Christopher Nolan’s eagerly awaited epic The Odyssey looks to dominate the box office charts this weekend. Perched in what has become the bankable filmmaker’s typical mid-July release date, it is the only new picture out wide and you can peruse my detailed prediction post on it here:
The range for The Odyssey is all over the map for the adaptation of Homer’s tale. On the low end we are talking $80 million while the rosiest expectations have it landing around $130 million. My projection gives it nine digits out of the gate for what should be a healthy summer run.
Holdover family friendly flicks should populate spots 2-4. Disney’s Moana did not have a splashy start (more on that below) and we could see a mid 50s decline to just below $20 million. Animated efforts Minions & Monsters and Toy Story 5 should follow.
After a subpar premiere, Evil Dead Burn is likely to round out the top five with a hefty decline typical for horror fare.
Here’s how I have it shaking out:
1. The Odyssey
Predicted Gross: $106.2 million
2. Moana
Predicted Gross: $19.1 million
3. Minions & Monsters
Predicted Gross: $13.7 million
4. Toy Story 5
Predicted Gross: $12.4 million
5. Evil Dead Burn
Predicted Gross: $5.5 million
Box Office Results (July 10-12)
A lot of parents and kids sat out the live-action rendering of Disney’s Moana. With mediocre reviews and quiet buzz, the musical adventure starring Dwayne Johnson brought in $43.1 million. With a reported $250 million price tag, that’s a huge letdown for the Mouse Hunt and well under my $54.3 million prediction.
After a less than anticipated rollout over the Fourth of July frame, Minions & Monsters dropped to second with $21.1 million. That’s in range with my $20 million call as Illumination Entertainment’s latest animated comedy declined 43%. The two-week take is $108 million as it is poised to become the lowest grossing domestic earner of the seven Despicable Me/Minions sagas.
Toy Story 5 was third with $19 million, ahead of my $16.2 million forecast. The fifth feature in the Pixar franchise sits at $404 million after four weeks.
Evil Dead Burn was not a hot commodity in fourth with just $13.7 million compared to my generous $21.9 million take. The third entry in this current iteration of Dead series came in well below the mid 20s debuts of its predecessors.
Young Washington proved to be a Fourth of July play with a considerable 64% plummet in its sophomore weekend. At $6.9 million, it failed to reach my $11 million projection. The two-week total is a laudable $33 million for the Angel Studios production.
Finally, Olivia Wilde’s acclaimed comedy The Invite expanded nationwide and was sixth with $5.7 million (I said $6.4 million). It has made $7.3 million when factoring in the limited engagements that started a couple weeks back.
Disney’s live-action version of Moana should top the charts, but it could face choppy waters in a marketplace with competition for kiddos and their parents. We also have Evil Dead Burn, the latest entry in that 45-year-old horror franchise and the nationwide expansion of Olivia Wilde’s acclaimed comedy The Invite. You can peruse my detailed prediction posts on the newcomers here:
The Mouse House will easily achieve #1 but not bragging rights for Moana. My mid 50s forecast would cook up a disappointing start for Dwayne Johnson’s latest and that would mark the second lowball family flick debut in as many weekends.
I am referring to Minions & Monsters. Its unimpressive rollout (more on that below) was a Fourth of July surprise. If it eases in the mid 40s, the latest animated adventure in the series may have to settle for third.
That’s because Evil Dead Burn seeks a runner-spot slot as it hopes to post a $20M+ opening like its predecessors. I’m projecting it will get there.
Toy Story 5 and Young Washington should round out the top five and I have each declining in the mid 40s range.
As for The Invite, a mid single digits result in its nationwide expansion should mean sixth place.
Here’s how I have it shaking out:
1. Moana
Predicted Gross: $54.3 million
2. Evil Dead Burn
Predicted Gross: $21.9 million
3. Minions & Monsters
Predicted Gross: $20 million
4. Toy Story 5
Predicted Gross: $16.2 million
5. Young Washington
Predicted Gross: $11 million
6. The Invite
Predicted Gross: $6.4 million
Box Office Results (July 3-5)
With Minions & Monsters, Illumination Entertainment experienced the smallest debut of the seven Despicable Me/Minions movies with a far less than anticipated $37 million from Friday to Sunday and $62 million since its Wednesday bow. To put it mildly, I was more optimistic with respective estimates of $66.4 million and $106.5 million. The studio was obviously banking on more fireworks at the multiplex as this received stronger reviews than its predecessors.
Toy Story 5 slid to second after two weeks in 1st with $30.3 million, under my $35.4 million call. The three-week tally builds to $365 million.
Young Washington from Angel Studios took advantage of the holiday with its historical subject and earned $19.3 million in third. That’s on par with my $18.5 million take.
Supergirl crash landed once again in its sophomore weekend with a 77% fall to $8.6 million. I thought it might only crater in the mid 60s and went with $13.2 million. Summer’s biggest bomb has collected a piddly $57 million domestically.
