83rd Golden Globe Awards Nominations Reaction

Nominations for the 83rd Golden Globe Awards were unveiled this morning with some surprises and other categories generally going as planned. As expected and as I projected, One Battle After Another (the unquestionable Oscar frontrunner for Best Picture) led the nominations count with 9 followed by Sentimental Value with 8, Sinners with 7, and Hamnet with 6. All of those pics have likely punched their Academy BP ticket.

While it was a good day for them, you can’t say the same for Wicked: For Good, Jay Kelly, and some others. Overall I went 78 for 92 in my predictions (about par for the course). Let’s walk through each category with the nominees and how I did with some quick commentary.

Motion Picture – Drama

Nominees: Frankenstein, Hamnet, It Was Just an Accident, The Secret Agent, Sentimental Value, Sinners

How I Did: 6/6 (!)

The expected six with an international flavor as three of the nominees are surefire hopefuls for Best International Feature at the Oscars (Accident, Agent, Value). The winner, however, should come down to Hamnet or Sinners.

Motion Picture – Musical or Comedy

Nominees: Blue Moon, Bugonia, Marty Supreme, No Other Choice, Nouvelle Vague, One Battle After Another

How I Did: 3/6

First things first – Battle is likely going to emerge victorious. As far as the contenders, Jay Kelly missing was a legit shocker and the same could be said for Wicked: For Good. I had them in along with The Testament of Ann Lee instead of Choice and the one-two directorial combo of Blue Moon and Nouvelle Vague from Richard Linklater.

Director

Nominees: Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Jafar Panahi (It Was Just an Accident), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)

How I Did: 5/6

Mr. del Toro makes the sextet instead of Josh Safdie, whose Marty Supreme had a less than anticipated showing with 3 nods. Anderson is the favorite though I wouldn’t discount Coogler or Panahi.

Actress – Drama

Nominees: Jessie Buckley (Hamnet), Jennifer Lawrence (Die, My Love), Renate Reinsve (Sentimental Value), Julia Roberts (After the Hunt), Tessa Thompson (Hedda), Eva Victor (Sorry, Baby)

How I Did: 5/6

Victor is in over my somewhat upset pick of Jodie Foster in A Private Life. This is one of the easiest to predict with Buckley.

Actor – Drama

Nominees: Joel Edgerton (Train Dreams), Oscar Isaac (Frankenstein), Dwayne Johnson (The Smashing Machine), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent), Jeremy Allen White (Springsteen: Deliver Me from Nowhere)

How I Did: 6/6 (!)

Not as easy to predict as Actress (Drama) with the Oscar heavy hitters in Actor slotted in Musical or Comedy. This could be a close one between Jordan and Moura.

Actress – Musical or Comedy

Nominees: Rose Byrne (If I Had Legs I’d Kick You), Cynthia Erivo (Wicked: For Good), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Amanda Seyfried (The Testament of Ann Lee), Emma Stone (Bugonia)

How I Did: 6/6 (!)

The expected six, but this is a tough one to call. Precursors may help with my eventual prediction though I’d say everyone but Hudson at least has a chance here. Byrne is perhaps the soft frontrunner.

Actor – Musical or Comedy

Nominees: Lee Byung-hun (No Other Choice), Timothée Chalamet (Marty Supreme), George Clooney (Jay Kelly), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Jesse Plemons (Bugonia)

How I Did: 5/6

My alternate Byung-hun over Brendan Fraser (Rental Family). Like the Oscars, this could be a supreme battle between Chalamet and DiCaprio with Hawke as potential spoiler.

Supporting Actress

Nominees: Emily Blunt (The Smashing Machine), Elle Fanning (Sentimental Value), Ariana Grande (Wicked: For Good), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Teyana Taylor (One Battle After Another)

How I Did: 5/6

Blunt is one of the genuine shockers as she’s in instead of Supreme‘s Gwyneth Paltrow. This is a tricky category to pinpoint and we’re going to need precursors to help sort it out.

Supporting Actor

Nominees: Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Sean Penn (One Battle After Another), Adam Sandler (Jay Kelly), Stellan Skarsgård (Sentimental Value)

How I Did: 6/6 (!)

This seems like a race where Value could pick up a trophy with Skarsgård, but both Battle actors are viable.

Best Screenplay

Nominees: Hamnet, It Was Just an Accident, Marty Supreme, One Battle After Another, Sentimental Value, Sinners

How I Did: 6/6 (!)

