Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!
Beginning today… my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five that I believe would’ve gotten in beginning in 2008. In fact, it’s because of that year’s biggest grosser not being included that may have prompted the Academy to expand again in the first place. We’ll get there in just a minute.
We do, of course, know five of the ten and that would be the ones that were nominated. Danny Boyle’s Slumdog Millionaire dominated the ceremony with ten nods and an impressive eight victories in Picture, Director, Adapted Screenplay, Cinematography, Film Editing, Original Score, Original Song, and Sound Mixing.
David Fincher’s The Curious Case of Benjamin Button received the most overall mentions with 13 and took home 3 (Art Direction, Makeup, Visual Effects).
Our other trio of contenders were Ron Howard’s Frost/Nixon (o for 5 in nominations), Gus Van Sant’s Milk (8 nods with Sean Penn winning Actor as well as an Original Screenplay statue), and Stephen Daldry’s The Reader (5 nominations with Kate Winslet taking Actress).
The 81st Academy Awards were a rare year when the five Picture hopefuls matched the five filmmakers nominated in Best Director. In other words, there are no clues there for additional BP pics for the purposes of this post.
Yet for the ones that could’ve made the dance in an expanded lineup, we do begin with 2008’s largest moneymaker and that’s Christopher Nolan’s The Dark Knight. It did manage to score 8 mentions with Heath Ledger winning a posthumous Supporting Actor prize (in addition to Sound Editing gold). The fact that it didn’t break into BP was heavily criticized online and elsewhere. If there had been 10 pics up, that almost certainly wouldn’t have been the case.
I would say the same for Pixar’s Wall-E. When it went to 10 movies in 2009 and 2010, the studio’s Up and Toy Story 3 were in. The robotic adventure was the victor in Animated Feature and was nominated in five more races in Original Screenplay, Original Score, Original Song, Sound Editing, and Sound Mixing. Like Knight, Wall-E is an easy pick.
For the 8th spot, I’m fairly confident in Doubt. John Patrick Shanley’s drama (based on his Pulitzer Prize winning play) saw four of its actors nominated and was up for Adapted Screenplay. That combo is enough to assume inclusion.
Then it gets complicated for the 9th and 10th slots and there’s a few possibilities to ponder. Darren Aronofsky’s The Wrestler saw Mickey Rourke and Marisa Tomei up, but a screenplay miss makes me skeptical. Clint Eastwood’s Changeling had three noms (including Angelina Jolie in Actress), but drew mixed reviews. Woody Allen’s Vicky Christina Barcelona, despite taking the Golden Globe in Musical/Comedy, was only nominated for Penelope Cruz’s supporting turn (for which she won). Martin McDonagh’s In Bruges and Mike Leigh’s Happy-Go-Lucky were both up for Original Screenplay and that race alone. There’s usually one or two screenplay nominees that are only up for that category. Iron Man was a gigantic hit which kicked off the MCU. I doubt the Academy would have honored two comic book adaptations. The Duchess won Costume Design and was nominated for its Art Direction. It also was greeted with a mixed critical response.
All of those titles, to one degree or another, are worthy of consideration for the last two spots. I’m going with an indie selection in Courtney Hunt’s Frozen River which was nominated for Actress (Melissa Leo) and Original Screenplay. Let’s call it 2008’s Winter’s Bone (which would make the 2010 BP ten).
Lastly, I’m naming Revolutionary Road from Sam Mendes. Despite it missing noms for stars Leonardo DiCaprio and Kate Winslet, it received a Golden Globe nod in Drama and three Academy mentions for Supporting Actor (Michael Shannon), Art Direction, and Costume Design. That might have been just enough for #10.
So there you have it! That means my 2008 Best Picture expanded to ten is:
After the 2008 Oscars, the Academy decided to expand the number of Best Picture nominees from five to ten. This rule would hold for 2009 and 2010 and then it shifted from anywhere between 5 and 10 (where it was typically 8 or 9). As of 2021, we’re back to a set 10.
Yet what if that had never happened? What if only five nominees from the last decade plus made the cut? My initial writeup where I predicted which five from 2009 would have done so can be found here:
Now we move to 2010. It was a year in which Tom Hooper’s The King’s Speech led the evening with 11 nominations. It would win four – Director, Colin Firth for Best Actor, Original Screenplay, and the big prize Picture. So there’s 20% of our theoretical lineup.
As for the others, let’s take them one by one and I’ll give my thoughts on whether each would’ve made that other 80% of the quintet.
127 Hours
In 2010, Danny Boyle was coming off 2008’s Slumdog Millionaire. That little film that could cleaned up on Oscar night with 8 trophies including Picture. This survival drama with James Franco landed six nods. It won zero, but earned recognition in the Best Pic prerequisites that count like screenplay and editing.
Does It Make the Final Five?