Disclosure Day rounded out the top five with a 30% ease and $5.7 million. I incorrectly had Steven Spielberg’s sci-fi tale on the outside looking in and it crossed the century mark at $105 million after four weeks.
Obsession finally performed like a normal summer pic by decreasing 46% in sixth with $5.2 million (I said $6.8 million). The eight-week tally is $245 million.
Remaking the 2020 Spanish comedy The People Upstairs, Olivia Wilde is drawing acclaim for her third directorial feature The Invite. Currently in limited release, it’s out wide on July 10th. The four-hander stars Seth Rogen, Wilde, Penélope Cruz, and Edward Norton.
After its first screenings at Sundance back in January, a bidding war ensued with A24 winning out. On the Fourth of July weekend, The Invite welcomed crowds at 28 venues across New York, L.A., and other big cities. It even managed to crack the top ten in 10th with $800,000 plus for a noteworthy per screen average.
With 95% on Rotten Tomatoes and an 82 Metacritic, Wilde’s latest is starting to generate awards buzz. Her 2019 behind the camera debut Booksmart did the same while 2022’s Don’t Worry Darling was a critical and commercial letdown.
Like many platform titles, The Invite should play stronger in large markets. I do think this can manage mid single digits on approximately 1600 screens.
The Invite opening weekend prediction: $6.4 million
Happy 250th birthday weekend, America! And what better way to celebrate than with fresh Oscar predictions now that we’ve surpassed the midway point of 2026. That means I’m expanding my forecasts from 8 categories (Picture, Director, the four acting derbies, the two screenplays contests) to all 21 races covering feature-length motion pictures.
This is the first glimpse at how many overall nominations I believe the hopefuls will generate. It arrives approximately two months before the fall festival season (Venice, Toronto, Telluride) kicks into gear. That trio of fests will undoubtedly alter the landscape of contenders and pretenders.
When I do my next predictions, Christopher Nolan’s The Odyssey will be out. We will have a much better ide whether it deserves the perch atop Best Picture and Director and elsewhere. As soon as reviews drop, look for my individual Oscar Predictions post with the next full update likely arriving on July 19th.
I’ve put Inde Navarrette’s work in Obsession back in lead Actress as opposed to Supporting Actress. The studio could place it in either as we await word on their strategy. As of now, I feel her performance could materialize in both races. I’m also placing all performers from The Black Ball in supporting until that is clarified.
I’m keeping my BP listings at 25 and the seven top line races that I’ve previously covered at 15 possibilities. For the other competitions, I am listing 10 possibilities.
Let’s get to it, shall we?
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. The Black Ball (PR: 2) (E)
3. Digger (PR: 4) (+1)
4. Wild Horse Nine (PR: 5) (+1)
5. Project Hail Mary (PR: 3) (-2)
6. Fjord (PR: 6) (E)
7. The Debut (PR: 7) (E)
8. Dune: Part Three (PR: 8) (E)
9. Obsession (PR: 9) (E)
10. Cry to Heaven (PR: 10) (E)
Other Possibilities:
11. All of a Sudden (PR: 14) (+3)
12. Behemoth! (PR: 16) (+4)
13. The Social Reckoning (PR: 12) (-1)
14. A Place in Hell (PR: 11) (-3)
15. Sense and Sensibility (PR: 13) (-2)
16. Fatherland (PR: 15) (-1)
17. The Invite (PR: 17) (E)
18. Artificial (PR: Not Ranked)
19. The Adventures of Cliff Booth (PR: 19) (E)
20. Disclosure Day (PR: 20) (E)
