Tag: Lea Seydoux

99th Academy Awards Predictions: August 2nd Edition

As we enter the month of August, the fall film festival trio of Venice, Telluride, and Toronto are about a month away. Those fests will dramatically reshape the Oscar race for the 99th ceremony. In the meantime, we have Christopher Nolan’s The Odyssey racking up terrific box office numbers and continuing to solidify its status as an across-the-board awards player.

There are release date questions while one significant feature has moved to the 2027 calendar. Chloe Domont’s A Place in Hell with Michelle Williams and Daisy Edgar-Jones will come out next spring and that’s why you’ll see it in the dropped out menu in various races including Picture, Actress, Supporting Actress, and Original Screenplay. Tom Ford’s Cry to Heaven has yet to be dated and appears to be skipping festivals. I’ve made the decision to take it out of contention until a release is scheduled.

On the other hand, Elsinore with Andrew Scott and Olivia Colman from Simon Stone is confirmed to come out this year and it could certainly be a possibility for its stars and elsewhere.

We have a big development in Best Picture and elsewhere. Simply put, I’m skeptical about Digger. It could absolutely get back in the mix once eyeballs are on it. However, Digger drops and The Invite rises. The Digger fall also dramatically shapes the acting races with Tom Cruise plummeting from 1st to 6th in Best Actor. Maybe this will look foolish down the line, but it’s where I’m at now.

You can read all the movement below and expect the next update in two weeks!

Best Picture

Predicted Nominees:

1. The Odyssey (Previous Ranking: 1) (Even)

2. The Black Ball (PR: 2) (E)

3. Project Hail Mary (PR: 3) (E)

4. White Horse Nine (PR: 4) (E)

5. The Debut (PR: 6) (+1)

6. Fjord (PR: 7) (+1)

7. Dune: Part Three (PR: 8) (+1)

8. Behemoth! (PR: 9) (+1)

9. The Invite (PR: 12) (+3)

10. Obsession (PR: 10) (E)

Other Possibilities:

11. Digger (PR: 5) (-6)

12. All of a Sudden (PR: 11) (-1)

13. Ink (PR: 13) (E)

14. The Social Reckoning (PR: 16) (+2)

15. Elsinore (PR: 21) (+6)

16. Sense and Sensibility (PR: 17) (+1)

17. Michael (PR: 20) (+3)

18. The Adventures of Cliff Booth (PR: 19) (+1)

19. Fatherland (PR: 18) (-1)

20. Werwulf (PR: Not Ranked)

21. Being Heumann (PR: 23) (+2)

22. Disclosure Day (PR: 24) (+2)

23. Josephine (PR: 25) (+2)

24. Artificial (PR: 22) (-2)

25. I Play Rocky (PR: Not Ranked)

Dropped Out:

A Place in Hell

Cry to Heaven

Best Director

Predicted Nominees:

1. Christopher Nolan, The Odyssey (PR: 1) (E)

2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 2) (E)

3. Martin McDonagh, Wild Horse Nine (PR: 3) (E)

4. Cristian Mungiu, Fjord (PR: 5) (+1)

5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 6) (+1)

Other Possibilities:

6. Denis Villeneuve, Dune: Part Three (PR: 7) (+1)

7. Olivia Wilde, The Invite (PR: 12) (+5)

8. Alejandro Gonzalez Iñárritu, Digger (PR: 4) (-4)

9. Tony Gilroy, Behemoth! (PR: 9) (E)

10. Ryusuke Hamaguchi, All of a Sudden (PR: 10) (E)

11. Jesse Eisenberg, The Debut (PR: 11) (E)

12. Curry Barker, Obsession (PR: 9) (-3)

13. Danny Boyle, Ink (PR: 13) (E)

14. Pawel Pawlikowski, Fatherland (PR: 15) (+1)

15. Georgia Oakley, Sense and Sensibility (PR: Not Ranked)

Dropped Out:

Tom Ford, Cry to Heaven

Best Actress

Predicted Nominees:

1. Julianne Moore, The Debut (PR: 1) (E)

2. Renate Reinsve, Fjord (PR: 4) (+2)

3. Inde Navarrette, Obsession (PR: 3) (E)

4. Olivia Wilde, The Invite (PR: 7) (+3)

5. Sandra Hüller, Rose (PR: 5) (E)

Other Possibilities:

