When it comes to Academy love for Christopher Nolan and his filmography, the magic number appears to be 8. That’s how many nominations happened for 2008’s The Dark Knight, 2010’s Inception, and 2017’s Dunkirk. The filmmaker looks to exceed that figure with Oppenheimer. The three-hour epic biopic starring Cillian Murphy as the father of the atomic bomb opens this weekend and the review embargo lapsed today. The massive supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie (among others). Seriously when I say among others. As in, Gary Oldman plays Harry Truman and that’s far down on the Wiki list of familiar faces.
The Academy has a checkered history with Mr. Nolan. While The Dark Knight managed those eight mentions and won two, it famously missed Best Picture. Many believe the expansion to 10 features from five a year later was due to the Dark snub. Nolan himself has only been up for Best Director once with Dunkirk. His omission for Inception was a surprise. As far as actors who’ve competed in his works, that list consists of only one: Heath Ledger in The Dark Knight. He, of course, posthumously won.
Based on the critical reaction to Oppenheimer, Nolan’s record for nods may be broken and the acting list should expand. The Rotten Tomatoes meter is at 93% and while not all write-ups are raves, I believe enough are so that Best Picture and Director are likely happening. In fact, I see both of them occurring before an Adapted Screenplay spot (which could still materialize).
It’s no surprise that this should play in tech races. From Cinematography to Film Editing and Original Score and Production Design. Those might be givens as is Sound. Costume Design, Makeup and Hairstyling, and certainly Visual Effects are all feasible too.
If you’re keeping score, we’re already potentially above 8. Then there’s the performances. Murphy (obviously in lead) was assumed to be a surefire contender (his first at bat) and that’s bearing out. The bigger question was which supporting players would emerge. The answer it seems is Blunt and Downey Jr. For Blunt, it somehow would mark her first nomination. For Downey Jr., it would be the third – 31 years after Chaplin in lead and 15 years following Tropic Thunder in Supporting.
Bottom line: Oppenheimer appears positioned to be Nolan’s personal best showing at the big dance. It should be right up there with Killers of the Flower Moon and perhaps Dune: Part Two as far as numerical possibilities. My Oscar Prediction posts will continue…
Blogger’s Update (07/19): I’ve increased my prediction from $52.3M to $65.3M
As one of the few directors whose name can open a movie, Christopher Nolan’s epic biopic Oppenheimer reaches theaters on July 21st. Cillian Murphy headlines the three-hour historical epic as the title character, known as the father of the atomic bomb. The large supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie.
Shot for a reported $100 million, the Oscar hopeful is targeting a second place showing by outpacing the second frame of Mission: Impossible – Dead Reckoning Part One. First place appears unreachable due to Barbie. The social media world has had a ball with memes and GIFs celebrating the premieres of these two huge projects on the same date. The term “Barbenheimer” has even been coined with thousands of moviegoers having already planned long days at the multiplex to view both.
Thanks in large part to his Dark Knight trilogy, Nolan serves as the biggest main draw for his own projects. He boasts a directorial bankability that few of his colleagues share (Tarantino is another example). Non-Batman projects have seen impressive starts. In 2010, Inception (hot on the heels of The Dark Knight) premiered with $62 million. Interstellar started with $47 million in 2014. Over Labor Day weekend in 2020, Tenet braved unfavorable COVID conditions and managed a $20 million beginning.
Oppenheimer faces its challenges. There’s obviously the competition from an iconic doll and Ethan Hunt. The subject matter may not be enticing to younger viewers who typically drive the summer box office. Still early indications including some sold out IMAX venues at considerably higher prices have me thinking it could top $50 million.
Oppenheimer opening weekend prediction: $65.3 million
Are You There God? It’s Me, Margaret arrives in theaters on April 28th over 50 years after the novel by Judy Blume inspired generations of readers. Judging from the reviews, it sounds like it’s worth the wait (and Blume herself has heaped praise on it). The coming-of-age dramedy is directed and adapted by Kelly Fremon Craig, whose 2016 The Edge of Seventeen (something that was certainly inspired by Margaret) was a critical darling. Abby Ryder Fortson is in the title role with Rachel McAdams and Benny Safdie as her parents and Kathy Bates as Grandma.
