Premiering her directorial debut at Cannes, Kristen Stewart’s The Chronology of Water is making some waves across the pond. Based on a memoir by Lidia Yuknavitch, the romance casts Imogen Poots as the source material’s author with a supporting cast including Thora Birch, Earl Cave, Kim Gordon, and Jim Belushi (!).
A Best Actress nominee for 2021’s Spencer, Stewart is mostly being lauded for her initial inaugural behind the camera effort. Rotten Tomatoes is at 92% with Metacritic at 74. Stateside distribution is in flux, but a deal will likely be secured in France. Poots in particular is drawing a lot of attention though I wonder if she could fit it into what looks (on paper) like a crowded lead Actress field. That might depend on whether a spirited campaign is waged. My Oscar Prediction posts will continue…
I’m a firm believer that Vanessa Bayer is one of the most underrated performers in the show’s existence. Obviously that explains her placement at #29 on this ongoing list as the show celebrates 50 years.
The Miley Cyrus, Diane Keaton, and Jennifer Aniston impersonations are top-notch, but it’s her original characters that earn her the spot. This includes Dawn Lazarus, the hard to understand meteorologist on Weekend Update or Jacob the Bar Mitzvah boy. There’s Fred Armisen and Bayer as the whispering friends to world dictators or child actress Laura Parsons who performs scenes from far too adult movies. Perhaps my favorite is the housewife serving Totino’s to her “hungry guys” including a memorable tryst with Kristen Stewart. #28 will be up soon!
Pablo Larraín’s latest biopic about an iconic woman facing tragic circumstances has hit the Venice circuit with Telluride to follow this weekend. Maria casts Angelina Jolie as renowned opera singer Maria Callas. Set during her final days, it completes a thematic trilogy from Larraín preceded by 2016’s Jackie and 2021’s Spencer. Costars include Valeria Golino, Haluk Bilginer, and Kodi Smit-McPhee. Netflix picked up distribution rights on the eve of its premiere and it is expected to stream by year’s end.
It’s been some time since Jolie had a role expected to garner awards attention. 25 years ago, she won Best Supporting Actress for Girl, Interrupted. Her other nomination, in lead Actress, came for 2008’s Changeling. Her director for Maria has an impressive track record with leading performer nominations. Natalie Portman’s work as Jacqueline Kennedy Onassis in Jackie made the final five eight years ago and she ultimately fell short to Emma Stone (La La Land). As Princess Diana in Spencer, Kristen Stewart was up in Actress with Jessica Chastain (The Eyes of Tammy Faye) taking gold. Stewart’s nod marked Spencer‘s only nomination while Jackie contended in Costume Design and Original Score. Note that neither received noms in Picture, Director, or for their screenplays.
Early word-of-mouth from Italy indicates that Maria might be the weakest of the three films (the RT score is currently 72%). Jolie is mostly receiving kudos and Netflix is likely to mount a serious campaign. Down the line tech mentions for Costume Design, Makeup & Hairstyling, and Cinematography are feasible. However, I do wonder if the somewhat lackluster write-ups could mean Jolie is the only possibility. I’ve had Golino listed toward the bottom of other possibilities in Supporting Actress, but her role is apparently just one scene. You can expect to see her drop out in my next predictions post.
I’ve had Jolie parked in second place (behind Amy Adams in Nightbitch) for weeks in Actress. She still may be in the top 5 when I update on Monday and I suspect she will. Will she stay in second place? I’m more unsure of that. My Oscar Prediction posts will continue…
Ghostbusters: Frozen Empire hopes to heat up the box office this weekend while Immaculate looks to bring in horror fans. My detailed prediction posts on the two newcomers can be accessed here:
The fifth feature in the franchise, Empire will try to match or exceed the mid 40s earnings that 2016’s Ghostbusters and immediate predecessor Ghostbusters: Afterlife from 2021 achieved in their debuts. I have it a tad under in the low 40s for what will easily be a #1 start.
We are likely to witness a battle for second between holdovers Kung Fu Panda 4 and Dune: Part Two. I have each dipping in the mid to high 30s with the animated sequel barely edging the sci-fi sequel.
