Tag: Roma

31st Critics’ Choice Awards Nomination Predictions

Nominations for the 31st Critics’ Choice Awards will be unveiled tomorrow morning before its telecast on January 4th. With Chelsea Handler returning to host, it is one of the higher profile Oscar precursors. This awards branch is traditionally hesitant to honor international titles though titles No Other Choice and The Secret Agent popped up on their shortlists for consideration and recent pics like Roma, Parasite, and RRR made the cut. Speaking of, this is the first year where CCA unveiled shortlists for a number of below the line races.

Like the Oscars, there are 10 nominees for Best Picture. Last year, 9 out of 10 CCA nominees got a BP nod from the Academy. It was 8 the previous two years so this is a decent barometer for what’s to come. Unlike the Oscars, there were 8 nominated Directors (at least there was last year), but apparently only six this time around and 6 hopefuls in other categories.

Here are my predictions with an alternate for each competition:

Best Picture

Avatar: Fire and Ash

Frankenstein

Hamnet

Jay Kelly

Marty Supreme

One Battle After Another

Sentimental Value

Sinners

Train Dreams

Wicked: For Good

Alternate – Bugonia

Best Director

Paul Thomas Anderson, One Battle After Another

Ryan Coogler, Sinners

Guillermo del Toro, Frankenstein

Jafar Panahi, It Was Just an Accident

Josh Safdie, Marty Supreme

Chloé Zhao, Hamnet

Alternate – Joachim Trier, Sentimental Value

Best Actress

Jessie Buckley, Hamnet

Rose Byrne, If I Had Legs I’d Kick You

Cynthia Erivo, Wicked: For Good

Chase Infiniti, One Battle After Another

Renate Reinsve, Sentimental Value

Emma Stone, Bugonia

Alternate – Amanda Seyfried, The Testament of Ann Lee

Best Actor

Timothée Chalamet, Marty Supreme

Leonardo DiCaprio, One Battle After Another

Joel Edgerton, Train Dreams

Ethan Hawke, Blue Moon

Michael B. Jordan, Sinners

Wagner Moura, The Secret Agent

Alternate – George Clooney, Jay Kelly

Best Supporting Actress

Elle Fanning, Sentimental Value

Ariana Grande, Wicked: For Good

Inga Ibsdotter Lilleass, Sentimental Value

Amy Madigan, Weapons

Wunmi Mosaku, Sinners

Teyana Taylor, One Battle After Another

Alternate – Regina Hall, One Battle After Another

Best Supporting Actor

Benicio Del Toro, One Battle After Another

Delroy Lindo, Sinners

Paul Mescal, Hamnet

Sean Penn, One Battle After Another

Adam Sandler, Jay Kelly

Stellan Skarsgård, Sentimental Value

Alternate – Jacob Elordi, Frankenstein

Best Original Screenplay

It Was Just an Accident

Jay Kelly

Marty Supreme

Sentimental Value

Sinners

Weapons

Alternate – The Secret Agent

Best Adapted Screenplay

Bugonia

Frankenstein

Hamnet

No Other Choice

One Battle After Another

Train Dreams

Alternate – Wake Up Dead Man: A Knives Out Mystery

Best Comedy

Bugonia

Jay Kelly

Marty Supreme

The Phoenician Scheme

Wake Up Dead Man: A Knives Out Mystery

Alternate – The Naked Gun

Best Ensemble

Hamnet

Jay Kelly

Marty Supreme

One Battle After Another

Sinners

Wicked: For Good

Alternate – A House of Dynamite

Best Foreign Language Film

It Was Just an Accident

No Other Choice

The Secret Agent

Sentimental Value

Sirât

The Voice of Hind Rajab

Alternate – Left-Handed Girl

Best Animated Film

Arco

KPop Demon Hunters

Little Amélie or the Character of Rain

Ne Zha 2

Scarlet

Zootopia 2

Alternate – Elio

Best Cinematography

Frankenstein

Hamnet

Marty Supreme

One Battle After Another

Sinners

Train Dreams

Alternate – Jay Kelly

Best Costume Design

Frankenstein

Kiss of the Spider Woman

Marty Supreme

One Battle After Another

Sinners

Wicked: For Good

Alternate – Hamnet

Best Editing