The Rotten Tomatoes score is a sterling 95%. Some of the strongest ink is going to McAdams. With an aggressive campaign, perhaps Lionsgate could put her on the radar for her second Supporting Actress nomination after 2015’s Spotlight. Or the spotlight could fall to Margaret herself. I doubt if the Academy will bite, but Golden Globe voters nominated Hailee Steinfeld in Best Actress in a Musical/Comedy for Seventeen. I could see that happening with Fortson. A best case scenario would be attention for Adapted Screenplay, but let’s see how competitive that race becomes. My Oscar Prediction posts will continue…
Lionsgate is hoping audiences will be there for Are You There God? It’s Me, Margaret when it opens April 28th. The coming-of-age dramedy is based on the well-known 1970 novel from Judy Blume. Kelly Fremon Craig, who wrote and directed 2016’s acclaimed The Edge of Seventeen, is behind the camera. Abby Ryder Fortson stars in the title role with Jennifer Garner, Benny Safdie, and Kathy Bates in the supporting cast.
Despite the popularity of its source material, author Blume held onto the film rights for over half a century. Margaret will attempt to bring in a wide female audiences whose familiarity with the book spans generations. Some early prognoses have this potentially reaching $20 million. I’ll say low to mid teens is where this lands.
Are You There God? It’s Me, Margaret opening weekend prediction: $15.3 million
From acclaimed French titles like 1999’s Beau Travail to the recent Robert Pattinson horror pic High Life, filmmaker Claire Denis has her ardent admirers. Based on the 1986 novel by Denis Johnson, her latest is Stars at Noon. It has made its premiere at Cannes.
The romantic thriller features Margaret Qualley and Joe Alwyn in the lead roles with Danny Ramirez, Benny Safdie, and John C. Reilly providing support. The reviews are decent though not overwhelmingly positive and the Rotten Tomatoes rating is 78%.
I suspect the stars won’t align for this to receive any sort of significant awards push in the coming months. My Oscar Prediction posts will continue…
I’ve been grooving to the beat of Paul Thomas Anderson’s cinematic vibes for a quarter century. There was the magnificent Boogie Nights in 1997 and the iconic Daniel Day-Lewis milkshake monologue in There Will Be Blood ten years later. A decade after that, my PTA appetite was satiated by Phantom Thread.Â
His latest is Licorice Pizza and it’s his most laid back experience. This coming-of-age slice of life takes place in the Valley circa 1973. It feels lived in and authentic and personal. There’s individual scenes where the filmmaker’s brilliance is on full display. Like all of his efforts, there’s memorable performances. And unlike most of his catalogue, this Almost Famous feeling flick has flaws I couldn’t overlook. It’s almost joyous and almost worth the viewing and ultimately more problematic than rewarding.
Loosely based on the teen years of former child actor Gary Goetzman (now a highly successful producing partner of Tom Hanks), Cooper Hoffman is 15-year-old Gary Valentine. He’s costarred in movies and commercials and is far more confident than anyone his age has a right to be. That self-assured nature is evident when he asks 25-year-old photographer’s assistant Alana Kane (Alana Haim) out on a date. She rebuffs his advances at first but ends up meeting him out. The two strike up a friendship and the benefit for us is watching Hoffman and Haim shine in their acting debuts. The son of Anderson’s late frequent collaborator Philip Seymour Hoffman and one third of a well-known rock band, Hoffman and Haim are naturals. The drawback is an age difference I couldn’t overlook… so let’s go there.
This is where the sunny tone of Pizza conflicted with their borderline (perhaps over borderline) inappropriate coupling. It’s not overtly sexual and Alana is well aware that hanging with the decade younger Gary is far from normal. Yet there’s enough of a leftover distasteful feeling that it hindered the entertainment value for me. One could argue Gary is more mature than Alana and perhaps that justifies some of what happens. That’s a tough needle to thread and I just couldn’t get there.
