Jane Campion’s The Power of the Dog is exceedingly gorgeous in its landscapes where New Zealand fills in for Montana circa 1925. It features four superb performances ranging from borderline or full throttle psychopaths to one character trying to keep a semblance of order on the remote cattle ranch setting. The score by Johnny Greenwood is haunting as each chapter ratchets up the tension. A lot of Power is indeed compelling, but I’d be untruthful if I didn’t say you have to comb through some laborious sections as well.
Based on a 1967 novel by Thomas Savage (where the themes were far more taboo than in 2021), we open with Peter (Kodi Smit-McPhee) declaring a need to protect his fragile mother Rose (Kirsten Dunst) at all costs. Widowed under tragic circumstances, she runs an inn frequented by cowboys and their bosses. When kindly ranch owner George Burbank (Jesse Plemons) comes into town, a rather unromantic bond is formed with Rose and they marry. This does not sit well with George’s opposite of kindly brother Phil (Benedict Cumberbatch) who sees his new sister-in-law as an oppotunist. He also takes to mocking Peter, an effeminate aspiring surgeon.
When the dysfunctional new family reaches the cold Burbank estate (in temperature and atmosphere), Phil’s tormenting continues for the new houseguests. This leads to Rose’s alcoholism while George is a helpless bystander. Yet Phil’s own backstory, including a mentorship with a departed male figure known as Bronco Henry, hints that Peter’s presence may cut a bit too close to the bone.
An unwashed bully walking a tightrope of repression, Cumberbatch is given a scenery chewing role. And what scenery as we forget that Campion’s native New Zealand doesn’t really look like Montana. Dunst is a sorrowful figure who can’t play piano at a fancy party dinner that the Governor (Keith Carradine) attends. She can’t play the happy wife either and her union with George seems born out of convenience. Plemons is saddled with least developed character. All three are first-rate in the portrayals.
Smit-McPhee is the most intriguing of them all. Peter’s character is certainly ahead of his time given the era and it turns out he’s steps ahead of where we still the plot eventually turn.
I say eventually because the pacing of Power is a bit off. It takes awhile to ramp up. That’s made more tolerable by the beauty surrounding the ugly situation this quartet finds themselves in. The source material is over a half century old though it does feature a call for personal protective equipment that feels urgent. The catcalls greeting Peter in the near century old time are tragic but his response reaps narrative rewards. This Dog saves most of the bite for later. Getting there is ultimately worth it.
Edgar Wright’s Last Night in Soho is about romanticism and the death (often the grisly variety) of it. In this ghost story, the filmmaker pays homage to a far gone thrilling and swinging era in mid 1960s London while maintaining that the nostalgia of those who didn’t live through it might be displaced.
Eloise Turner (Thomasin McKenzie) looks at the period from her starry eyes and an ear tuned to its luscious record. She’s only been to present era London as a young girl having grown up in the countryside with her grandmother (Rita Tushingham). Her mother is departed in tragic circumstances that hint she mentally couldn’t handle the glitzy big city life. Her father is as much an apparition as others she encounters.
A college student attending fashion school, Eloise is swiftly out of her element with her snooty dorm mates. Relocating to an upstairs room in a home run by the strict Ms Collins (the late Diana Rigg), her clairvoyance that often includes matriarchal visions moves right along with her. They involve Sandie (Anya Taylor-Joy), an aspiring singer in 1966 whose ambition introduces her to agent Jack (Matt Smith). He’s all charm at first, but darkness lurks with him and many other not so English gentlemen.
As Eloise begins to experience nightly visions of Sandie’s struggles, her own behavior rightfully begins to alarm those in her orbit. That includes John (Michael Ajao), a classmate and potential love interest who’s often the only Londoner that’s kind to her. On the not so nice list is a customer (Terence Stamp) at the local watering hole, a hub of both glamour and glumness 60 years ago, where Eloise works. He might be the key to Sandie’s backstory.
Whether in zombie comedies like Shaun of the Dead or Baby Driver (where he figured out a way to make car chases cool again), Wright is a filmmaker with style to spare. Soho is a glorious visual spectacle that shows its work in explaining how Eloise is so taken with the period. And he may be second only to Tarantino nowadays when it comes to killer needle drops in the soundtrack.
Last Night in Soho may not significantly alter the mix in the spirits genre, but Wright certainly has a flair for it. He cheekily employs some British legends like Rigg and Stamp in this ferocious happening. For the former especially, it’s a delicious final role. McKenzie and Taylor-Joy mirror each other in the quality of their performances that grow more terror struck as the clock ticks. Sandie’s London journey begins with hope and ends with her bridge to stardom falling down. Eloise is there to witness it while gasping in horror. We are there to witness Wright at the top of his game.
Edgar Wright’s latest vehicle Last Night in Soho zooms into theaters October 29th, four years after his massive success Baby Driver. The psychological horror thriller, set in mid 60s London, features Thomasin McKenzie, Anya Taylor-Joy, Matt Smith, Terence Stamp, and Diana Rigg in her final role.
Soho premiered at the Venice Film Festival in early September and garnered mixed buzz. The Rotten Tomatoes meter is parked at 70%. The overseas reaction took the pic out of awards contention but Focus Features is hoping horror fans turn out on Halloween weekend.
That could be a challenge. This doesn’t look like your average genre fare and that could keep younger viewers away. It also has Antlers debuting against it and, perhaps most notably, Halloween Kills will be in its third frame. We have seen time and again that original material hoping for an adult crowd has struggled at multiplexes in recent times.
I assume that struggle will apply here. The studio is probably hoping for a $10 million start. Soho may be lucky to reach half of that figure.
