Recounting the company history of OpenAI, Artificial is a new tale involving a web-related reckoning from director Luca Guadagnino. Originally an Amazon MGM release, the studio controversially dropped the feature after it was completed with Neon eventually snatching the rights. Said to be a dark comedy, Andrew Garfield is OpenAI CEO Sam Altman with Yura Borisov as the company’s cofounder. The supporting cast includes Monica Barbaro, Cooper Hoffman, Jason Schwartzman, Chris O’Dowd, Ike Barinholtz, and Mark Rylance. It premiered at the New York Film Festival prior to its Christmas Day theatrical bow.
Based on initial reaction, Artificial could enter the chat as an awards contender in several races. That begins with Best Picture. The Rotten Tomatoes rating is 92% with Metacritic at 76. I view this as a hopeful in the 9-10 range of the 10 BP possibilities though it certainly may miss the cut entirely. An Original Screenplay nod is also feasible.
An announcement earlier this week confirmed that Borisov will be submitted in lead Actor with Barbaro vying for Supporting Actress. Both were nominees two years ago in the supporting fields for Anora and A Complete Unknown respectively. I am skeptical either get in. Garfield is another story. He’s a two-time nominee in Best Actor for 2016’s Hacksaw Ridge and 2021’s Tick, Tick… Boom! Neon is campaigning him in Supporting Actor and I do believe he stands a solid shot at making that quintet. I’ve yet to predict Garfield, but don’t be surprised if that changes in my next update for what sounds like a juicy role. As for the down-the-line attention, the score from Blur/Gorillaz frontman Damon Albarn is getting noticed.
While Challengers and Queer and After the Hunt ultimately became non-factors with the Academy, Artificial seems like Guadagnino’s first real shot at multiple noms since 2017’s Call Me by Your Name. My Oscar Prediction posts will continue…
Gregg Araki’s I Want Your Sex does not chronicle the making of George Michael’s nearly 40-year-old pop hit. Premiering at Sundance, the explicit comedy stars Olivia Wilde and Cooper Hoffman as an unconventional couple with Mason Gooding, Chase Sui Wonders, Daveed Diggs, and Charlie XCX in the supporting cast.
Early word-of-mouth suggests the romp (seeking distribution) has some positive attributes but may appeal only to a niche crowd. Rotten Tomatoes stands at 85% with Metacritic at 63. It’s safe to assume this won’t be in awards contention. Olivia Wilde’s directorial effort (The Invite) which is also screening in Park City might be another story and you can expect that write-up on the blog in short order. My Oscar Prediction posts will continue…
Despite critical acclaim, The Long Walk could face a tough road when it debuts September 12th. The Lionsgate release is based on the first novel that Stephen King ever wrote when he was a teenager (it was eventually released under his pseudonym Richard Bachman in 1979). I Am Legend and Hunger Games series maker Francis Lawrence directs the dystopian horror flick. The cast includes Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Jordan Gonzalez, Josh Hamilton, Judy Greer, and Mark Hamill.
Reviews are impressive with 93% on Rotten Tomatoes and 80 on Metacritic. That said, genre fans have had plenty of material to view lately and The Conjuring: Last Rites should still be haunting viewers in its sophomore frame. Solid word-of-mouth could push it over double digits, but I’m skeptical.
The Long Walk opening weekend prediction: $8.7 million
For my Demon Slayer: Kametsu no Yaiba – The Movie: Infinity Castle prediction, click here:
Based on the first novel he ever wrote (though it wasn’t released until 1979), dystopian horror tale The Long Walk arrives in theaters September 12th. Francis Lawrence (maker of I Am Legend and every Hunger Games flick except the first one) is behind the camera with JT Mollner (writer/director of last year’s critical favorite Strange Darling) scripting. The cast includes Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Jordan Gonzalez, Josh Hamilton, and Mark Hamill (in his second 2025 King adaptation after The Life of Chuck).
In a year where horror is receiving acclaim that the Academy could notice, Walk is generating high praise. Rotten Tomatoes is at 92% with 80 on Metacritic. Seen as an unadaptable novel (which explains how long it took to arrive on the big screen), critics are saying Lawrence/Mollner pull it off.
