Danielle Deadwyler is likely headed for a Best Actress nomination in Chinonye Chukwu’s Till, which opens wide in approximately 2000 theaters on October 28th. She plays Mamie Till, mother of Emmett who was brutally murdered in 1955. The biographical drama features Jalyn Hall as her son as well as Frankie Faison, Haley Bennett, and Whoopi Goldberg.
After its premiere at the New York Film Festival, Till received critical acclaim and it sports a 99% Rotten Tomatoes rating. Yet since its October 14th limited release, returns have been underwhelming. This past weekend, it earned approximately $600,000 on 104 screens. That’s a per screen average of just over $3600 and it doesn’t bode well for the expansion.
Three years ago, Harriet surpassed forecasts with its debut at the same time of year. With nearly $12 million for its start, that kind of number would be amazing for Till. Given the early evidence, it may only make a third of that.
Danielle Deadwyler’s performance as Mamie Till-Mobley, mother of lynched Emmett Till in 1955 has come into focus this weekend. Chinonye Chukwu’s Till premiered at the New York Film Festival prior to its October 14th theatrical release. Over the past several months, I’ve had Deadwyler either just making the Best Actress cut in fifth or on the outside looking in at sixth.
Now that reviews are out, it appears she’s fully in. Critics are raving about her work to the extent that Deadwyler is a threat to win. The Rotten Tomatoes score for the picture itself is 100% though many write-ups claim it’s her performance that elevates the material. It’s unlikely any costars get attention. They include Jalyn Hall as her slain son, Frankie Faison, Haley Bennett, and Whoopi Goldberg.
Ms. Deadwyler enters an already crowded Best Actress field where I’ve had Cate Blanchett (Tar) and Michelle Yeoh (Everything Everywhere All at Once) slotted in first and second. There’s also Michelle Williams and Universal’s curious decision to campaign for her in lead for The Fabelmans. Let’s not forget Olivia Colman (Empire of Light) and Viola Davis (The Woman King) or Ana de Armas (Blonde) and the as yet unseen Margot Robbie for Babylon (though I’m currently putting her in Supporting Actress).
Even with that considerable competition, Deadwyler seems pretty safe and there’s a narrative in which she moves past the aforementioned to claim gold. A better question is whether Till picks up any other nominations. Picture is not impossible, but I’d say it’s iffy. Adapted Screenplay is more feasible as that race is on the weak side (compared to 2022’s original hopefuls). There’s also an original song titled “Stand Up” that I expect to contend.
Bottom line: like Blanchett and Yeoh particularly, we have another close to sure thing in the lead actress field. My Oscar Prediction posts will continue…
As May comes to a close and the Cannes Film Festival wraps up, I’m giving you a fresh update in the six major Oscar categories!
In Best Picture, I’m elevating Empire of Light from Sam Mendes into the top ten and that takes Rustin out. The Daniels from Everything Everywhere All at Once vault into Director to the detriment of Sarah Polley for Women Talking.
Empire of Light also benefits in Best Actress with Olivia Colman in over Carey Mulligan from She Said. While Actor and Supporting Actress remain unchanged, there’s two alterations in Supporting Actor with Ke Huy Quan (Everything Everywhere…) and Jesse Plemons (Killers of the Flower Moon) in over John David Washington (Amsterdam) and Tom Hanks (Elvis).
