Universal Pictures looks for Monkey Man to make the lion’s share of box office dollars when it opens on April 5th. Dev Patel (a Supporting Actor nominee for 2016’s Lion) makes his directorial debut in the action thriller with John Wickish vibes. He also headlines and cowrote the pic that premiered at South by Southwest to general acclaim (the RT score is 92%). Sharlto Copley, Pitobash, Sobhita Dhulipala, Sikandar Kher, and Vipin Sharma costar. Jordan Peele serves as a producer.
The effective ads could lure genre enthusiasts searching for Wick style violence, even if Patel is far from a bankable commodity (though expect The Green Knight stans to be first in line). This could be an example of cinephiles being more thrilled to view it than general audiences. That said, I wouldn’t be surprised if this overperforms and that could mean a high teens to low 20s start. Mid teens might be more likely.
Monkey Man opening weekend prediction: $16.6 million
Dev Patel’s directorial debut Monkey Man received its first look at South by Southwest prior to an April 5th release. The hardcore action flick is getting some cheers. With 91% on Rotten Tomatoes, the actor turned filmmaker and co-writer (a Supporting Actor nominee for 2016’s Lion) could have a spring sleeper hit. Jordan Peele is among the producers with a supporting cast including Sharlto Copley, Pitobash, Vipin Sharma, Sikandar Kher, and Sobhita Dhulipala.
While some reviews hone in on the overall style with shoutouts to the cinematography, Monkey isn’t really the type of material Oscar goes for. The chances of it factoring in any race seems minor. Where it might pop up is at next year’s DGA Awards with Patel in the First-Time Feature category. My Oscar Prediction posts will continue…
There’s an impressive array of Oscar players involved with Foe, the sci-fi thriller that premiered at the New York Film Festival over the weekend. It’s out next weekend via Amazon Studios. Garth Davis directed the 2016 drama Lion, which scored six nominations including Best Picture. Saoirse Ronan is a four-time acting hopeful (supporting for Atonement and lead for Brooklyn, Lady Bird, and Little Women). Costar Paul Mescal made the Best Actor quintet last year for Aftersun.
Yet the Big Apple fest resulted in non-fruitful buzz for Foe. With 10 reviews up, the Rotten Tomatoes score is a troubling 10% (yes, that’s one fresh). Despite the pedigree, do not expect this to find any friends in the voting branch of the Academy. My Oscar Prediction posts will continue…
We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:
We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.
As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.
Arrival
Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.
Does It Make the Final Five?
No, but I’ll admit I went back and forth here. There’s certainly an argument to be made that it gets in due to the high number of nominations. However, the Actress snub and it not making the Golden Globe five for Drama make me more comfortable leaving it out. **As a side note – I didn’t let my personal take on it interfere as it’s probably my favorite picture of 2016.
Fences
Denzel Washington starred and directed this adaptation of the August Wilson play. Washington landed an Actor nom while costar Viola Davis won Supporting Actress. The Adapted Screenplay was also up.
Does It Make the Final Five?
No. Had it materialized in Director, I might think twice but this was probably 7th at best of the nine contenders.
Hacksaw Ridge
Mel Gibson made a filmmaking comeback in the World War II drama. He was up for his direction and Andrew Garfield earned a Best Actor spot. It won Sound Mixing and Film Editing and was up for Sound Editing.
Does It Make the Final Five?
Yes. Despite its screenplay not being mentioned, the Editing victory puts it in for me. In the 21st century, the winner of the race has missed BP exactly once (2011’s The Girl with the Dragon Tattoo).
Hell or High Water
Taylor Sheridan is best known these days for co-creating TV’s hit Yellowstone. He earned an Original Screenplay nod for this neo-Western that was also up for Supporting Actor (Jeff Bridges) and Film Editing.
Does It Make the Final Five?
No. Director David Mackenzie wasn’t up and the 0 for 4 showing is a sign the final five wasn’t reachable.