Yes. This is a tough one. As you’ll see below, there are more than five pics that check important boxes. My hunch is that it would’ve nabbed the fifth slot (though you may feel differently when you read on and I tell you what doesn’t make my cut).
Black Swan
Darren Aronofsky’s intense balletic drama earned Natalie Portman an Actress statue and four other nods: Director, Cinematography, and Film Editing. Certainly the director and editing mentions are notable as is Portman’s victory.
Does It Make the Final Five?
No. When Picture and Director were both set at five, they rarely matched. 4 out of 5 directors matching the BP nominations was most common. Here’s an example where I don’t think a match would’ve occurred. The biggest reason? Of the 10 BP nominees, Swan is the only one that didn’t land a screenplay nod. That’s significant.
The Fighter
Mark Wahlberg’s passion project didn’t land him a nod, but it did for three of his costars. Christian Bale took home Supporting Actor while onscreen mother Melissa Leo won Supporting Actress (with Amy Adams also nominated). The direction, screenplay, and editing also were up for a total of 7 nominations.
Does It Make the Final Five?
Yes. The wins in the two acting races and the fact that it hit in all the key precursors give the relevant tale of the tape.
Inception
There’s speculation that the reason the Academy switched to 10 nominees is because Christopher Nolan’s The Dark Knight was omitted from the five in 2008. His follow-up two years later did not miss the expanded cut. It won Oscars for half of its 8 nominations – Sound Editing, Sound Mixing, Cinematography, and Visual Effects. The other three nods besides Picture were Original Screenplay, Score, and Art Direction.
Does It Make the Final Five?
No. And here’s where some readers may disagree. I’m giving 127 Hours an ever so slight edge over this. Why? The 8 nods don’t mean much to me because the bulk of them are in tech races. By the way, The Dark Knight also received 8 nominations. Its misses are what make me skeptical as Nolan didn’t get in for his direction and it also wasn’t up for editing.
The Kids Are All RightÂ
The family drama received acting mentions for Annette Bening and Mark Ruffalo and for its original screenplay.
Does It Make the Final Five?
No. Too many heavy hitters this year and it was probably toward the bottom of the ten that got in.
The Social Network
David Fincher’s saga about the founding of Facebook won three of its 8 nods in Adapted Screenplay, Film Editing, and Score.
Does It Make the Final Five?
Yes… easily. It was probably #2 behind King’s Speech in terms of winning Picture and Director.
Toy Story 3
The Pixar threequel holds the distinction of being the second animated title to make the BP list after Beauty and the Beast. On Oscar night, it won Animated Feature as well as Original Song and received an Adapted Screenplay nod.
Does It Make the Final Five?
No. The Academy probably would’ve been OK with it being a slam dunk Animated Feature winner if only five pics were in contention.
True Grit
The Coen Brothers Western remake was behind only King’s Speech in terms of nominations with 10. Beside Picture – you had Director(s), Actor (Jeff Bridges), Supporting Actress (Hailee Steinfeld), Adapted Screenplay, Sound Editing, Sound Mixing, Art Direction, Cinematography, and Costume Design. It went 0 for 10.
Does It Make the Final Five?
Yes. Despite the batting average, the sheer volume of nods indicates it would have still been included.
Winter’s Bone
This indie drama introduced the Academy and many moviegoers to Jennifer Lawrence. She received a nomination as did her costar John Hawkes in Supporting Actor. Adapted Screenplay was in the mix too.
Does It Make the Final Five?Â
No but here is a prime example of a smaller film that received attention due to the broadening of the BP base.
So that means if there had been just five Best Picture nominees in 2010, I believe they would have been:
The King’s Speech
127 Hours
The Fighter
The Social Network
True Grit
I will be back soon with my final five take on 2011!
Oscar winning director Danny Boyle, who clearly enjoys playing in multiple genres, tries his hand at a musical comedy next weekend with Yesterday. The high concept pic puts forth the theory that only one aspiring songwriter (Himesh Patel) rememberers The Beatles and cashes in on the world’s memory loss. Costars include Lily James, Kate McKinnon, and Ed Sheeran.
Mr. Boyle, as mentioned, has a varied filmography that includes Trainspotting and its sequel, 28DaysLater and its follow-up, Best Picture winner SlumdogMillionaire, and SteveJobs. When Yesterday premiered at the Tribeca Film Festival, its so-so reception killed any potential awards chatter. The Rotten Tomatoes score is 68%.
While there’s legions of Fab Four fans out there, I don’t see this turning into a summer sleeper. I believe this will struggle to reach $10 million.
Yesterday opening weekend prediction: $9.1 million
Premiering at the Tribeca Film Festival over the weekend, the comedic fantasy Yesterday comes with plenty of behind the scenes players with awards credentials. The high concept story imagines a world where the songs of The Beatles have all been forgotten, except by a young aspiring songwriter (Himesh Patel). It’s his duty to re-educate the populace about the Fab Four. Costars include Lily James, Kate McKinnon, and Ed Sheeran (playing himself).
