My super duper earliest Oscar predictions in the big races has reached Best Director with only Picture left. If you missed my posts covering the four acting derbies, you can peruse them here:
These will be monthly predictions until August when they become weekly. Here’s how I have the filmmakers performing at this early stage. I currently have four past winners and a first-time nominee in the mix.
TODD’S APRIL 2022 OSCAR PREDICTIONS: BEST DIRECTOR
For my first Oscar picks for the 95th Academy Awards, I’ve arrived at Best Actress. If you missed the posts covering the other three acting categories, you can access them here:
Obviously release dates and category placements can (and will) change, but I honestly had a tough time whittling this list down to 15 names. Leaving out Jennifer Lawrence (Red, White and Water) and Tilda Swinton (Three Thousand Years of Living) or Florence Pugh (Don’t Worry Darling) seems a bit risky. It’s a sign of how competitive Actress could be for 2022 – just as it was the past two years.
Like with the other derbies, here’s how I see the race playing out nearly a year ahead of time.
**Blogger’s Note (04/13): Updated to include Everything Everywhere All at Once in the top five after finding out it is expanding to approximately 2000 screens from its current 1250
Warner Bros is hoping for good returns from a potentially fading franchise as Fantastic Beasts: The Secrets of Dumbledore debuts this Easter weekend. We also have the Mark Wahlberg led faith-based drama Father Stu as it hopes to capitalize on the holiday. You can peruse my detailed prediction posts on both of them here:
I have Dumbledore conjuring up about $15 million less than 2018 predecessor The Crimes of Grindelwald. The gross just north of $50 million should be enough to nab it the #1 slot with Sonic the Hedgehog 2 (after a terrific start) sliding to second. The video game adapted sequel may lose around half its audience.
Father Stu is a bit of a head scratcher. It could over perform. With a Wednesday premiere, my mid single digits Friday to Sunday estimate puts it in fourth just behind The Lost City.
Ambulance and Morbius, both struggling, might battle it out for the five spot. And with that, my take on the top 7:
1. Fantastic Beasts: The Secrets of Dumbledore
Predicted Gross: $48.1 million
2. Sonic the Hedgehog 2
Predicted Gross: $35.8 million
3. The Lost City
Predicted Gross: $6.3 million
4. Father Stu
Predicted Gross: $5.7 million (Friday to Sunday); $8.5 million (Wednesday to Sunday)
5. Everything Everywhere All at Once
Predicted Gross: $5.5 million
6. Ambulance
Predicted Gross: $4.5 million
7. Morbius
Predicted Gross: $4.3 million
Box Office Results (April 8-10)
Paramount had plenty to celebrate as Sonic the Hedgehog 2 posted the high score with a better than anticipated $72.1 million. That’s nearly $10 million ahead of my $62.5 million prediction. You can bet a third installment is already being planned as this grossed more from Friday to Sunday than the 2020 original took in during the long President’s Day weekend.
Morbius was second with a steep 74% tumble in its sophomore outing with $10.2 million, a bit shy of my $11.2 million projection. The vampire tale is not bringing in new blood after a weak beginning.
The Lost City was third with $9 million (I said $8 million) and the Sandra Bullock comedy stands at $68 million with $100 million in its sights.
Jake Gyllenhaal’s action flick Ambulance stalled in fourth with only $8.6 million, well below my generous $13.7 million estimate. The Michael Bay directed enterprise (which earned decent reviews) couldn’t find a crowd as moviegoers may simply wait until streaming.
The Batman made $6.4 million and I incorrectly had it outside the top five. The grand tally is $358 million.
Finally, the critically heralded Everything Everywhere All at Once was sixth with $6 million. While not reaching my guesstimate of $8.4 million, the trippy sci-fi pic had the second best per theater average on its 1200+ screens.
Video game based sequel Sonic the Hedgehog 2, Michael Bay’s action thriller Ambulance with Jake Gyllenhaal, and critically hailed sci-fi comedy Everything Everywhere All at Once all debut this Friday. You can peruse my detailed prediction posts on the trio here:
Sonic should have no trouble hitting #1 and I have it scoring in the high 50s to low 60s (about the same as its 2020 predecessor). While there is no mystery for what will be on top, the number two slot could get interesting.