A House of Dynamite

F1

Marty Supreme

No Other Choice

One Battle After Another

Sinners

Alternate – Hamnet

Best Hair and Makeup

28 Years Later

Frankenstein

Sinners

The Smashing Machine

Weapons

Wicked: For Good

Alternate – Kiss of the Spider Woman

Best Production Design

Avatar: Fire and Ash

Frankenstein

Hamnet

Marty Supreme

Sinners

Wicked: For Good

Alternate – Hedda

Best Original Score

A House of Dynamite

Bugonia

Hamnet

Marty Supreme

One Battle After Another

Sinners

Alternate – Frankenstein

Best Original Song

“Dear Me” from Diane Warren: Relentless

“The Girl in the Bubble” from Wicked: For Good

“Golden” from KPop Demon Hunters

“Highest 2 Lowest” from Highest 2 Lowest

“I Lied to You” from Sinners

“Train Dreams” from Train Dreams

Alternate – “Last Time (I Seen the Sun)” from Sinners

Best Sound

Avatar: Fire and Ash

F1

Frankenstein

One Battle After Another

Sinners

Wicked: For Good

Alternate – Warfare

Best Stunt Ensemble

Ballerina

F1

Mission: Impossible – The Final Reckoning

One Battle After Another

Sinners

Wicked: For Good

Alternate – Superman

Best Visual Effects

Avatar: Fire and Ash

The Fantastic Four: First Steps

F1

Frankenstein

Superman

Wicked: For Good

Alternate – Mickey 17

Best Young Actor/Actress

Everett Blunck, The Plague

Miles Caton, Sinners

Cary Christopher, Weapons

Aidan Delbis, Bugonia

Chase Infiniti, One Battle After Another

Jacobi Jupe, Hamnet

Alternate – Alfie Williams, 28 Years Later

That means I am predicting the following number of nominations for these films:

17 Nominations

Sinners

16 Nominations

One Battle After Another

11 Nominations

Marty Supreme, Wicked: For Good

10 Nominations

Hamnet

9 Nominations

Frankenstein

8 Nominations

Sentimental Value

5 Nominations

Bugonia, Jay Kelly, Train Dreams

4 Nominations

Avatar: Fire and Ash, F1, Weapons

3 Nominations

It Was Just an Accident, No Other Choice

2 Nominations

A House of Dynamite, KPop Demon Hunters, The Secret Agent

1 Nomination

28 Years Later, Arco, Ballerina, Blue Moon, Diane Warren: Relentless, The Fantastic Four: First Steps, Highest 2 Lowest, If I Had Legs I’d Kick You, Kiss of the Spider Woman, Little Amélie or the Character of Rain, Mission: Impossible – The Final Reckoning, Ne Zha 2, The Phoenician Scheme, The Plague, Scarlet, Sirât, The Smashing Machine, Superman, The Voice of Hind Rajab, Wake Up Dead Man: A Knives Out Mystery, Zootopia 2

Oscar Predictions: Father Mother Sister Brother

Jim Jarmusch’s Father Mother Sister Brother is your surprise Venice Golden Lion winner (top prize) for 2025. The dramedy anthology from the veteran indie filmmaker boasts a cast featuring Cate Blanchett, Adam Driver, Tom Waits, Vicky Krieps, Mayim Bialik, Charlotte Rampling, Indya Moore, Luka Sabbat, and Sarah Greene.

The three act pic is being distributed by Mubi with a stateside release on Christmas Eve. While Italian reaction was positive, it would seem the jury’s verdict was even more effusive. Rotten Tomatoes is at 100% with 79 on Metacritic.

Five of the last 10 Lion recipients have gone onto a Best Picture nomination from the Academy – The Shape of Water (which won), Roma, Joker, Nomadland (which also won), and Poor Things. Jarmusch has never been a fixture with Oscar voters. Despite the Venice boost, I doubt that will change with Original Screenplay perhaps being the only realistic possibility. My Oscar Prediction posts will continue…

Oscars: The Case of Emilia Pérez

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the first half of the BP contenders and if you missed them, they are linked at the bottom of the post. Next up is Jacques Audiard’s Emilia Pérez.