The aforementioned pedigree starts at the top. Director Danny Boyle has had one of the most eclectic filmographies in memory. His works include a Best Picture winner (2008’s SlumdogMillionaire) and a nominee two years later (127Hours). They also include cult favorites such as Trainspotting, the acclaimed zombie tales 28DaysLater and 28WeeksLater, and sci-fi thriller Sunshine. There’s also SteveJobs, which never materialized as the awards contender that prognosticators thought it could be.
Additionally, the screenplay comes from Richard Curtis. He received an Oscar nod 25 years ago for FourWeddingsandaFuneral. Other written works of note include NottingHill, BridgetJones’sDiary, and LoveActually.
As you can see, it’s pretty clear why Yesterday could be looked at as an Oscar player today due to the talent involved. Yet after its festival debut ahead of its June release, reviews are telling a different story. Some are positive, but others are decidedly not. Some critics are breaking out their best Beatles puns with one stating it never quite comes together.
Bottom line: we’ll see if Yesterday can manage to be a profitable crowd pleaser, but don’t expect this to be a factor come with nominations down the line. My Oscar Watch posts will continue…
It’s amazing to think that The Beatles released their first single in 1962. This was also the first year that a Bond picture came out with Dr. No. Both entities are still extraordinarily relevant. Famously, Sean Connery’s Bond dissed the Fab Four in 1964’s Goldfinger.Â
007 fans got some welcome news this week as Cary Fukunaga was announced as the director of the 25th (and as yet untitled) official James Bond film. By the time it comes out, Mr. Fukunaga will be the first American filmmaker to make a Bond pic in its 58 year history.
He brings an exciting resume to the fold. In addition to a filmography that includes varied directorial efforts like Sin Nombre, Jane Eyre, and Beasts of No Nation, his screenwriting credits include last year’s smash It and TV’s The Alienist. His work behind the camera for television also includes the critically lauded first season of HBO’s True Detective and Netflix’s Maniac with Emma Stone and Jonah Hill (which premieres today).
The pick was a surprise and it wasn’t just due to his U.S. heritage. The producers behind Bond had recently gone with a certain type… awards friendly directors branching out to the super spy series. After Martin Campbell successfully kicked off the Daniel Craig era (just as he did for Pierce Brosnan in Goldeneye), Marc Forster (maker of Monster’s Ball and Finding Neverland) did the disappointing Quantum of Solace. Then it was Academy Award winning Sam Mendes behind Skyfall and Spectre.Â
When Danny Boyle was announced as director for Bond 25, it seemed to fit the mold. He’s an Oscar winner for Slumdog Millionaire. He’s also directed some other genre fare (including Trainspotting and 28 Days Later) that made him a fairly exciting pick. Yet it somehow seemed a little safe. After creative differences caused his exit, I figured someone like Joe Wright (who last directed Darkest Hour) could be the replacement.
Fukunaga is an intriguing selection and I’m curious to see how he handles what is very likely to be Craig’s final appearance as 007. And this brings us to Mr. Craig’s longevity. Sean Connery made six movies in the official canon (1983’s Never Say Never Again isn’t considered part of it). George Lazenby did the one-off On Her Majesty’s Secret Service. Roger Moore is the leader with seven. Timothy Dalton had two. Pierce Brosnan made four.
This will be Craig’s fifth 007 turn. Surprisingly, he will have actually portrayed the MI6 agent the longest by the time #25 is released in February 2020. His 14 year reign will eclipse the 12 years that Moore played him.
Attention will soon turn to the next Bond. If I had to guess, I figure the seventh actor to play him will debut onscreen in November 2022. There’s been rumors of Idris Elba taking over the role. Expect plenty of speculation over the next couple of years. By that time, the Bond franchise will be 60 years old. Like The Beatles music, it will never die and the long and winding road of the franchise continues to interest us.
Danny Boyle’s Steve Jobs is a masterwork in editing, use of music, and fine performances doused with the dialogue that is unmistakably that of Aaron Sorkin. The man in the title, played by Michael Fassbender, is presented as he’s often said to have been: frustrating. There are certainly times in this picture where the audience will be angry at Mr. Jobs and Sorkin’s script doesn’t sugarcoat his considerable flaws, which include his inability to acknowledge his own daughter. At the same time, this is a work that appreciates its central character, imperfections and all.