Immaculate is a genuine question mark. Neon’s supernatural fright fest stars Sydney Sweeney, who’s coming off the hot Anyone but You and also the cold Madame Web. It seems to be flying under the radar, but could over perform as the genre often does. My mid single digits take puts it firmly in fourth with the disappointing Arthur the King rounding out the top five.
Here’s how I think it will play out:
1. Ghostbusters: Frozen Empire
Predicted Gross: $42.7 million
2. Kung Fu Panda 4
Predicted Gross: $18.2 million
3. Dune: Part Two
Predicted Gross: $17.4 million
4. Immaculate
Predicted Gross: $4.9 million
5. Arthur the King
Predicted Gross: $3.8 million
Box Office Results (March 15-17)
Kung Fu Panda 4 held the crown for the second weekend in a row with $30.1 million, right on target with my $30.6 million estimate. The two-week tally puts it over the century mark at $107 million as it continues to outpace part 3.
Dune: Part Two, as expected, had a nice hold in weekend #3 with $28.5 million. I was on pace with my $29.4 million forecast as its surpassed the double century mark with $204 million.
Mark Wahlberg’s canine tale Arthur the King failed to bring in audiences with only $7.6 million, well under my $12.5 million call. I’m expecting a sophomore drop over 50% this weekend.
Imaginary held better than I assumed with $5.5 million compared to my $4.4 million projection. The teddy bear themed horror pic stands at $19 million after two outings and that’s nearly double its budget.
Faith-based Cabrini plummeted 61% in weekend #2 with $2.8 million and that’s below my $4.1 million prediction. The total is $13 million.
Finally, Kristen Stewart’s critically acclaimed crime thriller Love Lies Bleeding had a fairly anemic wide rollout in sixth with $2.4 million (I said $3.7 million).
Mark Wahlberg stars in dog tale Arthur the King while A24 thriller Love Lies Bleeding with Kristen Stewart expands nationwide. Those newcomers are highly unlikely to dislodge Kung Fu Panda 4 and Dune: Part Two from the top two positions. Detailed prediction posts on the newcomers can be accessed here:
Arthur could exceed expectations as canine content sometimes can. My lower double digits estimate puts it in third place as it hopes for word-of-mouth to keep it around for a while.
Bleeding performed well in 5 venues on the coasts, but could face headwinds as it rolls out everywhere. My forecast could put it anywhere from 4-6 though I’m banking on 6th.
The battle for #1 could be tight between Kung Fu Panda 4‘s sophomore outing and the third frame of Dune: Part Two. The former had a terrific premiere at the highest end of its anticipated range (more on that below). The second weekend dip could be 50% or a little more or less. Dune may only decline in the 40% range and that could create a photo finish. I’ll give Panda the slight edge.
Assuming Bleeding doesn’t over perform, 4-5 should be a close race between the second stands for Imaginary and Cabrini.
Here’s how I have the top 6 playing out:
1. Kung Fu Panda4
Predicted Gross: $30.6 million
2. Dune: Part Two
Predicted Gross: $29.4 million
3. Arthur the King
Predicted Gross: $12.5 million
4. Imaginary
Predicted Gross: $4.4 million
5. Cabrini
Predicted Gross: $4.1 million
6. Love Lies Bleeding
Predicted Gross: $3.7 million
Box Office Results (March 8-10)
DreamWorks Animation’s Kung Fu Panda 4 easily ruled the charts with a potent $57.9 million. I thought the long running franchise would continue its downward trend (part 3 started with $41.2 million), but I was off base with my meager $38.1 million prediction. This is actually the second best start for the series after the original’s $60.2 million in 2008.
Dune: Part Two filled the runner-up spot with $46.2 million and that’s still ahead of my $40.7 million call. The acclaimed sequel eased only 44% as its two-week tally has reached $157 million.