The Case for Emilia Pérez:

This multi-genre mashup of music and crime mixed with social commentary has been at the forefront of awards attention since it debuted at Cannes last summer and took the Jury Prize. That’s essentially second place to the Palme d’Or which went to Anora. Pérez landed an Academy ceremony leading 13 nominations including Director, Actress (Karla Sofia Gascón), Supporting Actress (Zoe Saldaña), Adapted Screenplay, International Feature Film, Cinematography, Film Editing, Makeup & Hairstyling, Original Score, two in Original Song, and Sound. Precursor nods have been in abundance for BP at Critics Choice, BAFTA, and PGA and Best Ensemble at SAG. Mr. Audiard is in contention at DGA. At the Golden Globes, Pérez beat a field in Best Motion Picture (Musical or Comedy) that included fellow BP nominees Anora, The Substance, and Wicked.

The Case Against Emilia Pérez:

While festival crowds have lauded it, general audiences have not. Pérez sports an 18% audience score on Rotten Tomatoes while the next lowest among the BP hopefuls is The Substance at 75%. If you’re not buying the Tomato measuring accuracy of that stat, the critics aren’t over the moon either. The RT score of 73% is the least of the bunch with the next lowest being A Complete Unknown at 80%. The 71 Metacritic rating is second to bottom with Unknown at 70. There’s also the Netflix factor. The distributor has yet to win Best Picture and that could be due to voter aversion to the giant streaming service. Some believe this was a major factor at the 91st Academy Awards when Green Book took top honors over Roma. The movie with the leading amount of nominations has failed to win BP more often than not in the 21st century (14 out of 24 times). Additionally, I’m Still Here (with its unexpected Pic nom) has emerged as serious competition in International Feature Film where Pérez was seen as the easy frontrunner. Then there’s the events of the last week where Karla Sofia Gascón’s troubling social media posts from a few years back resurfaced. The story has dominated headlines in the trades and beyond and could hinder the frontrunner status it has held with pundits.

The Verdict:

Obviously a lot to unpack here. I have never had Pérez 1st in my BP rankings, but it’s undeniably a major threat to win. I fully understand why many do have it above the others (especially after the Globe victory). Yet for the lengthy information contained above in Case Against, I’m highly hesitant to push the chips in for it.

My Case Of posts will continue with I’m Still Here…

Oscars: The Case of Anora
Oscars: The Case of The Brutalist
Oscars: The Case of A Complete Unknown
Oscars: The Case of Conclave
Oscars – The Case of Dune: Part Two

AFI Awards 2024: Reaction

Each year the American Film Institute (AFI) names their ten best films of the year and it’s become a reliable bell weather for 7-8 Best Picture nominees at the Oscars. How about a look at the past 15 years and their track record since the Academy expanded to more than five BP contenders?

2009: 5/10 match

2010: 9/10

2011: 7/9

2012: 8/9

2013: 7/9

2014: 6/8

2015: 6/8

2016: 7/9

2017: 7/9

2018: 5/8

2019: 7/9

2020: 6/8

2021: 8/10

2022: 7/10

2023: 8/10

There’s an important caveat as this is the American Film Institute. Therefore movies considered international do not make the cut. They often get a “special” award and that was the case with Roma, Parasite, and The Banshees of Inisherin.

Today’s AFI announcement was surprising in the sense that there was only one. Emilia Pérez was thought by most to be ineligible for the 10 due to its foreign flavor, but it managed to make the cut. The AFI list is as follows:

Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

Nickel Boys

A Real Pain

Sing Sing

Wicked

Not a shocker in the group. This seems like a key inclusion for Nickel Boys and A Real Pain in solidifying their status as legit BP players. I suspect that if some prognosticators knew Emilia would be eligible, several of them would’ve gone 10/10.

Let’s analyze, shall we? The AFI has a habit of naming mainstream pics that the Academy ignores. Examples in the last decade include Into the Woods, Inside Out, Star Wars: The Force Awakens, Straight Outta Compton, Zootopia, Wonder Woman, Mary Poppins Returns, A Quiet Place, Knives Out, Soul, Nope, and Spider-Man: Across the Spider-Verse.

Note the amount of animated features. This is where a nod for The Wild Robot wouldn’t have been unexpected. The fact that it didn’t land here is an indication of its chances in the Academy’s BP derby… none. The same might be said for Gladiator II. It’s been out of my top 10 and I had it placed 13th in Other Possibilities last weekend. Don’t be surprised it drops out of the top 15 in my next update.