Hidden Figures
Theodore Melfi’s true life look at African-American female mathematicians at NASA during the 1960s was a gigantic hit – blasting off to $170 million domestically. Besides BP, Octavia Spencer was up for Supporting Actress as was the Adapted Screenplay.
Does It Make the Final Five?
No in spite of its box office. Of the nine nominees, it got the smallest number of noms and took home zero. It was also missed the Golden Globe and Critics Choice lists.
La La Land
Damien Chazelle won Best Director for his musical and Emma Stone was crowned Best Actress. The total number of nominations was 14 – which tied All About Eve and Titanic for the most ever. Other victories were Score, Song, Cinematography, and Production Design. The other mentions were Actor (Ryan Gosling), Original Screenplay, Sound Editing, Sound Mixing, Costume Design, and Film Editing.
Does It Make the Final Five?
A big and obvious yes. When Dunaway accidentally proclaimed it BP, no one was surprised since it was the frontrunner. It was very likely the runner-up in votes.
Lion
Garth Davis’s drama finds Dev Patel searching for his birth parents and it found its way to five other nods for Patel in Supporting Actor, Nicole Kidman for Supporting Actress, Adapted Screenplay, Score, and Cinematography. It did not win any of them.
Does It Make the Final Five?
Yes. I will admit that this could be a stretch and Arrival might be the pick of others. I just think that there would have been enough sentiment for this one to make the final cut even without directing and editing mentions.
Manchster by the Sea
Kenneth Lonergan got a directing nod for this grief filled drama and Casey Affleck won Best Actor. Lucas Hedges and Michelle Williams were up for the supporting derbies while Lonergan won Original Screenplay.
Does It Make the Final Five?
Yes. The screenplay and Actor wins solidify this and it was probably third of the five behind Moonlight and La La Land.
Playing TV legend Lucille Ball, Nicole Kidman’s performance in Being the Ricardos is next up in my Case Of posts for the Best Actress nominees. If you didn’t catch the first three entries, they’re here:
It actually seems like Kidman should have more than five nominations and she hasn’t won in 19 years. Ricardos is a golden opportunity for the Academy to make her a two-time winner. The Golden Globes made a victory here more possible when she took the top Drama prize at that ceremony. Oscar voters were clearly impressed with the cast as Javier Bardem and J.K. Simmons also received nods.
The Case Against Nicole Kidman:
A SAG award might’ve made her the heavy frontrunner, but Jessica Chastain (The Eyes of Tammy Faye) won it. Ricardos itself received mixed critical reaction and missed major categories like Picture and Original Screenplay.
As has been discussed many times on the blog, Best Actress is wide open (just like last year). I’d say Kidman and Chastain (based on their early hardware) probably stand the best chance, but nobody is an overwhelming favorite by any means.
My Case OF posts will continue with Best Actor hopefuls and Will Smith in King Richard…
Nicole Kidman and Aaron Sorkin could be in line for their respective fifth acting and writing nods at the Oscars with Being the Ricardos. The biopic, out December 10 in limited fashion before its Amazon Prime premiere December 21, centers on Kidman’s Lucille Ball and Javier Bardem’s Desi.
After generating some casting controversy ink for its leads, an early screening this weekend has been met with positive social media reaction. It indicates Kidman has a better chance at making the top five in Best Actress than I originally anticipated. If so, this would mark her fifth nod overall after winning 19 years ago for The Hours (the others were in lead with Moulin Rouge! and Rabbit Hole and supporting for Lion).
Bardem’s inclusion could be a less likely scenario though not impossible if voters fall hard for the pic. A Supporting Actor victor for 2007’s No Country for Old Men, he’s a two-time Actor contestant with Before Nights Falls and Biutiful.Â
In a Supporting Actor race that’s seemingly wide open, J.K. Simmons (playing William Frawley) could be back seven years after his gold statue for Whiplash. Same goes for Nina Arianda’s Vivian Vance though it is worth noting there’s several viable possibilities in Supporting Actress.