6. Virginie Efira, All of a Sudden (PR: 8) (+2)

7. Mikey Madison, The Social Reckoning (PR: 6) (-1)

8. Cynthia Erivo, Prima Facie (PR: 9) (+1)

9. Emily Blunt, Disclosure Day (PR: 11) (+2)

10. Ruth Madeley, Being Heumann (PR: 12) (+2)

11. Sandra Hüller, Fatherland (PR: 10) (-1)

12. Daisy Edgar-Jones, Sense and Sensibility (PR: 13) (+1)

13. Léa Seydoux, Gentle Monster (PR: Not Ranked)

14. Sophie Okonedo, Clarissa (PR: 14) (E)

15. Rosalind Eleazar, Misty Green (PR: Not Ranked)

Dropped Out:

Michelle Williams, A Place in Hell

Mason Reeves, Josephine

Best Actor

Predicted Nominees:

1. John Malkovich, Wild Horse Nine (PR: 3) (+2)

2. Ryan Gosling, Project Hail Mary (PR: 2) (E)

3. Matt Damon, The Odyssey (PR: 4) (+1)

4. Pedro Pascal, Behemoth! (PR: 5) (+1)

5. Andrew Scott, Elsinore (PR: 7) (+2)

Other Possibilities:

6. Tom Cruise, Digger (PR: 1) (-5)

7. Sebastian Stan, Fjord (PR: 6) (-1)

8. Jaafar Jackson, Michael (PR: 8) (E)

9. Robert Pattinson, Primetime (PR: 9) (E)

10. Seth Rogen, The Invite (PR: Not Ranked)

11. Timothée Chalamet, Dune: Part Three (PR: 13) (+2)

12. John Turturro, The Only Living Pickpocket in New York (PR: 10) (-2)

13. Jack O’Connell, Ink (PR: 12) (-1)

14. Andrew Garfield, Artificial (PR: 11) (-3)

15. Javier Bardem, The Beloved (PR: Not Ranked)

Dropped Out:

Dominic Sessa, Tony

Nicholas Hoult, Cry to Heaven

Best Supporting Actress

Predicted Nominees:

1. Anne Hathaway, The Odyssey (PR: 2) (+1)

2. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (-1)

3. Penélope Cruz, The Invite (PR: 6) (+3)

4. Lola Dueñas, The Black Ball (PR: 10) (+6)

5. Sandra Hüller, Project Hail Mary (PR: 8) (+3)

Other Possibilities:

6. Penélope Cruz, The Black Ball (PR: 3) (-3)

7. Olivia Colman, Elsinore (PR: 12) (+5)

8. Tao Okamoto, All of a Sudden (PR: 9) (+1)

9. Parker Posey, Wild Horse Nine (PR: 7) (-2)

10. Samantha Morton, The Odyssey (PR: 14) (+4)

11. Sandra Hüller, Digger (PR: 4) (-7)

12. Esmé Creed-Miles, Sense and Sensibility (PR: 15) (+3)

13. Eva Victor, Behemoth! (PR: 11) (-2)

14. Claire Foy, Ink (PR: 13) (-1)

15. Scarlett Johansson, Paper Tiger (PR: Not Ranked)

Dropped Out:

Daisy Edgar-Jones, A Place in Hell

Best Supporting Actor

Predicted Nominees:

1. Paul Giamatti, The Debut (PR: 1) (E)

2. Sam Rockwell, Wild Horse Nine (PR: 3) (+1)

3. Edward Norton, The Invite (PR: 4) (+1)

4. Guy Pearce, Ink (PR: 5) (+1)

5. Steve Buscemi, Wild Horse Nine (PR: 6) (+1)

Other Possibilities:

6. John Leguizamo, The Odyssey (PR: 12) (+6)

7. Jeremy Strong, The Social Reckoning (PR: 7) (E)

8. John Goodman, Digger (PR: 2) (-6)

9. Robert Pattinson, The Odyssey (PR: 10) (+1)

10. Colman Domingo, Michael (PR: 8) (-2)

11. Guitarricadelafuente, The Black Ball (PR: 11) (E)

12. Mark Ruffalo, Being Heumann (PR: 14) (+2)

13. James Ortiz, Project Hail Mary (PR: 13) (E)

14. Riz Ahmed, Digger (PR: 9) (-5)

15. Channing Tatum, Josephine (PR: 15) (E)

Best Original Screenplay

Predicted Nominees:

1. Wild Horse Nine (PR: 1) (E)

2. The Debut (PR: 2) (E)

3. Fjord (PR: 4) (+1)

4. Obsession (PR: 5) (+1)

5. Behemoth! (PR: 6) (+1)

Other Possibilities:

6. Digger (PR: 2) (-3)

7. Elsinore (PR: 11) (+4)

8. Club Kid (PR: 8) (E)

9. Artificial (PR: 10) (+1)

10. Primetime (PR: 9) (-1)

11. The Drama (PR: 13) (+2)

12. Fatherland (PR: 12) (E)

13 . I Play Rocky (PR: Not Ranked)