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 6) (+2)
5. The Son (PR: 5) (E)
6. Women Talking (PR: 4) (-2)
7. Bardo (PR: 8) (+1)
8. She Said (PR: 7) (-1)
9. Empire of Light (PR: 16) (+7)
10. The Whale (PR: 9) (-1)
Other Possibilities:
11. Rustin (PR: 10) (-1)
12. Broker (PR: Not Ranked)
13. Decision to Leave (PR: 12) (-1)
14. Amsterdam (PR: 11) (-3)
15. White Noise (PR: 13) (-2)
16. Thirteen Lives (PR: 21) (+5)
17. Elvis (PR: 20) (+3)
18. Poor Things (PR: 14) (-4)
19. Avatar: The Way of Water (PR: 15) (-4)
20. Top Gun: Maverick (PR: Not Ranked)
21. Armageddon Time (PR: 19) (-2)
22. Till (PR: 18) (-4)
23. Next Goal Wins (PR: 25) (+2)
24. Tar (PR: 17) (-7)
25. Aftersun (PR: Not Ranked)
Dropped Out:
The Woman King
Three Thousand Years of Longing
Don’t Worry Darling
Best Director
Predicted Nominees:
Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
4. Dan Kwan & Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (+2)
5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)
Other Possibilities:
6. Sarah Polley, Women Talking (PR: 4) (-2)
7. Florian Zeller, The Son (PR: 7) (E)
8. Park Chan-wook, Decision to Leave (PR: 9) (+1)
9. Sam Mendes, Empire of Light (PR: 15) (+6)
10. Hirokazu Kore’eda, Broker (PR: Not Ranked)
11. Darren Aronofsky, The Whale (PR: 10) (-1)
12. Maria Schrader, She Said (PR: 8) (-4)
13. David O. Russell, Amsterdam (PR: 13) (E)
14. James Cameron, Avatar: The Way of Water (PR: 12) (-2)
15. Yorgos Lanthimos, Poor Things (PR: 14) (-1)
Dropped Out:
George C. Wolfe, Rustin
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon (PR: 1) (E)
2. Regina King, Shirley (PR: 2) (E)
3. Michelle Yeoh, Everything Everywhere All at Once (PR: 4) (+1)
4. Olivia Colman, Empire of Light (PR: 9) (+5)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 3) (-3)
7. Cate Blanchett, Tar (PR: 6) (-1)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)
9. Emma Stone, Poor Things (PR: 7) (-2)
10. Laura Dern, The Son (PR: 11) (+1)
11. Viola Davis, The Woman King (PR: 10) (-1)
12. Michelle Williams, Showing Up (PR: Not Ranked)
13. Helen Mirren, Golda (PR: Not Ranked)
14. Ana de Armas, Blonde (PR: 14) (E)
15. Saoirse Ronan, See How They Run (PR: 13) (-2)
Dropped Out:
Florence Pugh, Don’t Worry Darling
Tilda Swinton, Three Thousand Years of Longing
Best Actor
Predicted Nominees:
1. Hugh Jackman, The Son (PR: 1) (E)
2. Brendan Fraser, The Whale (PR: 2) (E)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (+1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Austin Butler, Elvis (PR: 5) (E)
Other Possibilities:
6. Song Kang-Ho, Broker (PR: Not Ranked)
7. Christian Bale, Amsterdam (PR: 6) (-1)
8. Adam Driver, White Noise (PR: 9) (+1)
9. Daniel Gimenez Cacho, Bardo (PR: 10) (+1)
10. Diego Calva, Babylon (PR: 7 (-3)
11. Michael Fassbender, Next Goal Wins (PR: 12) (+1)
12. Viggo Mortensen, Thirteen Lives (PR: 11) (-1)
13. Gabriel LaBelle, The Fabelmans (PR: 8) (-5)
14. Paul Mescal, Aftersun (PR: Not Ranked)
15. Colin Farrell, The Banshees of Inisherin (PR: 13) (-2)
Dropped Out:
Joaquin Phoenix, Disappointment Blvd.
