Tag: Andy Serkis

May 8-10 Box Office Predictions

Video game based martial arts sequel Mortal Kombat II looks to kick off in the #1 spot while family friendly mystery The Sheep Detectives and concert pic Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) also debut. You can peruse my detailed prediction posts on the trio of newcomers here:

Mortal Kombat II Box Office Prediction
The Sheep Detectives Box Office Prediction
Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) Box Office Prediction

2021’s Mortal Kombat franchise reboot faced hurdles from COVID related closures, but still managed to significantly top expectations with a $21 million start. It is anticipated that the sequel could double that figure and that’s where I’m projecting it. If it underwhelms and doesn’t match my prediction, a #1 debut could be in jeopardy.

That’s because holdovers The Devil Wears Prada and Michael loom. The former performed in line with its general anticipated range (more on that below) while Michael showed sturdy legs in its sophomore outing. I do believe the former will be more front-loaded with a drop over 50% (though the Mother’s Day audience could help). If Michael falls less than 35% (definitely achievable), it could stay in the runner-up position.

The other newbies should follow. The Sheep Detectives with Hugh Jackman appears headed for a fourth place showing in the lower teens. I have the Billie Eilish concert film (directed by James Cameron!) just under double digits and rounding out the top five.

Here’s how I see it playing out:

1. Mortal Kombat II

Predicted Gross: $43.1 million

2. Michael

Predicted Gross: $37.6 million

3. The Devil Wears Prada 2

Predicted Gross: $36 million

4. The Sheep Detectives

Predicted Gross: $14.6 million

5. Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)

Predicted Gross: $8.3 million

Box Office Results (May 1-3)

While not quite beginning in grand fashion and exceeding expectations like Michael did, The Devil Wears Prada 2 still easily ruled the charts. With Meryl Streep, Anne Hathaway, and others reprising their roles from 20 years ago, the sequel hauled in $76.7 million. While that’s below my $86.5 million prediction, it is still a laudable figure. As mentioned above, the opening could be somewhat top heavy.

Michael showed commendable movement in second with a 44% decline at $54.4 million. That’s a tad more than my $51 million take as the record-setting biopic has earned $184 million in two weeks.

The Super Mario Galaxy Movie was third with $12.6 million, in line with my $12.1 million projection. The animated sequel crossed a milestone after five weeks with $402 million.

Project Hail Mary was fourth with $8.5 million (I said $8.2 million) for a seven-week tally of $318 million.

Haunted house horror flick Hokum, sporting fresh reviews, was fifth with $6.4 million. The Adam Scott headlined feature managed to outdo my $4.2 million forecast.

Finally, Andy Serkis’s animated rendering of Animal Farm flopped in sixth place with only $3.3 million though it did get beyond my $2.7 million estimate.

And that does it for now, folks! Until next time…

May 1-3 Box Office Predictions

Two decades after the original was a blockbuster that showed staying power, The Devil Wears Prada 2 should fashion an impressive start to kick off May. We also have haunted house horror flick Hokum and Andy Serkis directed animated adaptation of Animal Farm debuting. You can peruse my detailed prediction posts on the trio of newcomers here:

The Devil Wears Prada 2 Box Office Prediction
Hokum Box Office Prediction
Animal Farm Box Office Prediction

Meryl Streep, Anne Hathaway, and others are back for Prada 2 in a sequel that seems to have audiences with a genuine eagerness to revisit the characters. The original opened to $27 million, but the follow-up is expected to triple those numbers. A best case scenario could be nine digits. I have it in the mid 80s as nostalgia and a high female turnout should push it to a runaway #1 debut.

Expectations are more tempered with other newbies. My mid single digits projection for the well-reviewed Hokum with Adam Scott should mean a fifth place showing.

As for Animal Farm from Angel Studios, meh reviews and a quiet marketing campaign could put this in low single digits. My $2.7 million forecast certainly leave it outside of the high five.