In third, Blumhouse horror flick Imaginary (which features a bear not doing martial arts) debuted to barely under its reported $10 million budget with $9.9 million. I was close at $10.5 million. While this doesn’t match various other genre offerings from the studio, it’s still a satisfactory figure considering the price tag.
Cabrini from Angel Studios was fourth with $7.1 million, not reaching my $8.9 million projection. The period piece biopic from the maker of Sound of Freedom hopes to post smallish drops as we head towards Easter.
Bob Marley: One Love rounded out the top five with $4 million (I went higher with $5.2 million) as this biopic has amassed $89 million after four weeks.
After posting the highest PTA of any 2024 title thus far, the erotic thriller Love Lies Bleeding expands wide this weekend. Marking Rose Glass’s sophomore directorial effort behind her acclaimed horror pic Saint Maud, Kristen Stewart and Katy O’Brian headline with Ed Harris, Jena Malone, Anna Baryshnikov, and Dave Franco in support.
Bleeding first dropped at Sundance with general acclaim and it now holds a 91% RT score. In only five coastal venues, it took in $167k to nab that aforementioned best average.
Yet rolling out nationally could be a different story. Playing well in L.A. and NYC is not surprising. What’s in between could be a challenge. I’m assuming 1200 screens and if I get new information, that could alter this forecast. My projection likely puts it just outside this weekend’s top 5.
Love Lies Bleeding opening weekend prediction: $3.7 million
Rose Glass’s 2020 directorial debut Saint Maud was a critically hailed horror tale that originally screened at Toronto in 2019. Her sophomore effort Love Lies Bleeding (out March 8th) is a Sundance affair and it is one of the more eagerly awaited titles. The 80s set noirish thriller casts Kristen Stewart and Katy O’Brian as lovers embroiled in crime drama. Costars include Ed Harris, Jena Malone, Anna Baryshnikov, and Dave Franco.
From the reaction out of Utah, Bleeding should inspire strong reactions across the spectrum. The RT score is 90% (**Blogger’s Note: updated March 9th) with reviewers praising technical aspects (cinematography, score) and the cast (Stewart is particularly getting some shouts along with Harris). K-Stew has quite a presence at Sundance 2024. Her sci-fi two-hander Love Me with Steven Yeun is drawing mixed notices.
A24 apparently has a wild ride on its hands. If the studio play their cards right, supporting campaigns for Stewart (or maybe lead) and Harris are in order. On the other hand, this could be too out there for awards voters. My Oscar Prediction posts will continue…
The stars of Love Me have had some awards exposure in recent days and years. Kristen Stewart nabbed her first Oscar nom for Spencer in 2021 while Steven Yeun just picked up an Emmy for Netflix’s acclaimed limited series Beef. They headline the two-hander post-apocalyptic drama Love Me from sibling auteurs Sam and Andy Zuchero. Yet after screening at Sundance, critics aren’t exactly digging the project.
The AI romance only has 38% at press time on Rotten Tomatoes. As far as features with potential Academy prospects screening in Park City, it is safe to write this off as it seeks distribution. Considering the two leads, Love should have no trouble finding it despite the reviews. Don’t expect awards love. My Oscar Prediction posts will continue…
Chilean filmmaker Pablo Larrain is no stranger to awards attention. His 2012 effort No was an Academy Award nominee for Best Foreign Language Film (now best International Feature Film) while 2016’s Neruda was up in the same race at the Globes. Also in ’16, his English language debut Jackie scored Natalie Portman an Actress nod at the Oscars. Five years later, Kristen Stewart contended in the same category for Spencer.
At the Venice Film Festival, his latest El Conde (or The Count) has premiered prior to its Netflix debut on September 15th. Set in the director’s native land, it creates an alternate universe where dictator Augusto Pinochet (Jaime Vadell) is a vampire.
Reviews are mostly positive with an 82% Rotten Tomatoes score. However, I wouldn’t say they’re strong enough that it receives the kind of attention granted to Larrain’s aforementioned titles. Chile may select it as their pick for International Feature Film. Making the final five seems like a reach. My Oscar Prediction posts will continue…
We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:
Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.
So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.
Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.
While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.
There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.
Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.
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