Last Night in Soho opening weekend prediction: $5.2 million
M. Night Shyamalan’s latest is Old and it plays like a long Twilight Zone episode which rapidly puts its subjects in that time frame of their lives. If you’ve seen the trailer or TV spots, what you see is essentially what you get. The writer/director is responsible for putting this uninteresting group on a gorgeous beach. That’s in the figurative sense since he created them. It’s also in the literal way because Shyamalan casts himself as the driver who takes them there.
Guy (Gael Garcia Bernal) and Prisca Cappa (Vicky Krieps) are on the verge of splitting up and they take their 6-year-old boy and 11-year-old daughter on a tropical excursion before they break the news. They know this is meant to be a short-lived paradise, but they get more than they bargained for. You know how parents say their youngsters act like teenagers before they should? It happens here.
The Cappas are taken to a secluded area of the island for R & R. Joining them are a surgeon (Rufus Sewell) and his snotty wife (Abbey Lee) and their 6-year-old going on 11…13…15 (eventually played by Eliza Scanlen). There’s a nurse (Ken Leung) and his wife (Nikki Amuka-Bird) that’s prone to seizures. In the latest example of eye rolling character choices, we also have a hemophiliac rapper (Aaron Pierre) who goes by the name of Mid-Sized Sedan. This might an even more cringe worthy use of a hip hop reference than James McAvoy’s MC skills in Split.
Once placed in the breathtaking locale, all the vacationers discover they’re aging approximately one year every half hour. This is, of course, first noticed with the children. The Cappa kids morph into Thomasin McKenzie and Alex Wolff. Their elders fall prey to the typical signs of advanced age – disease, Alzheimers, low calcium content. Poor Mid-Sized Sedan never gets the chance to trade in for a cooler sounding vehicle name.
In Shyamalan’s best features (The Sixth Sense, Unbreakable, Signs), the auteur created pretty interesting characters to place in his twisty tales. That is just not the case with this group. Even a coasting Shyamalan is reliable for a few thrills, but they don’t roll in too often.
Too much of Old is filled with his clunky dialogue. The kids talk like adults before they actually are a few hours later. The surprise developments toward the end (which aren’t all that shocking) hint at a larger picture. They may have been engrossing had we not been subjected to an hour and a half of watching this dull lot waste away. This could have made a nifty Twilight Zone episode because that program ran 30 minutes. In Shyamalan’s labored production, it feels closer to a year.
A time travel thriller mixed with horror, Venice fest goers have been highly anticipating Edgar Wright’s Last Night in Soho. Hitting theaters in late October, this is the auteur’s follow-up to 2017’s Baby Driver. That sleeper hit managed three Oscar nominations in both sound races (when there were two) and Film Editing.
Thomasin McKenzie headlines a cast that includes Anya Taylor-Joy (hot off The Queen’s Gambit), Matt Smith, Diana Rigg (in her final role), and Terence Stamp. Though the genre doesn’t lend itself often to awards attention, it seems like Wright could eventually break through with an Academy player.
Based on the early buzz, Soho doesn’t seem to be it. While some reviews are gushing, others are mixed to negative and the Rotten Tomatoes meter is currently 71%. I would say the only races where it could contend are Production Design, Costume Design, and Makeup and Hairstyling. It’s also entirely possible the Academy ignores it altogether. My Oscar Prediction posts for the films of 2021 will continue…
The Venice Film Festival kicks off on Wednesday this week. For this blogger, it means my Oscar speculation will kick into overdrive. You can anticipate a flurry of Oscar Watch posts starting September 1st and continuing throughout the month as the Telluride fest transpires over Labor Day weekend. Toronto is right behind beginning September 9th.
To put it all in perspective, the eventual Best Picture winner has premiered at this trio of festivals more often than not lately. Nomadland (last year’s victor) started off in Venice and won the Golden Lion, which is the equivalent to BP. The same narrative holds true for 2017’s The Shape of Water. 2018’s Green Book debuted at Toronto. 2016’s Moonlight premiered at Telluride. 2015’s Spotlight rolled out at Venice and 2014’s Birdman opened that festival. You get the idea.
So what are the highest profile titles jockeying for position? What are the movies that could become instant hopefuls for the Academy’s attention? I’m glad you asked. Let’s take a look, shall we?
The Power of the Dog
In 1993, director Jane Campion had her last major Oscar contender with The Piano. It won Best Actress for Holly Hunter, Supporting Actress for Anna Paquin, and Original Screenplay for Campion. She became the first female ever to be nominated for Best Director (losing that race and Picture to Steven Spielberg’s Schindler’s List).
Her latest is The Power of the Dog and it will be a mainstay on the festival circuit before its theatrical release in November that’s followed by an early December Netflix bow. Dog is, on paper, the film that prognosticators like me are looking at as an early favorite.
In my previous weekly rankings, I have Dog listed at #1 in Picture, Director, Actor (Cumberbatch), and Adapted Screenplay. Dunst and Plemons are, respectively, ranked second in Supporting Actress and Actor.
We will know quite soon whether it lives up to the hype.
Parallel Mothers
Pedro Almodovar’s latest will open the proceedings on Tuesday. The Spanish language drama stars Penelope Cruz and she could be a factor in what appears to be a potentially crowded Best Actress derby. Original Screenplay and Best International Feature Film could also be races where it contends. Just two years back, the auteur’s previous work Pain and Glory was nominated in the international competition and it nabbed Antonio Banderas a Best Actor nod.
Additionally, Cruz and Banderas star in the comedy Official Competition, which is also premiering here. It may also be one to keep an eye on.
