Knives Out Movie Review

Whodunits aren’t an omnipresent genre on the silver screen these days and rare recent ones like Kenneth Branagh’s Murder on the Orient Express have had a bit of an unnecessary regurgitated vibe to it. Not so with Rian Johnson’s Knives Out, which displays  the writer/director’s enthusiasm for playing in this murderous sandbox to satisfactory effect. Like the 1974 version of Orient Express, we have a 007 involved. 45 years ago, it was Sean Connery and now it’s Daniel Craig. There’s a Marvel superhero (Chris Evans) playing decidedly against type. A captain of the American crime novel industry meets his demise in a stately manner that’s a triumph of production design. Craig and Evans are having a good time here, as is the rest of the cast. Some get better opportunities to shine than others. One of the standouts even has her crowd pleasing moments that involves regurgitation.

The Thrombey family is celebrating the 85th birthday of their patriarch Harlan (Christopher Plummer), a wealthy novelist who won’t allow his capers to be adapted into films or TV specials. This is a source of frustration for son Walt (Michael Shannon), who cares for his publishing empire. The family drama doesn’t stop there. Harlan is prepared to expose family secrets or cut off the gravy train for eldest daughter Linda (Jamie Lee Curtis) and her philandering husband (Don Johnson) and daughter-in-law and would-be life coaching guru Joni (Toni Collette). Evans is the black sheep grandson in a clan where that’s saying something. Everyone has a reason to get rid of Harlan. His most healthy relationship is with a non-family member – caretaker Marta (Ana de Armas). She’s from another country and it could be Brazil or Ecuador and one ending with “guay”. Don’t ask the Thrombeys as they express an admiration for her, but hilariously have no clue where she came from. This is all part of Johnson’s integration of the immigration debate into a screenplay that manages to occasionally weave current events into the foul play happenings.

That foul play means Harlan’s celebration is short-lived. Enter private detective Benoit Blanc as played by Craig and his work is a far cry from James Bond. Adopting a thick Southern drawl and a patient attitude to finding the killer, Blanc nevertheless seems a step ahead of the other policemen investigating. They want to believe Harlan might have committed suicide as the evidence suggests. Yet no whodunit script could make it that simple, could it?

Knives Out clues the audience in on some revelations before they enter Blanc’s consciousness from time to time. Johnson probably could have held some back for stronger pacing results. And some of the performers never quite have the running time to develop their roles. These turn out to be minor criticisms in the grand scheme. De Armas and Evans form the yin and yang of the case and are afforded the most clock time in the game along with Craig. The frequent twists and turns experienced are a hoot as we anticipate what Johnson will throw up on the screen next.

*** (out of four)

Playmobil: The Movie Box Office Prediction

The post Thanksgiving box office weekend is usually a sluggish frame when studios avoid releasing hoped for hits. 2019 is no different as Playmobil: The Movie is the only new wide entry out. The animated comedic adventure is based on the line of German toys and it’s already been delayed from January to April to August to now. Not a positive sign. Neither is the 24% Rotten Tomatoes score.

Lino DiSalvo makes his directorial debut and he’s best known for his involvement in Disney’s Frozen. That film’s sequel should be making 10-15 times more in its third weekend than this will in its rollout. There are some recognizable faces providing voiceover work including Anya-Taylor Joy, Jim Gaffigan, Gabriel Bateman, Adam Lambert, Kenan Thompson, Meghan Trainor, and Daniel Radcliffe.

There simply seems to be no discernible buzz going for this. As mentioned, there’s a much higher profile kids flick that should be raking in the bucks as Playmobil searches for young eyeballs. I believe it won’t get them and that even $5 million is probably out of reach.