Pizza has a lazy hangout atmosphere that recalls Tarantino’s Once Upon a Time in Hollywood. Like that picture, it’s steeped in exploring a different showbiz era and the technical aspects we expect from PTA (production design, cinematography, costumes, and more) are top notch.
The episodic nature is hit or miss. Pizza‘s best course involves Bradley Cooper as hairdresser turned producer Jon Peters. His segment moves at a thrilling clip as Gary’s failing waterbed business and the 70s era gasoline shortage play important roles. I can’t say the same for Sean Penn’s bit as an aging movie star (based on William Holden) and his motorcycle exploits. By the time we arrive at Alana trying a new career as a campaign worker for conflicted mayoral candidate Joel Wachs (Benny Safdie), the pic was starting to run on fumes.
When a director of immense capabilities makes an almost misfire, there’s no denying it’s more of a letdown. That’s where I stand with Licorice Pizza and it brings me no joy to deliver that news.
When Paul Thomas Anderson writes and directs, the Academy takes notice and that won’t change with Licorice Pizza. Out in limited release November 26th before a Christmas Day expansion, the social media embargo is lapsed. Early word indicates the coming-of-age dramedy set in the Valley circa 1973 is one of the filmmaker’s most accessible and lighter works. And there are certainly categories where Oscar voters may bite.
Six out of the last seven PTA pictures have nabbed nominations. Two (There Will Be Blood, Phantom Thread) contended for Best Picture and its maker made it both times for his direction. He has been nominated five times for screenwriting with the aforementioned titles as well as Boogie Nights, Magnolia, and Inherent Vice. Despite the multiple ballot appearances, PTA has yet to get his hands on a gold statue.
That could change here, but it’s no guarantee. I do believe the initial buzz suggests a Best Picture nod is likely and he could certainly be recognized for directing. I don’t foresee wins in either race.
Original Screenplay is a different story. Belfast is the main competition at the moment and that’s significant considering it’s the frontrunner for Picture. However, I could see a narrative developing where Anderson could emerge victorious partly as a career achievement/overdue honor.
Down the line recognition for Editing might be its strongest opportunity in tech derbies. For the actors, PTA’s filmography has resulted in nine nominations for its performers. There’s just one win with Daniel Day-Lewis  in Blood. Interestingly, we’ve seen three nominees each in Actor, Supporting Actor, and Supporting Actress. None for Best Actress, but that’s where Pizza has perhaps the most feasible chance.
Alana Haim’s performance is already getting raves. The downside is that Best Actress looks awfully competitive in 2021 and it could be an uphill battle. She’ll need some critics awards love and precursors. Same goes for Cooper Hoffman who makes his big screen debut. He’s the son of the late Philip, who PTA featured in Hard Eight, Boogie Nights, Magnolia, Punch-Drunk Love, and The Master. He too is being lauded though breaking into Actor could be an even taller order for him.
Finally, that brings us to Bradley Cooper. Playing film producer and Barbra Streisand’s former hairdresser Jon Peters, this looked like the kind of juicy role that might finally get the four-time acting contender some hardware. I’ve had Cooper listed at #1 in my Supporting Actor predictions since I began doing them over the summer (even in my updated estimates from earlier in the evening). It seems that Cooper’s screen time is quite limited in this… enough so that he might miss the dance altogether. One bright side is that Supporting Actor is so wide open that even his brief appearance could make enough of an impression on the Academy. I do suspect that Cooper will, at the least, not be in the top spot when I update next week.
Bottom line: the Pizza party at the Oscars could involve Picture, Director, and absolutely Original Screenplay. The cast faces some challenges. My Oscar Prediction posts for the films of 2021 will continue…
Starting on the blog today, I’m taking a deeper dive into the four acting derbies at the Oscars as well as Picture and Director. It begins with Supporting Actor.
If I could use a couple words to describe this particular race – “very open” immediately comes to mind. With just two months left in the calendar year, I would go as far to say that not I’m not 100% certain on any performer discussed below making the final five. That’s rare.