14. Josephine (PR: 14) (E)

15. Misty Green (PR: Not Ranked)

Dropped Out:

A Place in Hell

The Only Living Pickpocket in New York

Best Adapted Screenplay

Predicted Nominees:

1. The Black Ball (PR: 1) (E)

2. The Invite (PR: 4) (+2)

3. The Odyssey (PR: 2) (-1)

4. Project Hail Mary (PR: 3) (-1)

5. All of a Sudden (PR: 5) (E)

Other Possibilities:

6. Ink (PR: 6) (E)

7. Dune: Part Three (PR: 7) (E)

8. The Social Reckoning (PR: 8) (E)

9. The Adventures of Cliff Booth (PR: 9) (E)

10. Being Heumann (PR: 12) (+2)

11. Sense and Sensibility (PR: 11) (E)

12. Prima Facie (PR: 14) (+2)

13. A Long Winter (PR: Not Ranked)

14. Minotaur (PR: 15) (+1)

15. Wildwood (PR: 13) (-2)

Dropped Out:

Cry to Heaven

Best International Feature Film

Predicted Nominees:

1. The Black Ball (PR: 1) (E)

2. Fjord (PR: 2) (E)

3. All of a Sudden (PE: 3) (E)

4. Minotaur (PR: 4) (E)

5. Possible Love (PR: 8) (+3)

Other Possibilities:

6. Fatherland (PR: 6) (E)

7. Coward (PR: 5) (-2)

8. Rose (PR: 7) (-1)

9. The Beloved (PR: 10) (+1)

10. Mimesis (PR: 9) (-1)

Best Animated Feature

Predicted Nominees:

1. Wildwood (PR: 1) (E)

2. Toy Story 5 (PR: 2) (E)

3. Ray Gunn (PR: 3) (E)

4. Forgotten Island (PR: 4) (E)

5. Tangles (PR: 5) (E)

Other Possibilities:

6. Hoppers (PR: 6) (E)

7. In Waves (PR: 8) (+1)

8. Shaun the Sheep: The Beast of Mossy Bottom (PR: 7) (-1)

9. Iron Boy (PR: 9) (E)

10. Hexed (PR: 10) (E)

Best Documentary Feature

Predicted Nominees:

1. Once Upon a Time in Harlem (PR: 1) (E)

2. 14th (PR: 2) (E)

3. One in a Million (PR: 3) (E)

4. To Hold a Mountain (PR: 5) (+1)

5. American Doctor (PR: 4) (-1)

Other Possibilities:

6. Nuisance Bear (PR: 6) (E)

7. Closure (PR: Not Ranked)

8. The History of Concrete (PR: 7) (-1)

9. Everybody to Kenmure Street (PR: Not Ranked)

10. When a Witness Recants (PR: 9) (-1)

Dropped Out:

Rehearsals for a Revolution

Time and Water

Best Casting

Predicted Nominees:

1. The Odyssey (PR: 1) (E)

2. The Black Ball (PR: 2) (E)

3. Wild Horse Nine (PR: 3) (E)

4. Fjord (PR: 4) (E)

5. Michael (PR: 5) (E)

Other Possibilities:

6. The Invite (PR: Not Ranked)

7. Dune: Part Three (PR: 10) (+3)

8. The Debut (PR: 6) (-2)

9. Digger (PR: 7) (-2)

10. Being Heumann (PR: 9) (-1)

Dropped Out:

Obsession

Best Cinemtography

Predicted Nominees:

1. The Odyssey (PR: 1) (E)

2. Dune: Part Three (PR: 2) (E)

3. The Black Ball (PR: 5) (+2)

4. Digger (PR: 4) (E)

5. Fatherland (PR: 6) (+1)

Other Possibilities:

6. Project Hail Mary (PR: 3) (-3)

7. Werwulf (PR: 7) (E)

8. Ink (PR: Not Ranked)

9. Wild Horse Nine (PR: 9) (E)

10. Behemoth! (PR: Not Ranked)

Dropped Out:

Cry to Heaven

Disclosure Day

Best Costume Design

Predicted Nominees:

1. The Odyssey (PR: 1) (E)

2. The Black Ball (PR: 2) (E)

3. Sense and Sensibility (PR: 3) (E)

4. Werwulf (PR: 4) (E)

5. Michael (PR: 5) (E)

Other Possibilities:

6. Dune: Part Three (PR: 6) (E)

7. I Love Boosters (PR: 9) (+2)

8. Wuthering Heights (PR: 8) (E)

9. The Devil Wears Prada 2 (PR: 7) (-2)

10. Mother Mary (PR: Not Ranked)

Dropped Out:

Cry to Heaven

Best Film Editing

Predicted Nominees:

1. The Odyssey (PR: 1) (E)

2. The Black Ball (PR: 2) (E)

3. Project Hail Mary (PR: 3) (E)

4. Wild Horse Nine (PR: 6) (+2)

5. Behemoth! (PR: 5) (E)

Other Possibilities:

6. Dune: Part Three (PR: 7) (+1)

7. Digger (PR: 4) (-3)

8. The Invite (PR: 10) (+2)

9. Fjord (PR: 8) (-1)

10. The Debut (PR: 9) (-1)

Best Makeup and Hairstyling

Predicted Nominees:

1. Digger (PR: 1) (E)

2. Werwulf (PR: 2) (E)

3. The Odyssey (PR: 5) (+2)

4. Clayface (PR: 3) (-1)

5. Wicker (PR: 6) (+1)

Other Possibilities:

6. Dune: Part Three (PR: 7) (+1)

7. Michael (PR: 4) (-3)

8. Rose (PR: Not Ranked)

9. Is God Is (PR: 10) (-1)

10. The Bride! (PR: 9) (-1)

Dropped Out:

The Black Ball

Best Original Score

Predicted Nominees:

1. The Odyssey (PR: 1) (E)

2. Project Hail Mary (PR: 2) (E)

3. The Black Ball (PR: 3) (E)

4. Behemoth! (PR: 4) (E)

5. Disclosure Day (PR: 5) (E)

Other Possibilities:

6. Dune: Part Three (PR: 6) (E)

7. Wild Horse Nine (PR: 7) (E)

8. Digger (PR: 9) (+1)

9. Ink (PR: Not Ranked)

10. The Social Reckoning (PR: Not Ranked)

Dropped Out:

Werwulf

Wildwood

Best Original Song

Predicted Nominees:

1. “I Knew It, I Knew You” from Toy Story 5 (PR: 1) (E)

2. TBD from The Black Ball (PR: 2) (E)

3. “La Playa” from The Black Ball (PR: 4) (+1)

4. TBD from The Debut (PR: 3) (-1)

5. “How to Write a Song (Without You)” from Power Ballad (PR: 5) (E)

Other Possibilities:

6. “When I’m Home” from The Odyssey (PR: Not Ranked)

7. “Runway” from The Devil Wears Prada 2 (PR: 6) (-1)

8. “Shape of a Woman” from The Devil Wears Prada 2 (PR: Not Ranked)

9. “Chains of Love” from Wuthering Heights (PR: 9) (E)

10. “Save the Day” from Hoppers (PR: Not Ranked)

Dropped Out:

TBD from The Odyssey

TBD from Wildwood

TBD from The Rivals of Amziah King

Best Production Design

Predicted Nominees:

1. The Odyssey (PR: 1) (E)

2. Dune: Part Three (PR: 2) (E)

3. Project Hail Mary (PR: 3) (E)

4. Werwulf (PR: 5) (+1)

5. The Black Ball (PR: 4) (-1)

Other Possibilities:

6. Digger (PR: 6) (E)

7. Backrooms (PR: 7) (E)

8. Sense and Sensibility (PR: 8) (E)

9. Wuthering Heights (PR: 10) (+1)

10. The Adventures of Cliff Booth (PR: Not Ranked)

Dropped Out:

Cry to Heaven

Best Sound

Predicted Nominees:

1. Dune: Part Three (PR: 1) (E)

2. The Odyssey (PR: 2) (E)

3. Project Hail Mary (PR: 3) (E)

4. Behemoth! (PR: 8) (+4)

5. Michael (PR: 7) (+2)

Other Possibilities:

6. The Black Ball (PR: 6) (E)

7. Whalefall (PR: 5) (-2)

8. Disclosure Day (PR: 4) (-4)

9. Digger (PR: 9) (E)

10. Werwulf (PR: 10) (E)

Best Visual Effects

Predicted Nominees:

1. Dune: Part Three (PR: 1) (E)

2. Project Hail Mary (PR: 2) (E)

3. The Odyssey (PR: 3) (E)

4. Godzilla Minus Zero (PR: 5) (+1)

5. Whalefall (PR: 4) (-1)

Other Possibilities:

6. Avengers: Doomsday (PR: 6) (E)

7. The End of Oak Street (PR: 8) (+1)

8. The Sheep Detectives (PR: 9) (+1)

9. Spider-Man: Brand New Day (PR: Not Ranked)

10. Disclosure Day (PR: 7) (-3)

Dropped Out:

The Mandalorian and Grogu

That equates to these movies generating these numbers of nominations:

14 Nominations

The Odyssey

13 Nominations

The Black Ball

10 Nominations

Project Hail Mary

9 Nominations

Wild Horse Nine

6 Nominations

Behemoth!, Fjord

5 Nominations

Dune: Part Three, The Invite

3 Nominations

Michael, Obsession, Werwulf

2 Nominations

All of a Sudden, Digger, Toy Story 5

1 Nomination

14th, American Doctor, Clayface, Disclosure Day, Elsinore, Fatherland, Forgotten Island, Godzilla Minus Zero, Ink, Minotaur, Once Upon a Time in Harlem, One in a Million, Possible Love, Power Ballad, Ray Gunn, Rose, Sense and Sensibility, Tangles, To Hold a Mountain, Whalefall, Wicker, Wildwood

Oscar Predictions: One Fine Morning

Mia Hansen-Love’s romance/drama One Fine Morning debuted at Cannes in May and is now doing a fall festival run that includes Toronto. The French pic is the latest acclaimed feature from a director who has had several (most recently last year’s Bergman Island). Lea Seydoux leads a cast that includes Melvil Poupaud, Pascal Greggory, and Nicole Garcia.

With Sony Picture Classics handling distribution, the French may have a dilemma on their hands. Morning has an impressive 96% Rotten Tomatoes rating and could be a solid choice for the country’s International Feature Film submission. However, they also have Romain Gavris’s buzzy action drama Athena. While its RT score is lower at 67%, the positive reviews are very positive and it will certainly have its champions for IFF inclusion.

Hansen-Love, despite plenty of heralded pics, has yet to receive any attention from the Academy. That’s part of the reason why I wouldn’t be surprised if France ultimately selects Athena as its hopeful for awards season. My Oscar Prediction posts will continue…

Oscar Predictions: Crimes of the Future

David Cronenberg came to prominence over four decades ago with his wild mix of gore and sci-fi that resulted in such notable pics as Scanners, Videodrome, and The Fly. In the 20th century, his crime thrillers A History of Violence and Eastern Promises were met with acclaim and acting nominations for William Hurt in Supporting Actor and Viggo Mortensen in lead, respectively.

At the Cannes Film Festival, the 79-year-old auteur returns to the body horror genre that made him known with Crimes of the Future. Like his earlier fare, critics indicate this may not be for everyone (including those with weak stomachs). Yet the Rotten Tomatoes score is currently a sturdy 90%.

Starring frequent collaborator Viggo Mortensen, Lea Seydoux, and Kristen Stewart (fresh off her Spencer nomination), I don’t see this staying fresh in awards voters brains after its stateside debut on June 3rd even as it may satisfy admirers of Cronenberg’s early work. My Oscar Prediction posts will continue…

The French Dispatch Box Office Prediction

Wes Anderson’s latest comedy The French Dispatch is being delivered to 52 theaters on October 22nd before its wide release the following weekend. The anthology pic arrives a year after its COVID delay. It received a premiere at the Cannes Film Festival over the summer.

Like most of his unique tales, Dispatch features a massive cast (many of whom have appeared in multiple previous works from the director). That list includes Benicio del Toro, Adrien Brody, Tilda Swinton, Frances McDormand, Timothee Chalamet, Lyna Khoudri, Mathieu Amalric, Stephen Park, Owen Wilson, Anjelica Huston, Elisabeth Moss, Liev Schrieber, Willem Dafoe, Edward Norton, Fisher Stevens, Henry Winkler, Bob Balaban, Rupert Friend, Griffin Dunne, and three actors from No Time to Die (Lea Seydoux, Jeffrey Wright, and Christoph Waltz).

There is no question that Anderson has an ardent fanbase. However, there’s some drawbacks. Reviews are not quite up to the level of other features like Moonrise Kingdom or The Grand Budapest Hotel. The Rotten Tomatoes score is 79% and it is not thought to be an awards contender. That’s unlike his previous live-action film Hotel, which was nominated for nine Oscars and won four. It ended up with $59 million domestically after a long and leggy run in multiplexes. This might be fortunate to nab a couple of tech nods from the Academy.

Dispatch‘s wide release on October 29th comes with caveats in terms of my prediction. I have yet to see a theater count and that could easily alter my projection once known. However, I’m leaning towards this being one of Anderson’s lesser earning titles. This is somewhat of a placeholder estimate, but I’ll say $3-5 million seems likeliest.

The French Dispatch opening weekend prediction: $3.8 million

For my Last Night in Soho prediction, click here:

Last Night in Soho Box Office Prediction

For my Antlers prediction, click here:

Antlers Box Office Prediction

For my My Hero Academia: World Heroes’ Mission prediction, click here:

My Hero Academia: World Heroes’ Mission Box Office Prediction

For my A Mouthful of Air prediction, click here:

A Mouthful of Air Box Office Prediction

No Time to Die Review

The five film run of Daniel Craig as perhaps the world’s most famous cinematic character comes to a close in No Time to Die, the 25th feature in the nearly 60-year-old 007 franchise. It began 15 years ago with Casino Royale, which I list at #2 in the canon behind only From Russia with Love (Sean Connery’s second entry).