21. Michael (PR: 24) (+3)
22. Josephine (PR: 21) (-1)
23. Being Heumann (PR: Not Ranked)
24. Jack of Spades (PR: 22) (-2)
25. Werwulf (PR: 18) (-7)
Dropped Out:
Saturn Return
Club Kid
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 2) (E)
3. Alejandro G. Iñárritu, Digger (PR: 3) (E)
4. Martin McDonagh, Wild Horse Nine (PR: 4) (E)
5. Cristian Mungiu, Fjord (PR: 5) (E)
Other Possibilities:
6. Phil Lord and Christopher Miller, Project Hail Mary (PR: 6) (E)
7. Curry Barker, Obsession (PR: 7) (E)
8. Denis Villeneuve, Dune: Part Three (PR: 9) (+1)
9. Tom Ford, Cry to Heaven (PR: 8) (-1)
10. Ryusuke Hamaguchi, All of a Sudden (PR: 10) (E)
11. Jesse Eisenberg, The Debut (PR: 12) (+1)
12. Pawel Pawlikowski, Fatherland (PR: 11) (-1)
13. Tony Gilroy, Behemoth! (PR: 15) (+2)
14. Chloe Domont, A Place in Hell (PR: 13) (-1)
15. Georgia Oakley, Sense and Sensibility (PR: 14) (-1)
Best Actress
Predicted Nominees:
1. Michelle Williams, A Place in Hell (PR: 1) (E)
2. Julianne Moore, The Debut (PR: 2) (E)
3. Renate Reinsve, Fjord (PR: 3) (E)
4. Inde Navarrette, Obsession (PR: Not Ranked) – moved from Supporting Actress
5. Sandra Hüller, Rose (PR: 5) (E)
Other Possibilities:
6. Mikey Madison, The Social Reckoning (PR: 4) (-2)
7. Virginie Efira, All of a Sudden (PR: 6) (-1)
8. Emily Blunt, Disclosure Day (PR: 10) (+2)
9. Cynthia Erivo, Prima Facie (PR: 9) (E)
10. Sandra Hüller, Fatherland (PR: 8) (-2)
11. Daisy Edgar-Jones, Sense and Sensibility (PR: 7) (-4)
12. Ruth Madeley, Being Heumann (PR: 11) (-1)
13. Sophie Okonedo, Clarissa (PR: 13) (E)
14. Mason Reeves, Josephine (PR: 12) (-2)
15. Olivia Wilde, The Invite (PR: Not Ranked)
Dropped Out:
Penélope Cruz, Bunker
Zendaya, The Drama
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. John Malkovich, Wild Horse Nine (PR: 3) (E)
4. Sebastian Stan, Fjord (PR: 4) (E)
5. Matt Damon, The Odyssey (PR: 6) (+1)
Other Possibilities:
6. Pedro Pascal, Behemoth! (PR: 7) (+1)
7. John Turturro, The Only Living Pickpocket in New York (PR: 5) (-2)
8. Jaafar Jackson, Michael (PR: 8) (E)
9. Andrew Garfield, Artificial (PR: Not Ranked)
10. Robert Pattinson, Primetime (PR: 10) (E)
11. Nicholas Hoult, Cry to Heaven (PR: 9) (-2)
12. Andrew Scott, Elsinore (PR: Not Ranked)
13. Rami Malek, The Man I Love (PR: 13) (E)
14. Dominic Sessa, Tony (PR: 11) (-3)
15. Javier Bardem, The Beloved (PR: Not Ranked)
Dropped Out:
Guitarricadelafuente, The Black Ball – moved to Supporting Actor
Timothée Chalamet, Dune: Part Three
Hanns Zischler, Fatherland
Best Supporting Actress
Predicted Nominees:
1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Penélope Cruz, The Black Ball (PR: 3) (+1)
3. Sandra Hüller, Digger (PR: 10) (+7)
4. Parker Posey, Wild Horse Nine (PR: 6) (+2)
5. Daisy Edgar-Jones, A Place in Hell (PR: 4) (-1)
Other Possibilities:
6. Penélope Cruz, The Invite (PR: 7) (+1)
7. Anne Hathaway, The Odyssey (PR: 8) (+1)
8. Tao Okamoto, All of a Sudden (PR: 9) (+1)
9. Esmé Creed-Miles, Sense and Sensibility (PR: 5) (-4)
10. Samantha Morton, The Odyssey (PR: Not Ranked)
11. Sandra Hüller, Project Hail Mary (PR: 11) (E)
12. Halle Bailey, The Debut (PR: 12) (E)
13. Lola Dueñas, The Black Ball (PR: 13) (E)
14. Scarlett Johansson, Paper Tiger (PR: Not Ranked)
15. Elizabeth Debicki, The Adventures of Cliff Booth (PR: 14) (-1)
Dropped Out:
Inde Navarrette, Obsession (moved to lead Actress)
Gemma Chan, Josephine
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, The Debut (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Robert Pattinson, The Odyssey (PR: 4) (E)