Before I delve into the many hopefuls, let’s take a look at where my projections were at in 2019 and 2020 during the same time frame. Two years ago, I had already correctly pegged four of the five eventual nominees: winner Brad Pitt (Once Upon a Time Hollywood), Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other contender was Joe Pesci (also for The Irishman) and I had him listed at #6 in Other Possibilities. In hindsight, Supporting Actor was well on its way to being established with two months remaining in 2019.
Not so much for 2020. Last year was more difficult than perhaps any before it in figuring out who’d make the cut (much of that uncertainty was due to COVID and the constantly shifting release schedule). On November 1, 2020 – my forecasted five contenders yielded just two of the eventual nominees: Sacha Baron Cohen in The Trial of the Chicago 7 and Leslie Odom, Jr. for One Night in Miami. I still had the winner (Daniel Kaluuya in Judas and the Black Messiah) listed for the lead Actor competition. Both Lakeith Stanfield (Judas) and Paul Raci (Sound of Metal) were not yet mentioned in Other Possibilities.
With that context, we arrive in 2021. And I would say this year looks more like the previous one as opposed to 2019. There has been one constant since I began projecting the race back in the summer: Bradley Cooper for Licorice Pizza (known as Soggy Bottom just a couple of months ago). I’ve had him listed at #1 the whole way and it’s a prediction based mostly on gut since no one has seen the picture (that’ll change shortly). Cooper is a four-time acting nominee (Silver Linings Playbook, American Hustle, American Sniper, A Star is Born). He’s yet to take the gold. Pizza looks like it should be a juicy role for him. On the other hand, we do not yet known just how big (or small) his role is. When reviews come out, he could solidify himself as the frontrunner or drop out altogether. There’s also the possibility that one of the other supporting players (Sean Penn or Benny Safdie) could rise. For now, I’m still hangin’ with Mr. Cooper until the word-of-mouth tells me otherwise.
Shifting gears – here’s a fun fact. In three out of the last four years, we’ve seen two actors from the same movie recognized here. In 2017, it was Sam Rockwell (who won) and Woody Harrelson in Three Billboards Outside Ebbing, Missouri. For 2019 – you had Pacino and Pesci in The Irishman. Last year, it was the victorious Kaluuya and Stanfield for Judas.
Could that happen again? Absolutely and the best chance for that right now appears to be Belfast. A strong contender to win Best Picture, we could also see Jamie Dornan and Ciaran Hinds punch their tickets here. I wouldn’t be at all surprised to see it happen. Dornan seems likelier to make it in, but Hinds is getting plenty of laudatory chatter as well.
There are other scenarios to make it four out of five years and some lie with pictures still not screened. Don’t Look Up has Jonah Hill, Rob Morgan, and Mark Rylance. Willem Dafoe and David Strathairn are viable for Nightmare Alley. And then there’s Jared Leto and Al Pacino in House of Gucci. The latest trailer features the latter more than the former. That disrupts the consensus that Leto has a better shot. I’m still going with Leto above Pacino, but when Gucci screens that dynamic may shift.
The double nominee situations don’t end there. Yet they both have actors that I believe have a significantly better chance than the other. For Mass, Jason Isaacs has been in my five while Reed Birney hasn’t made the top ten in some time. After The Power of the Dog was unveiled on the festival circuit, the narrative unexpectedly shifted to Kodi Smit-McPhee having a clearer path than Jesse Plemons. The Tragedy of Macbeth buzz solidified Corey Hawkins over Brendan Gleeson (though I’m skeptical either get in).
Now is a good time to point out that it’s been ten years since a Supporting Actor winner didn’t come from a Best Picture nominee (Christopher Plummer in Beginners). That’s why I find it a stretch that Ben Affleck (The Tender Bar), Idris Elba (The Harder They Fall), or Troy Kotsur (CODA) will be making trips to the podium. They could still get in, but their paths are tougher and they will all need heavy critics awards love to make the dance. There’s been some mentions for Jeffrey Wright in The French Dispatch, but (somewhat surprisingly) no Wes Anderson directed performance has been Academy nominated and I don’t see this being the first.