Playmobil: The Movie opening weekend prediction: $2.8 million

2019 Oscar Predictions: November 25th Edition

Two key screenings took place over the week with significant Oscar implications and there’s some movement in major categories to discuss:

  • 1917, the World War I epic from Sam Mendes, finally availed itself to critics and the feedback is extremely positive. While I’d had it projected for Picture and Director for some time, its numbers (3 and 2 respectively) are the highest yet.
  • Clint Eastwood’s Richard Jewell screened at AFI Fest. Some reviews indicate it’s a contender in Picture, but I’m not quite there. It does vault back in the 15 possibilities at 13 and both Paul Walter Hauser in Actor and Kathy Bates in Supporting Actress are now in the mix, but not projected in the top five.
  • Bombshell is back in my ten projected Picture nominees over Ford v Ferrari. 
  • Zhao Shuzhen finally makes the cut in Supporting Actress, displacing Scarlett Johansson in Jojo Rabbit.
  • Tom Hanks slides to fifth in Supporting Actor after the so-so box office performance of A Beautiful Day in the Neighborhood. I suspect he could fall out with Joe Pesci (The Irishman) and Shia LaBeouf (Honey Boy) hot on his heels.
  • While my five Best Actor contenders remain the same, this is the most packed field in ages. I could legitimately see any of my ten listed thespians getting in, as well as Christian Bale (who falls to 11th).

Let’s get to it!

Best Picture

Predicted Nominees:

1. The Irishman (Previous Ranking: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. 1917 (PR: 6)

4. Marriage Story (PR: 4)

5. Parasite (PR: 3)

6. Jojo Rabbit (PR: 5)

7. Little Women (PR: 7)

8. Joker (PR: 8)

9. The Two Popes (PR: 9)

10. Bombshell (PR: 11)

Other Possibilities:

11. Ford v Ferrari (PR: 10)

12. The Farewell (PR: 12)

13. Richard Jewell (PR: Not Ranked)

14. A Beautiful Day in the Neighborhood (PR: 13)

15. Rocketman (PR: 14)

Dropped Out:

Waves

Best Director

Predicted Nominees:

1. Martin Scorsese, The Irishman (PR: 1)

2. Sam Mendes, 1917 (PR: 5)

3. Bong Joon-Ho, Parasite (PR: 3)

4. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)

5. Noah Baumbach, Marriage Story (PR: 4)

Other Possibilities:

6. Greta Gerwig, Little Women (PR: 6)

7. Todd Phillips, Joker (PR: 9)

8. Taika Waititi, Jojo Rabbit (PR: 8)

9. James Mangold, Ford v Ferrari (PR: 7)

10. Fernando Meirelles, The Two Popes (PR: 10)

Best Actor

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Joaquin Phoenix, Joker (PR: 2)

3. Robert De Niro, The Irishman (PR: 3)

4. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 5)

5. Jonathan Pryce, The Two Popes (PR: 4)

Other Possibilities:

6. Antonio Banderas, Pain and Glory (PR: 6)

7. Eddie Murphy, Dolemite Is My Name (PR: 8)

8. Taron Egerton, Rocketman (PR: 7)

9. Paul Walter Hauser, Richard Jewell (PR: Not Ranked)

10. Adam Sandler, Uncut Gems (PR: 10)

Dropped Out:

Christian Bale, Ford v Ferrari 

Best Actress

Predicted Nominees:

1. Renee Zellweger, Judy (PR: 1)

2. Scarlett Johansson, Marriage Story (PR: 2)

3. Charlize Theron, Bombshell (PR: 3)

4. Saoirse Ronan, Little Women (PR: 4)

5. Cynthia Erivo, Harriet (PR: 5)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 6)

7. Alfre Woodard, Clemency (PR: 8)

8. Lupita Nyong’o, Us (PR: 7)

9. Elisabeth Moss, Her Smell (PR: 9)

10. Mary Kay Place, Diane (PR: Not Ranked)

Dropped Out:

Jodie Turner-Smith, Queen and Slim 

Best Supporting Actress

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 1)

2. Jennifer Lopez, Hustlers (PR: 3)

3. Margot Robbie, Bombshell (PR: 2)

4. Zhao Shuzhen, The Farewell (PR: 6)

5. Florence Pugh, Little Women (PR: 4)

Other Possibilities:

6. Scarlett Johansson, Jojo Rabbit (PR: 5)

7. Annette Bening, The Report (PR: 7)

8. Kathy Bates, Richard Jewell (PR: Not Ranked)

9. Maggie Smith, Downton Abbey (PR: 8)

10. Margot Robbie, Once Upon a Time in Hollywood (PR: 10)

Dropped Out:

Thomasin McKenzie, Jojo Rabbit

Best Supporting Actor

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Al Pacino, The Irishman (PR: 2)

3. Anthony Hopkins, The Two Popes (PR: 5)

4. Willem Dafoe, The Lighthouse (PR: 3)

5. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 4)