Spencer
Speaking of that Best Actress race which features numerous players, that holds true with Spencer. Pablo Larrain’s biopic about Princess Diana may propel Kristen Stewart to her first nomination. Larrain directed Natalie Portman and she made the final five as Jackie from 2016. Will Stewart break through on the awards front after a series of post Twilight acclaimed roles? The answer is coming.
The Hand of God
Another Netflix property is this Italian drama from Paolo Sorrentino, whose 2013 effort The Great Beauty dominated the foreign language races at the Oscars and Globes. His latest could be another contender and I will be keeping an eye on whether it could branch out to Best Picture (like Roma and Parasite recently did).
The Card Counter
Paul Schrader’s last pic First Reformed received an Original Screenplay nod for its filmmaker. His latest crime drama features Oscar Isaac, Tiffany Haddish, and Willem Dafoe. I haven’t had this featured at all in my weekly predictions, but a splashy Venice rollout could alter that.
Dune
The Card Counter cannot claim the title of being Oscar Isaac’s most breathlessly awaited arrival. That would be Dune from Denis Villeneuve as the sci-fi epic is debuting out of competition. Originally slated for 2020, Dune could be a major awards threat in lots of categories (especially the technical ones). Whether it is Best Picture material will soon be established.
The Lost Daughter
Maggie Gyllenhaal directs Olivia Colman in the Netflix drama slated for late December. Colman has been nominated in two out of the three years at the big show. She won in 2018 for The Favourite in Best Actress and got a mention in supporting last year for The Father.
Last Night in Soho
Edgar Wright psychological horror experience features Thomasin McKenzie and Anya Taylor-Joy (coming off her heralded role on The Queen’s Gambit). The genre is not one usually geared to Oscar love, but you never know.
The Last Duel
Ridley Scott has not one, but two competitors seeking awards attention in 2021. The most obvious is House of Gucci. The other is this historical drama with Jodie Comer (another possibility in Actress), Matt Damon, Adam Driver, and Ben Affleck. We will soon know whether Scott has two pics in the mix.
And that’s just some of what I’m watching out for, folks! Get ready as the Oscar picture should become clearer in the coming days and I’ll be here to cover it…
My weekly Oscar predictions as we close out August have a bit of a Christmas Eve feel to them. Better yet, Film Festival Eve as Venice kicks off next week where cinematic presents will be laid out for consideration. The first 2021 Oscar predictions of September will come with reviews out for major contenders, most notably Jane Campion’s The Power of the Dog which currently stands at #1 in Picture and Director.
That’s not all. When I post next Thursday, there should be buzz for Pedro Almodovar’s Parallel Mothers and Paul Schrader’s The Card Counter. Maggie Gyllenhaal’s The Lost Daughter, Edgar Wright’s Last Night in Soho, Paolo Sorrentino’s The Hand of God, Ridley Scott’s The Last Duel, and Denis Villeneuve’s Dune will follow shortly after that.
Same goes for Pablo Larrain’s Spencer. That could make Best Actress a little clearer due to Kristen Stewart’s work as Princess Diana. Miss Stewart makes her first appearance in my five hopefuls in that race. This is partly due to taking Kirsten Dunst from lead to supporting. It remains to be seen where Dunst ends up. That move and her inclusion in Supporting Actress knocks out Toni Collette in Nightmare Alley.
There are other changes:
In Best Picture, I continue to tinker with the 10 spot. This week, I have vaulted Paolo Sorrentino’s The Hand of God up 12 spots to get in the mix. Falling out is Stephen Karam’s The Humans. The switch-up also puts God in Original Screenplay over A Hero.
We have changes at #1 in both Actor and Supporting Actor. Benedict Cumberbatch in The Power of the Dog tops lead and that slides Denzel Washington (The Tragedy of Macbeth) to 2nd. Bradley Cooper returns to first position in supporting for Soggy Bottom over Dog’s Jesse Plemons.
You can peruse all the activity below as Venice looms!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1)
2. House of Gucci (PR: 2)
3. The Tragedy of Macbeth (PR: 3)
4. Nightmare Alley (PR: 4)
5. Soggy Bottom (PR: 5)
6. Don’t Look Up (PR: 7)
7. Dune (PR: 6)
8. West Side Story (PR: 9)
9. CODA (PR: 8)
10. The Hand of God (PR: 22)
Other Possibilities:
11. The Humans (PR: 10)
12. The French Dispatch (PR: 13)
13. Mass (PR: 11)
14. Belfast (PR: 14)
15. A Hero (PR: 12)
16. Flee (PR: 15)
17. Spencer (PR: 17)
18. Last Night in Soho (PR: 19)
19. Tick, Tick… Boom! (PR: 16)
20. The Last Duel (PR: 25)
21. King Richard (PR: 18)
22. Parallel Mothers (PR: 21)
23. Passing (PR: 20)