One actor where an exception could occur is Richard Jenkins in The Humans. I doubt it will land a Pic nod, but Jenkins is drawing raves for his work. Twice nominated before for The Visitor and The Shape of Water, I could see the veteran becoming a threat to win if Cooper falls.
Others worthy of mention include Jon Bernthal in King Richard. The attention could be so focused on Will Smith (who appears to be in the driver’s seat to take Actor) that his supporting cast fails to get in (that logic also applies to Supporting Actress hopeful Aunjanue Ellis). It’s also totally feasible that Richard is so popular with the Academy that it sweeps them all in. Andrew Garfield picked up solid notices for The Eyes of Tammy Faye. He might stand a better shot in lead for the upcoming and yet to be screened Tick, Tick… Boom! Timothy Spall for Spencer is doable, but Kristen Stewart is just as likely to be the sole nominee (and maybe the winner in Actress). The work of David Alvarez (West Side Story) and Javier Bardem (Being the Ricardos) has yet to be seen and is worth keeping an eye on.
So how does that all shake out? Truth be told, the five predicted performers listed below could look quite different a couple months from now. Here’s my best guesstimate for the moment:
Thanks to the Toronto Film Festival, we have a new #1 atop the charts in Best Picture and it’s Kenneth Branagh’s Belfast.Â
The coming-of-age drama won the festival’s People’s Choice Award and that is no minor development. 12 of the past 13 victors have received a BP nod. Five of them have won. And that’s enough to allow Belfast the designation of soft frontrunner (with lots of time to go and lots yet to be seen). However, the fact of the matter is, you have to go back to 2006’s The Departed to find a BP winner that didn’t screen at one of the higher profile festivals.
The Power of the Dog was a runner-up for the People’s Choice prize and it slides just one spot. Director Jane Campion  maintains top billing in her category.
There are further developments to point out:
King Richard is back in my top 10 BP projections edging out The Humans. The Will Smith sports drama also enters Original Screenplay over C’Mon C’Mon.
Paul Thomas Anderson (Licorice Pizza) is in for Best Director over Ridley Scott for House of Gucci.
The praise for Jessica Chastain in The Eyes of Tammy Faye is enough to put her at #2 in Actress. It’s not enough to dislodge Kristen Stewart (Spencer) from her ruling perch. I will admit that the subpar box office grosses for Faye this weekend doesn’t help, but I’m relatively confident at this juncture that she’s in.
The revolving door that is slot #5 in Best Actor lands on Joaquin Phoenix (C’Mon C’Mon) over Bradley Cooper (Nightmare Alley).
Big changes in Supporting Actor as Jamie Dornan (Belfast) and Jared Leto (House of Gucci) are in. Dropping are Dornan’s costar Ciaran Hinds and Kodi Smit-McPhee (The Power of the Dog).
While the Supporting Actress five stays intact, I’ve vaulted Ann Dowd (Mass) back to the top spot.
By this time next Sunday, we will know the buzz for Joel Coen’s The Tragedy of Macbeth as it opens the New York Film Festival this Friday. Stay tuned for my Oscar Predictions post on that next weekend.
You can peruse all the action below and the forecasts will be updated next Sunday!