The film is constructed much like a play and in three acts centered around the launch of the Apple Founder’s products. In 1984, it’s the Macintosh. In 1988, the failed NeXT computer after Steve had been dumped from his own company. In 1998, the iMac which helped lead to iEverything and market domination. Through this 14 year journey, we meet the people who populate this temperamental genius’s life. There’s his marketing exec Joanna (Kate Winslet), constantly by Steve’s side and witness to historical triumphs and her boss’s failures. Steve Wozniak (Seth Rogen) is the jilted company cofounder who kept Apple afloat for many years while Jobs got all the credit. John Sculley (a typically rock solid Jeff Daniels) is the CEO who is both an enemy and father figure. And the biggest through line comes from Lisa, the daughter that Steve can’t bring himself to properly father.
Steve Jobs eschews the conventional cliches of a biopic, just as the man who hated conventional may have preferred. While Fassbender doesn’t exactly resemble Steve, his performance is quite an accomplishment and succeeds in nailing down his complexities. The loyal yet often flustered Joanna is brought to life wonderfully by Winslet. Sorkin’s well known snappy dialogue should please his many admirers and the story structure is creative enough that you probably won’t quibble with reported historical inaccuracies. Truth be told, no two hour tale could properly nail presenting the enigmatic title subject, but Steve Jobs the film has a talented team doing their level best.
Love or hate him or (like most) appreciative and confounded by him, this picture fascinatingly is another puzzle piece of the man whose existence constantly is at our fingertips.
Here we are folks! After numerous posts prognosticating on what and whom will be nominated for the Academy Awards honoring 2015’s best, we will all collectively find out tomorrow morning. This Oscar season has been filled with much intrigue and a great deal of uncertainty.
Many questions abound:
Will the performances of Rooney Mara (Carol) and Alicia Vikander (The Danish Girl) be recognized in lead Actress or Supporting Actress? That query alone makes predicting both of those races tricky this year. I will go with both being recognized in Supporting, but if Oscar voters go lead with one or both, it changes the whole dynamic. There’s also the possibility that Vikander could be honored in Supporting for Ex Machina and not Danish, which adds to the confusion.
Will the Academy nominate their first Star Wars pic (The Force Awakens) since the original 38 years ago? It’s already become the highest grossing film of all time and could certainly lead to even more eyeballs watching the telecast. That said, I have it narrowly missing the cut.
Will Leonardo DiCaprio finally win the gold statue for his work in The Revenant? Precursor awards including the Golden Globes point to yes. A nomination seems assured.
Is Spotlight truly the front runner or not? Many other possibilities are out there for an “upset” win. It is, at best, a soft front runner.
I’ll finally note that my predictions reflect a belief that Straight Outta Compton will be shut out. This goes against what several other predictors are saying and many have it being recognized in Best Picture. Another high profile offering that I have coming up empty: Black Mass.
As I’ve done for the last several weeks, I’m listing my predicted nominees and other possibilities in each category by likelihood of being nominated. Just because I have something listed as #1 doesn’t mean I’m predicting it to win (I’ll have my first blog post up predicting the winners this weekend). In parentheses after each entry is how far each predicted nominee/possibility has fallen from my previous predictions last week. On Thursday evening, I’ll have a post up letting you know how well (or not so much) I did.
Let’s get to it, shall we? My FINAL predictions:
Best Picture
As I see it, there are 21 films vying for anywhere from 5-10 spots. The magic number is usually 9 (last year it was 8). I’m going with 9 this year, though I believe 10 is more probable than 8. And strangely enough, my predicted nine has stayed the same over the course of the last month or so. Straight Outta Compton, Sicario, and even The Force Awakens have made some waves of late, but I still have them narrowly missing.
Spotlight (No Change)
The Big Short (No Change)
The Revenant (+3)
Mad Max: Fury Road (-1)
The Martian (No Change)
Carol (+1)
Bridge of Spies (+1)
Room (-4)
Brooklyn (No Change)
Other Possibilities:
10. Straight Outta Compton (No Change)
11. Star Wars: The Force Awakens (No Change)
12. The Hateful Eight (No Change)
13. Sicario (+1)
14. Inside Out (-1)
15. Steve Jobs (+1)
16. Ex Machina (+2)
17. Trumbo (No Change)
18. Beasts of No Nation (-3)
19. Son of Saul (+1)
20. The Danish Girl (-1)
21. Creed (No Change)
Best Director
Tuesday’s Directors Guild of America usually provides a reasonably reliable snap shot of at least three or four of the nominees that will end up being recognized here. Their picks were Tom McCarthy, Ridley Scott, George Miller, Alejandro Gonzalez Inarritu, and Adam McKay. Of those, McKay seems the most vulnerable (with Miller and Scott behind). I’ll keep my prediction for Todd Haynes in and there’s certainly a chance there’s a shocker nominee as we sometimes see in this category.