Besides the Prada premiere, the second major storyline is how Michael will perform in its sophomore frame after a sizzling beginning (more on that below). The musical biopic wasn’t a hit with many critics (38% on Rotten Tomatoes), but patrons are digging it as evidenced by the 97% audience score on the same site. Encouraging word-of-mouth might result in a drop in the 40% range. That’s similar to where Bohemian Rhapsody and Elvis eased in their second weekends. However, due to the sheer size of its performance, I will hedge and say a mid to high 40s drop could occur.

The Super Mario Galaxy Movie and Project Hail Mary should respectively move down a slot to third and fourth and add to their considerable hauls.

Here’s how I see the top five shaking out:

1. The Devil Wears Prada 2

Predicted Gross: $86.5 million

2. Michael

Predicted Gross: $51 million

3. The Super Mario Galaxy Movie

Predicted Gross: $12.6 million

4. Project Hail Mary

Predicted Gross: $8.2 million

5. Hokum

Predicted Gross: $4.2 million

Box Office Results (April 24-26)

Michael wanted to be startin’ with the greatest opening ever for its genre and it achieved that and then some. The look at Michael Jackson’s first two decades of massive fame stunned with $97.2 million compared to my $81 million prediction. That blows away the former musical biopic record of $60 million held by Straight Outta Compton. It will need $216 million to claim the largest domestic take for that genre held by Bohemian Rhapsody. That should happen.

After three weeks in the pole position, The Super Mario Galaxy Movie was second with $20.5 million. That’s in line with my $19.9 million take as the animated sequel grew to $385 million. A gross over $400 million is set to arrive by this weekend.

Project Hail Mary was third with $12.8 million as its 37% fall in weekend #6 was more Earth bound than previous meager declines. The sci-fi awards hopeful sits at $305 million.

Lee Cronin’s The Mummy held a bit better in frame #2 than I figured with $5.5 million compared to my $4.4 million call. The poorly received attempted franchise reboot has made only $23 million after two weeks.

The Drama rounded out the top five with $2.6 million (I said $2.8 million) for a four-week total of $44 million.

And that does it for now, folks! Until next time…

Animal Farm Box Office Prediction

Unless I’m vastly underestimating the number of toddlers clamoring for George Orwell adaptations, Animal Farm could face a tough road when it opens May 1st. Based on the author’s 1945 dystopian fable, Andy Serkis directs the animated treatment with an all-star voice cast. That includes Seth Rogen, Gaten Matatrazzo, Kieran Culkin, Glenn Close, Laverne Cox, Steve Buscemi, Woody Harrelson, Jim Parsons, Kathleen Turner, Iman Vellani, and Serkis himself voicing multiple parts.

Precious dollars might be hard to secure. Angel Studios is handling distribution duties and their marketing footprint appears light. Buzz is also quiet and the mostly mediocre reviews (36% Rotten Tomatoes, 40 Metacritic) should give parents pause to take the kiddos. Add all that up and this Farm might yielded a return in the low single digits.

Animal Farm opening weekend prediction: $2.7 million

For my The Devil Wears Prada 2 prediction, click here:

The Devil Wears Prada 2 Box Office Prediction

For my Hokum prediction, click here:

Hokum Box Office Prediction

Oscar Predictions: Animal Farm

Angel Studios is distributing Andy Serkis’s animated rendering of George Orwell’s novella Animal Farm, out May 1st. With a screenplay from Nicholas Stoller, the third cinematic adaptation of the source material boasts an impressive voice cast including Seth Rogen, Gaten Matarazzo, Kieran Culkin, Glenn Close, Laverne Cox, Steve Buscemi, Woody Harrelson, Jim Parsons, Kathleen Turner, Iman Vellani, and Mr. Serkis himself.