For those who think the dedicated team behind the series have no time for surprises, be prepared. Like the midsection poker sequence in Royale that stands as one of the finest in Bond history, there’s times where they go all in. There’s also moments that harken back to the Roger Moore days and, in this case, I mean it as a compliment. By the time we reached Craig’s third and deservedly praised Skyfall in 2012, the pics had achieved a level of seriousness that risked becoming too dour.

Despite its considerable flaws, 2015’s follow-up Spectre thankfully remembered that the action and plots in this cinematic universe can be silly. 007’s 25th adventure isn’t afraid to display that. The threat to the world here involves passing a weaponized virus only through that individual’s DNA and those related to them. It’s a little ridiculous and I once again mean that in a good way.

This is not quite the triumph that Casino Royale was. In fact, I’d also rank this a smidge behind Skyfall. The villain is not particularly memorable. Like all Craig films that followed the first, no romantic entanglement will rival the one he had with Eva Green’s Vesper Lynd. Yet Die achieves the unlikely feat of bringing those fun Moore elements dashed with Timothy Dalton’s more weighty tone. The result is that Craig’s time as the super spy (the longest in terms of actual time but not volume of titles) is easily the most satisfying since Sean Connery’s.

From the jump, we realize Die is going to be a little different. The pre-title sequence begins with a franchise first: an eerie and gorgeously rendered flashback that sheds light on the childhood of Madeleine Swann. As you may recall, she’s Bond’s love interest from Spectre played by Lea Seydoux. Her connections to that criminal enterprise led by Blofeld (Christoph Waltz) is expanded upon. In the present day, James and Madeleine are making a romantic go of it. A visit to Vesper’s tomb disrupts both their safety and Bond’s trust in his current relationship.

This all occurs in the lengthy prologue before we hear Billie Eilish’s title cut. Let’s dispense with that. Ms. Eilish has some quality tunes, but her contribution is forgettable and not the kind of Bond tune you’ll be humming leaving the theater or rushing to download for the ride back.

In the serialized fashion we’ve come to expect from Craig’s tenure (something unique only to his), we jump five years to Bond in retirement. And (gasp) he’s no longer 007. MI6 is still going strong but relations with their U.S. counterparts are strained. It’s not the new 007 (Lashana Lynch) or M (Ralph Fiennes) or even his beloved Moneypenny (Naomie Harris) or Q (Ben Whishaw) that convince Bond to emerge from his Jamaican R&R. Felix Leiter (Jeffrey Wright), along with a new eager associate (Billy Magnussen), recruit him for a mission that involves dismantling SPECTRE. Bond hooks up (not literally as Bond’s libido seems to be catching up with his age) with another agent (Ana de Armas) to do so. This culminates in a wonderfully fabulous and bizarre action set piece in Cuba.

All this activity soon puts James in the same space with Madeline again and with Blofeld. And we soon meet Safin (Rami Malek), the head baddie with his own troubled history with the criminal organization. I won’t wax rhapsodic about Safin as I mentioned he’s a pretty weak villain. On the other hand, No Time to Die is not really focused on his story. This Bond story, more than any other besides Skyfall, is really about Bond. That gives us one more opportunity to soak in Craig’s terrific performance that’s spanned this quintet. One could argue the series goes too far in making it all about him. With Craig in control, you’ll hear few complaints from me (heck even Quantum of Solace had some cool stuff in it).

No Time to Die has Cary Fukunaga taking over directorial duties from Sam Mendes, who helmed the previous two. He presides over some amazing looking chases and battles that rank right at the top of what we’ve seen previously. On a slightly contradictory note, there’s one during the climax that was a little too video game oriented for my taste. The screenwriters (with an assist from Phoebe Waller-Bridge) also remember to bring the humor. As much as Safin isn’t much of a memorable character, he does get a moment with a toddler that left me chuckling for a good minute or two after their interaction. The makers also don’t forget that these pictures can be quite weird in their production design. Safin’s Poison Garden is a glorious example.

Additionally, the team isn’t afraid to bring a rare level of emotion to the proceedings. However, it’s not that out of place for Craig’s service. We witnessed a love story in Casino Royale that went beyond his typical dalliances. His connection to Judi Dench’s M (particularly in Skyfall) went far deeper than the same character giving James his orders in the past. In No Time to Die, Mr. Craig’s mission involves the striking visuals that we’re used to. What’s different is that over the five adventures connected to each other, I felt like these missions developed a familial bond that shook the foundation of a franchise in a stirring fashion.