5. Steve Buscemi, Wild Horse Nine (PR: 5) (E)
Other Possibilities:
6. Riz Ahmed, Digger (PR: 6) (E)
7. Jeremy Strong, The Social Reckoning (PR: 7) (E)
8. Edward Norton, The Invite (PR: 11) (+3)
9. Colman Domingo, Michael (PR: 13) (+4)
10. James Ortiz, Project Hail Mary (PR: 9) (-1)
11. Channing Tatum, Josephine (PR: 12) (+1)
12. Andrew Scott, A Place in Hell (PR: 8) (-4)
13. Mark Ruffalo, Being Heumann (PR: Not Ranked)
14. Guittaricadelafuente, The Black Ball (PR: Not Ranked) – moved from lead Actor
15. Jesse Plemons, Digger (PR: 10) (-5)
Dropped Out:
Milo Quifes, The Black Ball
Miguel Bernardeau, The Black Ball
Best Original Screenplay
Predicted Nominees:
1. Wild Horse Nine (PR: 1) (E)
2. Digger (PR: 2) (E)
3. The Debut (PR: 3) (E)
4. Fjord (PR: 4) (E)
5. Obsession (PR: 6) (+1)
Other Possibilities:
6. Behemoth! (PR: 7) (+1)
7. A Place in Hell (PR: 5) (-2)
8. Artificial (PR: Not Ranked)
9. Club Kid (PR: 8) (-1)
10. The Only Living Pickpocket in New York (PR: 9) (-1)
11. Jack of Spades (PR: 10) (-1)
12. Primetime (PR: 13) (+1)
13. Fatherland (PR: 12) (-1)
14. Josephine (PR: 11) (-3)
15. The Drama (PR: Not Ranked)
Dropped Out:
Saturn Return
Teenage Sex and Death at Camp Miasma
Best Adapted Screenplay
Predicted Nominees:
1. The Black Ball (PR: 1) (E)
2. The Odyssey (PR: 2) (E)
3. Project Hail Mary (PR: 3) (E)
4. All of a Sudden (PR: 4) (E)
5. The Invite (PR: 5) (E)
Other Possibilities:
6. Cry to Heaven (PR: 7) (+1)
7. The Social Reckoning (PR: 6) (-1)
8. Dune: Part Three (PR: 10) (+2)
9. The Adventures of Cliff Booth (PR: 9) (E)
10. Sense and Sensibility (PR: 8) (-2)
11. Being Heumann (PR: 12) (+1)
12. Prima Facie (PR: 11) (-1)
13. Wildwood (PR: 15) (+2)
14. Minotaur (PR: 13) (-1)
15. A Long Winter (PR: 14) (-1)
Best International Feature Film
Predicted Nominees:
1. The Black Ball
2. Fjord
3. All of a Sudden
4. Minotuar
5. Coward
Other Possibilities:
6. Fatherland
7. Possible Love
8. Mimesis
9. Rose
10. The Beloved
Best Animated Feature
Predicted Nominees:
1. Wildwood
2. Toy Story 5
3. Ray Gunn
4. Tangles
5. Hoppers
Other Possibilities:
6. In Waves
7. Forgotten Island
8. Shaun the Sheep: The Beast of Mossy Bottom
9. Iron Boy
10. Minions & Monsters
Best Documentary Feature
Predicted Nominees:
1. Once Upon a Time in Harlem
2. Nuisance Bear
3. To Hold a Mountain
4. The History of Concrete
5. When a Witness Recants
Other Possibilities:
6. American Doctor
7. One in a Million
8. Time and Water
9. Rehearsals for a Revolution
10. Everybody to Kenmure Street
Best Casting
Predicted Nominees:
1. The Odyssey
2. The Black Ball
3. Wild Horse Nine
4. Digger
5. Michael
Other Possibilities:
6. Fjord
7. The Debut
8. Dune: Part Three
9. Cry to Heaven
10. Behemoth!
Best Cinematography
Predicted Nominees:
1. The Odyssey
2. Project Hail Mary
3. Dune: Part Three
4. The Black Ball
5. Digger
Other Possibilities:
6. Cry to Heaven
7. Fatherland
8. Werwulf
9. Disclosure Day
10. Jack of Spades
Best Costume Design
Predicted Nominees:
1. The Odyssey
2. The Black Ball
3. Sense and Sensibility
4. Cry to Heaven
5. Dune: Part Three
Other Possibilities:
6. Werwulf
7. The Devil Wears Prada 2
8. Jack of Spades
9. Wuthering Heights
10. I Love Boosters
Best Film Editing
Predicted Nominees:
1. The Odyssey
2. The Black Ball
3. Digger
4. Project Hail Mary
5. Wild Horse Nine
Other Possibilities:
6. Dune: Part Three
7. Cry to Heaven
8. Fjord
9. Obsession
10. Behemoth!
Best Makeup and Hairstyling
Predicted Nominees:
1. Digger
2. Werwulf
3. The Odyssey
4. Clayface
5. Michael
Other Possibilities:
6. The Black Ball
7. Dune: Part Three
8. Cry to Heaven
9. The Bride!
10. Madden
Best Original Score
Predicted Nominees:
1. The Odyssey
2. The Black Ball
3. Project Hail Mary
4. Disclosure Day
5. Cry to Heaven
Other Possibilities:
6. Dune: Part Three
7. Digger
8. Wild Horse Nine
9. Wildwood
10. The Social Reckoning
Best Original Song
Predicted Nominees:
1. “I Knew It, I Knew You” from Toy Story 5
2. TBD from The Black Ball
3. TBD from The Debut
4. “La Playa” from The Black Ball
5. “How to Write a Song (Without You)” from Power Ballad
Other Possibilities:
6. “Runway” from The Devil Wears Prada 2
7. “Chains of Love” from Wuthering Heights
8. TBD from Hexed
9. “Save the Day” from Hoppers
10. TBD from The Rivals of Amziah King
Best Production Design
Predicted Nominees:
1. The Odyssey
2. Project Hail Mary
3. Dune: Part Three
4. The Black Ball
5. Cry to Heaven
Other Possibilities:
6. Digger
7. Werwulf
8. Jack of Spades
9. The Adventures of Cliff Booth
10. Backrooms
Best Sound
Predicted Nominees:
1. Dune: Part Three
2. The Odyssey
3. Project Hail Mary
4. The Black Ball
5. Michael
Other Possibilities:
6. Disclosure Day
7. Cry to Heaven
8. Digger
9. Werwulf
10. Obsession
Best Visual Effects
Predicted Nominees:
1. Dune: Part Three
2. Project Hail Mary
3. The Odyssey
4. Godzilla Minus Zero
5. Whalefall
Other Possibilities:
6. Avengers: Doomsday
7. Disclosure Day
8. Wildwood
9. The End of Oak Street
10. The Sheep Detectives
And that works out to my inaugural tally showing these movies generating these numbers of nominations:
14 Nominations
The Black Ball, The Odyssey
10 Nominations
Digger, White Horse Nine
9 Nominations
Project Hail Mary
6 Nominations
Dune: Part Three, Fjord
5 Nominations
The Debut
4 Nominations
Cry to Heaven
3 Nominations
Michael, Obsession
2 Nominations
All of a Sudden, A Place in Hell, Toy Story 5
1 Nomination
Clayface, Coward, Disclosure Day, Godzilla Minus Zero, The History of Concrete, Hoppers, The Invite, Minotaur, Nuisance Bear, Once Upon a Time in Harlem, Power Ballad, Ray Gunn, Rose, Sense and Sensibility, Tangles, To Hold a Mountain, Werwulf, Whalefall, When a Witness Recants. Wildwood
As we move closer to knowing whether Christopher Nolan’s The Odyssey deserves its placeholder #1 rankings in Best Picture and Director, we have seen some new trailers for consideration in the two weeks since my last update. I have said that you can’t judge a movie by its trailer, but we can look for clues about who the studio will focus on.
Jesse Eisenberg’s follow-up to A Real Pain (which won Kieran Culkin a Supporting Actor Oscar) is not titled No One Cares (which was rumored to be a working name). The first preview reveals it is called The Debut with hints that it’s a somewhat of two-hander between Julianne Moore and Paul Giamatti. That said, I still have Halle Bailey listed as a possibility in Supporting Actress.
We got our first glimpse of Georgia Oakley’s Sense and Sensibility with Daisy Edgar-Jones and Esmé Creed-Miles vying for noms. And we witnessed a Digger promotional ad that certainly indicated the studio will be all in on Tom Cruise.
Also in the past two weeks, Steven Spielberg’s Disclosure Day has proven to be a box office disappointment. In my estimation, its chances in BP and Emily Blunt in Best Actress have gone down.
Toy Story 5 also opened and while reviews were fine, many critics deemed it the weakest of the quintet. Unlike Toy Story 3 and like Toy Story 4, it should reserve a slot in Best Animated Feature but not Best Picture.
Finally, The Invite from Olivia Wilde opened in limited fashion before a nationwide rollout in July. Word-of-mouth is strong and I’m beginning to think it could at least manage an Adapted Screenplay nod… if not more.
