Hollywood hopes that Disney’s live-action remake of Snow White can wake up a sleepy box office this weekend while The Alto Knights with a double dose of Robert De Niro also debuts. You can peruse my detailed prediction posts on the newcomers here:
With Rachel Zegler in the title role and Gal Gadot as the Evil Queen, there’s no doubt Snow White will dwarf all competitors. The question is by how much. A best case scenario might be around $60 million though it could bottom out in the mid to high 30s. I’m giving it high 40s. While that’s nothing to sneeze at, it’s not that happy a result for the Mouse House considering most of their other live-action retellings far outpaced that figure.
Mr. De Niro portrays two real-life gangsters in the period piece Knights. Warner Bros hasn’t given it much of a marketing push. My lower to mid single digits forecast could put it anywhere from second to sixth.
Holdovers Novocaine (the current champ), Black Bag, Captain America: Brave New World, and Mickey 17 should all generate similar earnings. In fact, I have #2 and #6 separated by only half a million bucks. That’s with Novocaine dwindling just over 50% and Black Bag falling in the high 40s in its sophomore frame. Captain America is likely to experience the smallest decline.
Here’s how I have the top 6 playing out:
1. Snow White
Predicted Gross: $49.6 million
2. Novocaine
Predicted Gross: $4.1 million
3. Captain America: Brave New World
Predicted Gross: $4.1 million
4. Black Bag
Predicted Gross: $4 million
5. The Alto Knights
Predicted Gross: $3.7 million
6. Mickey 17
Predicted Gross: $3.6 million
Box Office Results (March 14-16)
It was a painful weekend in multiplexes as no feature topped $10 million. Novocaine with Jack Quaid had muted bragging rights in 1st with $8.8 million. Failing to match my $9.8 million prediction, look for this to fade quickly with a meh B Cinemascore.
Also sporting a B Cinemascore was Steven Soderbergh’s Black Bag with Cate Blanchett and Michael Fassbender. The spy thriller was second with $7.6 million, just over my $7.3 million projection.
Bong Joon-ho’s Mickey 17 suffered a considerable 61% drop and was third with $7.4 million. I was a tad more generous to the Robert Pattinson sci-fi satire at $8.1 million. The two-week tally is an unimpressive $33 million.
Captain America: Brave New World was fourth at $5.6 million (I said $5.7 million) for a five-week total of $185 million and $200 million domestic looking achievable.
The Day the Earth Blew Up: A Looney Tunes Movie rounded out the top five with a mere $3.1 million compared to my $3.8 million estimate for the animated offering.
Jack Quaid is unconventional hero Novocaine, Cate Blanchett and Michael Fassbender carry the romantic thriller Black Bag from Steven Soderbergh, and Daffy Duck and Porky Pig headline The Day the Earth Blew Up: A Looney Tunes Movie this weekend. You can peruse my detailed prediction posts on the new trio here:
It could be a battle for the #1 spot. I’m projecting no feature will top $10 million though I believe Novocaine has the best shot and that it manages first place with only mild bragging rights.
I foresee Mickey 17 suffering a significant drop in its sophomore frame after a so-so start (more on that below). A mid to high 50s plummet would put it in second or maybe even third.
Black Bag, generating impressive reviews, could outdo my third place number but the adult drama should face trouble bringing in a younger crowd.
Speaking of younger crowds, Looney Tunes hopes to cash in on its well-known animated stars. Yet this seems to be severely under marketed and I have it in fifth behind Captain America: Brave New World.
Here’s how I have the high five shaking out:
1. Novocaine
Predicted Gross: $9.8 million
2. Mickey 17
Predicted Gross: $8.1 million
3. Black Bag
Predicted Gross: $7.3 million
4. Captain America: Brave New World
Predicted Gross: $5.7 million
5. The Day the Earth Blew Up: A Looney Tunes Movie
Predicted Gross: $3.8 million
Box Office Results (March 7-9)
Bong Joon-ho’s Mickey 17 ended Captain America‘s three-week #1 reign with $19 million. Given the reported price tag of around $120 million, that’s not a result to brag about. However, the sci-fi satire with Robert Pattinson did surpass my $17.9 million prediction.