Another competition where Value is possible though Battle and Sinners might have the edge in that order. I wouldn’t rule out Accident either.

Motion Picture – Non-English Language

Nominees: It Was Just an Accident, No Other Choice, The Secret Agent, Sentimental Value, Sirât, The Voice of Hind Rajab

How I Did: 5/6

Rajab gets the call over Sound of Falling as Value could have the best shot, but Accident is a real threat as is Agent.

Motion Picture – Animated

Nominees: Arco, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2

How I Did: 5/6

Demon Slayer instead of Ne Zha 2 (which I also incorrectly predicted for Critics Choice). The voters could go with phenom KPop though Rain and Zootopia are in the hunt.

Cinematic and Box Office Achievement

Nominees: Avatar: Fire and Ash, F1, KPop Demon Hunters, Mission: Impossible – The Final Reckoning, Sinners, Weapons, Wicked: For Good, Zootopia 2

How I Did: 7/8

This silly little three-year-old category is something the Globes should jettison. After all, Avatar hasn’t even opened and it’s being nominated for its box office achievement? Perhaps Sinners, a truly unanticipated smash hit, takes this. I had Superman up instead of Reckoning.

Original Score

Nominees: F1, Frankenstein, Hamnet, One Battle After Another, Sinners, Sirât

How I Did: 4/6

F1 (which also got a CCA mention) and Sirât contend over my picks of Bugonia and Marty Supreme. I think Sinners is out front with OBAA threatening.

Original Song

Nominees: “Dream As One” from Avatar: Fire and Ash; “Golden” from KPop Demon Hunters; “I Lied to You” from Sinners; “Train Dreams” from Train Dreams; “No Place Like Home” from Wicked: For Good; “The Girl in the Bubble” from Wicked: For Good

How I Did: 4/6

Well, at least Wicked got two songs nominated, eh? “No Place Like Home” and “Train Dreams” are balloted instead of “Drive” from F1 and “Last Time (I Seen the Sun)” from Sinners. “Golden” could be just that on Globes night.

And that, ladies and gentlemen, adds up to these movies generating numbers of nominations:

9 Nominations

One Battle After Another

8 Nominations

Sentimental Value

7 Nominations

Sinners

6 Nominations

Hamnet

5 Nominations

Frankenstein, Wicked: For Good

4 Nominations

It Was Just an Accident

3 Nominations

Bugonia, KPop Demon Hunters, Marty Supreme, No Other Choice, The Secret Agent

2 Nominations

Avatar: Fire and Ash, Blue Moon, F1, Jay Kelly, Sirât, The Smashing Machine, Train Dreams, Weapons, Zootopia 2

1 Nomination

After the Hunt, Arco, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, Die, My Love, Elio, Hedda, If I Had Legs I’d Kick You, Little Amélie or the Character of Rain, Mission: Impossible – The Final Reckoning, Nouvelle Vague, Song Sung Blue, Sorry, Baby, Springsteen: Deliver Me from Nowhere, The Testament of Ann Lee, The Voice of Hind Rajab

I”ll have predictions up for the show shortly before the January 11th telecast and keep an eye on the blog for updated Oscar projections!

98th Academy Awards: The State of the Best Picture Race (October Edition)

As October draws to a close, it’s time for a deep dive into the Best Picture race with two months left in the release calendar. I’ve done the same with the directing competition and the four acting derbies. If you missed those write-ups over the past few days, you can access them here:

I published my first preview of the Best Picture field on April 17th. In that post, I listed my initial predictions for the 10 BP hopefuls along with 15 other possibilities . At that impossibly early stage of the game, my selections were:

After the Hunt

Avatar: Fire and Ash

Hamnet

Jay Kelly

The Life of Chuck

Marty Supreme

No Other Choice

The Rivals of Amziah King

Sentimental Value

Wicked: For Good

Other Possibilities:

Alpha

Ballad of a Small Player

Bugonia

Die, My Love

F1

Frankenstein

Highest 2 Lowest

Kiss of the Spider Woman

Materialists

Michael

One Battle After Another

Sinners

The Smashing Machine

Springsteen: Deliver Me from Nowhere

The Testament of Ann Lee

Let’s dispense with the movies that are no longe viable. The Rivals of Amziah King and Michael will be 2026 releases. The following titles did not get solid enough reviews, box office, or a combo of both to truly be threats: After the Hunt (which I initially had ranked at #1 back in the spring), The Life of Chuck, (despite winning the 2024 Audience Award at the Toronto Film Festival), Alpha, Ballad of a Small Player, Die, My Love (though Jennifer Lawrence could contend in Actress), F1 (which was a critically appreciated hit and could nab some tech nods), Highest 2 Lowest, Kiss of the Spider Woman (perhaps Jennifer Lopez can sneak in Supporting Actress), Materialists, and The Smashing Machine.