24. Being the Ricardos (PR: 23)
25. C’Mon C’Mon (PR: Not Ranked)
Dropped Out:
Cyrano
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1)
2. Guillermo del Toro, Nightmare Alley (PR: 2)
3. Joel Coen, The Tragedy of Macbeth (PR: 3)
4. Ridley Scott, House of Gucci (PR: 4)
5. Denis Villeneuve, Dune (PR: 5)
Other Possibilities:
6. Paul Thomas Anderson, Soggy Bottom (PR: 6)
7. Adam McKay, Don’t Look Up (PR: 7)
8. Paolo Sorrentino, The Hand of God (PR: Not Ranked)
9. Steven Spielberg, West Side Story (PR: 9)
10. Asghar Farhadi, A Hero (PR: 8)
11. Wes Anderson, The French Dispatch (PR: 13)
12. Kenneth Branagh, Belfast (PR: 11)
13. Sian Heder, CODA (PR: 12)
14. Jonas Poher Rasmussen, Flee (PR: 10)
15. Pablo Larrain, Spencer (PR: Not Ranked)
Dropped Out:
Stephen Karam, The Humans
Fran Kranz, Mass
Best Actress
Predicted Nominees:
1. Lady Gaga, House of Gucci (PR: 1)
2. Frances McDormand, The Tragedy of Macbeth (PR: 2)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3)
4. Kristen Stewart, Spencer (PR: 6)
5. Jennifer Hudson, Respect (PR: 5)
Other Possibilities:
6. Penelope Cruz, Parallel Mothers (PR: 7)
7. Jodie Comer, The Last Duel (PR: 12)
8. Nicole Kidman, Being the Ricardos (PR: 9)
9. Cate Blanchett, Nightmare Alley (PR: 11)
10. Emilia Jones, CODA (PR: 8)
11. Renate Reinsve, The Worst Person in the World (PR: 10)
12. Jennifer Lawrence, Don’t Look Up (PR: 13)
13. Rachel Zegler, West Side Story (PR: 14)
14. Olivia Colman, The Lost Daughter (PR: 15)
15. Halle Berry, Bruised (PR: Not Ranked)
Dropped Out:
Kirsten Dunst, The Power of the Dog (moved to Supporting Actress)
Best Actor
Predicted Nominees:
1. Benedict Cumberbatch, The Power of the Dog (PR: 2)
2. Denzel Washington, The Tragedy of Macbeth (PR: 1)
3. Will Smith, King Richard (PR: 3)
4. Adam Driver, House of Gucci (PR: 4)
5. Leonardo DiCaprio, Don’t Look Up (PR: 5)
Other Possibilities:
6. Joaquin Phoenix, C’Mon C’Mon (PR: 11)
7. Bradley Cooper, Nightmare Alley (PR: 6)
8. Andrew Garfield, Tick, Tick… Boom! (PR: 7)
9. Clifton Collins, Jr., Jockey (PR: 10)
10. Amir Jadidi, A Hero (PR: 8)
11. Nicolas Cage, Pig (PR: 12)
12. Steven Yeun, The Humans (PR: 9)
13. Adam Driver, Annette (PR: 14)
14. Peter Dinklage, Cyrano (PR: 13)
15. Javier Bardem, Being the Ricardos (PR: Not Ranked)
Dropped Out:
Cooper Hoffman, Soggy Bottom
Best Supporting Actress
Predicted Nominees:
1. Ann Dowd, Mass (PR: 1)
2. Kirsten Dunst, The Power of the Dog (PR: Not Ranked – moved from lead Actress)
3. Marlee Matlin, CODA (PR: 4)
4. Ariana DeBose, West Side Story (PR: 3)
5. Jayne Houdyshell, The Humans (PR: 2)
Other Possibilities:
6. Toni Collette, Nightmare Alley (PR: 5)
7. Rooney Mara, Nightmare Alley (PR: 6)
8. Martha Plimpton, Mass (PR: 9)
9. Meryl Streep, Don’t Look Up (PR: 7)
10. Ruth Negga, Passing (PR: 8)
11. Judi Dench, Belfast (PR: 12)
12. Olga Merediz, In the Heights (PR: 11)
13. Nina Arianda, Being the Ricardos (PR: 14)
14. Rebecca Ferguson, Dune (PR: Not Ranked)
15. Aunjanue Ellis, King Richard (PR: 13)
Dropped Out:
Thomasin McKenzie, The Power of the Dog
Salma Hayek, House of Gucci
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Soggy Bottom (PR: 3)
2. Jesse Plemons, The Power of the Dog (PR: 1)
3. Richard Jenkins, The Humans (PR: 2)
4. Jared Leto, House of Gucci (PR: 4)
5. Corey Hawkins, The Tragedy of Macbeth (PR: 5)
Other Possibilities:
6. Jason Isaacs, Mass (PR: 7)
7. Mark Rylance, Don’t Look Up (PR: 6)
8. Willem Dafoe, Nightmare Alley (PR: 8)
9. Jonah Hill, Don’t Look Up (PR: Not Ranked)
10. Troy Kotsur, CODA (PR: 9)
11. Simon Helberg, Annette (PR: 13)
12. Idris Elba, The Harder They Fall (PR: 10)
13. Reed Birney, Mass (PR: 12)
14. J.K. Simmons, Being the Ricardos (PR: Not Ranked)
We are a mere two weeks away from the Venice Film Festival and that will be followed up in short order by Telluride and Toronto. It is then that a number of titles mentioned below will receive their first critical reactions. That will translate into whether their Oscar buzz is real or fleeting.
As for this week, there are some changes in the rankings and projections as follows:
We have ourselves a new #1 in Best Picture and Director and that is Jane Campion’s The Power of the Dog, supplanting Ridley Scott’s House of Gucci. The film is a mainstay on the upcoming festival circuit and it could well be Netflix’s prime contender.
The 10 spot in Best Picture has a change. I’ve soured a bit on Asghar Farhadi’s A Hero. While I strongly feel it will contend in Best International Feature Film, I’m changing it out for Stephen Karam’s The Humans – the cinematic version of his acclaimed play. It jumps 11 spots to get into the BP derby. The Humans also is now forecasted for Adapted Screenplay to the detriment of CODA.
Amir Jadidi’s performance in A Hero is removed from the top five in Best Actor with Leonardo DiCaprio (Don’t Look Up) taking the slot.