Idris Elba, Three Thousand Years of Longing
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 2) (+1)
2. Lily Gladstone, Killers of the Flower Moon (PR: 1) (-1)
3. Vanessa Kirby, The Son (PR: 4) (+1)
4. Jessie Buckley, Women Talking (PR: 5) (+1)
5. Zoe Kazan, She Said (PR: 3) (-2)
Other Possibilities:
6. Hong Chau, The Whale (PR: 6) (E)
7. Jean Smart, Babylon (PR: 7) (E)
8. Audra McDonald, Rustin (PR: 13) (+5)
9. Stephanie Hsu, Everything Everywhere All at Once (PR: 10) (+1)
10. Patricia Clarkson, She Said (PR: 12) (+2)
11. Whoopi Goldberg, Till (PR: 8) (-3)
12. Margot Robbie, Amsterdam (PR: 9) (-3)
13. Dakota Johnson, Cha Cha Real Smooth (PR: Not Ranked)
14. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)
15. Anne Hathaway, Armageddon Time (PR: Not Ranked)
Dropped Out:
Rooney Mara, Women Talking
Margaret Qualley, Poor Things
Thuso Mbedu, The Woman King
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 3) (+1)
3. Brad Pitt, Babylon (PR: 2) (-1)
4. Ke Huy Quan, Everything Everywhere All at Once (PR: 6) (+2)
5. Jesse Plemons, Killers of the Flower Moon (PR: 9) (+4)
My second round of Oscar predictions in the six biggest races are before you. When I update them next, we’ll be in the midst of the Cannes Film Festival where some of these hopefuls are screening.
As for category placement changes, I’ve moved Jesse Plemons in Killers of the Flower Moon to Supporting Actor from lead. It remains to be seen which contest he’s placed in. If it is supporting, we shall see if it’s him or Robert De Niro that gets the buzz. I’m betting on the latter at press time.
Let’s get into it!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 3) (+1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Women Talking (PR: 5) (+1)
5. The Son (PR: 4) (-1)
6. Everything Everywhere All at Once (PR: 8) (+2)
7. She Said (PR: 6) (-1)
8. Bardo (PR: 7) (-1)
9. The Whale (PR: 9) (E)
10. Rustin (PR: 10) (E)
Other Possibilities:
11. Amsterdam (PR: 11) (E)
12. Decision to Leave (PR: Not Ranked)
13. White Noise (PR: 12) (-1)
14. Poor Things (PR: 13) (-1)
15. Avatar: The Way of Water (PR: 17) (+2)
16. Empire of Light (PR: 16) (E)
17. Tar (PR: 14) (-3)
18. Till (PR: 15) (-3)
19. Armageddon Time (PR: 25) (+6)
20. Elvis (PR: 22) (+2)
21. Thirteen Lives (PR: 20) (-1)
22. The Woman King (PR: 23) (+1)
23. Three Thousand Years of Longing (PR: 24) (+1)
24. Don’t Worry Darling (PR: 18) (-6)
25. Next Goal Wins (PR: 19) (-6)
Dropped Out:
The Banshees of Inisherin
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 3) (+1)
3. Martin Scorsese, Killers of the Flower Moon (PR: 2) (-1)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)
Other Possibilities:
6. Dan Kwan and Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (E)
7. Florian Zeller, The Son (PR: 7) (E)
8. Maria Schrader, She Said (PR: 9) (+1)
9. Park Chan-wook, Decision to Leave (PR: Not Ranked)
10. Darren Aronofsky, The Whale (PR: 8) (-2)
11. George C. Wolfe, Rustin (PR: 10) (-1)
12. James Cameron, Avatar: The Way of Water (PR: 12) (E)
13. David O. Russell, Amsterdam (PR: 14) (+1)
14. Yorgos Lanthimos, Poor Things (PR: 11) (-3)
15. Sam Mendes, Empire of Light (PR: 15) (E)
Dropped Out:
Noah Baumbach, White Noise
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon (PR: 1) (E)
2. Regina King, Shirley (PR: 2) (E)
3. Carey Mulligan, She Said (PR: 4) (+1)
4. Michelle Yeoh, Everything Everywhere All at Once (PR: 3) (-1)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Cate Blanchett, Tar (PR: 6) (E)
7. Emma Stone, Poor Things (PR: 9) (+2)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)
Welcome to the first ranked Oscar predictions of the 2022 season for the 95th Academy Awards! I’ll be doing these every few days (once a week or every two weeks) for the high-profile races of Picture, Director, and the four acting derbies. In the fall (maybe earlier), this will expand to all categories covering feature lengths films.