Springsteen: Deliver Me from Nowhere and The Testament of Ann Lee aren’t dead in the water, but the former is a sizable box office disappointment with some less than stellar reviews and the latter is perhaps too divisive. Their leads Jeremy Allen White and Amanda Seyfried have healthier chances in the lead acting contests.

So let’s get into the 11 of the 25 aforementioned titles that do still have a decent chance and a few others worthy of mention.

The soft frontrunner appears to be Paul Thomas Anderson’s One Battle After Another with its multiple acting contenders and some of the highest critical praise of the year. Even though it disappointed a bit at the box office, the Cinemascore grade of A indicates it would be a satisfactory audience choice for voters to select. Plus PTA is generally seen as overdue for Academy affection.

Its biggest competition could be Hamnet from Chloé Zhao, who picked up a directorial prize and a BP win for 2020’s Nomadland. History could repeat five years later for her heralded historical drama.

I’m also confident that Ryan Coogler’s Sinners, the vampiric financial smash from the spring, will be remembered on BP ballots even though horror flicks often have a hard time breaking through. This should be a welcome exception.

Joachim Trier’s family drama Sentimental Value is a festival darling that has enough goodwill to make the BP cut.

Two upcoming releases have their review embargoes intact but have screened to encouraging word-of-mouth: Josh Safdie’s Marty Supreme (where Timothée Chalamet appears to be a Best Actor favorite) and Wicked: For Good, part two to Wicked which garnered BP and other nominations last year. Both should find themselves among the ten.

That’s six pics (One Battle After Another, Hamnet, Sinners, Sentimental Value, Marty Supreme, Wicked: For Good) that I’m confident are in. Twelve others are jockeying for the four additional slots.

I’ve had Guillermo del Toro’s Frankenstein in and out of my lineup at various times. I’m becoming more convinced it could be Netflix’s best chance in BP.

An argument could easily be made that the streamer’s Jay Kelly from Noah Baumbach is their strongest horse with its Hollywood friendly storyline. Some reviews have been lukewarm, but I still am leaning toward it placing in the 10.

To close the Netflix loop, Train Dreams has its ardent admirers and I wouldn’t totally discount it. Kathryn Bigelow’s A House of Dynamite seems to be fizzling a tad due to some ambivalent audience reaction, but a rebound is not out of the question.

Avatar: Fire and Ash looks to follow in the footsteps of its two predecessors. Having it in or near the selected 10 seems like a smart move but screenings will soon tell the tale.

Jafar Panahi’s It Was Just an Accident from Neon took the Palme d’Or at Cannes and I’m increasingly confident it’ll be an international contender in its own race and BP (like Neon’s Sentimental Value).

The Secret Agent (Neon) and No Other Choice (Neon) could accomplish the same dual noms though it’s rare for more than two international submissions to get into the big dance. And not every Neon distributed foreign title can make the list… can they?

Bugonia from Yorgos Lanthimos may be a touch too oddball for BP though I’d be careful to dismiss the latest from The Favourite and Poor Things maker.

Richard Linklater’s has had an impressive year with Blue Moon and Nouvelle Vague though I’m guessing neither are real threats.

Finally, Song Sung Blue (out Christmas) is said to be a crowdpleaser and Kate Hudson is a possibility in Best Actress. A Musical/Comedy BP spot at the Globes seems more feasible than Academy love.

Keep an eye on the blog with updated rankings on BP and all other feature film races hitting shortly!

Oscar Predictions: Blue Moon

Nouvelle Vague is Richard Linklater’s showbiz centered dramedy that premiered at Cannes that could contend for awards attention this season. Blue Moon is his other showbiz centered dramedy that was screened prior to Vague at the Berlin fest and is getting more exposure this weekend at Telluride. It stars the director’s frequent collaborator Ethan Hawke as Lorenz Hart, songwriter for Oklahoma! on the night of its Broadway premiere. Margaret Qualley, Andrew Scott (as composer Richard Rodgers), and Bobby Cannavale costar.