After viewing CODA, I believe Troy Kotsur (playing Marlee Matlin’s randy husband) could find a way into Supporting Actor. I don’t have him in the five, but Kotsur makes his first appearance in the race at #9.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 2)
2. House of Gucci (PR: 1)
3. The Tragedy of Macbeth (PR: 3)
4. Nightmare Alley (PR: 4)
5. Soggy Bottom (PR: 5)
6. Dune (PR: 6)
7. Don’t Look Up (PR: 7)
8. CODA (PR: 8)
9. West Side Story (PR: 9)
10. The Humans (PR: 21)
Other Possibilities:
11. Mass (PR: 11)
12. A Hero (PR: 10)
13. The French Dispatch (PR: 12)
14. Belfast (PR: 13)
15. Flee (PR: 19)
16. Tick Tick… Boom! (PR: 16)
17. Spencer (PR: 15)
18. King Richard (PR: 14)
19. Last Night in Soho (PR: 22)
20. Passing (PR: 20)
21. Parallel Mothers (PR: 17)
22. The Hand of God (PR: Not Ranked)
23. Being the Ricardos (PR: 24)
24. Cyrano (PR: 18)
25. The Last Duel (PR: Not Ranked)
Dropped Out:
Blue Bayou
In the Heights
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 2)
2. Guillermo del Toro, Nightmare Alley (PR: 3)
3. Joel Coen, The Tragedy of Macbeth (PR: 4)
4. Ridley Scott, House of Gucci (PR: 1)
5. Denis Villeneuve, Dune (PR: 5)
Other Possibilities:
6. Paul Thomas Anderson, Soggy Bottom (PR: 6)
7. Adam McKay, Don’t Look Up (PR: 7)
8. Asghar Farhadi, A Hero (PR: 8)
9. Steven Spielberg, West Side Story (PR: 9)
10. Jonas Poher Rasmussen, Flee (PR: Not Ranked)
11. Kenneth Branagh, Belfast (PR: 10)
12. Sian Heder, CODA (PR: 11)
13. Wes Anderson, The French Dispatch (PR: 12)
14. Stephen Karam, The Humans (PR: Not Ranked)
15. Fran Kranz, Mass (PR: 13)
Dropped Out:
Pedro Almodovar, Parallel Mothers
Pablo Larrain, Spencer
Best Actress
Predicted Nominees:
1. Lady Gaga, House of Gucci (PR: 1)
2. Frances McDormand, The Tragedy of Macbeth (PR: 2)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 5)
4. Kirsten Dunst, The Power of the Dog (PR: 3)
5. Jennifer Hudson, Respect (PR: 4)
Other Possibilities:
6. Kristen Stewart, Spencer (PR: 6)
7. Penelope Cruz, Parallel Mothers (PR: 7)
8. Emilia Jones, CODA (PR: 8)
9. Nicole Kidman, Being the Ricardos (PR: 9)
10. Renate Reinsve, The Worst Person in the World (PR: 12)
11. Cate Blanchett, Nightmare Alley (PR: 10)
12. Jodie Comer, The Last Duel (PR: 11)
13. Jennifer Lawrence, Don’t Look Up (PR: 14)
14. Rachel Zegler, West Side Story (PR: 13)
15. Olivia Colman, The Lost Daughter (PR: Not Ranked)
Dropped Out:
Halle Berry, Bruised
Best Actor
Predicted Nominees:
1. Denzel Washington, The Tragedy of Macbeth (PR: 1)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2)
3. Will Smith, King Richard (PR: 3)
4. Adam Driver, House of Gucci (PR: 4)
5. Leonardo DiCaprio, Don’t Look Up (PR: 8)
Other Possibilities:
6. Bradley Cooper, Nightmare Alley (PR: 7)
7. Andrew Garfield, Tick, Tick… Boom! (PR: 6)
8. Amir Jadidi, A Hero (PR: 5)
9. Steven Yeun, The Humans (PR: 12)
10. Clifton Collins, Jr., Jockey (PR: 11)
11. Joaquin Phoenix, C’Mon C’Mon (PR: 9)
12. Nicolas Cage, Pig (PR: 14)
13. Peter Dinklage, Cyrano (PR: 10)
14. Adam Driver, Annette (PR: 13)
15. Cooper Hoffman, Soggy Bottom (PR: 15)
Best Supporting Actress
Predicted Nominees:
1. Ann Dowd, Mass (PR: 1)
2. Jayne Houdyshell, The Humans (PR: 4)
3. Ariana DeBose, West Side Story (PR: 2)
4. Marlee Matlin, CODA (PR: 3)
5. Toni Collette, Nightmare Alley (PR: 5)
Other Possibilities:
6. Rooney Mara, Nightmare Alley (PR: 12)
7. Meryl Streep, Don’t Look Up (PR: 7)
8. Ruth Negga, Passing (PR: 8)
9. Martha Plimpton, Mass (PR: 6)
10. Thomasin McKenzie, The Power of the Dog (PR: 9)
11. Olga Merediz, In the Heights (PR: 11)
12. Judi Dench, Belfast (PR: 13)
13. Aunjanue Ellis, King Richard (PR: 10)
14. Nina Arianda, Being the Ricardos (PR: 14)
15. Salma Hayek, House of Gucci (PR: Not Ranked)
Dropped Out:
Anya Taylor-Joy, Last Night in Soho
Best Supporting Actor
Predicted Nominees:
1. Jesse Plemons, The Power of the Dog (PR: 1)
2. Richard Jenkins, The Humans (PR: 3)
3. Bradley Cooper, Soggy Bottom (PR: 2)
4. Jared Leto, House of Gucci (PR: 4)
5. Corey Hawkins, The Tragedy of Macbeth (PR: 5)
Other Possibilities:
6. Mark Rylance, Don’t Look Up (PR: 9)
7. Jason Isaacs, Mass (PR: 6)
8. Willem Dafoe, Nightmare Alley (PR: 10)
9. Troy Kotsur, CODA (PR: Not Ranked)
10. Idris Elba, The Harder They Fall (PR: 11)
11. Bradley Whitford, Tick Tick… Boom! (PR: 12)
12. Reed Birney, Mass (PR: 8)
13. Simon Helberg, Annette (PR: 15)
14. David Alvarez, West Side Story (PR: Not Ranked)
Film festival season is approaching with Toronto, Venice, Telluride, and more. The early days of September will assist in answering plenty of questions as to the Oscar viability of several pictures.
