We are about a month removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days. I already posted my first takes on the supporting derbies and Best Actor and they can be perused here:
We now move to Actress. When I did my first picks on the competition in 2023, it yielded the winner with Emma Stone for Poor Things. I will note that her main competitor – Lily Gladstone in Killers of the Flower Moon – was listed at that time as a Supporting Actress contender and not lead. Under the 10 other possibilities, I named Annette Bening in Nyad and Carey Mulligan for Maestro. I did not identify Sandra Hüller (Anatomy of a Fall) at that early juncture.
Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders. Actresses listed here could end up being campaigned for in supporting actress (the vice versa of Gladstone).
Speaking of Gladstone, she could make a return appearance with Fancy Dance. So could Ms. Stone though I do wonder if the anthology format of Kinds of Kindness slots her here or in lead. Other possibilities include the return of Angelina Jolie to the awards conversation as opera legend Maria Callas in Maria and Lady Gaga as Joker’s muse Harley Quinn in Joker: Folie à Deux.
Here’s the first snapshot:
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTRESS AT THE 97TH ACADEMY AWARDS:
Last year, the Best Supporting Actress race was upended when it was announced that Michelle Williams of Steven Spielberg’s The Fabelmans would be campaigned for in the lead Actress competition. Williams was seen as the strong frontrunner in the supporting field. Her placement in the more crowded Actress derby took her from a predicted winner to a question mark as to whether she’d even make the final five. She did, but lost to Michelle Yeoh in Everything Everywhere All at Once and she was never looked at as a threat to win. Her omission from the supporting category made it a wide open race where Jamie Lee Curtis (also from Everything Everywhere) eventually prevailed.
And now… history repeats itself. In each one of my predictions for the 96th Academy Awards this year, I have had Lily Gladstone listed #1 in Supporting Actress for Martin Scorsese’s Killers of the Flower Moon. Ever since it premiered at Cannes (before its October 20th domestic bow), reviews have indicated she’s a standout performance among heavy hitters like Leonardo DiCaprio, Robert De Niro, and Jesse Plemons. Like Williams, she was a heavy favorite for supporting. And just like Williams, there’s now an announcement that Gladstone will vie for Best Actress.
What’s it mean? Let’s start with Supporting Actress. With Gladstone out, it is now an uncertain race with no frontrunner. One could emerge when The Color Purple premieres with either Danielle Brooks (who I’ve consistently had ranked second) or Taraji P. Henson (who’s often been third). It potentially opens the door for Emily Blunt to not only nab her first nom for Oppenheimer, but maybe make it to the stage. It also increases the chances for hopefuls like Da’Vine Joy Randolph (The Holdovers), Viola Davis (Air), Jodie Foster (Nyad), Sandra Hüller (The Zone of Interest), or Penelope Cruz (Ferrari) to get in.
As for Best Actress, I believe Gladstone ends up in the grouping. Yet she might not be the automatic favorite like she was in supporting. Emma Stone (Poor Things) and Sandra Hüller (Anatomy of a Fall) are serious competitors. Fantasia Barrino from The Color Purple could be as well. And there’s Carey Mulligan (Maestro), Margot Robbie (Barbie), Greta Lee (Past Lives), Annette Bening (Nyad), Natalie Portman (May December), and Cailee Spaeney (Priscilla) to consider. In other words (like Williams), Gladstone has made her road to gold tougher though still achievable.
When I update my Oscar predictions this weekend, you can expect to see Gladstone in the Actress five. Whether she’s #1 like she’s been in supporting is very much still in question.
My closer looks at six of the major Oscar categories turns to Best Actress. If you missed my posts covering the other three acting derbies, you can access them right here:
The Venice, Telluride, and Toronto Film Festivals have made a couple of things clearer, as they usually do. While reviews for her were solid, I think Kate Winslet in Lee is now a long shot for inclusion in the final five. On the other hand, Aunjanue Ellis-Taylor in Origin is more of a possibility than I would’ve originally thought. I do, however, think the film will need to make its mark elsewhere and I’m a little skeptical at the moment.