Tom McCarthy, Spotlight (+1)
Alejandro Gonzalez Inarritu, The Revenant (+1)
Ridley Scott, The Martian (+1)
George Miller, Mad Max: Fury Road (-3)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Steven Spielberg, Bridge of Spies (+1)
7. Adam McKay, The Big Short (-1)
8. Denis Villenueve, Sicario (+5)
9. Lenny Abrahamson, Room (-1)
10. F. Gary Gray, Straight Outta Compton (+1)
11. John Crowley, Brooklyn (-2)
12. Quentin Tarantino, The Hateful Eight (-2)
13. J.J. Abrams, Star Wars: The Force Awakens (-1)
14. Jay Roach, Trumbo (Previously Unranked)
15. Cary Fukanaga, Beasts of No Nation (-1)
16. Alex Garland, Ex Machina (Previously Unranked)
17. Laszlo Nemes, Son of Saul (-2)
18. Ryan Coogler, Creed (Previously Unranked)
19. Danny Boyle, Steve Jobs (Previously Unranked)
20. Tom Hooper, The Danish Girl (Previously Unranked)
Best Actor
This race is increasingly looking like ‘The Leo Show” with Mr. DiCaprio likely to nab (finally) his first Oscar. Only Leo seems to be a totally safe bet (though it would be a surprise to me if Redmayne and Fassbender don’t get in and probably Cranston too). I would say numbers 5-8 are practically interchangeable while anything 9 or below would be a fairly big surprise.
Leonardo DiCaprio, The Revenant (No Change)
Eddie Redmayne, The Danish Girl (No Change)
Michael Fassbender, Steve Jobs
Bryan Cranston, Trumbo (No Change)
Matt Damon, The Martian (+1)
Other Possibilities:
6. Steve Carell, The Big Short (-1)
7. Will Smith, Concussion (No Change)
8. Johnny Depp, Black Mass (No Change)
9. Ian McKellen, Mr. Holmes (No Change)
10. Michael Caine, Youth (No Change)
11. Michael B. Jordan, Creed (+1)
12. Geza Rohrig, Son of Saul (-1)
Best Actress
As previously discussed, all the rules go out the window if either Rooney Mara or Alicia Vikander are recognized here instead of in Supporting Actress. That said, I feel pretty confident about Larson, Ronan, and Blanchett. The rest? Not so much.
Brie Larson, Room (No Change)
Saoirse Ronan, Brooklyn (No Change)
Cate Blanchett, Carol (No Change)
Jennifer Lawrence, Joy (+1)
Charlotte Rampling, 45 Years (-1)
Other Possibilities:
6. Charlize Theron, Mad Max: Fury Road (+1)
7. Helen Mirren, Woman in Gold (+1)
8. Emily Blunt, Sicario (+3)
9. Blythe Danner, I’ll See You in My Dreams (+1)
10. Sarah Silverman, I Smile Back (-1)
11. Maggie Smith, The Lady in the Van (Previously Unranked)
Best Supporting Actor
Bottom line: I feel like Rylance and Stallone are the only safe bets here. This category has been wide open for quite some time and all 12 performers listed here could get in. Very curious to see how this works out come tomorrow.
Mark Rylance, Bridge of Spies (No Change)
Sylvester Stallone, Creed (+1)
Idris Elba, Beasts of No Nation (-1)
Paul Dano, Love and Mercy (+1)
Christian Bale, The Big Short (-1)
Other Possibilities:
6. Michael Keaton, Spotlight (No Change)
7. Michael Shannon, 99 Homes (No Change)
8. Mark Ruffalo, Spotlight (No Change)
9. Tom Hardy, The Revenant (No Change)
10. Jacob Tremblay, Room (+1)
11. Benicio del Toro, Sicario (-1)
12. Jason Mitchell, Straight Outta Compton (Previously Unranked)
Best Supporting Actress
Rooney Mara and Alicia Vikander seem like safe bets – as long as they’re nominated here and not in Actress. Kate Winslet (fresh off a Globe win) and Jennifer Jason Leigh should play here, too. The fifth slot is truly up for grabs, I feel.
