99th Academy Awards Predictions: April 19th Edition

Barely a month beyond the 98th edition of the Academy Awards, we have arrived at my first ranked predictions for the 99th ceremony. We begin with six major categories – Best Picture, Director, and the four acting derbies.

I gave you my first ranked glimpses for the previous telecast around the same time last year in these same races. How did that impossibly early forecast turn out? I correctly called four of the eventual ten BP nominees with Hamnet, Marty Supreme, Sentimental Value, and Sinners. Winner One Battle After Another as well as Bugonia, F1, and Frankenstein were listed in Other Possibilities. So 80% of the BP contenders were identified with The Secret Agent and Train Dreams not being mentioned in April 2025.

In Best Director, three of the five filmmakers were predicted: Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), and Joachim Trier (Sentimental Value). Statue recipient Paul Thomas Anderson from One Battle and Chloé Zhao (Hamnet) were in Other Possibilities.

As for Best Actress, Jessie Buckley (Hamnet) swept the season and was in my predicted quintet. So was Sentimental Value‘s Renate Reinsve while Rose Byrne (If I Had Legs I’d Kick You) and Emma Stone (Bugonia) were in Other Possibilities. Only Kate Hudson (Song Sung Blue) wasn’t listed. In Best Actor, Timothée Chalamet (Marty Supreme) was in my quintet. Three others – winner Michael B. Jordan (Sinners), Leonardo DiCaprio (One Battle After Another), and Ethan Hawke (Blue Moon) were Other Possibilities with Wagner Moura (The Secret Agent) as the sole thespian not identified.

My projected Supporting Actress five rightly named Teyana Taylor (One Battle) with Elle Fanning (Sentimental Value) as a possibility. Fanning’s costar Inga Ibsdotter Lilleass, Wumni Mosaku (Sinners), and the victorious Amy Madigan (Weapons) were not found among my possibilities. In Supporting Actor, Stellan Skarsgård from Value was in my five with winner Sean Penn (One Battle) and Delroy Lindo (Sinners) as possibilities. Battle‘s Benicio del Toro and Frankenstein‘s Jacob Elordi were not to be found yet.

Let’s get some caveats out of the way. Some of the performers listed in lead will end up in supporting and vice versa. As an example, I figured Paul Mescal (Hamnet) would go lead for that film last year, but he was slotted in supporting. He ended up not being nominated but likely came close. For instance in this year’s listings, I don’t know if Sam Rockwell will be lead or supporting for Wild Horse Nine but my hunch says the latter at press time. The distributor will eventually clear that up.

We will see pictures push to 2027. When I did my initial projections a year ago for 2025, Michael and The Rivals of Amziah King were thought to be releases for that calendar frame. Both are being put out in ’26. I have Michael still as a potential nominee in some competitions. Not so at this time for Rivals.

And now the most important forewarning. Some movies you find below will turn out to be non-contenders. My inaugural look at the 98th Oscars listed Luca Guadagnino’s After the Hunt at #1 in Best Picture, Director, Actress (Julia Roberts), #4 in Supporting Actress (Ayo Edebiri), and #2 in Supporting Actor (Andrew Garfield). After its Venice festival premiere, the mixed to negative reaction drastically changed its narrative. It ended up with zero nominations. My April 2025 #1’s in the supporting fields – Ariana Grande (Wicked: For Good) and Adam Sandler (Jay Kelly) – did not make final cut either.

So take this speculation as what it is – speculative. The picture and Best Picture will become clearer in time. That said, a reminder that 80% of the BP nominees were mentioned a year ago in addition to 100% of the directors and 80% of the lead acting hopefuls could be found in the initial post. On the flip side, nearly all of my acting picks for a nomination are coming from projected BP nominees and the percentage probably won’t be quite that high.

When Sinners came out last year, it was a box office juggernaut with widespread critical acclaim. Yet I wondered whether the spring release could mean it would fall by the wayside months down the line. That’s why I named it in Other Possibilities for Picture, Director, Actor, and Supporting Actor. What happened months down the line? A record-setting 16 nominations with Jordan winning Actor. I won’t make the same mistake with Project Hail Mary. It has been out for weeks and already looks like a strong contender in Picture, Director, Actor, and possibly Supporting Actress. Another note – it’s not often (or maybe ever) you see a performer mentioned four times. That’s the case at the moment with the busy Sandra Hüller who is a legit threat twice in lead Actress and supporting.