As for this mid August timeframe, we mostly wait. However, one contender’s chances are clearer than last week. The Aretha Franklin biopic Respect, as I suspected, will not play in Best Picture. Yet the raves for Jennifer Hudson keep me believing she could make the final five in what looks to be a crowded field. Hudson remains in the four spot. The many performances left to witness will eventually answer whether she remains.
There is some movement in the other categories:
CODA was one of the acclaimed titles at Sundance and it releases on Apple TV tomorrow. Widely regarded as a crowdpleaser, I’m feeling more hopeful that it makes the top ten in BP. To make room, I’ve removed another buzzed about Sundance effort – Mass. I’ll confess that Mass is a head scratcher for me at press time. The four main leads (Jason Isaacs, Ann Dowd, Reed Birney, Martha Plimpton) will apparently all be campaigned for in the supporting fields. Dowd seems the most assured to make it, but they all could. However, both Isaacs and Plimpton are being taken out of my predicted five.
That means Toni Collette for Nightmare Alley is in over Plimpton in Supporting Actress. It felt strange not to have at least one actor from Guillermo del Toro’s upcoming pic in the mix. That could also be Rooney Mara in the same race.
In Supporting Actor, taking out Isaacs puts Corey Hawkins (The Tragedy of Macbeth) in. I’ve also made a switch in the #1 position. Bradley Cooper has had it the first two weeks for Soggy Bottom and now it’s Jesse Plemons in The Power of the Dog.
The lead actor and screenplay derbies reflect the same five as last week.
Check out all the movement below! I’ll be back at it next week…
Best Picture
Predicted Nominees:
1. House of Gucci (Previous Ranking: 1)
2. The Power of the Dog (PR: 2)
3. The Tragedy of Macbeth (PR: 3)
4. Nightmare Alley (PR: 4)
5. Soggy Bottom (PR: 6)
6. Dune (PR: 5)
7. Don’t Look Up (PR: 7)
8. CODA (PR: 11)
9. West Side Story (PR: 9)
10. A Hero (PR: 10)
Other Possibilities:
11. Mass (PR: 8)
12. The French Dispatch (PR: 13)
13. Belfast (PR: 12)
14. King Richard (PR: 16)
15. Spencer (PR: 14)
16. Tick, Tick… Boom! (PR: 17)
17. Parallel Mothers (PR: Not Ranked)
18. Cyrano (PR: 15)
19. Flee (PR: 18)
20. Passing (PR: Not Ranked)
21. The Humans (PR: 19)
22. Last Night in Soho (PR: Not Ranked)
23. Blue Bayou (PR: 20)
24. Being the Ricardos (PR: 23)
25. In the Heights (PR: 24)
Dropped Out:
The Last Duel
The Worst Person in the World
Annette
Best Director
Predicted Nominees:
1. Ridley Scott, House of Gucci (PR: 1)
2. Jane Campion, The Power of the Dog (PR: 2)
3. Guillermo del Toro, Nightmare Alley (PR: 4)
4. Joel Coen, The Tragedy of Macbeth (PR: 5)
5. Denis Villeneuve, Dune (PR: 3)
Other Possibilities:
6. Paul Thomas Anderson, Soggy Bottom (PR: 6)
7. Adam McKay, Don’t Look Up (PR: 8)
8. Asghar Farhadi, A Hero (PR: 7)
9. Steven Spielberg, West Side Story (PR: 9)
10. Kenneth Branagh, Belfast (PR: 12)
11. Sian Heder, CODA (PR: 13)
12. Wes Anderson, The French Dispatch (PR: 11)
13. Fran Kranz, Mass (PR: 10)
14. Pedro Almodovar, Parallel Mothers (PR: Not Ranked)
15. Pablo Larrain, Spencer (PR: 14)
Dropped Out:
Joe Wright, Cyrano
Best Actress
Predicted Nominees:
1. Lady Gaga, House of Gucci (PR: 1)
2. Frances McDormand, The Tragedy of Macbeth (PR: 3)
3. Kirsten Dunst, The Power of the Dog (PR: 2)
4. Jennifer Hudson, Respect (PR: 4)
5. Jessica Chastain, The Eyes of Tammy Faye (PR: 5)
Other Possibilities:
6. Kristen Stewart, Spencer (PR: 6)
7. Penelope Cruz, Parallel Mothers (PR: 9)
8. Emilia Jones, CODA (PR: 7)