Reviews are not precious. The middling reaction is evidenced by the 36% Rotten Tomatoes score and 42 Metacritic. Those results make it clear that you shouldn’t bet that Farm will be a factor in the animated awards races months down the line. My Oscar Prediction posts will continue…

Kingdom of the Planet of the Apes Review

Kingdom of the Planet of the Apes, for starters, gets its name right. Arriving seven years after War for the Planet of the Apes, a common criticism (not an especially important one) of the preceding trilogy was that their titles were a bit misleading. 2011’s Rise of the Planet of the Apes should’ve been Dawn of the Planet of the Apes. Yet that one came three years later and a more appropriate moniker for it would be War for the Planet of the Apes. However, War was in 2017 even though Rise of the Planet of the Apes would’ve fit better. Apes are indeed ruling the planet in the fourth entry of this Apes run and the tenth overall in the franchise. Climb of the Planet of the Apes might’ve stuck as well since the plot needs the creatures to use their upward mobility to get them out of jams.

Ultimately Kingdom gets more right than its name. A brief prologue reminds us where we left off in War. In its climax, simian leader Caesar (played iconically by Andy Serkis in probably the greatest motion capture performance ever) stopped being an Earthbound dweller and belonged to the ages. “Many generation later” (like 200-300 years), there are groups who study and honor Caesar’s work. Others are agnostic. Young ape Noa (Owen Teague) is in the latter bunch. His clan is more preoccupied with their birding activities which involve coming-of-age rituals that Noa is primed for. This is interrupted by human contact in the form of Freya Allan’s character Mae. All members of that race have been rendered speechless (as we started to witness in War). By Kingdom‘s coming, they’re also undomesticated and homeless and rare to come across.

This interaction inadvertently brings harm to Noa’s loved ones and sets the young ape on a course of discovery and retrieval of kidnapped family members. The abductor is Proximus Caesar (Kevin Durand’s superb and complex villain), whose mission involves bringing all clans together where he can rule with an iron paw. While that ape bends the teachings of Caesar to his own twisted ideology, others succeed in extolling the virtues. This includes orangutan Raka (Peter Macon) who joins Noa on the journey and first exposes him to the dominant force in Rise, Dawn, and War (or more appropriately… Dawn, War, and Rise but’s let not get hung up on it).

Raka is maybe my favorite character in a screenplay (by Avatar: The Way of Water scribe Josh Friedman) filled with promising new ones. I say promising because Kingdom is clearly world building to more installments. In that sense, comparisons to Rise of the Planet of the Apes from 2011 are apt. That tale explained Caesar’s childhood upbringing and eventual imprisonment that created the wide divide between apes and human. The movie itself was lean and efficient with a short runtime compared to Dawn, War, and this. Parts of Kingdom could’ve used a shave and tighter edit. The end result, though, is similar to 2011’s reboot in that I look forward to what’s coming while valuing what I just saw. Wes Ball takes over directorial responsibilities from Matt Reeves, who excelled at making the darker Dawn and War. Ball’s contribution may not be quite as distinctive, but it’s well-executed in reintroducing the audience to its visual landscapes and consistent tug-of-war between species coexisting in them.

This is smarter summer blockbuster sci-fi than any other franchise going and the series has been pulling that off for nearly 60 years. There’s been dips in quality (hi Tim Burton and various portions of the 1970s sequels). These past four Apes sagas have climbed to the top in terms of overall quality.

***1/2 (out of four)

Oscar Predictions: Kingdom of the Planet of the Apes

20th Century Studios is back in the monkey business this weekend with Kingdom of the Planet of the Apes. Wes Ball takes over the directorial reins for the 56-year-old franchise with Owen Teague, Freya Allan, Kevin Durand, Peter Macon, and William H. Macy among the cast.

This is the 10th feature in the series and the previous nine entries netted six total Academy nominations. Three of them went to the 1968 original with nods for its Score and Costume Design as well as an honorary Oscar for its revolutionary makeup artist John Chambers.