With Sony handling distribution (it’s out in October), you can expect an Oscar push and that particularly applies to Hawke. A two-time supporting nominee for 2001’s Training Day and 2014’s Boyhood, this is certainly his strongest shot at lead consideration since 2018’s First Reformed. Scott is worthy of mention as he was awarded the Silver Bear award for his supporting turn in Germany earlier this year.

Despite commendable 96% and 76 ratings on Rotten Tomatoes and Metacritic, respectively, I don’t see this being a factor in the Best Picture derby. Yet I’m beginning to suspect Hawke could be a dark horse possibility if other lead actor performances not yet screened don’t pan out. I also wouldn’t totally discount Scott or Qualley, but I think Hawke stands the best shot. My Oscar Prediction posts will continue…

Oscar Predictions: Souleymane’s Story

The immigration drama Souleyman’s Story premiered at Cannes all the way back in May 2024, but the French release is getting a limited U.S. release this weekend. From director Boris Lojkine, Abou Sangaré drew raves as the title character with Nina Meurisse providing support in a César (French equivalent to Oscars) winning Supporting Actress performance.

In the Un Certain Regard portion at Cannes, Story picked up honors for Sangaré’s performance and an overall jury prize. With 100% on Rotten Tomatoes and an 81 Metacritic, this could’ve been a solid French choice for International Feature Film submission at the Academy Awards. Last year, they understandably went with Emilia Pérez. Controversial comments by lead Karla Sofia Gascón likely sunk its chances at a victory. Frankly I’m not sure if the French could make it their horse in 2025 since they released it last October. Odds are they’ll go with Richard Linklater’s Nouvelle Vague (which played Cannes this year).

Bottom line: while Story drew its share of kudos and European fest love, it probably missed its window from the Academy. My Oscar Prediction posts will continue…

Neon Lights Up Cannes

No one can do Cannes like Neon. The indie film production company has ruled the French festival for six years straight when it comes to the Palme d’Or winner. That list consists of Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, and Anora. The first and last movies in that quintet went onto win Best Picture at the Oscars with Triangle and Anatomy nabbing nominations.

Neon once again had contenders to spare at this year’s competition and many assumed the grand prize would go to Joachim Trier’s Sentimental Value. That acclaimed family drama immediately established itself as an Oscar contender. Yet the Cannes jury (headed by Juliette Binoche) instead chose another Neon property in Jafar Panahi’s It Was Just an Accident. It marks another festival triumph for the Iranian filmmaker. His 2000 feature The Circle took top honors in Venice while 2015’s Taxi was awarded best of at the Berlin Fest. Accident now enters the conversation for a BP mention from the Academy and it certainly is a major contender for International Feature Film.

As for the more favored Value, it settled for the Grand Prix designation which is basically runner-up (it went to BP nominee The Zone of Interest in 2023). As mentioned, Neon has high hopes for its future in the coming months.

The Jury Prize (which Emilia Pérez took last time around) was shared between Spanish/French coproduction Sirât from Oliver Laxe and Mascha Schilinski’s German generational tale Sound of Falling (which is also a sturdy hopeful in IFF).

Another major player for Neon is The Secret Agent, the 1970s set Brazilian political thriller. Kieber Mendonça Filho received the Director trophy while Wagner Moura is Best Actor. Look for Agent to have a potential presence in IFF while Moura’s lead campaign could be a real threat for Academy inclusion.

Nadia Melliti is your Best Actress for the French coming-of-age drama The Little Sister. The young actress emerged over heavy hitter Jennifer Lawrence from Die, My Love. Nevertheless Lawrence did strengthen her shot at a fifth Oscar play months down the road.

Some had pegged Richard Linklater’s Nouvelle Vague (which recounts the shooting of French classic Breathless) for some Riviera prizes, but it wasn’t to be. Other high profile premieres not found among the victors are Iranian drama Woman and Child (where Parinaz Izadyar was considered viable in Actress), Wes Anderson’s The Phoenician Scheme, and Julia Ducournau’s Titane follow-up Alpha.

Keep an eye on the blog as I continue to write individual posts for movies screened at Cannes. I hadn’t even gotten to Accident yet! As for next year, look to see what Neon’s backing when figuring out the favorites…

Oscar Predictions: Nouvelle Vague

Could France’s selection for International Feature come from Texas’s Richard Linklater? Judging from reaction at Cannes, that’s a distinct possibility with Nouvelle Vague. The period piece recounts the filming of the landmark French New Wave pic Breathless with Guillaume Marbeck as director Jean-Luc Godard and Zoey Deutch as star Jean Seberg.