You can read all the movement below including a new #1 in Best Actress and some serious shifts in Supporting Actress!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. The Black Ball (PR: 3) (+1)
3. Project Hail Mary (PR: 2) (-1)
4. Digger (PR: 4) (E)
5. Wild Horse Nine (PR: 5) (E)
6. Fjord (PR: 6) (E)
7. The Debut (PR: 7) (E)
8. Dune: Part Three (PR: 8) (E)
9. Obsession (PR: 10) (+1)
10. Cry to Heaven (PR: 9) (-1)
Other Possibilities:
11. A Place in Hell (PR: !3) (+2)
12. The Social Reckoning (PR: 11) (-1)
13. Sense and Sensibility (PR: 15) (+2)
14. All of a Sudden (PR: 12) (-2)
15. Fatherland (PR: 16) (+1)
16. Behemoth! (PR: 17) (+1)
17. The Invite (PR: Not Ranked)
18. Werwulf (PR: 18) (E)
19. The Adventures of Cliff Booth (PR: 20) (+1)
20. Disclosure Day (PR: 14) (-6)
21. Josephine (PR: 21) (E)
22. Jack of Spades (PR: 19) (-3)
23. Saturn Return (PR: 22) (-1)
24. Michael (PR: 23) (-1)
25. Club Kid (PR: 25) (E)
Dropped Out:
Being Heumann
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 2) (E)
3. Alejandro G. Iñárritu, Digger (PR: 3) (E)
4. Martin McDonagh, Wild Horse Nine (PR: 4) (E)
5. Cristian Mungiu, Fjord (PR: 6) (+1)
Other Possibilities:
6. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (-1)
7. Curry Barker, Obsession (PR: 9) (+2)
8. Tom Ford, Cry to Heaven (PR: 7) (-1)
9. Denis Villeneuve, Dune: Part Three (PR: 8) (-1)
10. Ryusuke Hamaguchi, All of a Sudden (PR: 12) (+2)
11. Pawel Pawlikowski, Fatherland (PR: 10) (-1)
12. Jesse Eisenberg, The Debut (PR: 11) (-1)
13. Chloe Domont, A Place in Hell (PR: 13) (E)
14. Georgia Oakley, Sense and Sensibility (PR: 14) (E)
15. Tony Gilroy, Behemoth! (PR: Not Ranked)
Dropped Out:
Robert Eggers, Werwulf
Best Actress
Predicted Nominees:
1. Michelle Williams, A Place in Hell (PR: 3) (+2)
2. Julianne Moore, The Debut (PR: 2) (E)
3. Renate Reinsve, Fjord (PR: 1) (-2)
4. Mikey Madison, The Social Reckoning (PR: 5) (+1)
5. Sandra Hüller, Rose (PR: 9) (+4)
Other Possibilities:
6. Virginie Efira, All of a Sudden (PR: 4) (-2)
7. Daisy Edgar-Jones, Sense and Sensibility (PR 8) (+1)
8. Sandra Hüller, Fatherland (PR: 6) (-2)
9. Cynthia Erivo, Prima Facie (PR: 10) (+1)
10. Emily Blunt, Disclosure Day (PR: 7) (-3)
11. Ruth Madeley, Being Heumann (PR: 11) (E)
12. Mason Reeves, Josephine (PR: 12) (E)
13. Sophie Okonedo, Clarissa (PR: 13) (E)
14. Penélope Cruz, Bunker (PR: 14) (E)
15. Zendaya, The Drama (PR: Not Ranked)
Dropped Out:
Léa Seydoux, Gentle Monster
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. John Malkovich, Wild Horse Nine (PR: 4) (+1)
4. Sebastian Stan, Fjord (PR: 3) (-1)
5. John Turturro, The Only Living Pickpocket in New York (PR: 6) (+1)
Other Possibilities:
6. Matt Damon, The Odyssey (PR: 5) (-1)
7. Pedro Pascal, Behemoth! (PR: 7) (E)
8. Jaafar Jackson, Michael (PR: 9) (+1)
9. Nicholas Hoult, Cry to Heaven (PR: 8) (-1)
10. Robert Pattinson, Primetime (PR: 11) (+1)
11. Dominic Sessa, Tony (PR: 10) (-1)
12. Guitarricadelfuente, The Black Ball (PR: Not Ranked)
13. Rami Malek, The Man I Love (PR: 14) (+1)
14. Timothée Chalamet, Dune: Part Three (PR: 12) (-2)
15. Hanns Zischler, Fatherland (PR: 13) (-2)
Dropped Out:
Jordan Firstman, Club Kid
Best Supporting Actress
Predicted Nominees:
1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Inde Navarrette, Obsession (PR: 2) (E)
3. Penélope Cruz, The Black Ball (PR: 4) (+1)
4. Daisy Edgar-Jones, A Place in Hell (PR: 9) (+5)
5. Esmé Creed-Miles, Sense and Sensibility (PR: 10) (+5)
Other Possibilities:
6. Parker Posey, Wild Horse Nine (PR: 7) (+1)
7. Penélope Cruz, The Invite (PR: 11) (+4)
8. Anne Hathaway, The Odyssey (PR: 6) (-2)
9. Tao Okamato, All of a Sudden (PR: 5) (-4)
10. Sandra Hüller, Digger (PR: 3) (-7)
11. Sandra Hüller, Project Hail Mary (PR: 8) (-3)
12. Halle Bailey, The Debut (PR: 12) (E)
13. Lola Dueñas, The Black Ball (PR: Not Ranked)
14. Elizbeth Debicki, The Adventures of Cliff Booth (PR: 14) (E)
15. Gemma Chan, Josephine (PR: Not Ranked)
Dropped Out:
Scarlett Johansson, Paper Tiger
Lesley Manville, Jack of Spades
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, The Debut (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Robert Pattinson, The Odyssey (PR: 4) (E)
5. Steve Buscemi, Wild Horse Nine (PR: 5) (E)
Other Possibilities:
6. Riz Ahmed, Digger (PR: 10) (+4)
7. Jeremy Strong, The Social Reckoning (PR: 6) (-1)
8. Andrew Scott, A Place in Hell (PR: 9) (+1)
9. James Ortiz, Project Hail Mary (PR: 12) (+3)
10. Jesse Plemons, Digger (PR: 7) (-3)
11. Edward Norton, The Invite (PR: Not Ranked)
12. Channing Tatum, Josephine (PR: 11) (-1)