Unlike Sinners and Weapons, this is not anticipated to be a major box office juggernaut. With Sinners seemingly poised for Academy love and Weapons contending in Supporting Actress and Original Screenplay (if we’re being generous), Walk is unlikely to generate its own awards chatter. My Oscar Prediction posts will continue…
Arriving in wide release exactly 49 years to the day from the event it showcases, Saturday Night expands nationwide on October 11th. From Jason Reitman, the dramedy recounts the 90 minutes leading up to the premiere of Saturday Night Live. Gabriel LaBelle stars as Lorne Michaels with a large supporting cast including Rachel Sennott, Cory Michael Smith (getting a lot of solid buzz as Chevy Chase), Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (pulling double duty as Andy Kaufman and Jim Henson), Cooper Hoffman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste (who also provides the score).
The behind the scenes showbiz tale first premiered at Telluride to mostly favorable reaction. The RT score is 80% with 63 on Metacritic. This could contend for one of the ten slots in Best Picture at the Academy Awards, but it’s not a slam dunk nominee.
Opening just as SNL kicks off its 50th season certainly helps exposure. It debuted in five venues on September 27th in New York and L.A. to a robust $53k per screen average (second best this year after Kinds of Kindness). Saturday Night expands slightly on October 4th before the 2000 screen rollout on the 49th anniversary.
This was rightly anticipated to start out well on the coasts. I’m unconvinced general audiences will make this a sizable hit even with the (not exactly loud) awards chatter and decades long familiarity with the source material. I’m not sure this gets to $10 million and I’m putting it under.
Saturday Night opening weekend prediction: $7.8 million
Jason Reitman had a one-two punch of consecutive Best Picture nominees with Juno and Up in the Air in 2007 and 2009. Some follow-ups generated solid reviews (Young Adult, Tully) while others (Labor Day, The Front Runner) drew more mixed reactions. None have received significant awards buzz in the past decade and a half. Will that change with Saturday Night?
The Sony Pictures dramedy is slated for release on October 11th which is the 49th anniversary of the iconic sketch show it celebrates. This recounts the chaotic moments leading up to the premiere of Saturday Night Live. Gabriel LaBelle (who essentially played young Steven Spielberg in 2022’s The Fabelmans) is 30-year-old Lorne Michaels. The extensive supporting cast (some playing 1975 legends with others as future legends) includes Cooper Hoffman, Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (as Andy Kaufman and Jim Henson), Andrew Barth Feldman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste.
Having just played Telluride and hitting Toronto shortly, early word-of-mouth is primarily on the fresh side. There are some high profile reviews of the thumbs down variety. I would say Saturday Night stands a shot at a Best Picture nomination, but it is a coin flip at the moment as we await how competitors pan out. Down ballot categories like Costume Design and (especially) Film Editing could occur especially if it sneaks into BP.
As for the cast, LaBelle is getting quality ink. Yet some of the strongest notices are going to Sennott as writer Rosie Schuster and Smith as Chevy Chase. I’m skeptical any of the performers break into their respective categories though the SAG Awards could certainly nominate the cast in their Ensemble race. Speaking of other shows, the Golden Globes could put it up for Musical/Comedy assuming Sony campaigns for it there and LaBelle could make the Actor (Musical/Comedy) quintet.
At the Academy Awards, there is almost always a picture or two that is up solely for its screenplay. This is a distinct possibility with Saturday Night and its original screenplay from Reitman and Gil Kenan. My Oscar Prediction posts will continue…
Ethan Hawke, a two-time Oscar nominee for acting (Training Day, Boyhood) and a two-time nominee for writing (Before Sunset, Before Midnight), is behind the camera for Wildcat. The biographical drama is headlined by his daughter Maya Hawke as novelist Flannery O’Connor. Costars include Laura Linney, Philip Ettinger, Rafael Casal, Cooper Hoffman, Steve Zahn, Vincent D’Onofrio, Alessandro Nivola, and Liam Neeson.