Morbius had a ho-hum start (especially for its genre) and I suspect its weak C+ Cinemascore could mean a sophomore drop between 65-70%. If that occurs, Ambulance should manage a runner-up start.
The real wild card might be Everything, which has had sizzling per theater averages in limited release. I’ve got it just under double digits for fourth, but it could over perform.
The Lost City should fall from 2nd to 5th with the newbies being ushered in. Here’s how I see it breaking down:
1. Sonic the Hedgehog 2
Predicted Gross: $62.5 million
2. Ambulance
Predicted Gross: $13.7 million
3. Morbius
Predicted Gross: $11.2 million
4. Everything Everywhere All at Once
Predicted Gross: $8.4 million
5. The Lost City
Predicted Gross: $8 million
Box Office Results (April 1-3)
It might be the third best premiere of 2021, but the $39 million earned by Morbius is far from impressive. The Jared Leto vampiric superhero tale (in which most of the reviews said it kinda sucked) came in under my $45.8 million estimate. As mentioned, I look for it to fade quickly.
The Lost City fell to second with $14.7 million. For a pic of its genre, the Sandra Bullock/Channing Tatum adventure comedy’s 52% dip is a little high. I projected $16.4 million. It’s made $54 million in ten days.
The Batman was third with $11 million compared to my $12 million take and the DC juggernaut is up to $349 million.
Uncharted was fourth with $3.6 million (I said $3.1 million) for $138 million overall.
Jujutsu Kaisen 0 was fifth with $1.9 million. I incorrectly had it outside the top five as the tally is $29 million.
Finally, RRR: Rise, Roar, Revolt tumbled 83% for $1.6 million in sixth. Total is $11 million.
It’s been an entire week since The Slap… check that, the 94th Academy Awards where CODA parlayed its Sundance buzz from January 2021 all the way to a Best Picture victory.
That also means I’ve managed to wait a whole week without speculation for the next Academy Awards which will hopefully be a slap free zone. So what are some titles that could be vying for attention?
On May 27th and after numerous delays, Top Gun: Maverick will find Tom Cruise returning to his iconic role some 36 years after the original. There’s a decent chance it could be up for similar prizes that its predecessor landed like Sound, Film Editing, and Song (courtesy of Lady Gaga apparently). Visual Effects is a possibility as well.
My weekly Oscar prediction posts won’t begin until mid to late August. In the meantime, you’ll get individualized write-ups for pics that open or screen at festivals.
Yet for today – I feel the need. The need to identify 21 other 2022 titles that might end up on the Academy’s radar. Enjoy!
Armageddon Time
Despite acclaimed movies like The Lost City of Z and Ad Astra, James Gray has yet to connect with awards voters. This drama, rumored to be centered on his Queens upbringing, is the next hopeful and features a stellar cast including Anne Hathaway, Anthony Hopkins, and Jeremy Strong. Release Date: TBD
Avatar 2
The 2009 original amassed nine nominations and won took home three. The first sequel (there’s three more on the way) arrives in December from James Cameron. Will it capture the critical and box office magic of part one? That’s impossible to know at this juncture, but one can safely assume it’ll be up for some tech categories like Sound and Visual Effects. Release Date: December 16th
Babylon
Damien Chazelle is no stranger to the big dance. Whiplash was a BP nominee and J.K. Simmons won Supporting Actor. Chazelle took Director for his follow-up La La Land along with Emma Stone’s Actress victory and it almost famously took BP. First Man nabbed four nominations, but missed the top of the line races. Babylon is a period drama focused on Hollywood’s Golden Age and should be right up the Academy’s alley. The cast includes Brad Pitt, Margot Robbie, and Tobey Maguire. Release Date: December 25th
Canterbury Glass
Robbie also turns up in David O. Russell’s latest ensemble piece. Anytime he’s behind the camera, Oscar nods typically follow (think The Fighter, Silver Linings Playbook, American Hustle). Slated for November, the dramedy also features Christian Bale, John David Washington, Rami Malek, Zoe Saldana, Robert De Niro, Mike Myers, and… Chris Rock. Release Date: November 4th