13. Colman Domingo, Michael (PR: 8) (-5)
14. Milo Quifes, The Black Ball (PR: Not Ranked)
15. Miguel Bernardeau, The Black Ball (PR: Not Ranked)
Dropped Out:
Tom Holland, The Odyssey
Aaron Taylor-Johnson, Cry to Heaven
Owen Cooper, Cry to Heaven
Best Original Screenplay
Predicted Nominees:
1. Wild Horse Nine (PR: 1) (E)
2. Digger (PR: 2) (E)
3. The Debut (PR: 4) (+1)
4. Fjord (PR: 3) (-1)
5. A Place in Hell (PR: 5) (E)
Other Possibilities:
6. Obsession (PR: 6) (E)
7. Behemoth! (PR: 8) (E)
8. Club Kid (PR: 9) (E)
9. The Only Living Pickpocket in New York City (PR: Not Ranked)
10. Jack of Spades (PR: 10) (E)
11. Josephine (PR: 12) (+1)
12. Fatherland (PR: 9) (-3)
13. Primetime (PR: 11) (-2)
14. Saturn Return (PR: 15) (+1)
15. Teenage Sex and Death at Camp Miasma (PR: Not Ranked)
A remake of the 2020 Spanish comedy The People Upstairs, Olivia Wilde’s third directorial feature The Invite has screened at the Sundance Film Festival. The four-hander’s cast consists of Wilde, Seth Rogen, Edward Norton, and Penélope Cruz.
Early word-of-mouth suggests a distributor should snatch this up quickly. The Rotten Tomatoes rating is 93% with Metacritic at 74. Wilde has a double dose of raunchy material playing in Park City with I Want Your Sex also debuting. The Invite is nabbing slightly stronger reviews. The reaction is closer to Wilde’s behind the camera debut Booksmart rather than her sophomore effort Don’t Worry Darling. It may not translate to Oscar attention. However, with the right campaign and studio/streamer behind it, the Globes could take notice courtesy of their Musical or Comedy competitions. My Oscar Prediction posts will continue…
Gregg Araki’s I Want Your Sex does not chronicle the making of George Michael’s nearly 40-year-old pop hit. Premiering at Sundance, the explicit comedy stars Olivia Wilde and Cooper Hoffman as an unconventional couple with Mason Gooding, Chase Sui Wonders, Daveed Diggs, and Charlie XCX in the supporting cast.
Early word-of-mouth suggests the romp (seeking distribution) has some positive attributes but may appeal only to a niche crowd. Rotten Tomatoes stands at 85% with Metacritic at 63. It’s safe to assume this won’t be in awards contention. Olivia Wilde’s directorial effort (The Invite) which is also screening in Park City might be another story and you can expect that write-up on the blog in short order. My Oscar Prediction posts will continue…
The silent days and boisterous evenings of Hollywood in the 1920s and 30s are meticulously depicted in Babylon. From the gourd of Damien Chazelle, this is his version of Boogie Nights in many respects. It focuses on one version of Tinseltown technology fading out in favor of another. In Paul Thomas Anderson’s masterpiece from a quarter century ago, it was X rated material shot on film being transitioned to video. Here it’s the silent era making way for talkies. The adult entertainment is on ample display at the swank and sweaty bashes that feature cocaine and elephants as party favors.
We meet the main principals at an L.A. happening in 1926. Manny Torres (Diego Calva) is an immigrant doing menial work for Kinoscope Studios. At the company’s debauched soirée, aspiring star Nellie LaRoy (Margot Robbie) literally crashes into his consciousness and a years long infatuation is born. Jack Conrad (Brad Pitt) is the already established screen hero whose shooting schedules seem to last longer than his marriages. Jazz trumpeter Sidney Palmer (Jovan Adepo) provides the soundtrack to the sin while cabaret songstress Lady Fay Zhu (Li Jun Li) supplies sultry vocals. Columnist Elinor St. John (Jean Smart) is around to gossip about it.
The night serves as the intro point for Manny and Nellie to mount separate meteoric rises in a shifting industry. She becomes a silent film sensation just as sound (courtesy of The Jazz Singer) is around the corner. Manny’s connection with Conrad opens doors to big jobs as the movie headliner’s career begins a downward slide. Palmer, meanwhile, becomes a popular if exploited attraction in a series of musicals.
For three hours plus, Babylon celebrates and denigrates the excesses of the era. Nellie’s substance fueled rocket ride and downfall is given bulky screen time while others get the short shrift (Jun Li’s Zhu being one example). There is impressive production design to spare where odious actions occur within the walls. Tobey Maguire’s cameo as a whacked out criminal at an underground function displays scenarios that might make Robbie’s and her costars from The Wolf of Wall Street blush.