You can expect these posts to hit the blog every couple of weeks until it becomes weekly. This should occur when festival season goes into overdrive in last summer/early fall.

BEST PICTURE

Predicted Nominees:

1. The Odyssey

2. Project Hail Mary

3. Wild Horse Nine

4. Digger

5. Fjord

6. No One Cares

7. All of a Sudden

8. Fatherland

9. The Social Reckoning

10. Dune: Part Three

Other Possibilities:

11. Narnia: The Magican’s Nephew

12. A Place in Hell

13. A Long Winter

14. The Entertainment System is Down

15. Being Heumann

16. Cry to Heaven

17. Josephine

18. Werwulf

19. The Adventures of Cliff Booth

20. Michael

21. Paper Tiger

22. Saturn Return

23. Sense and Sensibility

24. Jack of Spades

25. Behemoth!

BEST DIRECTOR

Predicted Nominees:

1. Christopher Nolan, The Odyssey

2. Alejandro G. Iñárritu, Digger

3. Phil Lord and Christopher Miller, Project Hail Mary

4. Martin McDonagh, Wild Horse Nine

5. Cristian Mingiu, Fjord

Other Possibilities:

6. Ryusuke Hamaguchi, All of a Sudden

7. Pawel Pawlikowski, Fatherland

8. Jesse Eisenberg, No One Cares

9. Denis Villeneuve, Dune: Part Three

10. Greta Gerwig, Narnia: The Magician’s Nephew

11. Ruben Östlund, The Entertainment System is Down

12. Tom Ford, Cry to Heaven

13. Aaron Sorkin, The Social Reckoning

14. Robert Eggers, Werwulf

15. David Fincher, The Adventures of Cliff Booth

BEST ACTRESS

Predicted Nominees:

1. Renate Reinsve, Fjord

2. Mikey Madison, The Social Reckoning

3. Julianne Moore, No One Cares

4. Sandra Hüller, Fatherland

5. Michelle Williams, A Place in Hell

Other Possibilities:

6. Virginie Efira, All of a Sudden

7. Ruth Madeley, Being Heumann

8. Mason Reeves, Josephine

9. Sophie Okenedo, Clarissa

10. Cynthia Erivo, Prima Facie

11. Sandra Hüller, Rose

12. Lily Gladstone, The Memory Police

13. Rachel Brosnahan, Saturn Return

14. Daisy Edgar-Jones, Sense and Sensibility

15. Amy Adams, At the Sea

BEST ACTOR

Predicted Nominees:

1. Tom Cruise, Digger

2. Ryan Gosling, Project Hail Mary

3. John Malkovich, Wild Horse Nine

4. Sebastian Stan, Fjord

5. Hanns Zischler, Fatherland

Other Possibilities:

6. Matt Damon, The Odyssey

7. Robert Aramayo, I Swear

8. Dominic Sessa, Tony

9. Nicholas Hoult, Cry to Heaven

10. Jafaar Jackson, Michael

11. Timothée Chalamet, Dune: Part Three

12. Pedro Pascal, Behemoth!

13. Brad Pitt, The Adventures of Cliff Booth

14. Charles Melton, Saturn Return

15. John Turturro, The Only Pickpocket Living in New York

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Parker Posey, Wild Horse Nine

2. Mariana Di Girolamo, Wild Horse Nine

3. Halle Bailey, No One Cares

4. Anne Hathaway, The Odyssey

5. Tao Okamoto, All of a Sudden

Other Possibilities:

6. Sandra Hüller, Digger

7. Daisy Edgar-Jones, A Place in Hell

8.. Sandra Hüller, Project Hail Mary

9. Caitriona Balfe, A Long Winter

10. Scarlett Johansson, Paper Tiger

11. Wunmi Mosaku, The Social Reckoning

12. Kirsten Dunst, The Entertainment System is Down

13. Gemma Chan, Josephine

14. Frances McDormand, Jack of Spades

15. Elizabeth Debicki, The Adventures of Cliff Booth

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Paul Giamatti, No One Cares

2. John Goodman, Digger

3. Sam Rockwell, Wild Horse Nine

4. Colman Domingo, Michael

5. Jeremy Strong, The Social Reckoning

Other Possibilities:

6. Steve Buscemi, Wild Horse Nine

7. Andrew Scott, A Place in Hell

8. Tom Holland, The Odyssey

9. Mark Ruffalo, Being Heumann

10. D’Pharaoh Woon-A-Tai, A Long Winter

11. Jesse Plemons, Digger

12. Channing Tatum, Josephine

13. David Oyelowo, Clarissa

14. Daniel Brühl, The Entertainment System is Down

15. Riz Ahmed, Digger

99th Academy Awards: FIRST Predictions in Best Director

And we are off to the races with my first Oscar predictions for the 99th Academy Awards.

We are not quite a month removed from the 98th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. I already posted my take in the acting fields and they can be found here:

That brings us to Best Director. When I did my first forecast in this race for the 98th ceremony, my projections yielded two of the eventual nominees: Josh Safdie (Marty Supreme) and Chloé Zhao (Hamnet). Eventual winner Paul Thomas Anderson (One Battle After Another) and Joachim Trier (Sentimental Value) were named in Other Possibilities. I had yet to mention Ryan Coogler (Sinners).

Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system where the lineup for Cannes was revealed today.

This premiere post has Christopher Nolan back in the lineup three years after Oppenheimer dominated the 96th Academy Awards. His competitors include newcomers and former nominees like Martin McDonagh and Ryusuke Hamaguchi.

Here’s the first snapshot with Best Picture up next!

TODD’S FIRST OSCAR PREDICTIONS FOR DIRECTOR AT THE 99TH ACADEMY AWARDS

Ryusuke Hamaguchi, All of a Sudden

Phil Lord and Christopher Miller, Project Hail Mary

Martin McDonagh, Wild Horse Nine

Cristian Mungiu, Fjord

Christopher Nolan, The Odyssey

Other Possibilities:

Danny Boyle, Ink

Beth de Araújo, Josephine

Robert Eggers, Werwulf

Jesse Eisenberg, No One Cares

David Fincher, The Adventures of Cliff Booth

Tom Ford, Cry to Heaven

Greta Gerwig, Narnia: The Magician’s Nephew

Alejandro Gonzalez Iñárritu, Digger

Pawel Pawlikowski, Fatherland

Denis Villeneuve, Dune: Part Three

77th Directors Guild of America Awards Nomination Predictions

This Wednesday (01/08), the Directors Guild of America reveals their five nominees for behind the camera achievement in 2024. The DGA is normally a reliable barometer to project 4 of the 5 eventual Oscar nominees. Over the past decade, the match has been that margin in eight of the years. For two of the years, the match was 3 for 5. That includes last year when Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) made the DGA cut but Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) received Academy attention.

I believe there are two shoo-in nominees for the 77th ceremony in Brady Corbet for The Brutalist and Sean Baker for Anora. Furthermore, I see Edward Berger (Conclave) as really close to being an automatic pick.

Then it gets interesting. The DGA often prioritizes American pictures over foreign entries or foreign directors. We certainly saw that last year with Gerwig/Payne over Glazer/Triet. In 2021, Denis Villeneuve was in the DGA quintet for Dune while Ryusuke Hamaguchi (Drive My Car) replaced him in the Academy five. In 2022, it was Ruben Östlund (Triangle of Sadness) vying for Oscar instead of DGA selection Joseph Kosinski for Top Gun: Maverick.

That’s why I wouldn’t pencil in Mohammad Rasoulof (The Seed of the Sacred Fig) or Payal Kapadia (All We Imagine as Light) here. And that’s why being skeptical about Jacques Audiard (Emilia Pérez) or Coralie Fargeat (The Substance) is warranted. Both could get in and both movies are over performing in various precursors. Pérez, it could be argued, is doing so by an even more impressive margin. That’s why I’m leaving Audiard in while Fargeat is barely on the outside looking in.

So who gets the fifth slot? I wouldn’t count out RaMell Ross for Nickel Boys or even James Mangold for A Complete Unknown or Jon M. Chu for Wicked (though I’m finding that one increasingly unlikely). I’m reminded that DGA also selects some filmmakers for blockbuster fare the Academy ignores. Gerwig for Barbie and Kosinski for Top Gun. Ridley Scott for The Martian.