Alicia Vikander, The Danish Girl (No Change)
Rooney Mara, Carol (No Change)
Kate Winslet, Steve Jobs (+1)
Jennifer Jason Leigh, The Hateful Eight (-1)
Helen Mirren, Trumbo (+1)
Other Possibilities:
6. Jane Fonda, Youth (-1)
7. Kristen Stewart, Clouds of Sils Maria (No Change)
8. Rachel McAdams, Spotlight (+1)
9. Joan Allen, Room (-1)
10. Alicia Vikander, Ex Machina (No Change)
11. Elizabeth Banks, Love and Mercy (No Change)
12. Marion Cotillard, MacBeth (Previously Unranked)
Best Original Screenplay
Spotlight (No Change)
Inside Out (No Change)
Bridge of Spies (+1)
The Hateful Eight (-1)
Sicario (+1)
Other Possibilities:
6. Ex Machina (-1)
7. Straight Outta Compton (No Change)
8. Love and Mercy (No Change)
9. Son of Saul (+2)
Best Adapted Screenplay
The Big Short (No Change)
Carol (No Change)
Room (No Change)
Steve Jobs (+1)
Brooklyn (-1)
Other Possibilities:
6. The Martian (No Change)
7. The Revenant (+1)
8. Beasts of No Nation (+1)
9. Trumbo (-2)
10. Mad Max: Fury Road (Previously Unranked)
11. Anomalisa (No Change)
Best Animated Feature
Inside Out (No Change)
Anomalisa (No Change)
Shaun the Sheep Movie (No Change)
Kahlil Gabran’s The Prophet (No Change)
The Peanuts Movie (+1)
Other Possibilities:
6. The Good Dinosaur (-1)
7. When Marnie Was There (No Change)
8. Minions (Previously Unranked)
Best Documentary Feature (First Time Predictions)
Amy
The Look of Silence
Winter on Fire
Going Clear: Scientology and the Prison of Belief
He Named Me Malala
Other Possibilities:
6. Listen to Me Marlon
7. Best of Enemies
8. The Hunting Ground
9. Where to Invade Next
10. Heart of the Dog
Best Foreign Language Film (First Time Predictions)
Son of Saul
Mustang
A War
The Brand New Testament
Embrace of the Serpent
Other Possibilities:
6. The Fencer
7. Labyrinth of Lies
8. Theeb
9. Viva
Best Production Design
The Danish Girl (No Change)
Mad Max: Fury Road (+1)
Bridge of Spies (+1)
Carol (-2)
The Revenant (+4)
Other Possibilities:
6. Brooklyn (-1)
7. The Martian (Previously Unranked)
8. Star Wars: The Force Awakens (+3)
9. The Hateful Eight (-3)
10. Cinderella (-3)
Best Cinematography
The Revenant (No Change)
Mad Max: Fury Road (No Change)
The Hateful Eight (No Change)
Bridge of Spies (+1)
Sicario (-1)
Other Possibilities:
6. Carol (+1)
7. Son of Saul (+2)
8. The Martian (-2)
9. The Assassin (-1)
10. Spotlight (Previously Unranked)
Best Costume Design
The Danish Girl (No Change)
Carol (No Change)
Cinderella (+1)
Brooklyn (-1)
Far from the Madding Crowd (No Change)
Other Possibilities:
6. Mad Max: Fury Road (+6)
7. The Hateful Eight (-1)
8. Suffragette (-1)
9. The Revenant (No Change)
10. Mr. Holmes (Previously Unranked)
Best Editing
Mad Max: Fury Road (No Change)
The Big Short (No Change)
Spotlight (+2)
The Revenant (No Change)
Bridge of Spies (+2)
Other Possibilities:
6. The Martian (-3)
7. Sicario (+3)
8. Steve Jobs (-2)
9. Star Wars: The Force Awakens (+3)
10. The Hateful Eight (-1)
11. Room (-3)
Best Makeup and Hairstyling
Mad Max: Fury Road (No Change)
The Revenant (No Change)
The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+1)
Other Possibilities:
4. Black Mass (-1)
5. Mr. Holmes (No Change)
6. Concussion (No Change)
7. Legend (No Change)
Best Sound Mixing
Mad Max: Fury Road (No Change)
The Revenant (+3)
Star Wars: The Force Awakens (No Change)
Sicario (No Change)
The Martian (-3)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Bridge of Spies (Previously Unranked)
8. Jurassic World (-1)
Best Sound Editing
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
The Revenant (No Change)
The Martian (No Change)
The Hateful Eight (+1)
Other Possibilities:
6. Sicario (-1)
7. Jurassic World (+1)
8. Bridge of Spies (Previously Unranked)
Best Visual Effects
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
Jurassic World (No Change)
The Martian (No Change)
The Revenant (Previously Unranked)
Other Possibilities:
6. Ex Machina (-1)
7. The Walk (No Change)
8. Ant-Man (Previously Unranked)
9. Avengers: Age of Ultron (-1)
10. In the Heart of the Sea (-4)
Best Score
The Hateful Eight (No Change)
Carol (+1)
Star Wars: The Force Awakens (+2)
Bridge of Spies (-2)
The Danish Girl (-1)
Other Possibilities:
6. Spotlight (No Change)
7. Mad Max: Fury Road (+1)
Best Original Song
“See You Again” from Furious 7 (+2)
“Til It Happens to You” from The Hunting Ground (-1)
“Writing’s on the Wall” from Spectre (+4)
“Simple Song #3” from Youth (No Change)
“So Long” from Concussion (-3)
Other Possibilities:
6. “Love Me Like You Do” from Fifty Shades of Grey (-1)
7. “Earned It” from Fifty Shades of Grey (-1)
These FINAL predictions reflect a belief that the following pictures will receive this number of nominations:
10 Nominations
The Revenant
9 Nominations
Mad Max: Fury Road
8 Nominations
Carol
7 Nominations
Bridge of Spies
6 Nominations
The Martian
5 Nominations
The Danish Girl, The Hateful Eight
4 Nominations
The Big Short, Brooklyn, Spotlight, Star Wars: The Force Awakens
3 Nominations
Room, Sicario, Steve Jobs
2 Nominations
Inside Out, Trumbo
1 Nomination
Beasts of No Nation, Cinderella, Concussion, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Hunting Ground, Joy, Jurassic World, Love and Mercy, The 100 Year Old Man Who Climbed Out of the Window and Disappeared, Spectre, Youth
And there you have it, folks! My final Oscar predictions! I’ll have an update posted tomorrow. Until then…
We arrive at my weekly Oscar predictions and a new wrinkle has been added. I’m predicting every category with the exception of Foreign and Documentary (those will eventually be added).