***1/2 (out of four)

Oscar Predictions: No Time to Die

The 15 year era of Daniel Craig as one of cinema’s most famous characters concludes with No Time to Die. James Bond will return… but not with arguably his best incarnation since Sean Connery. Prior to the October 8 stateside bow, the embargo lifted this evening and the results are encouraging.

007’s 25th adventure stands at 89% on Rotten Tomatoes (with 35 reviews out at press time). Many critics are calling it a surprisingly emotional swan song for Craig’s contribution to the British super spy series. There’s also hints that it resembles more of the Roger Moore era of the canon than one might expect (a direction it seemed to be taking with predecessor Spectre). Ana de Armas is drawing raves for her very short amount of screen time. The consensus on Rami Malek’s main villain seems a bit mixed. There’s some complaints about the length (a Bond high 163 minutes).

Yet no one seems to be arguing that it’s a rather fitting conclusion to Craig’s tenure in the part. So will Oscar take notice? Skyfall, the third pic in the actor’s five appearances, probably came close to a Best Picture nod. It did earn five nominations – winning Sound Editing and Original Song (Adele’s title track) with mentions in Sound Mixing, Score, and Cinematography. 2015’s follow-up Spectre (which had less laudatory reviews) managed a sole nomination in Song with Sam Smith’s “The Writing’s on the Wall” where it scored an upset victory.

I wouldn’t be shocked if an internet campaign is mounted for Craig to get a Best Actor slot (kind of as a tribute to the whole run). It’s highly unlikely to materialize. I do believe Die will make it three in a row for the songs with Billie Eilish’s title tune work. Whether she wins is a question mark (Beyonce has a ditty from King Richard that might serve as its main competition). Cinematography and Sound are two other feasible possibilities.

Bottom line: while I don’t foresee this factoring into the biggest races, tech and musical recognition could be coming its way. My Oscar Prediction posts for the films of 2021 will continue…

No Time to Die Box Office Prediction

***Blogger’s Note Part III (10/06): I have revised my No Time to Die prediction from $104.1 million down to $94.1 million, which would still set a COVID era record.

***Blogger’s Note Part II (10/03): With the news that Venom: Let There Be Carnage has grossed approximately $90 million out of the gate, it’s go big or go home for No Time to Die! I’m re-upping my estimate from $84.1 million to a COVID era best $104.1 million***

**Blogger’s Note (10/01): A week before its stateside premiere, I have decided to significantly increase my prediction (partly due to the apparent over performance of Venom: Let There Be Carnage). I’m going from $72.1 million to $84.1 million**

Ladies and gentlemen, the second frame of October finally marks the weekend for Daniel Craig’s swan song as 007 in No Time to Die. The 25th official entry in the James Bond franchise was gearing up for release in April of 2020 (Billie Eilish’s title track had already dropped) when COVID scuttled the plans. It experienced several more delays before at last settling on October 8. Craig is back for his fifth and final appearance along with series returnees Lea Seydoux, Ralph Fiennes, Naomie Harris, Ben Whishaw, Jeffrey Wright, Rory Kinnear, and Christoph Waltz. On the job for the first time are Rami Malek as the main villain, Lashana Lynch, Craig’s Knives Out costar Ana de Armas, and Billy Magnussen.

Anticipation is certainly present with the culmination of Mr. Craig’s service as the British super spy – one rivaled by only Sean Connery. He’s actually had the longest run as the character in terms of time, though not actual volume of pictures. It seems like eons since moviegoers have had their Bond fix. With the frequent pushbacks, the just shy of a six-year wait is the second lengthiest break between 007 adventures (beaten by the sabbatical of 1989’s Licence to Kill and 1995’s Goldeneye at nearly six and a half years).

Fifteen years ago, Craig defied expectations with the critically acclaimed Casino Royale. It made $40 million for its start but legged out very impressively. Sequel (and it was the first true Bond sequel) Quantum of Solace debuted two years later with $67 million. 2012’s Skyfall marked a high point at the box office as it grossed over a billion dollars worldwide. The premiere stateside is a series best $88 million. Three years later, Spectre kicked off with $70 million.

So where will this golden era of 007 culminate in terms of opening weekend? There’s certainly a range of possibilities. First things first: it will have no trouble eclipsing what Craig’s first foray achieved a decade and a half ago. I do believe the COVID times will prevent the record setting starting number of Skyfall managed (but you never know). It’s hard to totally factor in the excitement for its star’s last go-round. A video of Craig bidding adieu to his costars and crew has been widely circulated on social media in recent weeks.