And… Denis Villeneuve for Dune. I think history could repeat itself with Villeneuve in contention for the sequel and that’s the direction I’m going for DGA.

DGA Predicted Nominees

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Edward Berger, Conclave

Brady Corbet, The Brutalist

Denis Villeneuve, Dune: Part Two

Runner-Up: Coralie Fargeat, The Substance

Oscar Predictions: Evil Does Not Exist

In 2021, Ryusuke Hamaguchi’s Drive My Car steered its acclaim to four Oscar nominations in Best Picture, Director, Adapted Screenplay, and International Feature Film (which it won). His follow-up is the eco drama Evil Does Not Exist and it is out stateside this weekend. The cast includes Hitoshi Omika, Ryo Nishikawa, Ryuji Kosaka, and Ayaka Shibutani.

About 70 minutes shorter compared to the the lengthy Car, Evil played the festival circuit last fall including Venice and Toronto. Yet its distributor decided against a 2023 release and Japan didn’t need to decide whether to submit it as their IFF contender. Their pick Perfect Days did make the cut of nominees.

Now the nation has a ’24 choice to make. Reviews are positive at 92% on RT though not as strong as Hamaguchi’s predecessor. If Japan does select it, Evil has a shot at making the IFF quintet. I do not think it will expand beyond that like Car did. My Oscar Prediction posts will continue…

76th Directors Guild of America Awards Nominations Predictions

The SAG Awards aren’t the only nominations out this Wednesday. We have the Director of Guild of America (DGA) nods coming our way. They are usually an 80% indicator of who the Academy will name for its behind the camera prize.

In the past decade, the DGA quintet has matched the Academy’s on a 4 for 5 level in nine out of the last ten ceremonies. The only outlier is 2018 when it was 3 for 5. Note there is no 5 for 5 correlation.

So where does that leave this year’s DGA mix? For the last several weeks, I have had the following five filmmakers pegged for Oscar inclusion: Greta Gerwig (Barbie), Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), and Martin Scorsese (Killers of the Flower Moon). It’s fair to say this is the consensus group among awards prognosticators.

Let’s assume there’s a 4 for 5 match. I believe Nolan, Scorsese, and Gerwig are safe bets. If anyone from that trio missed DGA, it would be considered a surprising omission.

Then I’d say Lanthimos is a near lock. My slight hesitation comes from him being left out in 2018 for The Favourite. Yet I’ll say he’s in.

That means I’m leaving Glazer on the cutting room floor and that makes some sense. The DGA has a history of omitting makers of foreign titles that the Academy recognizes. Recent examples include Pawel Pawlikowski (Cold War), Thomas Vinterberg (Another Round), and Ryusuke Hamaguchi (Drive My Car).

Don’t get me wrong. Glazer could get in as Zone is being hailed specifically for its directorial choices. I cannot, however, bring myself to match the DGA picks with my current Academy selections.

For the fifth slot, I’m going with Bradley Cooper for Maestro. That’s another title I believe will be appreciated for its directorial work perhaps more than other contenders like Alexander Payne (The Holdovers).

Celine Song (Past Lives) is certainly a threat. However, she’s the frontrunner for the DGA’s Outstanding Achievement in First-Time Feature Film race. She could be a double nominee, but I doubt it.

Here are my picks for all three feature DGA contests with an alternate selection as well.

Feature Film

Predicted Nominees:

Bradley Cooper, Maestro

Greta Gerwig, Barbie

Yorgos Lanthimos, Poor Things

Christopher Nolan, Oppenheimer

Martin Scorsese, Killers of the Flower Moon

Alternate: Alexander Payne, The Holdovers

First-Time Feature Film

Predicted Nominees:

Cord Jefferson, American Fiction

Raine Allen Miller, Rye Lane

A.V. Rockwell, A Thousand and One

Celine Song, Past Lives

Juel Taylor, They Cloned Tyrone

Alternate: Danny and Michael Philippou, Talk to Me

Documentary

Predicted Nominees:

Mstyslav Chernov, 20 Days in Mariupol

Madeleine Gavin, Beyond Utopia

Davis Guggeheim, Still: A Michael J. Fox Movie

Kaouther Ben Hania, Four Daughters

D. Smith, Kokomo City

Alternate: Matthew Heineman, American Symphony

Venice Enriches Poor Things

The 80th Venice Film Festival has signed off and the Grand Jury’s verdict has honored what’s expected to be a major awards player. From 2017-2020, the four films that took the Golden Lion (the fest’s top prize) went onto receive Best Picture nominations at the Oscars: The Shape of Water (which won), Roma, Joker, and Nomadland (another victor). 2021 French pic Happening and 2022’s documentary All the Beauty and the Bloodshed bucked the trend.