In Venice, the Best Actress prize went to Cailee Spaeny as Priscilla and that certainly helps her stock. I’m not prepared to put her into the final quintet. The soft frontrunner is probably Emma Stone in the rapturously received Poor Things. It could put her in line to take this race seven years after her victory in La La Land. She skyrockets to fifth to first.
Other strong hopefuls are Sandra Hüller for Anatomy of a Fall, Carey Mulligan in Maestro, Natalie Portman in May December, and Greta Lee for Past Lives. Annette Bening could find herself in the mix as Nyad. An “overdue for a win” narrative could give her statue, but I could also see her being left out completely.
Then there’s Margot Robbie who is, of course, headlining 2023’s largest hit with Barbie. Some might say there’s no way she gets left out. I would remind people about Tom Cruise’s non-nomination for Top Gun: Maverick. Yet she could absolutely end up making the cut.
I’ve included Fantasia Barrino (The Color Purple) in the quintet since I began predicting months ago. Her work is the only one mentioned here still unseen. She clings to the five spot for now.
As with the other acting races, I’m winnowing the field from 15 possibilities to 10 and here’s how I see it right now:
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 5) (+4)
2. Sandra Hüller, Anatomy of a Fall (PR: 1) (-1)
3. Carey Mulligan, Maestro (PR: 2) (-3)
4. Greta Lee, Past Lives (PR: 3) (-1)
5. Fantasia Barrino, The Color Purple (PR: 4) (-1)
We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:
Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.
So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.
Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.
While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.
There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.
Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.
For my first Oscar picks for the 95th Academy Awards, I’ve arrived at Best Actress. If you missed the posts covering the other three acting categories, you can access them here:
Obviously release dates and category placements can (and will) change, but I honestly had a tough time whittling this list down to 15 names. Leaving out Jennifer Lawrence (Red, White and Water) and Tilda Swinton (Three Thousand Years of Living) or Florence Pugh (Don’t Worry Darling) seems a bit risky. It’s a sign of how competitive Actress could be for 2022 – just as it was the past two years.
Like with the other derbies, here’s how I see the race playing out nearly a year ahead of time.
My big announcement today is the selection of my first candidates for Best Actress in the 2020 Oscar field! If you happened to miss my predictions for the supporting categories and Best Actor, you can find them right here:
Unlike Best Actor, none of my initial top 5 picks here have seen their pictures screened. As discussed in previous posts, 2020 is a mighty speculative year for these early August estimates. The potential contenders are certainly some heavy hitters and it was, frankly, hard to whittle the list to this quintet. 4 of my 5 choices here are past winners. Both Viola Davis and Jennifer Hudson are Supporting Actress victors for 2016’s Fences and 2006’s Dreamgirls respectively. Frances McDormand is a two-time lead Actress winner for 1996’s Fargo and 2017’s Three Billboards Outside, Missouri. Kate Winslet took this prize in 2008 for The Reader. The only non-winner is Michelle Pfeiffer and she’s been nominated three times. If she makes it here, it would mark her first nod in 28 years since 1992’s Love Field.
This is in addition to acclaimed actresses such as Amy Adams, Jessica Chastain, and Julianne Moore as possibilities and up and comers like Jessie Buckley, Liu Yifei, and Rachel Zegler. On the opposite end of the spectrum, there’s the silver screen return of cinematic legend Sophia Loren. She last won an Oscar for Two Women some 60 years ago. Elisabeth Moss has two already released pics for which she’s received solid reviews. Of the two, Shirley seems more viable than the horror hit The Invisible Man.
In 2019, my original late summer projections yielded a whopping 4 of the 5 eventual nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). In my ten other possibilities, I also identified eventual trophy recipient Renee Zellweger as Judy.