Other features that could have benefitted from a spot here include The Substance, September 5, Nosferatu, Blitz, The Room Next Door, and recent Gotham recipient A Different Man.

That said… we don’t expect this to be the Oscar top ten…

Do we?!? It sure could be. Yes, that would be the first time AFI and the Academy match 10/10. Yet the only difference I have right now is The Substance over A Complete Unknown and the latter seems to be picking up some steam. We still have Critics Choice and their top ten en route. They’re another pretty reliable barometer. I’ll say right now, though, that at least 8 of AFI’s picks will be the Academy’s and perhaps more…

Keep an eye on this blog for all Oscar precursor chatter!

Toronto Gives Awards Life to Chuck

The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.

In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.

All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.

First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.

Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.

Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.

Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.

Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.

Venice Makes Room for Next Door

The 2024 Venice Film Festival has wrapped production with a bit of a surprise ending. Pedro Almodóvar’s English language debut The Room Next Door has taken the Golden Lion (equivalent to Best Picture) in Italy. The relationship drama starring Julianne Moore and Tilda Swinton has received positive reviews (95% RT), but the general consensus is they might not have been strong enough for this particular prize.

What does that mean for its Oscar chances? Well, it certainly helps exposure prior to its December 20th limited stateside start and nationwide expansion in January. Five of the past seven Golden Lion recipients have ended up nabbing BP nods – The Shape of Water (winner), Roma, Joker, Nomadland (winner), and Poor Things.

Venice spreads the wealth when it comes to the victors. The Silver Lion designation (equivalent to Best Director) was bestowed to Brady Corbet for The Brutalist. The Holocaust survivor epic was the breakout of the fest with its awards possibilities going through the roof. It could become a major player at the 97th Academy Awards and Corbet’s inclusion here proves it. On the other hand, this was probably the betting odds favorite for the Lion and didn’t get there.

The Volpi Cups go to Actor and Actress. The former went to Vincent Lindon for The Quiet Son. It’s doubtful that he’ll be a factor in the Academy’s race. In the past decade, two Volpi Actor winners have garnered Oscar nods (Willem Dafoe for At Eternity’s Gate and Colin Farrell in The Banshees of Inisherin).

In Best Actress, the story could be different with Nicole Kidman being named for Babygirl. Seeking her sixth Academy nom, she was unable to accept the Venice award due to her mother’s passing. At the Oscars, Best Actress is starting to look crowded. Yet A24 is likely to mount a spirited campaign for the performer. Half of the previous the Actress honorees have made the Academy’s cut: winners Emma Stone (La La Land) and Olivia Colman (The Favourite) in addition to Vanessa Kirby (Pieces of a Woman), Penélope Cruz (Parallel Mothers), and Cate Blanchett (Tár).

Keep checking the blog for rolling awards coverage!

Oscars: The Case of Jonathan Glazer for The Zone of Interest

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Director quintet and it starts with Jonathan Glazer for The Zone of Interest. Let’s get to it!

Previous Directing Nominations:

None

The Case for Jonathan Glazer:

The English filmmaker’s fourth feature comes after three acclaimed predecessors: 2001’s Sexy Beast, 2004’s Birth, and 2014’s Under the Skin. The Holocaust drama is the frontrunner for Best International Feature Film and had a solid showing with five nominations. He hopes to follow in the footsteps of other directors in recent years who took the prize along with IFF like Alfonso Cuaròn (Roma) and Bong Joon-ho (Parasite).

The Case Against Jonathan Glazer:

Cuaròn and Joon-ho didn’t have to compete against the juggernaut that is Christopher Nolan for Oppenheimer. He is the far and away favorite. Glazer managed a BAFTA mention, but didn’t make the cut for Critics Choice, the Globes, or DGA.

The Verdict:

Barring a massive upset, Nolan towers over all competitors.

My Case Of posts will continue with Lily Gladstone in Killers of the Flower Moon…

35th PGA Awards Nominations Reaction

The Producers Guild of America hold their 35th ceremony on February 25th with nominations out today. In an unexpected way, the PGA surprised us with their BP contenders.

For the two races (Best Theatrical Motion Picture and Best Animated Motion Picture), I went 12/15 in my picks.

For the big competition, there was general consensus that eight movies would make the cut: American Fiction, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, and Poor Things.