Captain America: Brave New World fell to second with $8.3 million. I was on target at $8.4 million. The MCU adventure now stands at $176 million.
Last Breath was third with $4 million, a bit lower than my $4.6 million forecast for the survival flick. The two-week take is $14 million.
The Monkey was fourth with $3.9 million (I said $3.4 million) for $31 million after three weeks.
Paddington in Peru rounded out the top five at $3.7 million and I incorrectly had it outside the leading quintet. The sequel’s four-week gross is $36 million.
Finally, Rule Breakers from Angel Studios stumbled in ninth with a paltry $1.5 million. I was far more generous at $3.7 million.
Mickey 17, Bong Joon-ho’s follow=up to his Oscar juggernaut Parasite, looks to rule the charts this weekend and end the three-week reign of Captain America: Brave New World. We also have Rule Breakers from Angel Studios and you can peruse my prediction posts on the newcomers here:
With a forecast in the upper teens (which isn’t oh so fine), I’m not as optimistic as some others on Mickey 17. The sci-fi satire with Robert Pattinson should benefit from the Joon-ho goodwill, but I’m not convinced that equates to a gross north of $20 million.
As for Rule Breakers with Phoebe Waller-Bridge, lower to mid single digits could place it in fourth or fifth with third being the best case scenario if it exceeds my projection.
Captain America: Brave New World should slide to second with a low to mid 40s dip while Last Breath and The Monkey populate the remainder of the top five.
Here’s how I see it playing out:
1. Mickey 17
Predicted Gross: $17.9 million
2. Captain America: Brave New World
Predicted Gross: $8.4 million
3. Last Breath
Predicted Gross: $4.6 million
4. Rule Breakers
Predicted Gross: $3.7 million
5. The Monkey
Predicted Gross: $3.4 million
Box Office Results (February 28-March 2)
It was a three-peat for the MCU’s Captain America: Brave New World with $14.8 million added to its coffers. That’s ahead of my $11.8 million guesstimate as the superhero tale has taken in $163 million with $200 million in its domestic sights (though it might fall a little short of that).
Survival thriller Last Breath starring Woody Harrelson and Simu Liu was runner-up with $7.8 million and that tops my glass half empty prediction of $4.8 million. That’s at the better end of its anticipated range.
The Monkey was third in its sophomore outing with $6.4 million, a tad ahead of my $5.7 million call. The horror comedy stands at $24 million after ten days.
Paddington in Peru was fourth with $4.5 million (I said $3.9 million) for $31 million overall after three weeks.
Dog Man rounded out the top five with $4.2 million (I went with $3.7 million). The five-week tally is $84 million as it will try and reach $100 million stateside.
Bong Joon-ho’s follow-up to his 2019 Oscar juggernaut Parasite hits multiplexes via Mickey 17 on March 7th. Robert Pattinson plays multiple roles in the sci-fi satire which premiered at the Berlin Film Festival. Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo costar.
Sporting the acclaimed auteur’s biggest budget, Mickey certainly arrives with higher expectations than he’s seen before. Most reviews are solid with 88% on Rotten Tomatoes and 75 on Metacritic. That said, it probably won’t be the awards player that Parasite was save for some tech races.
Originally slated for theaters in March 2024, some estimates have Mickey in the $25 million region. I’m not convinced it will do that fine. Had it arrived just a couple of years after Joon-ho’s predecessor, I might be projecting more. I’ll say higher teens with low 20s as the best case scenario.
Mickey 17 opening weekend prediction: $17.9 million
Prior to its March 7th domestic release, Mickey 17 has debuted overseas at the Berlin Film Festival. The sci-fi satire is Bong Joon-ho’s eagerly awaited follow-up to 2019’s Parasite which dominated the 92nd Academy Award by taking Best Picture, Director, Original Screenplay, and International Feature Film. Originally slated for spring 2024, Mickey stars Robert Pattinson, Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo.
Early reviews suggests this is more in line with Joon-ho’s Okja as opposed to Parasite. With 81% on Rotten Tomatoes and 74 on Metacritic, the acclaim isn’t as universal as the multiple Oscar winner. The release date would further suggest that Warner Bros won’t make this a major awards play (though this pattern did work for Dune: Part Two).