My hunch is that a premiere in the range of Quantum and Spectre is most likely stateside (I’m sure its overseas haul will be massive). I’m tempted to say a low to mid 60s gross just under them could occur. However, I’ll err on the side of over performance and project low to mid 70s. (PER ABOVE: I have increased estimate from $72.1M to $84.1M to $104.1 million)

No Time to Die opening weekend prediction: $94.1 million

Oscar Watch: The French Dispatch

Wes Anderson’s The French Dispatch was supposed to premiere at Cannes in 2020 before the COVID-19 pandemic altered that plan. One year later, the auteur’s latest has screened in the French Riviera and it’s probably the most eagerly awaited debut of the festival. The film boasts an ensemble that is to be expected from the filmmaker and it reads like a who’s who of his frequent collaborators and several other previous awards nominees: Benicio del Toro, Adrien Brody, Tilda Swinton, Timothee Chalamet, Frances McDormand, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Bill Murray, Owen Wilson, Elisabeth Moss, Liev Schrieber, Edward Norton, Willem Dafoe, Saoirse Ronan, Christoph Waltz, Jason Schwartzman (who shares a story credit with Anderson and others), Bob Balaban, and Anjelica Huston. Yeah, I know.

Early reviews indicate that this anthology (out stateside on October 22) is a loving ode to journalism and that could be right up the alley of Academy voters. Yet some buzz is also indicating this isn’t among his strongest efforts. One thing seems certain: Dispatch is a visual feast that should easily assert itself in several technical categories. That certainly includes Production Design, Costume Design, Alexandre Desplat’s Original Score, Cinematography, and perhaps Makeup and Hairstyling (though that race in particular could be packed this year).

What do all those races have in common? They were all nominations received for Anderson’s 2014 pic The Grand Budapest Hotel, which scored nine mentions (winning for Costume Design, Makeup and Hairstyling, Score, and Production Design). Don’t be surprised if this is a major hopeful in those same categories.

As for the massive amount of actors, here’s a fun fact: no performance from an Anderson production has ever been nominated. That seems hard to believe, but his casts often make it tricky to pick a favorite or two to mount a campaign for. Del Toro, Chalamet, Wright, and McDormand have been singled out in some write-ups already. I suspect none will emerge to make the Oscar cut. Chalamet has hope in lead actor for Dune and the same can be said for McDormand with The Tragedy of Macbeth (time will tell).

Now to the biggest derbies. Will The French Dispatch manage Best Picture, Director, and Original Screenplay nods? The latter seems most possible. And while some European chatter indicates the other two could be out of reach, it’s important to remember that it took a little time for Budapest Hotel to become the Academy player that it turned out to be.

Bottom line: the future is cloudy for Dispatch when it comes to the most high-profile competitions. Some Academy love down the line in the tech races already seems highly likely. My Oscar Watch posts will continue…

Spectre Box Office Prediction

Three years after the triumphant box office performance of the 23rd 007 entry Skyfall, Daniel Craig is back for the fourth time as James Bond in Spectre, out next Friday. The big question is whether or not it will manage to top the franchise high debut of its predecessor. It could come close or surpass it, as I see it.

Let’s take a little trip down memory lane with Craig’s 007 filmography. His first, 2006’s Casino Royale, started with $40.8 million on its way to a $167M eventual domestic gross. The second, 2008’s Quantum of Solace, earned $67.5 million out of the gate and just edged its predecessor’s haul with $168M. Then – 2012’s Skyfall was a game changer. It made $88.3 million for its astonishing opening weekend and ended with $304M. Worldwide, it took in a cool $1.1 billion, easily setting the high bar for the now 53 year old series.

The studio clearly has employed the “if it ain’t broke, don’t fix it” rule as Skyfall director Sam Mendes has returned. Christoph Waltz joins the fray as the main villain with Ralph Fiennes and Naomie Harris returning as M and Moneypenny, respectively. Spectre has already set records in the United Kingdom, where it was already released this week. Reviews have been mostly strong and it stands at 79% on Rotten Tomatoes, though it’s worth noting that critics generally have stated it’s not quite at the level of what preceded it.

This 24th official Bond pic should debut with Skyfall like numbers. On the high end, it could possibly gather over $100M in its first weekend. It could also earn $75-$80M and that would certainly be on the lower end of expectations. My feeling is that it’ll be within about $5M of what the last one made on the same November weekend in 2012 and that Spectre will just manage to outdo it for the largest 007 premiere in U.S. history.

Spectre opening weekend prediction: $91.3 million

For my prediction on The Peanuts Movie, click here:

https://toddmthatcher.com/2015/10/29/the-peanuts-movie-box-office-prediction/