Yet I would suspect the correlation between Lion and BP nominee returns in 2023 as Yorgos Lanthimos’s Poor Things is the Lion recipient. Based on reaction from Italy, Things established itself as a major contender across many categories and this assists in cementing that. Expect to read lots about this movie in my prediction posts in the weeks and months ahead.

Venice likes to spread the wealth around. Poor Things didn’t take the directing or screenplay categories or name Emma Stone as Best Actress. Instead that statue went to Cailee Spaeny as Elvis’s young bride Priscilla in Sofia Coppola’s biopic. This does nothing but help Spaeney’s chances in what appears to be an already crowded Actress derby.

Peter Sarsgard is your Best Actor for Michael Franco’s Memory (he and Jessica Chastain are drawing raves for their work). Its distributor would need to mount a shrewd campaign for Academy voters to take notice.

The fest’s runner-up trophy (the Grand Jury Prize) went to Ryusuke Hamaguchi’s Evil Does Not Exist. Japan recently opted to select Perfect Days from Wim Wenders as their International Feature Film hopeful. Best Screenplay went to El Conde from Pablo Larrain, which will likely be Chile’s best best for IFF inclusion.

Poor Things was the odds on favorite for the Lion as Venice rolled along. Look for it to roar as the season continues.

Best Picture 2021: The Final Five

We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.

As for the other nine, let’s take a deeper dive:

Belfast

Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.

Does It Make the Final Five?

Yes. The seven nominations were tied for third most and the screenplay trophy pushes it over.

Don’t Look Up

Adam McKay’s political satire was a streaming hit for Netflix with a megawatt all-star cast including Leonardo DiCaprio, Jennifer Lawrence, and Meryl Streep. Even with the Power of the Meryl, it received just three other mentions besides Picture in Original Screenplay, Original Score, and Film Editing (going 0 for 4).

Does It Make the Final Five?

No. Critics were divided and Netflix likely would’ve thrown all their campaign muscle behind The Power of the Dog if the count was only five.

Drive My Car

Ryusuke Hamaguchi’s three-hour Japanese drama easily won the International Feature Film race, but it also picked up other nods in Director and Adapted Screenplay.

Does It Make the Final Five?

No, but you could argue otherwise. I left it off due to the power of the others and the fact that foreign directors often get nominated without their films making the BP cut.

Dune

Denis Villeneuve was shockingly omitted from the Best Director derby. However, the sci-fi epic got the second most nominations at 10. It won a ceremony high 6 with Cinematography, Film Editing, Original Score, Production Design, Sound, and Visual Effects. The other nods were Adapted Screenplay, Costume Design, and Makeup and Hairstyling.

Does It Make the Final Five?

Yes. The Villeneuve snub causes some doubt, but the sheer amount of victories makes the inclusion likely.

King Richard

Will Smith infamously had the true-life sports drama’s sole win in Actor and it was also nominated in Supporting Actress (Aunjanue Ellis), Original Screenplay, Original Song, and Film Editing.

Does It Make the Final Five?

No. Yet this is another one that was a very close call. Once again, I just couldn’t take out some upcoming entries.

Licorice Pizza

Paul Thomas Anderson’s coming-of-age dramedy also saw its maker nominated in Director and Original Screenplay. It went 0 for 3.

Does It Make the Final Five?

No. That performance is a low showing for PTA’s pic and this was fairly easy to leave out of the ultimate quintet.

Nightmare Alley

Guillermo del Toro’s noirish thriller received three additional tech nods (losing all) in Cinematography, Costume Design, and Production Design.

Does It Make the Final Five?

No. This was (by a considerable margin) the easiest to leave off since it was blanked in all other major races like directing and screenplay and any acting mentions.

