Tag Archives: David Lowery

Oscar Watch: The Old Man & The Gun

In case you didn’t know, there are two major film festivals currently happening. In addition to Venice (which has produced a handful of Oscar Watch posts already), the Telluride Film Festival kicks off today. The opening selection is The Old Man & The Gun, David Lowery’s latest which reportedly features the retirement role of Mr. Robert Redford. It tells the true life story of Forrest Tucker, a genteel bank robber and prison escape artist.

Early screenings have occurred and reviews are quite positive. However, nothing I’ve seen suggests this will be a factor in Best Picture. Lowery is a critical favorite. Yet even better reviewed features such as Ain’t Them Bodies Saints and A Ghost Story didn’t register with the Academy.

The big question is whether Redford gets in for Best Actor. Shockingly, the legendary performer has been nominated only once. That was 45 years ago for The Sting. He has won Best Director for 1980’s Ordinary People. The lead actor looks like it has the potential to be crowded, but this could be voters final chance to recognize him as he says Gun will be his last acting role.

As for supporting players, I wouldn’t look for Casey Affleck, Danny Glover, or Tom Waits to get any traction for their work. Sissy Spacek, on the other hand, could also benefit from her stature as writers are citing her strong work. It’s also worth noting that Fox Searchlight is one of the better studios at awards campaigns.

Bottom line: competition is a key factor, but Redford and Spacek are possibilities.

The Old Man & The Gun is scheduled for release September 28. My Oscar Watch posts will continue…

Film Festival Season Approaches: The 2018 Hopefuls

We may be smack dab in the middle of the summer movie season, but Oscar season will be taking shape before we know it. This week, the organizers of the Toronto and Venice Film Festivals have unveiled lineups for the pictures that will be premiering at their events in a few weeks. Many of them are awards hopefuls.

To give you an idea of the importance of festivals when it comes to Oscar nominees, six of last year’s nine nominees premiered at some combination of Toronto, Venice, Telluride, New York, Sundance, or Cannes. Every Best Picture winner from this decade and beyond played at one of them. The last one that didn’t was The Departed back in 2006.

The months of September-December are the fertile ground for most nominated features. Last year, seven of the nine Picture nominees came out in that time frame. In 2016 – it was 8 out of 9.

Beginning in late August/early September, I will begin my weekly Oscar prediction columns. It works like this:

Late August/Early September – first posting of predictions in the categories of Best Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress

Months of September and October – weekly Oscar predictions column post covering those 6 categories, as well as Adapted Screenplay and Original Screenplay. For Best Picture, I will be ranking possibilities numbered 1-25. For other categories, it will be numbered 1-15.

Months of November through announcement of nominations – weekly Oscar predictions column covering every category involving feature films. For Best Picture, I will be ranking possibilities numbered 1-15. For other categories, it will be numbered 1-10.

While these posts are a month away, today I bring you 25 fall awards hopefuls that I suspect I’ll be mentioning frequently. Most of these are premiering at the high-profile quartet of upcoming fests (Venice, Toronto, New York, Telluride). Some aren’t, but could certainly be added to Telluride or New York especially (as they’re more known for surprise screenings).

Let’s get to it!

A Star is Born

The third remake of the musical drama marks the directorial debut of Bradley Cooper and features a potential showcase role for his costar Lady Gaga. Early word of mouth is already strong.

At Eternity’s Gate

He received a nomination for his supporting work last year for The Florida Project and Willem Dafoe plays Vincent Van Gogh in what could be another awards bait role.

**NO TRAILER AT PRESS TIME

Backseat

Expect Adam McKay’s follow-up to The Big Short to receive plenty of attention. Christian Bale is Cheney with Amy Adams as wife Lynne and last year’s Supporting Actor winner Sam Rockwell as George W. Bush.

**NO TRAILER AT PRESS TIME

Beautiful Boy

Steve Carell plays the father of a meth addict played by Timothee Chalamet, who was nominated last year for Call Me by Your Name.

Ben is Back

Lucas Hedges and Julia Roberts headline this family drama that premieres at Toronto.

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Bohemian Rhapsody

Despite some behind the scenes drama in its filming, all eyes will be on Rami Malek’s work as Queen front man Freddie Mercury.

Boy Erased

Perhaps an even larger showcase role for Lucas Hedges is this drama where he plays a homosexual sent to conversion camp. Joel Edgerton directs and costars along with Nicole Kidman and Russell Crowe.

Can You Ever Forgive Me?

Melissa McCarthy received an Academy Award nomination with her breakthrough role in Bridesmaids. This drama about writer Lee Israel could muster attention for her yet again.

First Man

Director Damien Chazelle has seen both of his efforts (Whiplash, La La Land) nominated for Best Picture and he’s the youngest filmmaker to ever win Best Director. His third pic is a Neil Armstrong biopic starring Ryan Gosling. It opens the Venice Film Festival.

If Beale Street Could Talk

The follow-up to his Oscar winning Moonlight, Barry Jenkins directs this drama set in 1970s Harlem.