It’s no surprise that viewers in Cannes are appreciating Nouvelle as it stands at 100% on Rotten Tomatoes. How it translates outside of its native country remains to be seen. The French have gotten 8 of their contenders for IFF nominated in the 21st century including last year’s Emilia Pérez. You have to go back to 1992 and Indochine for their previous winner.

If this were their pick in the international race, there could be enough support to make the quintet. I’m not sure if branches out anywhere beyond that despite praise for its two leads. My Oscar Prediction posts will continue…

97th Academy Awards: The FINAL State of the Best Actor Race

My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

The fourth post in this series is Best Actor. If you missed my write-ups for the other three acting derbies, you can access them here:

Truth be told, this is the easiest quintet of the acting categories to forecast. There are five performers who have nabbed nominations in four of the most important precursors – the Golden Globes, SAG, Critics Choice, and the BAFTA long list. They are: Adrien Brody (The Brutalist), Timothee Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), and Ralph Fiennes (Conclave). The safe bet is to predict this group being the Oscar hopefuls and that’s where my head is at currently.

However, Craig in particular could be vulnerable. Queer is not a contender in Best Picture or any other race with the possible exception of Adapted Screenplay (and that’s a long shot).

Before we discuss actors who could replace him, let’s spend a moment remembering those leading men who were once looked at as possibilities. This is before their movies flamed out or their roles just weren’t “baity” enough. It is also due to them not really showing up anywhere in precursors. I’m looking at you, Joaquin Phoenix in Joker: Folie à Deux. And Adam Driver in Megalopolis is in that club. Same goes for Paul Mescal (Gladiator II), Tom Hanks (Here), Kevin Costner (Horizon: An American Saga – Chapter 1), John David Washington (The Piano Lesson), Cillian Murphy (Small Things like These), and Andrew Garfield (We Live in Time).

There’s three gentlemen who made the BAFTA long list who really have no shot at Oscar glory – Kingsley Ben-Adir (Bob Marley: One Love), Jude Law (Firebrand), and Dev Patel (Monkey Man). There are Globe nominees in Actor (Musical or Comedy) that you could say the same about – Gabriel LaBelle (Saturday Night) and Jesse Plemons (Kinds of Kindness).

That leaves 5 performances jockeying for one slot: Jesse Eisenberg (A Real Pain), Hugh Grant (Heretic), Glen Powell (Hit Man), Sebastian Stan (The Apprentice), and Sebastian Stan (A Different Man). I remind you that, as of now, I’d put them all behind Craig. Let’s walk through them one by one, shall we?

Jesse Eisenberg’s fortunes could rise slightly if A Real Pain gets into Best Picture (which I am forecasting it won’t at press time). I suspect voters will only honor his costar Kieran Culkin in supporting and I’d rank him 4th out of these 5 possibilities. Eisenberg has only managed a Globe nod which he did not win.

Hugh Grant also nabbed a Globe nod in the horror pic Heretic and was BAFTA longlisted and is up at Critics Choice. Had he emerged victorious for Actor (Musical or Comedy) at the Globes, he might be a more attractive pick. This is a little tempting since he’s never received Oscar attention, but I have him 2nd out of the 5 possibilities.

Glen Powell has had a great couple of years with massive hits Top Gun: Maverick, Anyone but You, and Twisters. His turn in Richard Linklater’s acclaimed comedy was an early trendy pick for inclusion. Like Eisenberg and Grant, he was up at the Globes and fell short. I have him 5th out of 5 possibilities.

Sebastian Stan’s embodiment of a young Donald Trump in The Apprentice was Globe nominated and BAFTA longlisted. The Critics Choice and SAG omissions sting though I’d rank him 1st of these 5 possibilities.

For our double shot of Stan, he did win Actor (Musical or Comedy) for his role in A Different Man at the Golden Globes. Yet none of the six nominated performers in that category are truly seen as viable hopefuls at Oscar. I have this iteration of Stan 3rd of these 5 possibilities.

OK. There you have it. My microscope analysis of Best Actor for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do my final picks. My post for Best Director is up next!

Summer 2014: The Top 10 Hits and More

In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).

Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.

Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.

10. How to Train Your Dragon 2

Domestic Gross: $177 million

While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.

9. Teenage Mutant Ninja Turtles

Domestic Gross: $191 million

With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.

8. 22 Jump Street

Domestic Gross: $191 million

Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.