The Power of the Dog

Jane Campion’s direction is responsible for the Netflix Western’s one win. The nom count was an even better than expected 12 that included Actor (Benedict Cumberbatch), Supporting Actress (Kirsten Dunst), Supporting Actor (Kodi Smit-McPhee and Jesse Plemons), Adapted Screenplay, Cinematography, Film Editing, Original Score, Production Design, and Sound.

Does It Make the Final Five?

Yes, even though that 1/12 count is underwhelming to be kind. That’s still the most nods and Campion winning director seals it.

West Side Story

Steven Spielberg’s musical remake had its only win for Ariana DeBose (doing her thing in Supporting Actress). Five additional noms came for Mr. Spielberg, Cinematography, Costume Design, Production Design, and Sound.

Does It Make the Final Five?

Yes. I’ll admit this is a tough one and you could put Drive My Car or King Richard in its place. My gut says The Power of the Spielberg gives it a minor advantage.

That means my final 2021 five is:

Belfast

CODA

Dune

The Power of the Dog

West Side Story

2022 is next! And then, I’m switching it up. From 2008 and working backwards, I’ll do the inverse of these posts. For those years, I’ll speculate on what an expanded lineup of 10 might look like.

If you missed my entries for 2009-20, have no fear! They’re here:

75th Directors Guild of America Awards Nomination Predictions

In addition to the SAG Awards announcing their nominees on Wednesday, we also have the Director Guild of America (DGA) revealing its five contenders for Outstanding Directing in a Feature Film.

This is a race that usually matches the Academy’s eventual 5 nominees with 80% accuracy. In the past decade, there’s been a 4 for 5 correlation in 8 of those years. There hasn’t been a 5 for 5 match since 2009.

Even though BAFTA shockingly left Steven Spielberg off its shortlist last week, he should make the cut here for The Fabelmans. It would also be quite unexpected for Dan Kwan and Daniel Scheinert to miss for Everything Everywhere All at Once.

After that, it gets interesting. I do believe James Cameron is recognized for Avatar: The Way of Water. The DGA has recently named pics in the sci-fi genre that the Academy surprisingly ignored. Recent examples are Ridley Scott (The Martian) and Denis Villeneuve (Dune).

On the flip side, the DGA has left off foreign filmmakers that the Academy does recognize. This includes Thomas Vinterberg (Another Round) and Ryusuke Hamaguchi (Drive My Car) in the preceding two cycles. That could make the odds longer here for Edward Berger (All Quiet on the Western Front), Park Chan-wook (Decision to Leave), or S.S. Rajamouli (RRR) than at the Oscars.

My hunch is that the trio of Todd Field (Tár), Baz Luhrmann (Elvis), and Martin McDonagh (The Banshees of Inisherin) are angling for the final two slots with Sarah Polley (Women Talking) as a potential spoiler. I’ve got Field in my Academy quintet right now but missing here.

DGA PREDICTIONS

James Cameron, Avatar: The Way of Water

Daniels, Everything Everywhere All at Once

Baz Luhrmann, Elvis

Martin McDonagh, The Banshees of Inisherin

Steven Spielberg, The Fabelmans

Runner-Up: Todd Field, Tár

2022 Oscar Predictions: The State of the Best Director Race

Best Director is on deck for my closeup looks at six major categories at the Oscars. If you missed my posts covering the four acting derbies, you can find them here:

As I have with the other competitions, let’s see how accurate my estimates were from 2019-21 at the same early November time period. In 2019, I correctly had 4 of the 5 eventual directors: winner Bong Joon-ho (Parasite), Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was identified in Other Possibilities. 2020 was a trickier year due to COVID complications and I had 2 of the contenders rightly pegged: Chloe Zhao for Nomadland (who won) and David Fincher for Mank. Lee Isaac Chung (Minari) was in Other Possibilities while Emerald Fennell (Promising Young Woman) and Thomas Vinterberg (Another Round) were not yet in my top ten. Last year, I had 3 of 5 with the victorious Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Paul Thomas Anderson (Licorice Pizza). Steven Spielberg (West Side Story) was in Other Possibilities and I didn’t have Ryusuke Hamaguchi (Drive My Car) yet in the mix.

