Daily Streaming Guide: March 19th Edition

My Daily Streaming Guide for titles worthy of including in your binge watching escapades continues with some lighter and laugh inducing material:

Amazon Prime

Our taste for cinematic whodunits increased this fall with the release of the blockbuster Knives Out. For those who haven’t seen Clue, not only is it my favorite flick based on a board game – it’s one of my favorite murder mysteries (packed with great one-liners). Featuring an array of hilariously broad performances led by Tim Curry, the pic has deservedly turned into a cult classic. I watched it endlessly as a kid and find it just as entertaining today.

Netflix

Over a decade before Robin Williams donned a dress and spectacles in Mrs. Doubtfire, Dustin Hoffman did the same in 1982’s massive hit Tootsie. Nominated for 10 Academy Awards, a new generation might not be familiar with it. If you haven’t seen it, it’s definitely worth a look.

Hulu

For something more recent, Mark Wahlberg and Rose Byrne headline the dramedy Instant Family. It casts the pair as foster parents entering unknown and often funny and dramatically resonant territory. Certainly a worthwhile experience that the whole family can enjoy.

I’ll be back at it tomorrow! Until then…

Like a Boss Box Office Prediction

Tiffany Haddish and Rose Byrne headline the business themed comedy Like a Boss next weekend as Paramount Pictures hopes many girls will make a trip to view it. Originally slated for release last summer, Boss is directed by Miguel Arteta with a supporting cast including Jennifer Coolidge, Billy Porter, and Salma Hayek.

It’s been over two years since Haddish broke through in a major way with Girls Trip and her lucky streak continued with Night School with Kevin Hart. However, things have slowed down a bit as of late with Nobody’s Fool (which grossed $14 million for its start). Then there was last year’s crime drama flop The Kitchen with Byrne’s Spy costar Melissa McCarthy.

The lack of much comedic competition should help a bit, but buzz seems to fairly muted here. My guess is this makes a bit under what Fool accomplished and struggles to hit teens.

Like a Boss opening weekend prediction: $12.4 million

For my 1917 prediction, click here:

https://toddmthatcher.com/2020/01/01/1917-box-office-prediction/

For my Just Mercy prediction, click here:

https://toddmthatcher.com/2020/01/01/just-mercy-box-office-prediction/

For my Underwater prediction, click here:

https://toddmthatcher.com/2020/01/02/underwater-box-office-prediction/

Jexi Box Office Prediction

From the directors of the Bad Moms pics, Jexi dials into theaters next weekend and is hoping for a decent reception. The comedy stars Adam DeVine as a loner obsessed with his phone. When he gets an upgrade that includes Rose Byrne voicing the title character/feature, life begins to improve until the artificially intelligent being develops an obsession with him. Costars include Alexandra Shipp, Michael Pena, Justin Hartley, and Wanda Sykes.

I have a hunch Jexi will have a tough time connecting with filmgoers. As far as its effectiveness via trailer and TV spots, I’m getting a bit of a Stuber vibe. That comedy with Kumail Nanjiani stalled over the summer with just an $8.2 million opening weekend. And one could argue Nanjiani has more drawing ability than DeVine.

Considering that, I’ll say this will be lucky to reach that number and won’t do so.

Jexi opening weekend prediction: $3.5 million

For my Gemini Man prediction, click here:

https://toddmthatcher.com/2019/10/01/gemini-man-box-office-prediction/

For my The Addams Family prediction, click here:

https://toddmthatcher.com/2019/10/01/the-addams-family-box-office-prediction/

Instant Family Movie Review

There’s an air of authenticity to Instant Family as its director Sean Anders and his wife are foster parents in the real world. Is it also a big Hollywood comedy with famous movie stars that works overtime to tug those heartstrings? It is, but the mission is mostly accomplished by credits roll.

Pete (Mark Wahlberg) and Ellie Wagner (Rose Byrne) spend their days flipping houses and enjoying their child free upper middle class existence. A trip down the Internet wormhole gets Ellie intrigued in adopting a toddler. Pete gets on board in short order and we witness the steps needed to do so. This include a weeks long course led by two social workers played by Octavia Spencer and Tig Notaro. Both are rock solid casting choices. An interesting picture could certainly be made about the saints of that profession.