Best Picture
Predicted Nominees:
1. Belfast (Previous Ranking: 4) (+3)
2. The Power of the Dog (PR: 1) (-1)
3. Nightmare Alley (PR: 2) (-1)
4. Dune (PR: 5) (+1)
5. House of Gucci (PR: 3) (-2)
6. Licorice Pizza (PR: 7) (+1)
7. The Tragedy of Macbeth (PR: 6) (-1)
8. West Side Story (PR: 8) (E)
9. Don’t Look Up (PR: 9) (E)
10. King Richard (PR: 12) (+2)
Other Possibilities:
11. The Humans (PR: 10) (-1)
12. Spencer (PR: 15) (+3)
13. CODA (PR: 11) (-2)
14. Mass (PR: 14) (E)
15. The Hand of God (PR: 13) (-2)
16. Flee (PR: 17) (+1)
17. The French Dispatch (PR: 16) (-1)
18. Tick, Tick… Boom! (PR: 19) (+1)
19. A Hero (PR: 18) (-1)
20. The Lost Daughter (PR: 20) (E)
21. C’Mon C’Mon (PR: 24) (+3)
22. Being the Ricardos (PR: 22) (E)
23. Cyrano (PR: 23) (E)
24. Passing (PR: 21) (-3)
25. Parallel Mothers (PR: 25) (E)
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Guillermo del Toro, Nightmare Alley (PR: 2) (E)
3. Kenneth Branagh, Belfast (PR: 4) (+1)
4. Denis Villeneuve, Dune (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 6) (+1)
Other Possibilities:
6. Ridley Scott, House of Gucci (PR: 5) (-1)
7. Joel Coen, The Tragedy of Macbeth (PR: 7) (E)
8. Steven Spielberg, West Side Story (PR: 8) (E)
9. Adam McKay, Don’t Look Up (PR: 9) (E)
10. Pablo Larrain, Spencer (PR: 11) (+1)
11. Paolo Sorrentino, The Hand of God (PR: 10) (-1)
12. Jonas Poher Rasmussen, Flee (PR: 13) (+1)
13. Reinaldo Marcus Green, King Richard (PR: Not Ranked)
14. Asghar Farhadi, A Hero (PR: 14) (E)
15. Stephen Karam, The Humans (PR: 12) (-3)
Dropped Out:
Wes Anderson, The French Dispatch
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (+1)
3. Lady Gaga, House of Gucci (PR: 2) (-1)
4. Penelope Cruz, Parallel Mothers (PR: 4) (E)
5. Olivia Colman, The Lost Daughter (PR: 5) (E)
Other Possibilities:
6. Jennifer Hudson, Respect (PR: 6) (E)
7. Cate Blanchett, Nightmare Alley (PR: 7) (E)
8. Rachel Zegler, West Side Story (PR: 9) (+1)
9. Nicole Kidman, Being the Ricardos (PR: 8) (-1)
10. Renate Reinsve, The Worst Person in the World (PR: 13) (+3)
11. Jennifer Lawrence, Don’t Look Up (PR: 12) (+1)
12. Emilia Jones, CODA (PR: 10) (-2)
13. Jodie Comer, The Last Duel (PR: 11) (-2)
14. Halle Berry, Bruised (PR: 15) (+1)
15. Tessa Thompson, Passing (PR: 14) (-1)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3) (E)
4. Peter Dinklage, Cyrano (PR: 4) (E)
5. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. Bradley Cooper, Nightmare Alley (PR: 5) (-1)
7. Adam Driver, House of Gucci (PR: 7) (E)
8. Leonardo DiCaprio, Don’t Look Up (PR: 8) (E)
9. Andrew Garfield, Tick, Tick… Boom! (PR: 10) (+1)
10. Clifton Collins, Jr., Jockey (PR: 9) (-1)
11. Nicolas Cage, Pig (PR: 11) (E)
12. Ben Foster, The Survivor (PR: Not Ranked)
13. Jude Hill, Belfast (PR: Not Ranked)
14. Cooper Hoffman, Licorice Pizza (PR: Not Ranked)
15. Amir Jadidi, A Hero (PR: 12) (-3)
Dropped Out:
Adam Driver, Annette
Filippo Scott, The Hand of God
Simon Rex, Red Rocket
Best Supporting Actress
Predicted Nominees:
1. Ann Dowd, Mass (PR: 2) (+1)
2. Caitriona Balfe, Belfast (PR: 3) (+1)
3. Kirsten Dunst, The Power of the Dog (PR: 1) (-2)
4. Ariana DeBose, West Side Story (PR: 5) (+1)
5. Jayne Houdyshell, The Humans (PR: 4) (-1)
Other Possibilities:
6. Frances McDormand, The Tragedy of Macbeth (PR: 6) (E)
7. Aunjanue Ellis, King Richard (PR: 8) (+1)
8. Rooney Mara, Nightmare Alley (PR: 10) (+2)
9. Toni Collette, Nightmare Alley (PR: 9) (E)
10. Judi Dench, Belfast (PR: 11) (+1)
11. Marlee Matlin, CODA (PR: 7) (-4)