I don’t have Spielberg down as an Other Possibility in 2022. This time around, he could be in line for his third Best Director statue behind 1993’s Schindler’s List and 1998’s Saving Private Ryan. It would mark his ninth overall nom. If he wins, he would become only the fourth filmmaker with three or more victories. John Ford has 4 while Frank Capra and William Wyler have 3.

The last four years have given us a nominee with an International Feature Film contender. In addition to Joon-ho in 2019 and Vinterberg and Hamaguchi the following years, Alfonso Cuaron took the prize in 2018 for Roma. There are two in 2022 that stand the best shot: Edward Berger (All Quiet on the Western Front) and Park Chan-wook (Decision to Leave). If you want to be brave and predict an out of nowhere selection (like Vinterberg kinda was in 2020), look to Lukas Dhont (Close) or Jerzy Skolimowski (EO). Maybe even Alejandro Gonzalez Inarritu for Bardo though he faces a tough road due to mixed critical reception.

However, I’m not quite ready to elevate any of them to the forecasted quintet. Damien Chazelle’s Babylon will soon screen prior to its December bow. It has the looks of a contender and he’s in unless the buzz tells me differently in a few days.

I’m also feeling good about the Daniels (Dan Kwan and Daniel Scheinert) for Everything Everywhere All at Once. Same goes for Sarah Polley (Women Talking). Both appear to be surefire BP selections and would mark the Academy’s first mentions for them in this race.

As for the fifth spot, there’s plenty of names beyond the aforementioned international auteurs. Todd Field for Tár tops that list with Martin McDonagh (The Banshees of Inisherin) not far behind. If Avatar: The Way of Water approaches the reception that the original received, James Cameron could enter the conversation.

If She Said or The Whale pick up even more steam in BP, I wouldn’t discount Maria Schrader or Darren Aronofsky respectively. That same logic applies to Ruben Ostlund for Triangle of Sadness. I’ve had him in my five previously.

Perhaps the voters will honor the maker of the year’s biggest blockbuster with Joseph Kosinski for Top Gun: Maverick. The more likely path is a BP nom and a few tech inclusions.

This race can and will evolve over the next couple of months. Here’s the state of the race right now:

Best Director

Predicted Nominees:

1 . Steven Spielberg, The Fabelmans (Previous Ranking: 1) (Even)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Daniels, Everything Everywhere All at Once (PR: 3) (E)

4. Sarah Polley, Women Talking (PR: 4) (E)

5. Todd Field, Tár (PR: 5) (E)

Other Possibilities:

6. Edward Berger, All Quiet on the Western Front (PR: 7) (+1)

7. Park Chan-wook, Decision to Leave (PR: 6) (-1)

8. Martin McDonagh, The Banshees of Inisherin (PR: 8) (E)

9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)

10. Ruben Ostlund, Triangle of Sadness (PR: 9) (-1)

Best Picture is up next, folks! Stay tuned…

Oscar Predictions: All Quiet on the Western Front

92 years ago, Lewis Milestone’s war epic All Quiet on the Western Front became just the third movie to win Best Picture at the Oscars. After premiering at the Toronto Film Festival before its October 28th Netflix stream, the latest version could attract Academy attention as well. The German production comes from director Edward Berger with a cast including Daniel Bruhl, Albrecht Schuch, Sebastian Hulk, and Aaron Hilmer.

Its native country has already named it as their submission for International Feature Film. Critical reaction is positive across the board with 100% on Rotten Tomatoes. In particular, the World War I tale is being praised for tech aspects.

Along with South Korea’s Decision to Leave, I believe Quiet is pretty close to a sure thing for the IFF category. Yet it could branch out beyond that. We’ve seen a trend lately of Best Director nominees representing their foreign features. Recent examples include Pawel Pawlikowski (Cold War), Thomas Vinterberg (Another Round), and Ryusuke Hamaguchi (Drive My Car). In the first two cases, their film didn’t even make the Best Picture cut. This could happen with Berger or Decision‘s Park Chan-wook.

The possibilities don’t end there. Adapted Screenplay looks quite open for slot availability. The aforementioned down the line chances to make the final five include Cinematography, Editing, and Sound. It’s just as possible that Quiet only makes noise in IFF, but it could contend in multiple competitions including BP. My Oscar Prediction posts will continue…