Pete and Ellie get more than they bargained for when teenage girl Lizzy (Isabela Moner) catches their attention. She has two younger siblings in tow and soon it’s a quintet filling a freshly refurbished abode. And there’s plenty of drama (with much humor mixed in) that cause the Wagners to question their new life direction. This isn’t simply a new project.

This is far from a hard-hitting expose on the foster care system. Yet the screenplay from Anders and John Morris doesn’t shy away from the issues that fill it, including addiction, abandonment, and self-worth. It walks a fine line between being effective or risking becoming too mushy for its own good. By the third act, the sentimentality is still strong with this one. However, I’d be deceptive if I said it hadn’t won me over. Much of that has to do with Moner’s touching performance as the untrusting youth and fierce protector of her siblings.

Anders knows this subject and even while there’s a polished Tinseltown shine covering it, his heart comes through. I left Family appreciative of the time spent with them.

*** (out of four)

Instant Family Box Office Prediction

Mark Wahlberg and Rose Byrne are a couple who bring in a trio of foster kids in next weekend’s comedy Instant Family. The pic reunites Wahlberg with director Sean Anders, who made both of the successful Daddy’s Home features. Costars include Isabela Moner, Octavia Spencer, and Tig Notaro.

Family was originally scheduled to hit screens in February 2019 before Paramount pushed up the date. It will try to bring in family audiences on a weekend where Fantastic Beasts: The Crimes of Grindelwald opens directly against it and The Grinch will be in its sophomore frame. That could certainly limit the potential for a robust debut, but the studio will hope that word of mouth carries it to a leggy run over the holidays.

I’ll predict a high teens teens premiere is what we’ll see as the currently unknown buzz will determine the rest of its fate.

Instant Family opening weekend prediction: $19.4 million

For my Fantastic Beasts: The Crimes of Grindelwald prediction, click here:

https://toddmthatcher.com/2018/11/06/fantastic-beasts-the-crimes-of-grindelwald-box-office-prediction/

For my Widows prediction, click here:

https://toddmthatcher.com/2018/11/07/widows-box-office-prediction/

Peter Rabbit Box Office Prediction

Based on the well-known works of Beatrix Potter, Sony Pictures is hoping family audiences will hop to Peter Rabbit when it debuts next weekend. The mix of live-action and CG animation features the voices of James Corden in the title role along with Daisy Ridley, Margot Robbie, and Sia. Familiar faces physically present include Domhnall Gleeson, Rose Byrne, and Sam Neill. Will Gluck, maker of Easy A and the recent Annie remake, directs.

Rabbit could be in a solid position to attract kids and their parents now that box office juggernaut Jumanji: Welcome to the Jungle is finally winding down. Many are still familiar with the source material that first appeared in literary form in 1902.

I’ll estimate that the reported $50 million production makes a bit under $20 million out of the gate.

Peter Rabbit opening weekend prediction: $18.7 million

For my Fifty Shades Freed prediction, click here:

https://toddmthatcher.com/2018/01/30/fifty-shades-freed-box-office-prediction/

For my The 15:17 to Paris prediction, click here:

https://toddmthatcher.com/2018/01/31/the-1517-to-paris-box-office-prediction/

 

Insidious: The Last Key Box Office Prediction

The first new wide release of 2018 is out next Friday when Insidious: The Last Key enters theaters. This is the fourth chapter in the franchise that began in 2011. Like Chapter 3, it’s a prequel to the events of the first two. In other words, no Patrick Wilson or Rose Byrne (the stars of the originals). James Wan, director and 1 and 2, produces with Adam Robitel behind the camera. Leigh Whannell, who’s served as writer for all of them, costars along with Lin Shaye, Angus Sampson, Josh Stewart, and Bruce Davison.

One factor that could assist The Last Key is the absence of horror flicks in the marketplace at the moment. That said, this franchise has been losing its luster. The 2011 original debuted to $13 million but legged out very nicely for its genre with an eventual $54 million gross. The 2013 sequel was the pinnacle with a terrific $40 million opening weekend and $83 million total tally. Chapter 3 in 2015 premiered to $22 million, but ended up as the lowest earner of the series with $52 million. 

I don’t see a compelling reason why part 4 will rebound. For comparison sake, I could see this performing similarly to 2014’s Paranormal Activity: The Marked Ones, which opened in the first weekend of January to just over $18 million. Like this, that was an entry in a franchise whose steam had dissipated. That number seems to be where Key fits best.

Insidious: The Last Key opening weekend prediction: $18.6 million