As for the writer/director, I’d say Sorkin’s original screenplay has a far better shot at making it than his behind the camera work. That’s similar to his trajectory last year when his penmanship of The Trial of the Chicago 7 received a nomination. He’s thrice been up before with his screenplays for The Social Network (where he won), Moneyball, and Molly’s Game.Â
Last and certainly not least, the Academy often falls for fare about its own industry and a Best Picture nod is not out of the question. I’ve yet to list Ricardos in my top 15. Look for that to change on Thursday when I update and you can certainly anticipate its quartet of actors to rise. My Oscar Predictions for the films of 2021 will continue…
David Lowery has had the critics on his side for years with efforts including Ain’t Them Bodies Saints, A Ghost Story, and The Old Man & the Gun. His filmography has been called out by critics associations, but his pictures have yet to garner any Oscar attention.
Could that change with The Green Knight? Coming out Friday, the medieval fantasy had its embargo lifted today and the results are encouraging. Sporting a 93% Rotten Tomatoes score, it’s being called an epic experience with lush visuals. The lead performance of Dev Patel is also highly praised.
It will be interesting to see if distributor A24 mounts a major campaign. They could be preoccupied with The Tragedy of Macbeth from Joel Coen which is out this autumn.
Patel could be in the mix though I suspect he’s a bit of a long shot. He’s been nominated once before for Lion in supporting and drew some chatter that never panned out for The Personal History of David Copperfield. Costar Alicia Vikander (2015 Supporting Actress winner for The Danish Girl) might see a more serious campaign for Blue Bayou.
My hunch is that Knight could succeed in being Lowery’s first feature to get a nomination or two and that it could be in tech races. Visual Effects and Costume Design spring to mind. The Score is also getting kudos. I would also add that it’s highly possible Knight could be ignored altogether.
Bottom line: The Green Knight will need to sustain momentum over the season to be a competitor. Strong reviews could help the cause. My Oscar Watch posts will continue…
In the first of what will be several Oscar Watch posts from screenings at the Toronto Film Festival, we consider ThePersonalHistoryofDavidCopperfield. Armando Iannucci serves as director for the Charles Dickens based satire with Dev Patel (Oscar nominee in 2016’s Lion) in the title role. Costars include Tilda Swinton, Hugh Laurie, Peter Capaldi, and Ben Whishaw.
The film is said to be a crowd pleaser. Iannucci has received Academy attention previously with his Original Screenplay for 2009’s IntheLoop. Last year’s TheDeathofStalin was considered a contender in Adapted Screenplay, though that nod never came. He’s best known stateside for creating HBO’s Veep.
While I don’t foresee Copperfield vying for Picture or any of the acting categories (though Patel is getting raves), Adapted Screenplay could be feasible. That’s with a rather large caveat. A number of the contenders in that race (TheIrishman, JojoRabbit, ABeautifulDayintheNeighborhood, LittleWomen) are still unseen. That’s changing shortly and we may have a better idea whether there’s any room for this soon. My Oscar Watch posts will continue…
As the summer season winds down, the movie industry and this blog’s attention will soon turn to the Oscar race. And if you think it’s too early to do that, consider that less than a month from now – an avalanche of Academy hopefuls will be unveiled at film festivals. Toronto, Venice, Telluride, and the New York festivals are on deck. The programmers behind those events have already released the names of many of the pictures premiering. Here are some of the pictures wishing for Oscar glory that are hitting the circuit:
ABeautifulDayintheNeighborhood
Tom Hanks is iconic children’s host Mr. Rogers in director Marielle Heller’s follow-up to last year’s CanYouEverForgiveMe?, which nabbed nods for Melissa McCarthy and Richard E. Grant. Premiering at Toronto.
AdAstra
James Gray has made multiple critical darlings, but has yet to pop up on the awards circuit radar screen. Could this sci fi drama with Brad Pitt and Tommy Lee Jones change that? Premiering at Venice.
AnOfficerandaSpy
It will need serious acclaim to overcome the baggage that comes from its maker Roman Polanski, but this historical thriller will attempt to do so in Venice.
DolemiteIsMyName
Prior to its anticipated Netflix launch, Craig Brewer’s biopic of comedian Rudy Ray Moore portrayed by legendary comic Eddie Murphy will bow at Toronto.