It debuted at the Telluride Film Festival last September to considerably mixed reactions. Now it is heading toward a limited theatrical engagement this weekend with a RT score of just 47%. Marking Hawke’s first directorial effort since 2018’s little-seen Blaze (which received glowing reviews), this will not be a topic of awards conversations months down the line. My Oscar Prediction posts will continue…
The 27th Critics Choice Awards air this Sunday evening and they’re another often reliable indicator for who and what may win on Oscar night. As I have with SAG and the Golden Globes, I am giving you my winner predictions along with the runner-up pick.
Let’s get to it and I’ll have a recap up either Sunday evening or Monday!
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
tick, tick… Boom!
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Dune
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Guillermo del Toro, Nightmare Alley
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Predicted Winner:
Jane Campion, The Power of the Dog
Runner-Up:
Denis Villeneuve, Dune
Best Actress
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Alana Haim, Licorice Pizza
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Predicted Winner:
Kristen Stewart, Spencer
Runner-Up:
Jessica Chastain, The Eyes of Tammy Faye
Best Actor
Nominees:
Nicolas Cage, Pig
Benedict Cumberbatch, The Power of the Dog
Peter Dinklage, Cyrano
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Predicted Winner:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Caitríona Balfe, Belfast
Ariana DeBose, West Side Story
Ann Dowd, Mass
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Rita Moreno, West Side Story
Predicted Winner:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Jamie Dornan, Belfast
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jared Leto, House of Gucci
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Predicted Winner:
Kodi Smit-McPhee, The Power of the Dog
Runner-Up:
Troy Kotsur, CODA
Best Original Screenplay
Nominees:
Being the Ricardos
Belfast
Don’t Look Up
King Richard
Licorice Pizza
Predicted Winner:
Licorice Pizza
Runner-Up:
Belfast
Best Adapted Screenplay
Nominees:
CODA
Dune
The Lost Daughter
The Power of the Dog
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Predicted Winner:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best Comedy
Nominees:
Barb and Star Go To Vista Del Mar
Don’t Look Up
Free Guy
The French Dispatch
Licorice Pizza
Predicted Winner:
The French Dispatch
Runner-Up:
Licorice Pizza
Best Foreign Language Film
Nominees:
Drive My Car
Flee
The Hand of God
A Hero
The Worst Person in the World
Predicted Winner:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Young Actor/Actress
Nominees:
Jude Hill, Belfast
Cooper Hoffman, Licorice Pizza
Emilia Jones, CODA
Woody Norman, C’Mon C’Mon
Saniyya Sidney, King Richard
Rachel Zegler, West Side Story
Predicted Winner:
Rachel Zegler, West Side Story
Runner-Up:
Emilia Jones, CODA
Best Acting Ensemble
Nominees:
Belfast
Don’t Look Up
The Harder They Fall
Licorice Pizza
The Power of the Dog
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Belfast
Best Cinematography
Nominees:
Belfast
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Predicted Winner:
The Power of the Dog
Runner-Up:
Dune
Best Costume Design
Nominees:
Cruella
Dune
House of Gucci
Nightmare Alley
West Side Story
Predicted Winner:
Cruella
Runner-Up:
Dune
Best Editing
Nominees:
Belfast
Dune
Licorice Pizza
The Power of the Dog
West Side Story
Predicted Winner:
Dune
Runner-Up:
West Side Story
Best Hair and Makeup
Nominees:
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Nightmare Alley
Predicted Winner:
House of Gucci
Runner-Up:
The Eyes of Tammy Faye
Best Production Design
Nominees:
Belfast
Dune
The French Dispatch
Nightmare Alley
West Side Story
Predicted Winner:
Nightmare Alley
Runner-Up:
Dune
Best Score
Nominees:
Don’t Look Up
Dune
Nightmare Alley
The Power of the Dog
Spencer
Predicted Winner:
Dune
Runner-Up:
The Power of the Dog
Best Song
“Just Look Up” from Don’t Look Up
“Dos Oruguitas” from Encanto
“Guns Go Bang” from The Harder They Fall
“Be Alive” from King Richard
“No Time to Die” from No Time to Die
Predicted Winner:
“Just Look Up” from Don’t Look Up
Runner-Up:
“Dos Oruguitas” from Encanto
Best Visual Effects
Nominees:
Dune
The Matrix Resurrections
Nightmare Alley
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Predicted Winner:
Dune
Runner-Up:
No Time to Die
That equates to the following pictures garnering these numbers for wins:
6 Wins
The Power of the Dog
3 Wins
Dune
2 Wins
West Side Story
1 Win
Cruella, Don’t Look Up, Drive My Car, Encanto, The French Dispatch, House of Gucci, King Richard, Licorice Pizza, Nightmare Alley, Spencer
I’ve been grooving to the beat of Paul Thomas Anderson’s cinematic vibes for a quarter century. There was the magnificent Boogie Nights in 1997 and the iconic Daniel Day-Lewis milkshake monologue in There Will Be Blood ten years later. A decade after that, my PTA appetite was satiated by Phantom Thread.