Other Possibilities:

6. Joe Pesci, The Irishman (PR: 7)

7. Shia LaBeouf, Honey Boy (PR: 6)

8. Sterling K. Brown, Waves (PR: 9)

9. Song Kang-Ho, Parasite (PR: 8)

10. John Lithgow, Bombshell (PR: Not Ranked)

Dropped Out:

Jamie Foxx, Just Mercy

Best Original Screenplay

Predicted Nominees:

1. Once Upon a Time in Hollywood (PR: 2)

2. Marriage Story (PR: 1)

3. Parasite (PR: 3)

4. The Farewell (PR: 4)

5. Pain and Glory (PR: 5)

Other Possibilities:

6. Bombshell (PR: 6)

7. 1917 (PR: Not Ranked)

8. Knives Out (PR: 7)

9. Honey Boy (PR: Not Ranked)

10. Ford v Ferrari (PR: 9)

Dropped Out:

Booksmart

Waves

Best Adapted Screenplay

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 2)

3. The Two Popes (PR: 4)

4. Little Women (PR: 3)

5. Joker (PR: 5)

Other Possibilities:

6. A Beautiful Day in the Neighborhood (PR: 6)

7. Hustlers (PR: 9)

8. Richard Jewell (PR: 8)

9. Just Mercy (PR: 7)

10. Dark Waters (PR: Not Ranked)

Dropped Out:

Downton Abbey 

Best International Feature Film

Predicted Nominees:

1. Parasite (PR: 1)

2. Pain and Glory (PR: 2)

3. Les Miserables (PR: 3)

4. Monos (PR: 8)

5. And Then We Danced (PR: 4)

Other Possibilities:

6. Invisible Life (PR: 6)

7. Atlantics (PR: 7)

8. Beanpole (PR: 5)

9. Those Who Remained (PR: 9)

10. A White, White Day (PR: 10)

Best Animated Feature

Predicted Nominees:

1. Toy Story 4 (PR: 1)

2. Frozen II (PR: 2)

3. How to Train Your Dragon: The Hidden World (PR: 3)

4. I Lost My Body (PR: 4)

5. Weathering with You (PR: 5)

Other Possibilities:

6. Klaus (PR: 8)

7. Abominable (PR: 6)

8. Missing Link (PR: 7)

9. Bunuel in the Labyrinth of the Turtles (PR: 9)

10. Funan (PR: 10)

Best Documentary Feature

Predicted Nominees:

1. American Factory (PR: 1)

2. One Child Nation (PR: 2)

3. Maiden (PR: 6)

4. Apollo 11 (PR: 5)

5. For Sama (PR: Not Ranked)

Other Possibilities:

6. The Cave (PR: 3)

7. The Biggest Little Farm (PR: 7)

8. Honeyland (PR: 4)

9. Sea of Shadows (PR: 8)

10. The Kingmaker (PR: Not Ranked)

Dropped Out:

The Edge of Democracy

Knock Down the House 

Best Cinematography

Predicted Nominees:

1. 1917 (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. The Irishman (PR: 3)

4. The Lighthouse (PR: 4)

5. Joker (PR: 5)

Other Possibilities:

6. Parasite (PR: 9)

7. A Hidden Life (PR: 7)

8. Ford v Ferrari (PR: 8)

9. Little Women (PR: 10)

10. Ad Astra (PR: 6)

Best Costume Design

Predicted Nominees:

1. Little Women (PR: 2)

2. Once Upon a Time in Hollywood (PR: 1)

3. Dolemite Is My Name (PR: 4)

4. Rocketman (PR: 5)

5. Downton Abbey (PR: 3)

Other Possibilities:

6. The Irishman (PR: 6)

7. Judy (PR: 10)

8. The Aeronauts (PR: 7)

9. Cats (PR: 9)

10. Aladdin (PR: Not Ranked)

Dropped Out:

Jojo Rabbit

Best Film Editing

Predicted Nominees:

1. The Irishman (PR: 1)

2. Once Upon a Time in Hollywood (PR: 3)

3. 1917 (PR: 4)

4. Ford v Ferrari (PR: 2)

5. Parasite (PR: 5)

Other Possibilities:

6. Marriage Story (PR: 6)

7. Joker (PR: 9)

8. Jojo Rabbit (PR: 7)

9. Bombshell (PR: 8)

10. The Two Popes (PR: Not Ranked)

Dropped Out:

Rocketman

Best Makeup and Hairstyling

Predicted Nominees:

1. Bombshell (PR: 1)

2. The Irishman (PR: 2)

3. Judy (PR: 3)

4. Dolemite Is My Name (PR: 5)

5. Us (PR: 7)

Other Possibilities:

6. Once Upon a Time in Hollywood (PR: 4)

7. Joker (PR: 6)

8. Rocketman (PR: Not Ranked)

9. Star Wars: The Rise of Skywalker (PR: 9)

10. Cats (PR: 10)

Dropped Out:

The Aeronauts

Best Production Design

Predicted Nominees:

1. Once Upon a Time in Hollywood (PR: 1)

2. Little Women (PR: 2)

3. 1917 (PR: 5)

4. The Irishman (PR: 3)

5. Jojo Rabbit (PR: 4)

Other Possibilities:

6. Parasite (PR: 6)

7. Joker (PR: 7)

8. The Two Popes (PR: 10)

9. Cats (PR: 8)

10. Downton Abbey (PR: 9)

Best Original Score

Predicted Nominees:

1. 1917 (PR: 1)

2. Little Women (PR: 2)

3. Star Wars: The Rise of Skywalker (PR: 3)

4. Marriage Story (PR: 5)

5. Joker (PR: 4)

Other Possibilities:

6. Ford v Ferrari (PR: 8)

7. A Hidden Life (PR: 7)

8. Jojo Rabbit (PR: 6)

9. Waves (PR: Not Ranked)

10. Ad Astra (PR: 10)

Dropped Out:

The Aeronauts

Best Original Song

Predicted Nominees:

1. “Into the Unknown” from Frozen II (PR: 1)

2. “(I’m Gonna) Love Me Again” from Rocketman (PR: 2)

3. “Stand Up” from Harriet (PR: 4)

4. “Beautiful Ghosts” from Cats (PR: 3)

5. “Speechless” from Aladdin (PR: 7)

Other Possibilities:

6. “Spirit” from The Lion King (PR: 5)

7. “I Can’t Let You Throw Yourself Away” from Toy Story 4 (PR: 10)

8. “Daily Battles” from Motherless Brooklyn (PR: 6)

9. “Glasgow” from Wild Rose (PR: Not Ranked)

10. “Together From Afar” from How to Train Your Dragon: The Hidden World (PR: 9)

Dropped Out:

“Show Yourself” from Frozen II

Best Sound Editing

Predicted Nominees:

1. 1917 (PR: 2)

2. Ford v Ferrari (PR: 1)

3. Star Wars: The Rise of Skywalker (PR: 3)

4. Avengers: Endgame (PR: 5)

5. Ad Astra (PR: 4)

Other Possibilities:

6. Rocketman (PR: 6)

7. The Irishman (PR: 7)

8. Joker (PR: Not Ranked)

9. Once Upon a Time in Hollywood (PR: 8)

10. Cats (PR: 9)

Dropped Out:

The Aeronauts

Best Sound Mixing

Predicted Nominees:

1. 1917 (PR: 1)

2. Ford v Ferrari (PR: 2)

3. Star Wars: The Rise of Skywalker (PR: 3)

4. Avengers: Endgame (PR: 6)

5. Rocketman (PR: 4)

Other Possibilities:

6. Ad Astra (PR: 5)

7. Once Upon a Time in Hollywood (PR: 7)

8. Cats (PR: 8)

9. The Irishman (PR: Not Ranked)

10. Joker (PR: 9)

Dropped Out:

Judy

Best Visual Effects

Predicted Nominees:

1. The Irishman (PR: 1)

2. Star Wars: The Rise of Skywalker (PR: 2)

3. Avengers: Endgame (PR: 3)

4. The Lion King (PR: 4)

5. The Aeronauts (PR: 5)

Other Possibilities:

6. Ad Astra (PR: 6)

7. 1917 (PR: 10)

8. Alita: Battle Angel (PR: 8)

9. Gemini Man (PR: 7)

10. Aladdin (PR: 9)

And this all equates to these pictures nabbing the following numbers of nods:

