititi’s Next Goal Wins and Blonde from Andrew Dominik.
Let’s get to it!
Best Picture
Predicted Nominees:
1. House of Gucci
2. The Power of the Dog
3. The Tragedy of Macbeth
4. Nightmare Alley
5. Dune
6. Soggy Bottom
7. Mass
8. West Side Story
9. Belfast
10. Don’t Look Up
Other Possibilities:
11. A Hero
12. CODA
13. Flee
14. The French Dispatch
15. Spencer
16. Tick Tick… Boom!
17. Cyrano
18. The Humans
19. Blue Bayou
20. King Richard
21. The Last Duel
22. Dear Evan Hansen
23. In the Heights
24. Last Night in Soho
25. Annette
Best Director
Predicted Nominees:
1. Ridley Scott, House of Gucci
2. Denis Villeneuve, Dune
3. Jane Campion, The Power of the Dog
4. Guillermo del Toro, Nightmare Alley
5. Joel Coen, The Tragedy of Macbeth
Other Possibilities:
6. Paul Thomas Anderson, Soggy Bottom
7. Asghar Farhadi, A Hero
8. Kenneth Branagh, Belfast
9. Steven Spielberg, West Side Story
10. Adam McKay, Don’t Look Up
11. Fran Kranz, Mass
12. Sian Heder, CODA
13. Jonas Poher Rasmussen, Flee
14. Wes Anderson, The French Dispatch
15. Pablo Larrain, Spencer
Best Actress
1. Lady Gaga, House of Gucci
2. Frances McDormand, The Tragedy of Macbeth
3. Kirsten Dunst, The Power of the Dog
4. Jennifer Hudson, Respect
5. Jessica Chastain, The Eyes of Tammy Faye
Other Possibilities:
6. Penelope Cruz, Parallel Mothers
7. Kristen Stewart, Spencer
8. Emilia Jones, CODA
9. Rachel Zegler, West Side Story
10. Cate Blanchett, Nightmare Alley
11. Renate Reinsve, The Worst Person in the World
12. Nicole Kidman, Being the Ricardos
13. Jodie Comer, The Last Duel
14. Jennifer Lawrence, Don’t Look Up
15. Olivia Colman, The Lost Daughter
Best Actor
Predicted Nominees:
1. Denzel Washington, The Tragedy of Macbeth
2. Benedict Cumberbatch, The Power of the Dog
3. Will Smith, King Richard
4. Adam Driver, House of Gucci
5. Amir Jadidi, A Hero
Other Possibilities:
6. Andrew Garfield, Tick Tick… Boom!
7. Clifton Collins, Jr., Jockey
8. Peter Dinklage, Cyrano
9. Bradley Cooper, Nightmare Alley
10. Leonardo DiCaprio, Don’t Look Up
11. Joaquin Phoenix, C’Mon C’Mon
12. Cooper Hoffman, Soggy Bottom
13. Adam Driver, Annette
14. Javier Bardem, Being the Ricardos
15. Nicolas Cage, Pig
Best Supporting Actress
Predicted Nominees:
1. Ann Dowd, Mass
2. Ariana DeBose, West Side Story
3. Martha Plimpton, Mass
4. Jayne Houdyshell, The Humans
5. Marlee Matlin, CODA
Other Possibilities:
6. Ruth Negga, Passing
7. Olga Merediz, In the Heights
8. Regina King, The Harder They Fall
9. Thomasin McKenzie, The Power of the Dog
10. Toni Collette, Nightmare Alley
11. Judi Dench, Belfast
12. Anya Taylor-Joy, Last Night in Soho
13. Meryl Streep, Don’t Look Up
14. Audra McDonald, Respect
15. Sally Hawkins, Spencer
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Soggy Bottom
2. Jesse Plemons, The Power of the Dog
3. Jason Isaacs, Mass
4. Richard Jenkins, The Humans
5. Idris Elba, The Harder They Fall
Other Possibilities:
6. Corey Hawkins, The Tragedy of Macbeth
7. Richard E. Grant, Everybody’s Talking About Jamie
And now we arrive at the big one in my early Oscar predictions for this 2021 season: Best Picture. If you missed my previous posts covering Best Director and the acting derbies, they can accessed here:
In the highly fluent and unpredictable field that encompassed 2020, there were 8 eventual nominees for Picture. As you may recall, for the past 12 ceremonies, the BP contenders can fluctuate anywhere from 5-10 titles (the magic number has been 8 or 9). Starting with 2021, the number is set at 10 (thank you Academy).
Last year, my earliest predictions for this race yielded 3 of the 8 hopefuls – winner Nomadland, Mank, and The Trial of the Chicago 7. Three others (The Father, Judas and the Black Messiah, Minari) were mentioned as Other Possibilities. Two (Promising Young Woman and Sound of Metal) were not initially mentioned at all.
So let’s get to it! Here are my first picks for the 10 nominees with 15 Other Possibilities.
EARLY OSCAR PREDICTIONS: BEST PICTURE
Belfast
Dune
A Hero
House of Gucci
Mass
Nightmare Alley
The Power of the Dog
Soggy Bottom
The Tragedy of Macbeth
West Side Story
Other Possibilities:
Annette
Blue Bayou
Canterbury Glass
C’Mon C’Mon
CODA
Cyrano
Don’t Look Up
Flee
The French Dispatch
The Humans
In the Heights
Last Night in Soho
Next Goals Wins
Parallel Mothers
Spencer
Beginning late this week, I will kick off my weekly predictions in these six biggest derbies (as well as both Screenplay races) where the contenders will be ranked. Stay tuned!
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