Elvis
Arriving in June but with a Cannes unveiling in May, Baz Luhrmann’s musical bio of The King stars Austin Butler in the title role and Tom Hanks as The Colonel. If this doesn’t contend for the major awards, I would still anticipate potential tech recognition (Production Design, Sound, etc…). Release Date: June 24th
Empire of Light
Sam Mendes was likely in the runner-up position in 2019 for Picture and Director (behind Parasite) with 1917. His follow-up is an English set romance starring Olivia Colman (who would be going for her fourth nomination in five years), Michael Ward, and Colin Firth. Release Date: TBD
Everything Everywhere All at Once
From two filmmakers known collectively as Daniels, Once is already out in limited release with spectacular reviews (97% on RT). The sci-fi action comedy might be too bizarre for the Academy, but I wouldn’t count it out as its admirers are vocal. Picture, Director, Actress (Michelle Yeoh), and Original Screenplay are all on the table. Release Date: out in limited release, opens wide April 8th
The Fabelmans
Steven Spielberg directs a semi-autobiographical tale and cowrites with his Lincoln and West Side Story scribe Tony Kushner. The cast includes Michelle Williams, Seth Rogen, and Paul Dano. Needless to say, this is a major contender on paper. Release Date: November 23rd
Killers of the Flower Moon
Alongside The Fabelmans, this might be the most obvious nominee from a personnel standpoint. Martin Scorsese helms this western crime drama featuring Jesse Plemons, Lily Gladstone, and his two frequent collaborators Leonardo DiCaprio and Robert De Niro. Apple TV just became the first streamer to get a BP victory with CODA. This could be the second in a row. Release Date: November
Poor Things
In 2018, The Favourite scored a whopping ten nominations. Based on an acclaimed 1992 novel, Poor Things is Yorgos Lanthimos’s follow-up and it reunites him with Emma Stone along with Willem Dafoe, Ramy Youssef, and Mark Ruffalo. The plot sounds bizarre but it could also be an Oscar bait role for Stone and others. Release Date: TBD
Rustin
One of Netflix’s contenders is George C. Wolfe’s profile of gay civil rights activist Bayard Rustin (played by Colman Domingo). In 2020, Wolfe directed Viola Davis and Chadwick Boseman to nods for Ma Rainey’s Black Bottom. Look for Domingo to be a competitor and the supporting cast includes Chris Rock (maybe he will be back at the show), Glynn Turman, and Audra McDonald. Release Date: TBD
See How They Run
The 1950s set murder mystery could provide 27-year-old Saoirse Ronan with an opportunity to land her fifth nomination. Sam Rockwell, David Oyelowo, Adrien Brody, and Ruth Wilson are among the supporting players. Tom George directs. Release Date: TBD
She Said
Five years after the scandal rocked Hollywood, She Said from Maria Schrader recounts the New York Times sexual misconduct investigation into Harvey Weinstein. Zoe Kazan, Carey Mulligan, and Patricia Clarkson lead the cast. Release Date: November 18th
The Son
Florian Zeller won Best Adapted Screenplay in 2020 for The Father along with Anthony Hopkins taking Best Actor. This follow-up (based on the director’s play) finds Hopkins reprising his Oscar-winning part in supporting fashion. Other cast members seeking awards attention include Hugh Jackman, Laura Dern, and Vanessa Kirby. Release Date: TBD
TAR
It’s been a while since we’ve seen Todd Field behind the camera. Previous efforts In the Bedroom and Little Children received 8 nominations between them. A decade and a half following Children comes this Berlin set drama with Cate Blanchett, Noemie Merlant, and Mark Strong. Release Date: October 7th
Three Thousand Years of Longing
Scheduled for a Cannes bow in May, Longing is a fantasy romance from the legendary mind of George Miller (who last made Mad Max: Fury Road which won six tech Oscars). Idris Elba and Tilda Swinton star. Release Date: TBD
The Whale