10 Nominations

The Irishman

9 Nominations

Once Upon a Time in Hollywood

8 Nominations

1917

7 Nominations

Little Women, Marriage Story

5 Nominations

Joker, Parasite

4 Nominations

Bombshell, Star Wars: The Rise of Skywalker, The Two Popes

3 Nominations

Avengers: Endgame, Ford v Ferrari, Jojo Rabbit, Rocketman

2 Nominations

Dolemite Is My Name, The Farewell, Frozen II, Harriet, Judy, The Lighthouse, Pain and Glory

1 Nomination

A Beautiful Day in the Neighborhood, Ad Astra, The Aeronauts, Aladdin, American Factory, And Then We Danced, Apollo 11, Cats, Downton Abbey, For Sama, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Les Miserables, The Lion King, Maiden, Monos, One Child Nation, Toy Story 4, Us, Weathering with You

November 29-December 1 Box Office Predictions

Turkey Day weekend is upon us at the box office with two new pictures attempting to harvest some cash while Frozen II should gobble up the bulk of the bucks. We have Rian Johnson’s comedic murder mystery Knives Out and the romantic crime thriller Queen & Slim both rolling out on Wednesday. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2019/11/20/knives-out-box-office-prediction/

https://toddmthatcher.com/2019/11/21/queen-slim-box-office-prediction/

Knives is aiming for a second place showing behind the Disney juggernaut and it should get there. With solid reviews in its corner, I could foresee this topping my high teens Friday to Sunday and mid to high 20s five-day estimate. However, I believe it’s just as likely that this legs out well in subsequent weekends.

As for Queen, it too has critics in its corner. However, a lack of awards chatter and a smallish theater count of around 1500 could mean low double digits for its Wednesday through Sunday tally. That should mean a #5 premiere.

Holdovers Ford v Ferrari and A Beautiful Day in the Neighborhood appear poised for the kind of minor declines we often find over this holiday frame. That is especially welcome news for Neighborhood, which came in at the low end of its anticipated range this past weekend. I’m calling for mid teens drops for each.

Frozen II is a toughie. There simply aren’t many comps for how this should perform in its sophomore weekend. Most November blockbusters from the Mouse Factory open over Thanksgiving and not the weekend before. I’ll project a mid 30s dip for the Friday to Sunday portion. In all honesty, this is a bit of guesswork.

Here’s how I foresee the weekend playing out:

1. Frozen II

Predicted Gross: $84.4 million

2. Knives Out

Predicted Gross: $18.5 million (Friday to Sunday); $27.7 million (Wednesday to Sunday)

3. Ford v Ferrari

Predicted Gross: $12.8 million

4. A Beautiful Day in the Neighborhood

Predicted Gross: $11 million

5. Queen & Slim

Predicted Gross: $6.9 million (Friday to Sunday); $10.1 million (Wednesday to Sunday)

Box Office Results (November 22-24)

Frozen II provided the scorching earnings that the month of November desperately needed. In doing so, it achieved the best traditionally animated (read: not Pixar) Disney start ever and highest ever November animated haul. The sequel took in $130.2 million, just over my $126.7 million projection.

Ford v Ferrari slid to second with $15.7 million with a larger than expected 50% drop. I predicted $18.2 million. It’s at $57 million through 10 days.

As mentioned, A Beautiful Day in the Neighborhood was third with a so-so beginning at $13.2 million, well under my $18.6 million forecast. Its A Cinemscore rating should keep it humming for the next few weeks, however.

The Chadwick Boseman action thriller 21 Bridges underwhelmed with $9.2 million in fourth, on pace with my take of $9.8 million. It could hold decently over the holiday, but it should fade quickly after that.

Midway rounded out the top five and I incorrectly had it on the outside. The World War II pic made $4.6 million for $43 million overall.

Playing with Fire was sixth with $4.5 million (I said $4.9 million) for $31 million at press time.

And that does it for now, folks! Until next time…

Luce Movie Review

The name Luce (sounds like loose) was given to its title character after being adopted from the war-torn nation of Eritrea at the age of ten. As he tells it, his adoptive mother Amy (Naomi Watts) couldn’t pronounce his birth name – unable to master the various syllables involved. Like Amy, we never do learn it. So Luce it is, which means light. In the context of the film Luce, this strikes me as a not insignificant detail. From the moment he comes to the United States, he’s accustomed to others defining him and believing what they see. In their eyes, there is no darkness. Only light.