That said, some reaction is quite effusive. While Best Picture, Director, and Adapted Screenplay (it’s based on a 2022 Edward Ashton novel) could be a stretch, down the line tech races like Sound and Visual Effects could happen. My Oscar Prediction posts will continue…
In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).
Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.
Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.
10. How to Train Your Dragon 2
Domestic Gross: $177 million
While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.
9. Teenage Mutant Ninja Turtles
Domestic Gross: $191 million
With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.
8. 22 Jump Street
Domestic Gross: $191 million
Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.
7. Godzilla
Domestic Gross: $200 million
It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick
6. The Amazing Spider-Man 2
Domestic Gross: $202 million
While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.
5. Dawn of the Planet of the Apes
Domestic Gross: $208 million
The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.
4. X-Men: Days of Future Past
Domestic Gross: $233 million
This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.
3. Maleficent
Domestic Gross: $241 million
After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.
2. Transformers: Age of Extinction
Domestic Gross: $245 million
Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.
1. Guardians of the Galaxy
Domestic Gross: $233 million
This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.
And now let’s cover some other flicks from ’14 that had crowds and critics chatting.
Neighbors
Domestic Gross: $150 million
The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.
Lucy
Domestic Gross: $126 million
Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.
The Fault in Our Stars
Domestic Gross: $124 million
John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.
Edge of Tomorrow
Domestic Gross: $100 million
Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.
Let’s Be Cops
Domestic Gross: $82 million
This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.
Chef
Domestic Gross: $31 million
After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.
Boyhood
Domestic Gross: $25 million
Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.
Snowpiercer
Domestic Gross: $4 million
Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.
OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.
Hercules
Domestic Gross: $72 million
Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?
Jersey Boys
Domestic Gross: $47 million
The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.
Blended
Domestic Gross: $46 million
The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.
A Million Ways to Die in the West
Domestic Gross: $43 million
Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.
The Expendables 3
Predicted Gross: $39 million
The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.
Sex Tape
Predicted Gross: $38 million
Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.
Sin City: A Dame to Kill For
Domestic Gross: $13 million
The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.
And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!
How reliable is the Director Guild top prize when it comes to correlating with the Oscar winner? In the previous 75 ceremonies, the DGA victor has matched the Academy’s 67 times. The most recent example of a diversion is 2o19 when Sam Mendes (1917) took DGA while Bong Joon-ho was your Oscar recipient.
Despite that fairly fresh example, the thinking going into last night’s show was that Christopher Nolan could effectively sow up his Oscar if he got the DGA. He did. The fifth time was the charm for the Oppenheimer maker as he had previously been nominated for Memento, The Dark Knight, Inception, and Dunkirk without a trophy to show for it. The Academy has been less generous as he’s in contention for only the second time (his other nom there was with Dunkirk). With victories now at DGA, Critics Choice, and the Globes (with BAFTA seemingly next) – Nolan appears well on his way to Oscar glory.
I went 3 for 3 on my picks covering feature films. Celine Song (Past Lives) made the podium trip for First-Time Feature Film. There was slightly more intrigue in that contest as Cord Jefferson (American Fiction) provide some competition. While Fiction had a better showing in terms of mentions at the Oscars (5 noms to 2 for Past Lives), Song seemed more probable for this race and that went according to script.
20 Days in Mariupol appears to be the frontrunner for Documentary Feature at the big show. Its maker Mstyslav Chernov is the winner at DGA for Documentaries. It’s worth noting that, unlike Feature Film, there isn’t a strong correlation between DGA/Oscar recipients for Documentary Feature. The last match (ironically) is 2019 with Steven Bognar and Julia Reichert for American Factory. This stands an excellent shot at being the next one.
We are now less than a month away from the Oscars. Keep checking out the blog for all the coverage!
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Director quintet and it starts with Jonathan Glazer for The Zone of Interest. Let’s get to it!