Chazelle’s message is pretty straightforward when there isn’t vomit and defecate being spewed. As ugly as Hollywood is, the end result can be beautiful. This is evident in a couple of terrific sequences that show the joy and pain of moviemaking. In one we witness Conrad’s war-torn romance catch the light at the perfect time. In another we suffer along with Nellie as she acclimates herself to the noise being introduced to celluloid.
I wish the gifted provider of Whiplash and La La Land could’ve reigned himself in. The aforementioned segments show how special this would have been with a tighter focus. Unfortunately it’s not only septa being deviated from. While Robbie and Pitt both have shining moments, Chazelle’s screenplay never makes Manny a compelling central figure. Calva doesn’t have much to work with considering his blank slate of a character. There are many known faces that pop up in the crowded script including Olivia Wilde and Katherine Waterston as fleeting wives to Conrad. Lukas Haas is the sad sack friend to the frequent divorcee whose character is similar to William H. Macy’s in Boogie Nights. That picture and Babylon take place in different eras of Hollywood shifts. One is brilliant. The other is occasionally inspired and often maddening.
Blogger’s Update (12/20): I am revising my Babylon prediction down to $8.7 million
The La La Land man turns his attention to the debauchery of Hollywood’s early days in Babylon. Damien Chazelle directs the epic dramedy that rivals Avatar: The Way of Water (188 minutes) in terms of length. Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, Lukas Haas, Max Minghella, Samara Weaving, Olivia Wilde, and Tobey Maguire are among the sprawling cast.
While the review embargo hasn’t officially lifted, social media reactions are all over the map. There’s praise and contempt for the hard R rated extravaganza. This week it received five Golden Globes nods (including Best Picture – Musical/Comedy) and nine mentions from the Critics Choice Awards (including Best Picture). Oscar attention is anticipated.
There’s comparisons in terms of tone (and rampant drug use) to The Wolf of Wall Street from 2013. It also was presented during the Christmas season to a traditional three-day haul of just over $18 million. That’s probably the ceiling of where Babylon would manage.
I’ll project lower double digits is where this starts as it hopes the buzz keeps it going into the new year.
Babylon opening weekend prediction: $8.7 million (REVISED)
For my Puss in Boots: The Last Wish prediction, click here:
The halcyon neighborhood in Olivia Wilde’s Don’t Worry Darling looks like something a production designer would mount for a 1950s suburban setting (think Pleasantville or Edward Scissorhands). In the director’s sophomore feature after the winning Booksmart, that begins to make more sense as time passes. The male characters are all about appearance and maintaining a certain Mad Men vibe. Their wives are expected to maintain the home (though there are more frequent opportunities for cocktails given the pined for time period). You don’t need to be a cinephile to suspect this idealized community could be a facade and that dark secrets lurk. You might be reminded of several films with similar themes that were more successful. Meanwhile… that production design and other tech aspects? They’re exquisite. So is the lead performance. They’re also contained in a story that’s often baffling in its narrative design.
Alice Chambers (Florence Pugh) is a resident of Victory, California where everyone seems to have a winning attitude. Her husband Jack (Harry Styles), along with the rest of the townsmen, work at Headquarters where their uniform job description is developing “progressive materials”. Alice and the rest of the spouses have no clue what that means and seem more concerned with the sheets being properly folded and the roast being cooked at the proper temperature. The unofficial ruler of Victory is Frank (Chris Pine). In addition to being the boss at Headquarters (where the ladies are strictly forbidden from visiting), he has daily indoctrination monologues disguised as a radio show. The call letters could be CULT.
The tranquil facade is threatened when Alice’s friend Margaret (KiKi Layne) begins making accusations about the hierarchy. Shortly thereafter, Alice’s experiences have her questioning this reality. That doesn’t sit well with Frank or Jack, who’s climbing up the corporate ladder. She also finds little support from next door neighbor and bestie Bunny (Wilde), who seems perfectly content with the setup. Same with Frank’s doting wife Shelley (Gemme Chan).
Don’t Worry Darling, with a screenplay from Booksmart scribe Katie Silberman, finds influences from many sources. Notable ones include The Matrix, The Truman Show, and obviously The Stepford Wives. For a while (easily the first half), it’s a decently intriguing and gorgeously rendered paranoia thriller. Yet I couldn’t shake where I thought it was headed and once it got there, it felt as empty as Alice’s daytime activities. This is no fault of the actress playing her. Pugh is a firecracker and that’s not matched by her costars. The charisma of Styles, so evident in his role as Biggest Male Pop Star on the Planet, isn’t evident here.
Silberman’s script leaves plenty of questions burning in the Victory sun. When the credits rolled, I was only mildly interested in the light being shed on them. The style is present with Darling. The substance slows down the progression of this material.
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