Ema
Pablo Larrain has had his pics No and Jackie attract awards nods and this Chilean drama hopes to follow suit. Premiering at Venice.
FordvFerrari
Matt Damon and Christian Bale star in James Mangold’s 1960s set tale of the flashy automotive industry. Premiering at Toronto.
Harriet
Cynthia Erica was a breakout in last year’s Widows. This year she has an Academy baity role as abolitionist Harriet Tubman in this historical epic from Kasi Lemmons. Premiering at Toronto.
JojoRabbit
This concoction from Taika Waititi is set during WWII with a dark comedic premise finding a young child with an imaginary friend who happens to be Hitler. The filmmaker himself plays Hitler. Scarlett Johansson and Sam Rockwell are among the cast.
Joker
Heath Ledger won a posthumous gold statue as the comic book villain in TheDarkKnight. Joaquin Phoenix will attempt the same here. Premiering at Venice.
Judy
It’s been awhile since Renee Zellweger had a role receiving awards buzz. This biopic of Judy Garland could alter that. Premiering at Toronto.
JustMercy
This drama about a falsely accused prisoner features Michael B. Jordan, Jamie Foxx, and Brie Larson. Premiering at Toronto.
KnivesOut
Rian Johnson’s murder mystery has a sprawling cast of hopefuls including Daniel Craig, Chris Evans, Jamie Lee Curtis, Toni Collette, and Michael Shannon. Premiering at Toronto.
MarriageStory
Noah Baumbach is a favorite of the critical community. This drama is headlined by Scarlett Johansson and Adam Driver and hits Venice and other fests before its Netflix premiere.
TheGoldfinch
Brooklyn director John Crowley adapts this drama based on a well-known 2013 novel. The cast includes Nicole Kidman and Oakes Fegley. Premiering at Toronto.
TheIrishman
Rightly kicking off the New York Festival, Martin Scorsese directs this gangster saga starring Robert De Niro, Al Pacino, and Joe Pesci.
TheLaundromat
Oscar winner Steven Soderbergh directs this dramatic thriller with Meryl Streep, Gary Oldman, and Antonio Banderas. Premiering at Venice.
ThePersonalHistoryofDavidCopperfield
Lion nominee Dev Patel is the Charles Dickens character with a supporting cast including Tilda Swinton and Hugh Laurie. Premiering at Toronto.
TheTwoPopes
Jonathan Pryce is Pope Francis and Anthony Hopkins is Pope Benedict in this Netflix effort from director Fernando Meirelles. Premiering at Toronto.
Followers of this blog know that I’ll do Oscar Watch posts on each of these and many others as they screen in the coming weeks. Stay tuned!
In 2016, the directorial debut of Garth Davis was Lion and it earned an impressive six Oscar nominations. His follow-up is an ambitious one – Biblical drama MaryMagdalene. The film casts previous nominees Rooney Mara in the title role with Joaquin Phoenix portraying Jesus.
Anything featuring this director, the subject matter, and the leads is bound to lead to Oscar curiosity. Yet buzz out today strongly suggests otherwise. Reviews have been rather weak with one major trade publication deeming it a sophomore slump.
While Phoenix has been singled out for his performance, he is far more likely to garner a nod for other pictures he’s got in the 2018 hopper. They are Don’tWorry, HeWon’tGetFaronFoot and YouWereNeverReallyHere and they’ve already been covered on the blog.
Besides the unimpressed critical reaction, there are other issues. While Magdalene is scheduled to roll out internationally in various countries in the coming days and weeks, it’s U.S. distribution is uncertain. The pic was originally scheduled for release from the beleaguered Weinstein Company and is currently without a release date.
There is one possible exception to its Academy chances. The film is composed by Johann Johannson, a previous nominee for TheTheoryofEverything and Sicario. Mr. Johannson died unexpectedly on February 9 and there could perhaps be a push to honor him posthumously.
Bottom line: don’t look for MaryMagdalene to have any real impact come Oscar time next year.
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