9. Nicole Kidman, Being the Ricardos (PR: 10)
10. Cate Blanchett, Nightmare Alley (PR: 8)
11. Jodie Comer, The Last Duel (PR: 12)
12. Renate Reinsve, The Worst Person in the World (PR: 11)
13. Rachel Zegler, West Side Story (PR: 13)
14. Jennifer Lawrence, Don’t Look Up (PR: 15)
15. Halle Berry, Bruised (PR: Not Ranked)
Dropped Out:
Olivia Colman, The Lost Daughter
Best Actor
Predicted Nominees:
1. Denzel Washington, The Tragedy of Macbeth (PR: 1)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2)
3. Will Smith, King Richard (PR: 3)
4. Adam Driver, House of Gucci (PR: 4)
5. Amir Jadidi, A Hero (PR: 5)
Other Possibilities:
6. Andrew Garfield, Tick, Tick… Boom! (PR: 7)
7. Bradley Cooper, Nightmare Alley (PR: 9)
8. Leonardo DiCaprio, Don’t Look Up (PR: 6)
9. Joaquin Phoenix, C’Mon C’Mon (PR: 10)
10. Peter Dinklage, Cyrano (PR: 8)
11. Clifton Collins, Jr., Jockey (PR: 11)
12. Steven Yeun, The Humans (PR: Not Ranked)
13. Adam Driver, Annette (PR: 12)
14. Nicolas Cage, Pig (PR: 13)
15. Cooper Hoffman, Soggy Bottom (PR: 15)
Dropped Out:
Michael B. Jordan, A Journal for Jordan
Best Supporting Actress
Predicted Nominees:
1. Ann Dowd, Mass (PR: 1)
2. Ariana DeBose, West Side Story (PR: 2)
3. Marlee Matlin, CODA (PR: 4)
4. Jayne Houdyshell, The Humans (PR: 3)
5. Toni Collette, Nightmare Alley (PR: 6)
Other Possibilities:
6. Martha Plimpton, Mass (PR: 5)
7. Meryl Streep, Don’t Look Up (PR: 11)
8. Ruth Negga, Passing (PR: 7)
9. Thomasin McKenzie, The Power of the Dog (PR: 10)
10. Aunjanue Ellis, King Richard (PR: 13)
11. Olga Merediz, In the Heights (PR: 9)
12. Rooney Mara, Nightmare Alley (PR: 8)
13. Judi Dench, Belfast (PR: 12)
14. Nina Arianda, Being the Ricardos (PR: Not Ranked)
15. Anya Taylor-Joy, Last Night in Soho (PR: 15)
Dropped Out:
Audra McDonald, Respect
Best Supporting Actor
Predicted Nominees:
1. Jesse Plemons, The Power of the Dog (PR: 2)
2. Bradley Cooper, Soggy Bottom (PR: 1)
3. Richard Jenkins, The Humans (PR: 4)
4. Jared Leto, House of Gucci (PR: 5)
5. Corey Hawkins, The Tragedy of Macbeth (PR: 6)
Other Possibilities:
6. Jason Isaacs, Mass (PR: 3)
7. Richard E. Grant, Everybody’s Talking About Jamie (PR: 7)
8. Reed Birney, Mass (PR: 10)
9. Mark Rylance, Don’t Look Up (PR: 9)
10. Willem Dafoe, Nightmare Alley (PR: Not Ranked)
As we await film festivals that will shed light on many of the pictures mentioned below, today brings us my second weekly outlook on the major Oscar categories.
So what’s happened since last Thursday? That House of Gucci trailer came out and it didn’t do anything to dissuade my feeling that it’s a contender. In fact, while I shouldn’t use trailers to judge, it was enough for me to put Jared Leto in my final five (taking out Idris Elba for The Harder They Fall).
In other developments:
A Hero is in my top 10 for Best Picture over Kenneth Branagh’s Belfast. The film also is in my projections for Original Screenplay to the detriment of Blue Bayou.
CODA (which I was very tempted this week to put in BP) makes the Adapted Screenplay cut over Dune.
The Director, Actress, Actor, and Supporting Actress fields remain the same – with some movement in the rankings.
By this time next week, we should have a good idea of where Jennifer Hudson’s performance in Respect stands since it releases next week. It remains in my five at spot four.
Finally, I didn’t have Matt Damon in Stillwater listed in my top 15 possibilities last week. Based on the film’s subpar box office performance and some comments that landed Damon in hot water, I don’t anticipate him surfacing at any point.
Check out all the activity below!