For BP, I will list 25 possibilities with 15 hopefuls in the others. Some quick caveats that always apply – titles of the pictures will change. Just this week, David O. Russell’s Canterbury Glass became Amsterdam and Avatar 2 is now Avatar: The Way of Water.
Actors listed in lead will become supporting players and vice versa. Some movies will be pushed to 2023. And, of course, titles listed on the first day of May will become commercial and critical disappointments and drop off the list. Some pics and performances I’m not even considering at the moment will rise during festivals like Cannes, Toronto, Telluride, and Venice.
So let’s get to it, shall we?
Best Picture
Predicted Nominees:
1. Babylon
2. Killers of the Flower Moon
3. The Fabelmans
4. The Son
5. Women Talking
6. She Said
7. Bardo
8. Everything Everywhere All at Once
9. The Whale
10. Rustin
Other Possibilities:
11. Amsterdam
12. White Noise
13. Poor Things
14. Tar
15. Till
16. Empire of Light
17. Avatar: The Way of Water
18. Don’t Worry Darling
19. Next Goal Wins
20. Thirteen Lives
21. The Banshees of Inisherin
22. Elvis
23. The Woman King
24. Three Thousand Years of Longing
25. Armageddon Time
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon
2. Martin Scorsese, Killers of the Flower Moon
3. Steven Spielberg, The Fabelmans
4. Sarah Polley, Women Talking
5. Alejandro Gonzalez Inarritu, Bardo
Other Possibilities:
6. Dan Kwan and Daniel Scheinert, Everything Everywhere All at Once
7. Florian Zeller, The Son
8. Darren Aronofsky, The Whale
9. Maria Schrader, She Said
10. George C. Wolfe, Rustin
11. Yorgos Lanthimos, Poor Things
12. James Cameron, Avatar: The Way of Water
13. Noah Baumbach, White Noise
14. David O. Russell, Amsterdam
15. Sam Mendes, Empire of Light
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon
2. Regina King, Shirley
3. Michelle Yeoh, Everything Everywhere All at Once
4. Carey Mulligan, She Said
5. Danielle Deadwyler, Till
Other Possibilities:
6. Cate Blanchett, Tar
7. Olivia Colman, Empire of Light
8. Naomi Ackie, I Wanna Dance with Somebody
9. Emma Stone, Poor Things
10. Laura Dern, The Son
11. Viola Davis, The Woman King
12. Greta Gerwig, White Noise
13. Saoirse Ronan, See How They Run
14. Florence Pugh, Don’t Worry Darling
15. Tilda Swinton, Three Thousand Years of Longing
Well, folks, I just can’t help myself. A mere two weeks after the 94th Academy Awards, I’m getting into speculation for the 95th ceremony honoring the best of 2022.
I know… it’s only April. And there’s certainly a great chance that these impossibly early predictions will look foolish a few months down the road. It’s all part of the fun though!
Here’s how it works. I’m going to do monthly forecasts for the six biggest races (Picture, Director, and the four acting derbies). For Picture, I’ll project the ten BP nominees along with 15 other possibilities. In the other races, I’ll name my five with ten other hopefuls.
Starting in August, the monthly predictions will shift to weekly ones. In October, it branches out to all feature film competitions and the list of possibilities dwindles from 25 to 15 in BP and ten in all others. Got all that? Good!
Some quick caveats – when you’re this early in the projecting game, it’s basically guesswork. For instance, I’m saying Leonardo DiCaprio will compete in Supporting Actor for Killers of the Flower Moon. It could be lead. The same logic applies to Leo’s Once Upon a Time in Hollywood costar Brad Pitt for Babylon. Some movies named here will be pushed back. Some roles with familiar faces will not be the Oscar bait that seems plausible at the moment.