Luce (Kelvin Harrison Jr.) is a high school senior, raised by upper class Amy and Peter (Tim Roth). He is looked at as the model student. An all-star athlete and debate club standout, Luce can apparently do no wrong. When history teacher Harriet Wilson (Octavia Spencer) begins poking holes at his impenetrable facade, his status is challenged. As is her reputation.

What unfolds is a tale of race relations and, more significantly, racial expectations. No one in Luce is all that innocent. The picture often plays like a thriller where you expect a core player to snap. You’re just not sure who it will be. I’ll add that the tightly wound score from Geoff Barrow and Ben Salisbury is a contributor to the feeling.

Harrison Jr. has a complicated character to portray and he succeeds in keeping the audience off-kilter. He’s charming, but there’s no doubt that another layer is bubbling not far under the surface. Spencer may have the trickiest role as Harriet navigates the repercussions of her discoveries about Luce. As always, she’s up to the challenge.

Julius Onah directed and co-wrote with JC Lee and Luce is an exercise clearly meant to spark discussion. The screenplay often allows the viewer to draw their own conclusions about who to root for and against or perhaps feel ambivalent about. There’s also the odd sensation of some themes being redundant. If you’re searching for a pat ending to fill in every blank, ambivalence may be your overarching reaction. The overall thesis to this story, like Luce’s original name, is unpronounced or at least left for speculation. I found Luce, for the most part, successful in creating a sense of tension before the conversations start after fade out.

*** (out of four)

Oscar Watch: 1917

Twenty years ago, Sam Mendes made American Beauty and it dominated the 1999 Oscars, with the filmmaker taking Best Director and the movie being named Best Picture. Lately, Mendes has been known more as the Bond director behind past two installments Skyfall and Spectre. 

His World War I epic 1917 has held its initial screenings prior to its Christmas release. Early   word of mouth suggests the saga about The Great War is a great picture and that Oscar is likely to pay attention. Most of the buzz thus far has centered on its making as a one camera take experience. Before today’s reviews, this seemed like a probable contender for multiple tech awards already. That includes Cinematography, Editing, Production Design, and both Sound races. All of that still holds true. The legendary Roger Deakins is responsible for the cinematography. After many nominations, he won his first gold statue just two years back for Blade Runner 2049. He could pick up a second here.

Similarly, composer Thomas Newman (a frequent Mendes collaborator) has heard his name called 14 times by Oscar, but has yet to be the victor. That, too, could change as the score is getting numerous mentions.

The cast includes George McKay, Mark Strong, Colin Firth, and Benedict Cumberbatch, but I don’t expect any acting nods due to the packed nature of those categories. However, I do expect Picture and Director (and maybe Original Screenplay) attention. I’ve had the film itself and Mendes in my guesstimates for some time. When my weekly predictions come Monday, I anticipate both will be ranked higher than ever before. My Oscar Watch posts will continue…

Queen & Slim Box Office Prediction

In what’s being called a current take on Bonnie and Clyde, Universal is hoping that moviegoers take a trip with Queen & Slim over the long Thanksgiving weekend. The romantic thriller stars Daniel Kaluuya (of Get Out and Black Panther fame) and newcomer Jodie Turner-Smith as a new couple on the run after a minor traffic stop goes wrong. Melina Matsoukas, who’s won Grammys and MTV Video Music Awards for her work with Beyonce and Rihanna, makes her feature film debut. Costars include Bokeem Woodbine, Chloe Sevigny, and Flea of the Red Hot Chili Peppers.

The pic debuted last week at the AFI Fest to very positive reviews. Yet despite the current 100% Rotten Tomatoes rating, this has yet to achieve any significant awards chatter. That could hinder its box office potential. Queen is already being called a potential cult hit. However, cult hits often take some time to achieve that status.

Opening on Wednesday, I believe this will have a five-day take in the high single digits to low double digits as it hopes for word of mouth to carry it along.

Queen & Slim opening weekend prediction: $6.9 million (Friday to Sunday); $10.1 million (Wednesday to Sunday)

For my Knives Out prediction, click here:

https://toddmthatcher.com/2019/11/20/knives-out-box-office-prediction/