7. Godzilla

Domestic Gross: $200 million

It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick

6. The Amazing Spider-Man 2

Domestic Gross: $202 million

While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.

5. Dawn of the Planet of the Apes

Domestic Gross: $208 million

The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.

4. X-Men: Days of Future Past

Domestic Gross: $233 million

This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.

3. Maleficent

Domestic Gross: $241 million

After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.

2. Transformers: Age of Extinction

Domestic Gross: $245 million

Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.

1. Guardians of the Galaxy

Domestic Gross: $233 million

This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.

And now let’s cover some other flicks from ’14 that had crowds and critics chatting.

Neighbors

Domestic Gross: $150 million

The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.

Lucy

Domestic Gross: $126 million

Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.

The Fault in Our Stars

Domestic Gross: $124 million

John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.

Edge of Tomorrow

Domestic Gross: $100 million

Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.

Let’s Be Cops

Domestic Gross: $82 million

This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.

Chef

Domestic Gross: $31 million

After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.

Boyhood

Domestic Gross: $25 million

Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.

Snowpiercer

Domestic Gross: $4 million

Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.

OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.

Hercules

Domestic Gross: $72 million

Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?

Jersey Boys

Domestic Gross: $47 million

The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.

Blended

Domestic Gross: $46 million

The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.

A Million Ways to Die in the West

Domestic Gross: $43 million

Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.

The Expendables 3

Predicted Gross: $39 million

The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.

Sex Tape

Predicted Gross: $38 million

Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.

Sin City: A Dame to Kill For

Domestic Gross: $13 million

The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.

And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!

Oscar Predictions: Hit Man (Take II)

This is the first time I’ve written a second Oscar Predictions post on the same picture, but it feels warranted with Richard Linklater’s Hit Man. Why? Happy to explain. The dark rom com premiered to sizzling buzz in Venice and Toronto last fall (the RT score is still an impressive 97%). I wrote my initial post on its awards chances on September 5th. You can peruse it here:

At that juncture, its distribution was up in the air. I assumed it would find a release in 2023. However, Netflix scooped up it up and it’s out for streaming viewership this weekend some nine months plus later. A lot has changed since that festival birth.

Glen Powell is an even bigger star. Last September, I talked about how he was hot off a supporting role in Top Gun: Maverick. Now he’s fresh from a headlining turn in the unexpected rom com blockbuster Anyone but You. He’s a month away from starring in summer tentpole Twisters. In the fall of ’23, I stated that Best Actor was too crowded already for him to vie for a slot. That’s not the case in June of ’24 though we don’t know if there will be room for him among forthcoming dramatic performances in the second half of the year. When I did my last forecast two weeks ago, I had him in the quintet for Actor. We’ll see if he remains there when I do my next update on Sunday. I do think he’s viable and I do believe he gets a Golden Globe nod in the Musical/Comedy race for lead Actor. If he doesn’t, that probably means Netflix did a poor job campaigning. Adria Arjona, his love interest, could be in the mix for Actress in the same classification. For that matter, a GG mention in Best Picture (Musical/Comedy) might materialize.

Not everything has changed. The strongest Oscar chance is in Adapted Screenplay where Linklater has been nominated thrice before with Before Sunset, Before Midnight, and Boyhood. If and when that happens, Powell would be along for the ride since he co-scripted.

As for BP itself, you never know. I’ve had it listed in the bottom rungs of my top 25 possibilities. While a long shot, it could hit if too many of the upcoming hopefuls fall short of expectations. My Oscar Prediction posts will continue…

Oscar Predictions: Hit Man

Glen Powell got a whole lotta exposure last year with his memorable supporting turn in Top Gun: Maverick. It sounds like he’s got a heckuva starring vehicle via Hit Man, Richard Linklater’s latest that premiered at Venice. The action comedy is cowritten by the director and his star. The buzz out of Italy is strong and the Rotten Tomatoes score is 100%.

Linklater is a three-time screenwriting Oscar nominee for 2004’s Before Sunset and 2013’s Before Midnight (in Adapted) and 2014’s Boyhood (in Original). Hit Man is based on a magazine article. Despite the kudos for Powell’s performance (Best Actor is just too crowded already), it’s Adapted Screenplay where this stands a shot at recognition for the two scribes.

Assuming this is slotted in Musical/Comedy at the Golden Globes, I wouldn’t discount this nabbing a Best Picture and Actor nomination from the Hollywood Foreign Press Association. My Oscar Prediction posts will continue…