July 22

United 93 and Captain Phillips director Paul Greengrass brings his latest to Netflix and it focuses on the 2011 terrorist attacks in Norway.

**NO TRAILER AT PRESS TIME

Life Itself

Premiering at Toronto, this ensemble drama includes Oscar Isaac, Olivia Munn, Annette Bening, and Antonio Banderas.

Mary Poppins Returns

She’s already a contender for A Quiet Place and Emily Blunt could face competition from herself with Disney’s expected monster hit.

Mary Queen of Scots

They were both nominated for Best Actress last year and now Saoirse Ronan and Margot Robbie star in this historical drama about the title character and Queen Elizabeth I.

Old Man & The Gun

David Lowery directs Robert Redford in the true life tale of a prison escape artist. Sissy Spacek and Casey Affleck costar.

On the Basis of Sex

The documentary RBG could get noticed by the Documentary branch, as could this biopic which casts Felicity Jones as Supreme Court Justice Ruth Bader Ginsburg.

Peterloo

Acclaimed British director Mike Leigh returns with this historical 19th century drama.

Roma

This Mexican family drama is Alfonso Cuaron’s first directorial effort since his acclaimed Gravity.

Suspiria

Call Me by Your Name maker Luca Guadagnino shifts gears for this remake of the 1970s horror classic. Don’t be surprised if this receives attention in some technical categories.

The Favourite

The Lobster director Yorgos Lanthimos is behind this historical drama featuring Olivia Colman, Emma Stone, and Rachel Weisz.

The Front Runner

Jason Reitman directs this biopic of failed Presidential candidate Gary Hart with Hugh Jackman cast in the role.

**NO TRAILER AT PRESS TIME

The Sisters Brothers

John C. Reilly, Joaquin Phoenix, and Jake Gyllenhaal are among the cast in this Western from acclaimed French director Jacques Audiard.

Welcome to Marwen

Steve Carell stars in this unique looking drama from Forrest Gump maker Robert Zemeckis.

Widows

It’s been five years between projects for Oscar winning 12 Years a Slave director Steve McQueen. This heist thriller stars recent winner Viola Davis.

And there’s your very early preview of some titles to keep an eye on over the coming months. Those Oscar posts will start rolling out weekly in about a month! Stay tuned…

Oscar Watch: A Ghost Story

Another Sundance Film Festival, another Casey Affleck picture potentially entering the Oscar conversation. It was right around this time last year that Manchester by the Sea screened at the aforementioned fest and immediately garnered Academy buzz. This Tuesday, Manchester looks bound for a Best Picture nod and it looks to be one of three (alongside La La Land and Moonlight) that could win.

Today, A Ghost Story premiered at the Park City festival and initial word of mouth is pretty strong. The low-budget drama reunites director David Lowery with his Ain’t Them Bodies Saints actors Affleck and Rooney Mara. It is said to be melancholy, powerful, and rather out of the mainstream. Early reviews have suggested this could have a tough time reaching audiences and that’s something Manchester has managed to do.

That said, Mr. Affleck could well be coming off an Oscar win and this will be his follow-up. It may never fully get into the 2017 Oscar conversation, but that fact alone and the solid reviews out of the gate allow it to be my first Oscar Watch post of the new year.

My Oscar Watch posts will continue…

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Pete’s Dragon Box Office Prediction

The Disney live-action remake train keep rolling along next weekend as Pete’s Dragon debuts in theaters. The Mouse Factory has found great success in the past couple of years taking their storied animated hits of decades past and repackaging and re-imagining them with real actors and tons of CG effects.

Pete’s Dragon, however, is a slightly different story. Unlike Maleficent, Cinderella, and The Jungle Book (and next year’s Beauty and the Beast for that matter), the pic this is based on is not considered a classic. The Disney Dragon ‘toon opened in 1977 at a time when the studio was in a downturn in their animation department. It was only a mild box office performer and reviews weren’t too strong.

The fact that Disney has been on a roll lately should help Pete and his magical dragon change the narrative somewhat with this property. David Lowery (best known for directing the low budget indie drama Ain’t Them Bodies Saints) is behind the camera. Oakes Fegley plays the title character (the Pete part) while the dragon is handled by Weta Digital. Costars include Bryce Dallas Howard, Robert Redford, Wes Bentley, and Karl Urban. Early reviews have been mostly positive with an 81% on Rotten Tomatoes.

Let’s start here: this has no real chance of reaching the heights of the live action reboots before it. 2014’s Maleficent made $69 million for its start. Last year’s Cinderella earned $67 million. This spring’s The Jungle Book made $103 million. Dragon may be lucky to make half of any of those titles in its opening. Disney should be pretty happy if this manages to top $35 million, but my prediction reflects a belief that just over/under $30 million is the more likely scenario.

Pete’s Dragon opening weekend prediction: $29.8 million

For my Sausage Party prediction, click here:

https://toddmthatcher.com/2016/08/03/sausage-party-box-office-prediction/

For my Florence Foster Jenkins prediction, click here:

https://toddmthatcher.com/2016/08/03/florence-foster-jenkins-box-office-prediction/