12. Meryl Streep, Don’t Look Up (PR: 12) (E)
13. Martha Plimpton, Mass (PR: 14) (+1)
14. Ruth Negga, Passing (PR: 13) (-1)
15. Dakota Johnson, The Lost Daughter (PR: 15) (E)
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Licorice Pizza (PR: 1) (E)
2. Richard Jenkins, The Humans (PR: 2) (E)
3. Jamie Dornan, Belfast (PR: 7) (+4)
4. Jason Isaacs, Mass (PR: 5) (+1)
5. Jared Leto, House of Gucci (PR: 6) (+1)
Other Possibilities:
6. Kodi Smit-McPhee, The Power of the Dog (PR: 4) (-2)
7. Corey Hawkins, The Tragedy of Macbeth (PR: 8) (+1)
8. Ciaran Hinds, Belfast (PR: 3) (-5)
9. Mark Rylance, Don’t Look Up (PR: 10) (+1)
10. Jesse Plemons, The Power of the Dog (PR: 9) (-1)
11. Willem Dafoe, Nightmare Alley (PR: 12) (+1)
12. David Alvarez, West Side Story (PR: 13) (+1)
13. Troy Kotsur, CODA (PR: 11) (-2)
14. Andrew Garfield, The Eyes of Tammy Faye (PR: Not Ranked)
With the Venice and Telluride Film Festivals having just wrapped and Toronto going strong, there are fresh updates to my Oscar predictions in every category but Director!
Of course, the big question from the past week might be: Will a movie with the word “pizza” in it finally get a Best Picture nomination? That’s more possible than ever since Paul Thomas Anderson’s latest (which had the working title Soggy Bottom) is now apparently called Licorice Pizza. It makes perfect sense if you research the setting.
It’ll be a while before we know how much of a contender that one actually is.  There is some movement based on actual buzz and it starts with Stephen Karam’s The Humans, which has screened at Toronto. I believe it could make the BP cut and I’ve got it in. I’m also returning West Side Story to the top ten. Dropping out are CODA and King Richard, though either could certainly find themselves back in the mix.
In other developments:
Penelope Cruz’s Venice win for Best Actress gets her back in the top five. Falling out is Jennifer Hudson for Respect.
I now have Bradley Cooper as a double nominee. In addition to him maintaining the top spot in Supporting Actor for Pizza (that’s gonna take some getting used to), he’s listed in Actor for Nightmare Alley. He takes the place of Adam Driver in House of Gucci.Â
With category placement still in flux for certain pics, I’ve chosen to put the ensemble for Belfast all in supporting. That means Caitriona Balfe is in for Supporting Actress over her costar Judi Dench. I’m also elevating Jayne Houdyshell (The Humans) and dropping Marlee Matlin (CODA). Furthermore, I have Frances McDormand moved to supporting from lead and she sits just on the outside at #6. Kirsten Dunst takes over the #1 position over Ann Dowd in Mass.
Jamie Dornan (Belfast) also enters the competition in supporting instead of lead, but he’s not in my five. There is one change: Jason Isaacs (Mass) over Jared Leto (House of Gucci).
C’Mon C’Mon gets the 5th slot in Original Screenplay over Spencer. And Belfast is now listed first instead of Pizza.Â
In Adapted Screenplay, The Humans and The Lost Daughter make the cut over The Tragedy of Macbeth and CODA. The latter did not have a good week as you can see (dropping out of Picture, Supporting Actress, and here).
We are mere hours away from knowing whether Jessica Chastain (The Eyes of Tammy Faye) deserves her #3 placement in Actress. Those developments and more will be available when I update next Sunday. Until then, you can peruse all the movement below!
All My Life... I Wanted To Be A Blogster 