A24 looks to achieve its largest opening weekend yet when Backrooms arrives on May 29th. Based on his own highly popular web series, Kane Parsons directs the sci-fi horror flick. Chiwetel Ejiofor leads a cast that includes Renate Reinsve, Mark Duplass, Finn Bennett, and Lukita Maxwell.
With James Wan, Shawn Levy, and Osgood Perkins among the producers, this looks to capitalize on its YouTube source material which boasts nearly 80 millions views. In order to set a record premiere for its distributor, Backrooms would need to top the $27 million that last December’s Marty Supreme started with.
Even though its earnings might be front-loaded, my hunch is that this has a better shot at exceeding expectations than going under them. I think mid to high 50s is doable and that would give it the #1 spot over The Mandalorian and Grogu and Obsession.
Curry Barker’s Obsession is out this weekend and exceeding expectations at the box office along with its glowing reviews. The horror flick about a granted wish gone horribly awry stands at 94% on Rotten Tomatoes with a 77 Metacritic. Michael Johnston and Inde Navarrette headline with Cooper Tomlinson, Megan Lawless, and Andy Richter in the supporting cast.
This is not a genre that has historically performed well with awards voters. However, the Academy has shown a willingness to embrace it under the right circumstances. Obsession sports an A- Cinemascore grade. That’s very high for a scary movie and the first to do so since Zach Cregger’s Weapons. I bring it up because that movie ended up being Amy Madigan’s Oscar-winning Supporting Actress turn just two months ago. I suspect it also came close to an Original Screenplay nomination.
If Focus Features mounts a genuine campaign, I wouldn’t totally discount Navarrette’s chances in Best Actress. Her fatally attracted performance is receiving plenty of kudos as is Barker’s original screenplay. Obsession will not reach the financial heights of Cregger’s work even if it plays well throughout the summer. I wouldn’t count on it ultimately being an awards contender, but Weapons proved it’s a possibility at the previous ceremony. My Oscar Prediction posts will continue…
Paramount hopes audiences are in the mood for a scary story to watch in the dark when Passenger arrives in multiplexes on May 22nd. André Øvredal, who directed Scary Stories to Tell in the Dark, is behind the camera with Jacob Scipio, Lou Llobell, and Melissa Leo in the cast.
The fright fest boasts an effective trailer and genre fans could turn out over the Memorial Day weekend. However, horror fans have had some options lately and Obsession could still be performing well in its sophomore frame based on word-of-mouth.
A gross above $10 million over the four-day is certainly feasible for its ceiling, but I’m going under.
Passenger opening weekend prediction: $6.3 million (Friday to Sunday); $7.3 million (Friday to Monday)
For my The Mandalorian and Grogu prediction, click here:
Focus Features looks for genre fans to lock in on Obsession when it debuts May 15th. From writer/director Curry Barker, who will soon be taking over The Texas Chainsaw Massacre franchise, the horror flick originally premiered last fall at the Toronto Film Festival. Michael Johnston, Inde Navarrette, Cooper Tomlinson, Megan Lawless, and Andy Richter lead the cast.
With a teensy budget of around $1 million, Obsession captured the attention of patrons at TIFF during midnight showings. The Rotten Tomatoes score is 96% with 78 on Metacritic. Focus reportedly bought the rights for $15 million with hopes of a sleeper hit.
The optimistic projections have this managing $10 million to low teens. I’m not sure the awareness factor will allow for that so I’ll go just under double digits.
Obsession opening weekend prediction: $9.6 million
Lee Cronin’s The Mummy is unwrapped this weekend in theaters with Warner Bros. looking to turn out horror fans for the franchise reboot. From Evil Dead Rise director Cronin, the cast includes Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, and Verónica Falcón.
This is the third take on the series in just over a quarter century. We had the three Brendan Fraser flicks that began in 1999 and the poorly received reimagining with Tom Cruise in 2017. Reviews for this gorier interpretation of the material are so-so reviews with 54% on Rotten Tomatoes and a 46 Metacritic.
Only the first Fraser adventure got the Academy’s attention with a Best Sound nod. There’s one race where Cronin’s pic has a fair shot and that’s Makeup and Hairstyling. That branch of voters showed genre love last year to winner Frankenstein as well as Sinners and (mostly surprisingly) The Ugly Stepsister. If WB mounts a campaign, it’s at least a possibility to make the shortlist and perhaps make the eventual quintet. My Oscar Prediction posts will continue…
Lee Cronin’s The Mummy will attempt to scare up decent business as the weekend’s major new wide release, but The Super Mario Galaxy Movie looks to rule the charts for a third frame. You can peruse my detailed rap on the reboot of The Mummy franchise here:
My projection for the newcomer likely puts it in a battle for second place with the fifth weekend of Project Hail Mary. I’m looking for both to land in the mid to higher teens and I’ll give the latter a slight edge for a third weekend in the runner-up position. Warner Bros. would love for Cronin’s horror version of The Mummy to hit $20M+, but I’m skeptical.
As for Mario, it should have no trouble scoring the trifecta atop the box office mountain with earnings between $35-40 million. Its streak in the top spot should end in weekend #4 with musical biopic Michael slated to beat it.