As with last week, I’ll ranking according to my feelings on likelihood of the films and performers being nominated and let you know what’s changed since last week. The pluses and minuses and no changes indicated their ranking from last week to this week.
Let’s get to it!
Best Picture
Spotlight (No Change)
The Revenant (No Change)
Room (No Change)
Brooklyn (+3)
Carol (-1)
The Martian (No Change)
Mad Max: Fury Road (-2)
Bridge of Spies (No Change)
The Big Short (+2)
Other Possibilities:
10. Inside Out (No Change)
11. The Hateful Eight (-2)
12. Star Wars: The Force Awakens (+11)
13. Trumbo (+6)
14. Son of Saul (+3)
15. The Danish Girl (+1)
16. Sicario (+5)
17. Beasts of No Nation (-3)
18. Steve Jobs (-5)
19. Straight Outta Compton (-4)
20. Creed (-8)
21. Joy (-2)
22. Love and Mercy (-1)
23. Anomalisa (-6)
What’s Changed Since Last Week – IN: The Big Short. OUT: The Hateful Eight.
Best Director
Tom McCarthy, Spotlight (No Change)
Alejandro Gonzalez Inarritu, The Revenant (No Change)
George Miller, Mad Max: Fury Road (No Change)
Ridley Scott, The Martian (No Change)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Steven Spielberg, Bridge of Spies (+1)
7. Lenny Abrahamson, Room (-1)
8. J.J. Abrams, Star Wars: The Force Awakens (+9)
9. John Crowley, Brooklyn (No Change)
10. Quentin Tarantino, The Hateful Eight (-2)
11. Adam McKay, The Big Short (+1)
12. Laszlo Nemes, Son of Saul (+1)
13. Jay Roach, Trumbo (Previously Not Ranked)
14. Tom Hooper, The Danish Girl (+2)
15. Danny Boyle, Steve Jobs (-1)
16. Cary Fukunaga, Beasts of No Nation (-5)
17. Ryan Coogler, Creed (-7)
DROPPED OUT: David O. Russell, Joy
What’s Changed Since Last Week: NO CHANGES
Best Actor
Leonardo DiCaprio, The Revenant (No Change)
Michael Fassbender, Steve Jobs (+1)
Eddie Redmayne, The Danish Girl (-1)
Bryan Cranston, Trumbo (+1)
Johnny Depp, Black Mass (-1)
Other Possibilities:
6. Matt Damon, The Martian (No Change)
7. Will Smith, Concussion (No Change)
8. Michael Caine, Youth (+3)
9. Ian McKellen, Mr. Holmes (No Change)
10. Tom Hanks, Bridge of Spies (No Change)
11. Geza Rohrig, Son of Saul (+2)
12. Steve Carell, The Big Short (No Change)
13. Michael B. Jordan, Creed (-5)
What’s Changed Since Last Week: No Changes
Best Actress
Brie Larson, Room (No Change)
Saoirse Ronan, Brooklyn (No Change)
Cate Blanchett, Carol (No Change)
Charlotte Rampling, 45 Years (No Change)
Jennifer Lawrence, Joy (No Change)
Other Possibilities:
6. Charlize Theron, Mad Max: Fury Road (+1)
7. Helen Mirren, Woman in Gold (+2)
8. Blythe Danner, I’ll See You in My Dreams (-2)
9. Sarah Silverman, I Smile Back (-1)
10. Maggie Smith, The Lady in the Van (No Change)
11. Carey Mulligan, Suffragette (+1)
12. Lily Tomlin, Grandma (-1)
What’s Changed Since Last Week: No Changes
Best Supporting Actor
Mark Rylance, Bridge of Spies (No Change)
Michael Keaton, Spotlight (+1)
Paul Dano, Love and Mercy (+1)
Idris Elba, Beasts of No Nation (+1)
Sylvester Stallone, Creed (-3)
Other Possibilities:
6. Michael Shannon, 99 Homes (+4)
7. Mark Ruffalo, Spotlight (-1)
8. Tom Hardy, The Revenant (No Change)
9. Christian Bale, The Big Short (-2)
10. Jacob Tremblay, Room (+1)
11. Benicio del Toro, Sicario (-2)
What’s Changed Since Last Week: No Changes
Best Supporting Actress
Alicia Vikander, The Danish Girl (No Change)
Rooney Mara, Carol (No Change)
Jennifer Jason Leigh, The Hateful Eight (No Change)
Kate Winslet, Steve Jobs (No Change)
Helen Mirren, Trumbo (+2)
Other Possibilities:
6. Rachel McAdams, Spotlight (+4)
7. Jane Fonda, Youth (-2)
8. Kristen Stewart, Clouds of Sils Maria (-2)
9. Elizabeth Banks, Love and Mercy (No Change)
10. Joan Allen, Room (-2)
DROPPED OUT: Alicia Vikander, Ex Machina
What’s Changed Since Last Week – IN: Helen Mirren, OUT: Jane Fonda.