Oppenheimer is seen as the frontrunner with Barbie and Killers as potential threats. That octet of expected features are nominated. It’s the other two that will get the lions share of attention on social media.

The PGA, in the past, has shown an aversion to international titles. Occasionally one gets in their top ten. 2018’s Roma and 2019’s Parasite are recent examples. Yet they seemed to be outliers. Roma was the favorite to win Oscar’s BP (though it lost to Green Book). Parasite did win.

Therefore it made sense for me (and most other prognosticators) to leave out Anatomy of a Fall and The Zone of Interest. Instead I went with Air and Spider-Man: Across the Spider-Verse. Plenty of others selected The Color Purple and it was my alternate.

Yet PGA went ahead and nominated Anatomy and Zone (causing me to go 8/10). This is the first time they’ve nominated 2 foreign pics in the same year. Surprise surprise!

And this is where it gets tricky when it comes to projecting the Academy’s Best Picture lineup. It is very rare that PGA/Oscar match. In fact, we’ve seen four years (2009, 2010, 2021, 2022) where there’s been a set 10 contenders for both shows. In 2009 – the correlation between the two was 8 for 10. In 2010 – there was the high mark of 9. For 2021, it was 8. And it was 7 last year.

Here’s the problem. The PGA 10 is currently my Oscar BP 10. Will they actually match up? Is that possible? It sure seems to be, but time will tell and let’s see if my predictions shift when I update them this weekend.

In the Animated competition, your nominees are: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, and Teenage Mutant Ninja Turtles: Mutant Mayhem.

I went 4 for 5. Mario, the highest grosser of the quintet, gets in over my pick of Wish (which was a Disney dud). Maybe I should’ve figured this guild would go with the massive blockbuster. Spidey is the safe call for victory.

I’ll have final predictions for the winners up shortly before the show!

Oscar Predictions: Tótem

Tótem from Lila Avilés has been announced as Mexico’s selection for Best International Feature Film at the Oscars. The family drama premiered back in February at the Berlin Film Festival and has been making the rounds at the other fests since.

It will attempt to become the sixth Mexican title in the 21st century to make the foreign five with the Academy. The others were 2000’s Amores perros, 2002’s The Crime of Father Amaro, 2006’s Pan’s Labyrinth, 2010’s Biutiful, and 2018’s Roma (the sole victor). Reviews on Rotten Tomatoes are at 95% and there’s a few that are outright raves. I did not have this in my top ten possibilities when I updated my IFF forecast on the blog five days back. I could be underestimating it and we’ll see if it enters that list during my next forecast. My Oscar Prediction posts will continue…

Venice Enriches Poor Things

The 80th Venice Film Festival has signed off and the Grand Jury’s verdict has honored what’s expected to be a major awards player. From 2017-2020, the four films that took the Golden Lion (the fest’s top prize) went onto receive Best Picture nominations at the Oscars: The Shape of Water (which won), Roma, Joker, and Nomadland (another victor). 2021 French pic Happening and 2022’s documentary All the Beauty and the Bloodshed bucked the trend.

Yet I would suspect the correlation between Lion and BP nominee returns in 2023 as Yorgos Lanthimos’s Poor Things is the Lion recipient. Based on reaction from Italy, Things established itself as a major contender across many categories and this assists in cementing that. Expect to read lots about this movie in my prediction posts in the weeks and months ahead.

Venice likes to spread the wealth around. Poor Things didn’t take the directing or screenplay categories or name Emma Stone as Best Actress. Instead that statue went to Cailee Spaeny as Elvis’s young bride Priscilla in Sofia Coppola’s biopic. This does nothing but help Spaeney’s chances in what appears to be an already crowded Actress derby.

Peter Sarsgard is your Best Actor for Michael Franco’s Memory (he and Jessica Chastain are drawing raves for their work). Its distributor would need to mount a shrewd campaign for Academy voters to take notice.

The fest’s runner-up trophy (the Grand Jury Prize) went to Ryusuke Hamaguchi’s Evil Does Not Exist. Japan recently opted to select Perfect Days from Wim Wenders as their International Feature Film hopeful. Best Screenplay went to El Conde from Pablo Larrain, which will likely be Chile’s best best for IFF inclusion.

Poor Things was the odds on favorite for the Lion as Venice rolled along. Look for it to roar as the season continues.