Previous Directing Nominations:
None
The Case for Jonathan Glazer:
The English filmmaker’s fourth feature comes after three acclaimed predecessors: 2001’s Sexy Beast, 2004’s Birth, and 2014’s Under the Skin. The Holocaust drama is the frontrunner for Best International Feature Film and had a solid showing with five nominations. He hopes to follow in the footsteps of other directors in recent years who took the prize along with IFF like Alfonso Cuaròn (Roma) and Bong Joon-ho (Parasite).
The Case Against Jonathan Glazer:
Cuaròn and Joon-ho didn’t have to compete against the juggernaut that is Christopher Nolan for Oppenheimer. He is the far and away favorite. Glazer managed a BAFTA mention, but didn’t make the cut for Critics Choice, the Globes, or DGA.
The Verdict:
Barring a massive upset, Nolan towers over all competitors.
My Case Of posts will continue with Lily Gladstone in Killers of the Flower Moon…
The 76th DGA Awards take place this Saturday and it’s a key indication to which filmmaker will emerge with the Oscar for direction. How much so? 9 out of the previous 10 DGA recipients have taken the Academy’s gold. The only deviation in the last ten years is Sam Mendes (1917) winning DGA while Bong Joon-Ho was victorious on Oscar night.
There is usually a 4 out of 5 match between DGA and Oscar nominees in the big race. 2023 diverted from that. There are just 3 DGA contenders vying for the Academy prize: Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), and Martin Scorsese (Killers of the Flower Moon). Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) are up for DGA while Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) look for Academy love.
Let’s walk through that contest as well as the ones for Documentaries and First-Time Feature Film with predictions for the winner and a runner-up selection.
Feature Film
Nominees: Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Martin Scorsese (Killers of the Flower Moon)
Even if Oppenheimer doesn’t win BP at the Oscars (and that seems unlikely right now), Nolan appears to be in the driver’s seat for the Academy statue. If he doesn’t take DGA, it would frankly be a shocker. Don’t count on it.
Predicted Winner: Christopher Nolan, Oppenheimer
Runner-Up: Martin Scorsese, Killers of the Flower Moon
First-Time Feature Film
Nominees: Cord Jefferson (American Fiction), Manuela Martelli (Chile ’76), Noora Niasari (Shayda), A.V. Rockwell (A Thousand and One), Celine Song (Past Lives)
This is clearly a showdown between the makers of the two BP nominees in Jefferson and Song. Fiction actually had a stronger showing than Lives from the Academy – 5 nominations to 2. Yet I think Song gets this by a nose.
Predicted Winner: Celine Song, Past Lives
Runner-Up: Cord Jefferson, American Fiction
Documentaries
Moses Bwayo and Christopher Sharp, Bobi Wine: The People’s President, Mstyslav Chernov, 20 Days in Mariupol, Madeleine Gavin, Beyond Utopia, Davis Guggenheim, Still: A Michael J. Fox Movie, D. Smith, Kokomo City
Even though it wasn’t nominated for Doc Feature at the Academy Awards, Guggenheim’s work in Still could score the hardware (the editing alone could earn it the win). However, I’ll go with Chernov and his likely Oscar frontrunner.
Predicted Winner: Mstyslav Chernov, 20 Days in Mariupol
Runner-Up: Davis Guggenheim, Still: A Michael J. Fox Movie
Um Tae-hwa’s disaster pic Concrete Utopia has been doing brisk business in its home country of South Korea as it also played the Toronto Film Festival this week. Lee Byung-hun, Park Seo-joon, and Park Bo-young are among the cast.
The Rotten Tomatoes score is 100% while many reviews aren’t overly effusive in their praise. South Korea has had an interesting recent history in the International Feature Film category at the Academy Awards. In 2019, the nation nabbed its first ever nomination with Bong Joon-ho’s Parasite. Not only did it win that race, but it became the first foreign entry to be crowned Best Picture.
Last year, Park Chan-wook’s Decision to Leave was widely expected to grab one of the five spots in IFF and be the only feasible competitor to All Quiet on the Western Front. While it made the shortlist, it was shockingly omitted from the quintet.
Utopia could make the cut and certainly the shortlist. Yet if voters decided to leave off Decision to Leave, this faces longer odds. My Oscar Prediction posts will continue…
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