Best Picture
Predicted Nominees:
1. House of Gucci (Previous Ranking: 1)
2. The Power of the Dog (PR: 2)
3. The Tragedy of Macbeth (PR: 3)
4. Nightmare Alley (PR: 4)
5. Dune (PR: 5)
6. Soggy Bottom (PR: 6)
7. Don’t Look Up (PR: 10)
8. Mass (PR: 7)
9. West Side Story (PR: 8)
10. A Hero (PR: 11)
Other Possibilities:
11. CODA (PR: 12)
12. Belfast (PR: 9)
13. The French Dispatch (PR: 14)
14. Spencer (PR: 15)
15. Cyrano (PR: 17)
16. King Richard (PR: 20)
17. Tick Tick… Boom! (PR: 16)
18. Flee (PR: 13)
19. The Humans (PR: 18)
20. Blue Bayou (PR: 19)
21. The Last Duel (PR: 21)
22. The Worst Person in the World (PR: Not Ranked)
23. Being the Ricardos (PR: Not Ranked)
24. In the Heights (PR: 23)
25. Annette (PR: 25)
Dropped Out:
Dear Evan Hansen
Last Night in Soho
Best Director
Predicted Nominees:
1. Ridley Scott, House of Gucci (PR: 1)
2. Jane Campion, The Power of the Dog (PR: 3)
3. Denis Villeneuve, Dune (PR: 2)
4. Guillermo del Toro, Nightmare Alley (PR: 4)
5. Joel Coen, The Tragedy of Macbeth (PR: 5)
Other Possibilities:
6. Paul Thomas Anderson, Soggy Bottom (PR: 6)
7. Asghar Farhadi, A Hero (PR: 7)
8. Adam McKay, Don’t Look Up (PR: 10)
9. Steven Spielberg, West Side Story (PR: 9)
10. Fran Kranz, Mass (PR: 11)
11. Wes Anderson, The French Dispatch (PR: 14)
12. Kenneth Branagh, Belfast (PR: 8)
13. Sian Heder, CODA (PR: 12)
14. Pablo Larrain, Spencer (PR: 15)
15. Joe Wright, Cyrano (PR: Not Ranked)
Dropped Out:
Jonas Poher Rasmussen, Flee
Best Actress
Predicted Nominees:
1. Lady Gaga, House of Gucci (PR: 1)
2. Kirsten Dunst, The Power of the Dog (PR: 3)
3. Frances McDormand, The Tragedy of Macbeth (PR: 2)
4. Jennifer Hudson, Respect (PR: 4)
5. Jessica Chastain, The Eyes of Tammy Faye (PR: 5)
Other Possibilities:
6. Kristen Stewart, Spencer (PR: 7)
7. Emilia Jones, CODA (PR: 8)
8. Cate Blanchett, Nightmare Alley (PR: 10)
9. Penelope Cruz, Parallel Mothers (PR: 6)
10. Nicole Kidman, Being the Ricardos (PR: 12)
11. Renate Reinsve, The Worst Person in the World (PR: 11)
12. Jodie Comer, The Last Duel (PR: 13)
13. Rachel Zegler, West Side Story (PR: 9)
14. Olivia Colman, The Lost Daughter (PR: 15)
15. Jennifer Lawrence, Don’t Look Up (PR: 14)
Best Actor
Predicted Nominees:
1. Denzel Washington, The Tragedy of Macbeth (PR: 1)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2)
3. Will Smith, King Richard (PR: 3)
4. Adam Driver, House of Gucci (PR: 4)
5. Amir Jadidi, A Hero (PR: 5)
Other Possibilities:
6. Leonardo DiCaprio, Don’t Look Up (PR: 10)
7. Andrew Garfield, Tick Tick… Boom! (PR: 6)
8. Peter Dinklage, Cyrano (PR: 8)
9. Bradley Cooper, Nightmare Alley (PR: 9)
10. Joaquin Phoenix, C’Mon C’Mon (PR: 11)
11. Clifton Collins, Jr., Jockey (PR: 7)
12. Adam Driver, Annette (PR: 13)
13. Nicolas Cage, Pig (PR: 15)
14. Michael B. Jordan, A Journal for Jordan (PR: Not Ranked)
15. Cooper Hoffman, Soggy Bottom (PR: 12)
Dropped Out:
Javier Bardem, Being the Ricardos
Best Supporting Actress
Predicted Nominees:
1. Ann Dowd, Mass (PR: 1)
2. Ariana DeBose, West Side Story (PR: 2)
3. Jayne Houdyshell, The Humans (PR: 4)
4. Marlee Matlin, CODA (PR: 5)
5. Martha Plimpton, Mass (PR: 3)
Other Possibilities:
6. Toni Collette, Nightmare Alley (PR: 10)
7. Ruth Negga, Passing (PR: 6)
8. Rooney Mara, Nightmare Alley (PR: Not Ranked)
9. Olga Merediz, In the Heights (PR: 7)
10. Thomasin McKenzie, The Power of the Dog (PR: 9)
11. Meryl Streep, Don’t Look Up (PR: 13)
12. Judi Dench, Belfast (PR: 11)
13. Aunjanue Ellis, King Richard (PR: Not Ranked)
14. Audra McDonald, Respect (PR: 14)
15. Anya Taylor-Joy, Last Night in Soho (PR: 12)
Dropped Out:
Regina King, The Harder They Fall
Sally Hawkins, Spencer
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Soggy Bottom (PR: 1)
2. Jesse Plemons, The Power of the Dog (PR: 2)
3. Jason Isaacs, Mass (PR: 3)
4. Richard Jenkins, The Humans (PR: 4)
5. Jared Leto, House of Gucci (PR: 8)
Other Possibilities:
6. Corey Hawkins, The Tragedy of Macbeth (PR: 6)
7. Richard E. Grant, Everybody’s Talking About Jamie (PR: 7)
8. Idris Elba, The Harder They Fall (PR: 5)
9. Mark Rylance, Don’t Look Up (PR: Not Ranked)
10. Reed Birney, Mass (PR: 9)
11. Bradley Whitford, Tick Tick… Boom! (PR: Not Ranked)
12. Ben Mendelsohn, Cyrano (PR: 10)
13. Adam Driver, The Last Duel (PR: 12)
14. Simon Helberg, Annette (PR: Not Ranked)
15. Brendan Gleeson, The Tragedy of Macbeth (PR: 14)
Dropped Out:
Jamie Dornan, Belfast
Al Pacino, House of Gucci
David Alvarez, West Side Story
Best Original Screenplay
Predicted Nominees:
1. Soggy Bottom (PR: 2)
2. Mass (PR: 1)
3. Don’t Look Up (PR: 3)
4. The French Dispatch (PR: 4)
5. A Hero (PR: Not Ranked)
Other Possibilities:
6. C’Mon C’Mon (PR: 8)
7. Being the Ricardos (PR: 10)
8. Spencer (PR: 7)
9. The Worst Person in the World (PR: Not Ranked)
10. Last Night in Soho (PR: 9)
11. Blue Bayou (PR: 5)
12. Belfast (PR: 6)
13. Parallel Mothers (PR: Not Ranked)
14. King Richard (PR: Not Ranked – moved from Adapted Screenplay)
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