His latest is Licorice Pizza and it’s his most laid back experience. This coming-of-age slice of life takes place in the Valley circa 1973. It feels lived in and authentic and personal. There’s individual scenes where the filmmaker’s brilliance is on full display. Like all of his efforts, there’s memorable performances. And unlike most of his catalogue, this Almost Famous feeling flick has flaws I couldn’t overlook. It’s almost joyous and almost worth the viewing and ultimately more problematic than rewarding.
Loosely based on the teen years of former child actor Gary Goetzman (now a highly successful producing partner of Tom Hanks), Cooper Hoffman is 15-year-old Gary Valentine. He’s costarred in movies and commercials and is far more confident than anyone his age has a right to be. That self-assured nature is evident when he asks 25-year-old photographer’s assistant Alana Kane (Alana Haim) out on a date. She rebuffs his advances at first but ends up meeting him out. The two strike up a friendship and the benefit for us is watching Hoffman and Haim shine in their acting debuts. The son of Anderson’s late frequent collaborator Philip Seymour Hoffman and one third of a well-known rock band, Hoffman and Haim are naturals. The drawback is an age difference I couldn’t overlook… so let’s go there.
This is where the sunny tone of Pizza conflicted with their borderline (perhaps over borderline) inappropriate coupling. It’s not overtly sexual and Alana is well aware that hanging with the decade younger Gary is far from normal. Yet there’s enough of a leftover distasteful feeling that it hindered the entertainment value for me. One could argue Gary is more mature than Alana and perhaps that justifies some of what happens. That’s a tough needle to thread and I just couldn’t get there.
Pizza has a lazy hangout atmosphere that recalls Tarantino’s Once Upon a Time in Hollywood. Like that picture, it’s steeped in exploring a different showbiz era and the technical aspects we expect from PTA (production design, cinematography, costumes, and more) are top notch.
The episodic nature is hit or miss. Pizza‘s best course involves Bradley Cooper as hairdresser turned producer Jon Peters. His segment moves at a thrilling clip as Gary’s failing waterbed business and the 70s era gasoline shortage play important roles. I can’t say the same for Sean Penn’s bit as an aging movie star (based on William Holden) and his motorcycle exploits. By the time we arrive at Alana trying a new career as a campaign worker for conflicted mayoral candidate Joel Wachs (Benny Safdie), the pic was starting to run on fumes.
When a director of immense capabilities makes an almost misfire, there’s no denying it’s more of a letdown. That’s where I stand with Licorice Pizza and it brings me no joy to deliver that news.
I’m used to saying the Golden Globes will air Sunday evening, but that’s not the case in 2022. The ceremony honoring the best of 2021 will come to us in an as yet undetermined format. This is due to various controversies brought to light recently about the Hollywood Foreign Press Association and NBC’s decision not to broadcast the show.
However, the show will go on (possibly streaming on your computer) and the Globes still serve as a barometer for what Oscar voters could be thinking in coming weeks. That said, the HFPA is certainly capable of providing surprises. Just last year, Andra Day’s victory in Best Actress (Drama) for The United States vs. Billie Holiday and Jodie Foster as Supporting Actress for The Mauritanian were legitimate upsets.
As a reminder, the Globes split their picture and lead acting races into Drama and Musical/Comedy though not with the supporting derbies or screenplay. I will be making my picks along with runner-up selections while also providing numbers showing the correlation of Globe winners to Oscar recipients in each respective category for the last ten years.
