Oscar Predictions: Ebenezer

Can Chuck Dickens get any awards love from Ti West’s rendering of his classic A Christmas Carol? Ebenezer is out this weekend with Johnny Depp attempting a big screen comeback as the title character. The darkly comedic gothic adaptation costars Rupert Grint, Andrea Riseborough, Sam Claflin, Daisy Ridley, Tramell Tillman, and Ian McKellen.

Critics are not showing their affection with 49% on Rotten Tomatoes and a 46 on Metacritic. That said, its prospects from the Academy are not dead. Costume Design is somewhat feasible. Its strongest chance lies in Makeup and Hairstyling. This is a category where Depp flicks have shown up from time to time: 1990’s Edward Scissorhands (lost to Dick Tracy), 1994’s Ed Wood (won), 2003’s Pirates of the Caribbean: The Curse of the Black Pearl (fell short to The Lord of the Rings: The Return of the King), Pirates of the Caribbean: At World’s End in 2007 (La Vie En Rose won), and even 2013’s box office flop The Lone Ranger which lost to Dallas Buyers Club.

I’ve yet to list Ebenezer in my top 10 possibilities in the Makeup derby though it could certainly make the shortlist. If it does so, this is an unpredictable branch so Depp could see his sixth feature in the mix. My Oscar Prediction posts will continue…

Ebenezer Box Office Prediction

Paramount is looking for audiences to be in the Christmas spirit, albeit Gothic holiday spirit, when Ebenezer opens November 13th. Also styled as Ebenezer: A Christmas Carol (in case you don’t know it’s based on the Charles Dickens classic), this is a departure for director Ti West. Known for the recent trilogy of X horror flicks (X, Pearl, MaXXXine), the darkly comedic fantasy marks a comeback attempt for Johnny Depp in the title role. After a series of controversies, this is Depp’s most high profile leading role in nearly a decade. Costars include Rupert Grint, Andrea Riseborough, Sam Claflin, Daisy Ridley, Arthur Conti, Ellie Bamber, Henry Lloyd-Hughes, Charlie Murphy, Tramell Tillman, and Ian McKellen.

Reportedly made for just under $40 million, that reasonable price could prove fortuitous as this looks to play throughout the holiday season. The review embargo doesn’t lift until the day before. That’s typically not a positive sign, but it could also avoid any poor word-of-mouth if critics say (you guessed it!) bah humbug.

Estimates have been trickling up past $20 million. The opportunity to exceed expectations is there with a worst case scenario probably in the late teens. I’ll say it does get to over half its budget in the initial weekend.

Ebenezer opening weekend prediction: $21.3 million

For my How to Rob a Bank prediction, click here:

The King of Kings Box Office Prediction

Blogger’s Note (04/07): Deadline reports that Kings is already seeing nearly $8 million in pre-sales four days before its debut. Angel Studios is employing a marketing strategy which includes kids receiving a free ticket to screenings with the family. This is causing me to raise my projection from $11.4 million to a sizzling $21.4 million.

Angel Studios, which had an unexpectedly massive hit with Sound of Freedom in 2023, has witnessed mixed returns for subsequent releases. The faith-based outlet goes the animation route on April 11th via The King of Kings. Based on a children’s book, it involves Charles Dickens (voiced by Kenneth Branagh) narrating the life of Jesus (Oscar Isaac). Other performers behind the mic include Uma Thurman, Mark Hamill, Roman Griffin Davis, Forest Whitaker, and Ben Kingsley.

Will Christians and kiddos turn out? Timed for a pre-Easter premiere, it does have direct competition from The Chosen: Last Supper – Part 3, the popular show which will broadcast the final 3 episodes for season 5. There’s also the sophomore frame for A Minecraft Movie which caters to family crowds.

Like the other new releases next weekend, I think this will hover around $10 million. I’ll project it gets a little over that and it might have a heavenly hold over the holiday in its second go-round.

The King of Kings opening weekend prediction: $21.4 million

For my The Amateur prediction, click here:

For my Drop prediction, click here:

For my The Chosen: Last Supper – Part 3 prediction, click here:

For my Warfare prediction, click here:

Oscar Predictions: Spirited

Will Ferrell, Ryan Reynolds, and Octavia Spencer headline Spirited, a musical comedy take on A Christmas Carol. Slated for an Apple TV rollout on November 18th, it has a limited theatrical release this Friday. Sean Anders, who collaborated with Ferrell on both Daddy’s Home pics, directs.

The brief cinematic run leaves it Oscar eligible, but don’t expect this spin on the Dickens classic to garner much attention. It is worth discussing whether the Hollywood Foreign Press Association puts it on their radar for the Golden Globes. They have Musical/Comedy designations and seeing it nominated for Picture and Actor (Ferrell or Reynolds) is feasible.

However, the current 59% Rotten Tomatoes meter is not encouraging. There are certainly years where the Musical/Comedy acting lists allow for performances from films with mixed reviews. I wouldn’t totally discount Ferrell. He’s a two-time GG hopeful in Supporting Actor for 2005’s The Producers and lead actor for Musical/Comedy for 2006’s Stranger Than Fiction. I would say the competition would need to be pretty weak for his third nod. My Oscar (and Golden Globe) prediction posts will continue…

Oscar Watch: The Personal History of David Copperfield

In the first of what will be several Oscar Watch posts from screenings at the Toronto Film Festival, we consider The Personal History of David Copperfield. Armando Iannucci serves as director for the Charles Dickens based satire with Dev Patel (Oscar nominee in 2016’s Lion) in the title role. Costars include Tilda Swinton, Hugh Laurie, Peter Capaldi, and Ben Whishaw.

The film is said to be a crowd pleaser. Iannucci has received Academy attention previously with his Original Screenplay for 2009’s In the Loop. Last year’s The Death of Stalin was considered a contender in Adapted Screenplay, though that nod never came. He’s best known stateside for creating HBO’s Veep.

While I don’t foresee Copperfield vying for Picture or any of the acting categories (though Patel is getting raves), Adapted Screenplay could be feasible. That’s with a rather large caveat. A number of the contenders in that race (The Irishman, Jojo Rabbit, A Beautiful Day in the Neighborhood, Little Women) are still unseen. That’s changing shortly and we may have a better idea whether there’s any room for this soon. My Oscar Watch posts will continue…