Lots of intrigue in this race and here’s the first take:
EARLY OSCAR PREDICTIONS: BEST ACTRESS
Viola Davis, Ma Rainey’s Black Bottom
Jennifer Hudson, Respect
Frances McDormand, Nomadland
Michelle Pfeiffer, French Exit
Kate Winslet, Ammonite
Other Possibilities:
Amy Adams, Hillbilly Elegy
Jessie Buckley, I’m Thinking of Ending Things
Jessica Chastain, The Eyes of Tammy Faye
Rashida Jones, On the Rocks
Sophia Loren, The Life Ahead
Julianne Moore, The Glorias
Elisabeth Moss, Shirley
Carey Mulligan, Promising Young Woman
Liu Yifei, Mulan
Rachel Zegler, West Side Story
That completes the acting portions of the early predictions and Best Director is up next! Until then…
Today on the blog, we continue with initial Oscar predictions in the six major categories. The supporting races were covered yesterday and if you missed them, you can find the posts right here:
This brings us to Best Actress with a snapshot of the contenders before festival season kicks into high gear later this week. When I did my inaugural projections for this race in August 2018, it yielded two of the eventual nominees – Lady Gaga for AStarIsBorn and Glenn Close as TheWife. In the other possibilities portion naming ten others, winner Olivia Colman for TheFavourite and Melissa McCarthy in CanYouEverForgiveMe? were named.
As mentioned in those posts, these are an early bird snapshot of where I see the races before they come into sharper focus beginning next week. That’s when the film festival kicks off and many of the Oscar bait fall titles will be screened for critics. Starting next Thursday (August 30), I’ll begin posting my weekly ranked predictions in the major film categories.
Today brings us Best Actress and I’ll have Best Actor up later today!
Sebastian Lelio’s A Fantastic Woman is a Chilean import that made waves when it premiered at the Berlin Film Festival. The drama boasts a 100% rating currently on Rotten Tomatoes and is Chile’s official submission in the Best Foreign Language Film category at the Oscars.
Chances are quite good it will land a nomination there, but it could also make Oscar history if its recognized in another race. Daniela Vega has landed raves for her performance. If she was able to nab a Best Actress nomination, Vega would be the first transgender performer to do so.
In another year, the critical acclaim and history making might be enough to make the final five. In 2017, it could be a long shot because this race is jam packed. At this juncture, Emma Stone in Battle of the Sexes and Frances McDormand for Three Billboards Outside Ebbing, Missouri look like they’re in. Meryl Streep’s work in Steven Spielberg’s The Post has yet to be screened, but it sure sounds like an Oscar type role. That’s in addition to a host of other possibilities, including Margot Robbie (I, Tonya), Sally Hawkins (The Shape of Water), Kate Winslet (Wonder Wheel), Judi Dench (Victoria and Abdul), and Jessica Chastain (Molly’s Game).
That said, there could still be room for a “surprise” nod and Vega would seem to fit the bill. I currently have her listed at #9 in the race and we’ll see how the coming weeks play out.
In my earliest of Oscar predictions now that autumn and festival season is upon us, we’ve arrived at Best Actress! If you missed my previous posts on the Supporting categories, you may peruse them here:
Yesterday’s Venice screening of The Shape of Water significantly increased the possibility that Sally Hawkins could find herself in the mix. Another piece of the puzzle should come into focus this weekend as Frances McDormand’s work in Three Billboards Outside Ebbing, Missouri is screened for festival goers. Same goes for Emma Stone in Battle of the Sexes, Judi Dench in Victoria and Abduland Jennifer Lawrence in mother!
Obviously, there’s much uncertainty at this juncture but not for long and here’s my first pass at Best Actress:
TODD’S FIRST PREDICTIONS – BEST ACTRESS
Annette Bening, Film Stars Don’t Die in Liverpool
Jessica Chastain, Molly’s Game
Judi Dench, Victoria and Abdul
Sally Hawkins, The Shape of Water
Meryl Streep, The Papers
Other Possibilities:
Jane Fonda, Our Souls at Night
Isabelle Huppert, Happy End
Diane Kruger, In the Fade
Jennifer Lawrence, mother!
Frances McDormand, Three Billboards Outisde Ebbing, Missouri
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