Let’s get to it!
Best Motion Picture (Drama)
Nominees:
Belfast
CODA
Dune
King Richard
The Power of the Dog
Predicted Winner: Belfast
Runner-Up: The Power of the Dog
Globe Winner to Oscar Winner Ratio: 4 out of last 10 years
Commentary: The HFPA competition for the drama prize is the first major showdown between Oscar frontrunners Belfast and The Power of the Dog. With the international flavor and feel good vibes of the former, I’m picking Kenneth Branagh’s coming-of-age drama to come out ahead. If there’s a shocker in store, it could be CODA (which seems to picking up more steam on a weekly basis).
I will admit that picking Belfast to win Drama and take no other awards (as you’ll see below) feels strange. There is recent precedent, however, with 2016’s Moonlight.
Best Motion Picture (Musical/Comedy)
Nominees:
Cyrano
Don’t Look Up
Licorice Pizza
Tick, Tick… Boom!
West Side Story
Predicted Winner: West Side Story
Runner-Up: Licorice Pizza
Globe Winner to Oscar Winner ratio: 2 out of the last 10 years
Commentary: I wouldn’t count out Licorice Pizza but its miss in Best Director could be telling. West Side Story should be right up HFPA’s alley and its the only feature where its maker made the director cut.
Best Director
Nominees:
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Maggie Gyllenhaal, The Lost Daughter
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Predicted Winner: Steven Spielberg, West Side Story
Runner-Up: Jane Campion, The Power of the Dog
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: This is a tough one. Maggie Gyllenhaal’s nod for The Lost Daughter was unexpected and she’s the only contender that I feel stands no chance of winning. Branagh could certainly ride a wave of Belfast love. Villeneuve could be honored for the technical mastery of Dune. And Campion is the hopeful picking up the bulk of critics prizes. Yet I’ll go with the HFPA honoring the legendary Spielberg.
Best Performance in a Motion Picture – Drama (Actress)
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Predicted Winner: Kristen Stewart, Spencer
Runner-Up: Jessica Chastain, The Eyes of Tammy Faye
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: This is the first test to see whether Stewart really is the frontrunner that could sweep through the season. I’m skeptical and I honestly believe any of the performers could take this (I struggled to pick the runner-up as it could be any of them). I wouldn’t put money on it, but I’ll say Stewart manages to nab the crown.
Best Performance in a Motion Picture – Drama (Actor)
Nominees:
Mahershala Ali, Swan Song
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Predicted Winner: Will Smith, King Richard
Runner-Up: Benedict Cumberbatch, The Power of the Dog
Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years
Commentary: As you can see, this is a rather reliable predictor of where the Academy could go. For 2021’s features, the ceremonies should boil down to Smith v. Cumberbatch. I don’t think HFPA will pass up a chance to honor one of cinema’s most durable draws for the last 25 years in one of his most acclaimed performances.
Best Performance in a Motion Picture – Musical/Comedy (Actress)
Nominees:
Marion Cotillard, Annette
Alana Haim, Licorice Pizza
Jennifer Lawrence, Don’t Look Up
Emma Stone, Cruella
Rachel Zegler, West Side Story
Predicted Winner: Emma Stone, Cruella
Runner-Up: Rachel Zegler, West Side Story
Globe Winner to Oscar Winner Ratio: 3 out of the last 10 years
Commentary: There was an upset last year when Rosamund Pike (I Care a Lot) emerged over the favored Maria Bakalova for Borat Subsequent Moviefilm. The West Side love extending to Zegler is probably the smartest pick to make. Alana Haim’s work in Pizza could deliver her a victory and she probably should be listed as the runner-up. Yet if there’s any upset, I could see Stone surprising and there’s almost always one during the Globes. Perhaps against my better judgment, I’m going with it.
Best Performance in a Motion Picture – Musical/Comedy (Actor)
Nominees:
Leonardo DiCaprio, Don’t Look Up
Peter Dinklage, Cyrano
Andrew Garfield, Tick, Tick… Boom!
Cooper Hoffman, Licorice Pizza
Anthony Ramos, In the Heights
Predicted Winner: Andrew Garfield, Tick, Tick… Boom!