Holdovers romances The Drama and You, Me & Tuscany should fill out the rest of the top five and here’s how I envision it shaking out:
1. The Super Mario Galaxy Movie
Predicted Gross: $38.4 million
2. Project Hail Mary
Predicted Gross: $17.9 million
3. Lee Cronin’s The Mummy
Predicted Gross: $17.2 million
4. The Drama
Predicted Gross: $6 million
5. You, Me & Tuscany
Predicted Gross: $4.5 million
Box Office Results(April 10-12)
The Super Mario Galaxy Movie didn’t hold as well as 2023 predecessor The Super Mario Bros. Movie, but its 48% decline was still commendable. The Illumination Entertainment sequel took in $68 million, falling below my generous $79.1 million prediction. In two weeks, the total has soared to $307 million.
Project Hail Mary eased only 24% in second with $24.1 million, ahead of my $20.6 million forecast. The sci-fi blockbuster stands at $256 million after four weeks.
The Drama with Zendaya and Robert Pattinson was third, with a solid 39% dip to $8.7 million. That’s on track with my $8.5 million call resulting in a two-week take of $30 million.
You, Me & Tuscany was fourth as the romantic comedy with Halle Bailey and Regé-Jean Page stalled with $7.7 million. I had it making more at $11.2 million.
Finally, Hoppers was fifth with $4.1 million (I said $3.6 million) as the Pixar effort jumped to $157 million after six weeks.
Lee Cronin’s The Mummy looks to wrap up an impressive debut when it drops April 17th. While the Brendan Fraser and Tom Cruise versions of The Mummy saga concentrated more on adventure, Evil Dead Rise director Cronin is bringing the horror to this James Wan/Jason Blum coproduction. Jack Reynor headlines the cast which includes Laia Costa, May Calamawy, Natalie Grace, and Verónica Falcón.
This is the second reboot of this franchise in the 21st century. The 2017 Tom Cruise one was a box office and critical failure (confession: i think it’s kinda fun). Warner Bros would love to see a repeat of the $24.5 million that greeted Evil Dead Rise over the same April time frame three years ago.
That is probably a best case scenario and I suspect it won’t reach those levels. Estimates have this is in the low to mid teens. I’ll say it manages to land on the higher end of that range.
Lee Cronin’s The Mummy opening weekend prediction: $17.2 million
A24 is looking for Undertone to scare up some business with the low-budget (reportedly $500k) Canadian horror pic dropping on March 13th. From writer/director Ian Tuason and starring Nina Kiri and Adam DiMarco, the distributor picked up the title after its premiere last summer at Fantasia Fest. At that time, it landed mostly solid reviews with 88% on Rotten Tomatoes and a 68 Metacritic.
That said, it’s hard to envision this having mass appeal as it should cater strictly to attentive genre followers. With no star power driving it and muted buzz, I suspect a debut under $5 million sounds about right.
Undertone opening weekend prediction: $4.9 million
Scream 7 looks to set record high franchise noise when it debuts February 27th. Nearly 30 years into the series, Kevin Williamson (who penned the 1st, 2nd, and 4th editions) directs and cowrites. This is only his second behind the camera feature after 1999’s Teaching Mrs. Tingle. Jenna Ortega and Melissa Barrera, the headliners of parts V-VI, are MIA. However, Neve Campbell is back in action after missing the predecessor along with returnees Jasmin Savoy Brown, Mason Gooding, David Arquette, Matthew Lillard, Courtney Cox, and Roger L. Jackson (voicing Ghostface). Newcomers to the fold include Isabel May, Anna Camp, Michelle Randolph, Jimmy Tatro, Mckenna Grace, Asa Germann, Celeste O’Connor, Sam Rechner, Tim Simons, and Joel McHale.
After a decade in dormancy, the franchise was brought back with solid numbers in 2022. The fifth pic (simply titled Scream) took in just over $30 million opening weekend with an eventual $81 million domestic haul. Yet those premiere grosses fell short of 2 and 3 and the overall gross fell short of the first three flicks. Scream VI in 2023 (not adjusted for inflation) set series bests at a $44 million start and $108 million stateside.
With little competition at multiplexes and recent overperformances for the genre, I am leaning toward 7 being lucky. I suspect this might achieve another record number out of the gate.
Scream 7 opening weekend prediction: $47.6 million
The Strangers – Chapter 3 is (naturally) the fifth feature in the nearly two-decade old horror franchise and it opens February 6th. To add more context, it is the culmination of this specific trilogy in the series from director Renny Harlin. Chapter 1 arrived in 2024 with Chapter 2 dropping only four months ago. Madelaine Petsch, Gabriel Basso, Ema Horvath, and Richard Brake star.
In 2008, the first Strangers (as in very first) was a sleeper hit that made $20 million in weekend #1 and $52 million domestically. None of the three follow-ups have matched it. 2018’s The Strangers: Prey at Night barely topped $10 million out of the gate with just under $25 million stateside. Chapter 1 managed nearly $12 million and an overall tally of $35 million. Chapter 2 easily saw franchise lows with a $5.8 million start and $15 million total.
Diminishing returns could certainly continue. I see no valid argument why this would top its predecessor and I’ll put it about a million below.
The Strangers – Chapter 3 opening weekend prediction: $4.5 million
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