Darren Aronofsky directed Mickey Rourke to a comeback narrative nod for 2008’s The Wrestler. Two years later, his follow-up Black Swan earned Natalie Portman a statue. Brendan Fraser is hoping for the same treatment with The Whale as he plays a 600 pound man attempting to reconnect with his daughter. Costars include Sadie Sink, Hong Chau, and Samantha Morton. I’d expect Makeup and Hairstyling could also be in play with this. Release Date: TBD
White Noise
Not a remake of the Michael Keaton supernatural thriller from 2005, this is Noah Baumbach’s follow-up to Marriage Story. Based on a 1985 novel, it’s the filmmaker’s first picture based on other source material. Marriage landed three acting nods (with Laura Dern winning Supporting Actress). The cast here includes frequent Baumbach collaborator Adam Driver, real-life partner Greta Gerwig, Raffey Cassidy, Andre Benjamin, Alessandro Nivola, and Don Cheadle. This could be Netflix’s strongest contender. Release Date: TBD
The Woman King
Expect this West Afrian set historical epic from Gina Prince-Bythewood to be heavily touted by Sony with awards bait roles for leads Viola Davis and Thuso Mbedu. The supporting cast includes John Boyega and Lashana Lynch. Release Date: September 16th
Women Talking
Based on a 2018 novel, Sarah Polley writes and directs this drama focused on eight Mennonite women and their story of abuse. The sterling cast includes Frances McDormand, Jessie Buckley, Ben Whishaw, Claire Foy, and Rooney Mara. Release Date: TBD
And that’s just a small preview of the features that could materialize for the 95th Academy Awards! As always, the speculation on this site will continue throughout the year and into the next. Stay tuned…
Coming off terrific reviews and a sizzling limited rollout, Everything Everywhere All at Once debuts in wide release on April 8th. The sci-fi action comedy comes from Dan Kwan and Daniel Scheinert (known as Daniels) with an acclaimed leading performance from Michelle Yeoh. The supporting cast includes Ke Huy Quan (Short Round from Indiana Jones and the Temple of Doom and Data from The Goonies!), Stephanie Hsu, Jenny Slate, Harry Shum Jr., James Hong, and Jamie Lee Curtis.
Sporting a 97% Rotten Tomatoes rating, Everything grossed just over half a million bucks on only 10 screens last weekend (that’s a $50k average). It’s fair to assume that the A24 tale will play stronger on the coasts than in between.
That said, the buzz that began at South by Southwest should result in this earning its reported $25 million budget back domestically. I’ll project $7-10 million for the expansion.
Everything Everywhere All at Once opening weekend prediction: $8.4 million
For my Sonic the Hedgehog 2 prediction, click here:
Prior to its theatrical release on March 25th, Everything Everywhere All at Once has premiered at South by Southwest over the weekend. The sci-fi comedy comes from directors Daniel Kwan and Daniel Scheinert, who are collectively known as Daniels. This is the follow-up to their acclaimed 2016 surrealist debut Swiss Army Man with Paul Dano and Daniel Radcliffe. Everything features Michelle Yeoh experiencing numerous multiverses of action with a supporting cast including Ke Huy Quan, Stephanie Hsu, Jenny Slate, James Hong, and Jamie Lee Curtis. Quan, by the way, you may know as Short Round from Indiana Jones and the Temple of Doom and Data from The Goonies.
When the Internet chatter broke last night, lots of bloggers were raving about this unconventional pic with particular praise toward Yeoh. The veteran actress has had acclaimed performances in Crouching Tiger, Hidden Dragon and Crazy Rich Asians, but she’s yet to surface for awards attention. The original screenplay (from the filmmakers) is also being touted for its boldness.
That said, this could be a prime example of a movie that has its fervent champions and doesn’t materialize in Oscar discussions (despite inevitable Twitter talk). The Rotten Tomatoes score is currently 67% with both Variety and Hollywood Reporter logging so-so reviews. If A24 does mount a campaign, they’ll have supporters but that may not be enough. My Oscar Prediction posts will continue…
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