Following that, there was a long break between awards mentions. None of the four sequels to Planet (Beneath the Planet of the Planet, Escape from the Planet of the Apes, Conquest of the Planet of the Apes, Battle for the Planet of the Apes) contended in any races. Neither did Tim Burton’s 2001 re-imagining of part 1.

It took Rise of the Planet of the Apes in 2011 and sequels Dawn of the Planet of the Apes (2014) and War for the Planet of the Apes (2017) to get back in the Oscar mix. All 3 were up for their fantastic Visual Effects. The win tally was 0 for 3 as they respectively lost to Hugo, Interstellar, and Blade Runner 2049. Despite high praise for Michael Giacchino’s score and Andy Serkis’s lauded motion capture work as Caesar in that trilogy, VE was the only derby that the Apes ran in.

Kingdom (set many years after the events of War) is perched at 86% on Rotten Tomatoes. That’s just ahead of Rise‘s 82% while a bit behind War‘s 94% and Dawn‘s 91%. Some reviews say its visuals don’t quite match what we witnessed in the previous decade. Yet this seems poised for a fourth nomination in a row in that competition. Like its predecessors, a victory seems unlikely as Dune: Part Two may already have it wrapped up. My Oscar Prediction posts will continue…

Oscar Predictions: The Batman

You have to go back to 2008’s The Dark Knight to find the last Batfilm to receive an Oscar nomination. It landed the most of them. While famously missing Best Picture (it’s often called the flick that caused the Academy to expand beyond five nominees), it garnered eight nods and won Supporting Actor (Heath Ledger) and Sound Editing. The other nominations were for Sound Mixing, Art Direction, Cinematography, Makeup, Film Editing, and Visual Effects. 1989’s Batman was 1 for 1 in its nominations with Art Direction while follow-up Batman Returns was up for Makeup and Visual Effects and Batman Forever received a mention for Sound Effects Editing. Batman Begins from 2005 made the Cinematography final five. Batman and Robin, The Dark Knight Rises, Batman v Superman: Dawn of Justice, and Justice League all failed to show up at the big show.

That history lesson is, of course, given to you because reboot The Batman  with Robert Pattinson opens Friday and the review embargo lifted today. Early critical reaction has resulted in an 87% Rotten Tomatoes score thus far. Some write-ups are calling it masterful. Others are more mixed in the praise with some complaints of over length in particular.

So what are its Oscar prospects? As I see it, pretty strong in many of the races mentioned above. That includes Sound (now just one competition), Visual Effects, Production Design (what was Art Direction), Makeup and Hairstyling, Cinematography, and even Original Score (from Michael Giacchino). Director Matt Reeves, taking over the franchise, has experience in the VE derby with Dawn of the Planet of the Apes and War for the Planet of the Apes. 

Those down the line nods could be plentiful for The Batman. However, I don’t see it getting Best Picture, Director, Adapted Screenplay, or nominations for its actors. It won’t be for lack of social media chatter. We have seen numerous comic book adaptations receive fervent support online (from The Dark Knight to Deadpool to Avengers: Endgame to Spider-Man: No Way Home). Only Black Panther and Joker have made the BP cut. I don’t envision The Batman being the third, but tech nods should happen. My Oscar Prediction posts will continue…

The Batman Box Office Prediction

Another chapter for the Caped Crusader flies into theaters March 4th with The Batman. The franchise reboot comes with high expectations and pent up anticipation as Robert Pattinson takes over the title role. Matt Reeves, best known for Cloverfield and the last two Planet of the Apes pics, directs. The supporting cast includes Zoe Kravitz as Catwoman, Paul Dano as the Riddler, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred, and an unrecognizable Colin Farrell as the Penguin. Originally slated for summer 2021, it looks to rule the month of March after its COVID delay.