I’m starting with Supporting Actor and I’ll have Supporting Actress up next!
TODD’S APRIL 2022 OSCAR PREDICTIONS: BEST SUPPORTING ACTOR
The Gotham Awards, which honors independent pictures, held its annual ceremony tonight with category shifts, surprises, and ties. The NYC based event is not exactly seen as a reliable barometer of what will happen at the Oscars. However, it’s worth noting that since the Best Feature category was established in 2004, there’s only been three years (2007, 2008, 2018) in which none of the nominees made the Academy’s Best Picture cut. Four recent Gotham winners (Birdman, Spotlight, Moonlight, and last year’s Nomadland) ended up being the Oscar selection.
In 2021, none of the five nominees for the big race were listed in my latest Oscar estimates. In fact, none of the quintet were in my top 15 possibilities. That would be going against the grain for what Gotham typically produces and the big winner tonight is undoubtedly Maggie Gyllenhaal’s directorial debut The Lost Daughter (which hits theaters on December 17 and Netflix on New Years Eve). The psychological drama took the top prize over The Green Knight, Passing, Pig, and Test Pattern. I only foresee Daughter and Passing as having viable paths to a Best Pic nod and the former’s victory here gives it more exposure.
In addition to Best Feature, Daughter was honored for Breakthrough Director and Screenplay. I am confident an Adapted Screenplay nod from the Academy is coming its way.
As for those category shifts, the Gothams chose to eliminate gender distinction in the lead acting derbies. Yet, ironically, there was a tie bestowing the award for a male and female. That provided another statue for Daughter and its lead Olivia Colman (as her Best Actress chances are looking stronger each day). The male was a surprise with character actor Frankie Faison for The Killing of Kenneth Chamberlain. You may know him best as orderly Barney in The Silence of the Lambs, but his lead role here got him attention over Joaquin Phoenix (C’Mon C’Mon). I wouldn’t count on Academy members taking notice.
This is the first year in which Gotham had a supporting race (also gender neutral) and it went to Troy Kotsur in CODA. This will feels a bit more significant as the scene stealer won over stellar competition like his costar Marlee Matlin and Ruth Negga in Passing. In an Oscar year where Supporting Actor is wide open, awards like this could propel Kotsur to make the final cut.
Elsewhere Flee took Documentary (it’s a likely shoo-in with the Academy) while Drive My Car helped its case in the foreign race over Titane and The Worst Person in the World.
Bottom line: Daughter found a precursor in Gotham that should raise the profile as the Oscar folks are starting to pay attention.
Blogger’s Note (01/02): On the eve of its premiere, I’m revising my number down to $10.2 million
2020 begins at multiplexes in the same fashion as other recent years with a horror offering. This time around, it’s a remake of the 2004 supernatural pic The Grudge. And that Sarah Michelle Gellar hit was itself an update of a 2002 Japanese title in which Takashi Shimizu directed both. Nicolas Pesce is behind the camera now with a cast including Andrea Riseborough, Demian Bichir, John Cho, Betty Gilpin, Lin Shaye, Frankie Faison, William Sadler, and Jacki Weaver.
As mentioned, this is the genre that has typically kicked off the cinematic calendar lately. In 2019, Escape Room surprised prognosticators with a debut north of $18 million. Two years ago, Insidious: The Last Key unlocked a gross just under $30 million.
The Grudge is not expected to approach those figures, but horror flicks always have the capacity to surprise. Yet this could also fall victim to the unasked for franchise fatigue that has plagued several titles recently. A decent comp could be 2017’s Rings, which was also a reboot of a Japanese series. It opened to $13 million and that sounds about right here (and perhaps a tad under).
The Grudge opening weekend prediction: $10.2 million
All My Life... I Wanted To Be A Blogster 