Runner-Up: Leonardo DiCaprio, Don’t Look Up
Globe Winner to Oscar Winner Ratio: 1 out of the last 10 years
Commentary: Dinklage is a threat though I’ll go with DiCaprio as the runner-up since he’s arguably the biggest star in Hollywood. That said, Garfield (he’s likely #3 in the Oscar contest at the moment) is the most likely winner.
Best Supporting Performance in a Motion Picture (Actress)
Nominees:
Caitriona Balfe, Belfast
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Ruth Negga, Passing
Predicted Winner: Ariana DeBose, West Side Story
Runner-Up: Aunjanue Ellis, King Richard
Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years
Commentary: Jodie Foster’s win for 2020 came out of nowhere so who really knows? I’ll go with a West Side pick and DeBose. Other than Negga, I could foresee any of these candidates making (theoretical) podium trips.
Best Supporting Performance in a Motion Picture (Actor)
Nominees:
Ben Affleck, The Tender Bar
Jamie Dornan, Belfast
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Kodi Smit-McPhee, The Power of the Dog
Predicted Winner: Kodi Smit-McPhee, The Power of the Dog
Runner-Up: Troy Kotsur, CODA
Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years
Commentary: Another tricky one in a race where the Globes and Academy typically match. Assuming the Belfast boys split and Affleck isn’t a factor, this comes down to Smit-McPhee vs. Kotsur. A win for either could propel them to a glorious season ahead. I’m really tempted to go with Kotsur, but I’ll say this marks the best opportunity for HFPA to bestow an honor for Dog. This is a coin flip.
Best Screenplay
Nominees:
Being the Ricardos
Belfast
Don’t Look Up
Licorice Pizza
The Power of the Dog
Predicted Winner: Licorice Pizza
Runner-Up: Belfast
Globe Winner to Oscar Winner Ratio: 5 out of the last 10 years (counting both Original and Adapted Screenplays at the Oscars)
Commentary: Your guess is as good as mine here. I’m going with a bit of an upset with Pizza, but the smart money is probably on Belfast or Dog. I also wouldn’t count out Aaron Sorkin for Ricardos (he took this category last year for The Trial of the Chicago 7). And Adam McKay could be called up for Don’t Look Up which (despite its mixed reviews) is drawing plenty of ink.
Best Animated Feature
Nominees:
Encanto
Flee
Luca
My Sunny Maad
Raya and the Last Dragon
Predicted Winner: Encanto
Runner-Up: Flee
Globe Winner to Oscar Winner Ratio: 7 out of the last years
Commentary: The Globes are capable of unexpected picks here (2019’s Missing Link for example). Don’t be surprised if Flee from Iran gets this, but I’ll go with Disney’s likeliest hopeful of its trio of nominees and that’s Encanto.
Best Foreign Language Film
Nominees:
Compartment No. 6
Drive My Car
The Hand of God
A Hero
Parallel Mothers
Predicted Winner: Drive My Car
Runner-Up: Parallel Mothers
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: Watch out for Mothers to pull off an upset, but this is Drive My Car‘s race to lose. The Japanese drama has established itself as the frontrunner in international competitions at all ceremonies.
Best Original Score
Nominees:
Dune
Encanto
The French Dispatch
Parallel Mothers
The Power of the Dog
Predicted Winner: Dune
Runner-Up: Parallel Mothers
Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years
Commentary: Another race that Mothers could unexpectedly take, I also wouldn’t discount Dispatch or Dog. This should be Dune‘s best opportunity to take a prize though.
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“Here I Am” from Respect
“No Time to Die” from No Time to Die
Predicted Winner: “No Time to Die” from No Time to Die
Runner-Up: “Be Alive” from King Richard
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: This should be the battle of Billie (Eilish) for “Die” vs. Beyonce (it’s just Beyonce) for “Alive” and that should be the dynamic for the Oscars. The HFPA has honored the last two Bond themes for Skyfall and Spectre. I’ll give it a very slight edge.
And there you have it! The Golden Globes will air, err happen, Sunday. I’ll have reaction up on the blog shortly thereafter.