There is little competition in its way and its event picture status should propel it to huge numbers. How big? The Batman could be in line for a larger opening weekend than 2008’s The Dark Knight ($158 million) and 2012 follow-up The Dark Knight Rises ($160 million). And you may have forgotten that 2016’s Batman v Superman: Dawn of Justice actually holds the highest Bat premiere at $166 million.

Spider-Man: No Way Home showed that moviegoers were more than ready to turn out in force with the right product. Early IMAX offerings have already sold out for opening day. Estimates are wide. It could be as low as $100 million or approach $200 million. I’m thinking $145-$165 million is the likeliest range.

The Batman opening weekend prediction: $155.2 million

Venom: Let There Be Carnage Review

There’s a sequence in Venom: Let There Be Carnage where Woody Harrelson’s serial killer villain engages in mayhem with his crazy girlfriend (Naomie Harris). The deadly duo wreak their havoc in a ’66 Mustang and, for a moment, I was reminded of the actor’s appearance nearly 30 years ago in Natural Born Killers. Call it Muckey and Mallory this time as the amount of extraterrestrial goo is easily doubled in this sequel.

Speaking of natural born killers, it’s an apt description for the title character. The alien symbiote longs to bite humans heads off, but he’s mostly under control due to his human host Eddie Brock (Tom Hardy). Poor Venom has to settle for chickens. Continuing the banter that was the highlight of the original, Carnage still allows for Hardy’s bizarre but oddly effective comedic performance.

For those who forgot (and 2018’s Venom was a bit forgettable), Eddie is a San Francisco based journalist whose expose into scientific experiments stuck him with the black liquid alien that now lives in his body. Our loony reporter is put on assignment when Detective Mulligan (Stephen Graham) tasks Eddie with extracting evidence from death row condemned psycho Cletus Kasady (Woody Harrelson).

Their jailhouse interview leads to chaos and Carnage – as in the name of a Venomous offspring that invades the already crazed Cletus. And there’s the aforementioned love interest played by Harris. Confined to the Ravencroft Institute (where we first met Cletus in a Venom post-credits bit), Frances Barrison can manipulate sound to get herself out of sticky situations. This earns her the moniker Shriek due to those deadly decibels.

Andy Serkis is in the director’s chair (replacing Ruben Fleischer) and he keeps Carnage short, light, and full of CG action. The screenplay strains a little to justify bringing back Michelle Williams as Eddie’s ex-flame. I suppose someone’s gotta get saved by the hero in the third act. Reid Scott reprises his role as her boyfriend and there are a couple of humorous moments with his character.

I couldn’t quite recommend Venom though I came close solely based on Hardy’s batty work. This is no comic book masterwork and even the great Harrelson’s villainous turn is passable at best. Yet I more or less came around with Carnage. I give it props for foregoing a bloated running time (it’s just an hour and a half). It’s hard to not be entertained by Hardy and his skull chomping companion. In the constantly growing universe of comic book based franchises, it’s getting common for the sequels to improve upon the originals. The first entries always have to go through the origin story while the follow-ups can be a little more fun. That applies here.

*** (out of four)

Oscar Predictions – Venom: Let There Be Carnage

Tom Hardy is back to his dualistic ways in Venom: Let There Be Carnage this weekend. The sequel to the 2018 Marvel Comics property officially had its review embargo lifted today and the results are a bit surprising. While plenty of critics aren’t being overly kind, the 58% Rotten Tomatoes rating is an improvement over its predecessor’s 30% score.

Sony is hoping audiences are primed for more of Hardy and his black goo. The only awards possibility lies in the Visual Effects race. And if part 1 couldn’t manage a nod, I doubt this will either.

There is serious competition with other comic book based pics including Shang-Chi and the Legend of the Ten Rings and the upcoming Eternals and Spider-Man: No Way Home. It’s also a safe bet that Dune and The Matrix Resurrections will make the cut. Perhaps Carnage will surface in the ten finalists vying for five slots, but I wouldn’t count on it getting in. My Oscar Prediction posts for the films of 2021 will continue…