Best Original ScreenplayÂ
Spotlight (No Change)
Inside Out (+1)
The Hateful Eight (-1)
Bridge of Spies (No Change)
Love and Mercy (+1)
Other Possibilities:
6. Son of Saul (-1)
7. Mad Max: Fury Road (Previously Not Ranked)
8. 99 Homes (No Change)
9. Sicario (+1)
10. Ex Machina (+1)
11. Straight Outta Compton (-4)
12. Youth (Previously Not Ranked)
13. Joy (-4)
14. Trainwreck (-2)
What’s Changed Since Last Week – IN: Love and Mercy. OUT: Son of Saul.
Best Adapted Screenplay
Room (+2)
Brooklyn (+2)
Carol (-2)
The Big Short (+1)
Steve Jobs (-3)
Other Possibilities:
6. The Martian (+1)
7. Trumbo (+3)
8. The Revenant (-2)
9. Beasts of No Nation (No Change)
10. Anomalisa (-2)
11. The Danish Girl (+1)
DROPPED OUT:Â Creed
What’s Changed Since Last Week: No Changes
Best Animated Feature (First Time Predictions)
Inside Out
Anomalisa
Kahlil Gobran’s The Prophet
Shaun the Sheep Movie
The Good Dinosaur
Other Possibilities:
6. The Peanuts Movie
7. When Marnie Was There
8. Home
Best Cinematography (First Time Predictions)
The Hateful Eight
The Revenant
Mad Max: Fury Road
The Martian
Sicario
Other Possibilities:
6. Carol
7. Bridge of Spies
8. The Danish Girl
Best Production Design (First Time Predictions)
Carol
The Danish Girl
Mad Max: Fury Road
Cinderella
Bridge of Spies
Other Possibilities:
6. The Revenant
7. Brooklyn
8. The Martian
9. The Hateful Eight
10. Star Wars: The Force Awakens
11. MacBeth
Best Editing (First Time Predictions)
Spotlight
Mad Max: Fury Road
The Revenant
The Big Short
Steve Jobs
Other Possibilities:
6. The Hateful Eight
7. The Martian
8. Bridge of Spies
9. Room
Best Costume Design (First Time Predictions)
Carol
Cinderella
Brooklyn
The Danish Girl
Far from the Madding Crowd
Other Possibilities:
6. Mad Max: Fury Road
7. Suffragette
8. Trumbo
9. The Hateful Eight
10. MacBeth
Best Makeup and Hairstyling (First Time Predictions)
The Danish Girl
Carol
Star Wars: The Force Awakens
Other Possibilities:
4. Mad Max: Fury Road
5. Black Mass
6. Pan
7. The Hateful Eight
8. The Revenant
Best Visual Effects (First Time Predictions)
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
Jurassic World
The Walk
Other Possibilities:
6. The Revenant
7. In the Heart of the Sea
8. Ex Machina
Best Sound Mixing (First Time Predictions)
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
The Revenant
Sicario
Other Possibilities:
6. Jurassic World
7. The Hateful Eight
8. In the Heart of the Sea
Best Sound Editing (First Time Predictions)
Mad Max: Fury Road
The Revenant
The Martian
Star Wars: The Force Awakens
In the Heart of the Sea
Other Possibilities:
6. Sicario
7. The Hateful Eight
8. Jurassic World
Best Original Score (First Time Predictions)
The Hateful Eight
Carol
Spotlight
Star Wars: The Force Awakens
The Danish Girl
Other Possibilities:
6. The Revenant
7. Bridge of Spies
8. Sicario
9. Brooklyn
10. Mad Max: Fury Road
11. Southpaw
Best Original Song (First Time Predictions)
“Til It Happens To You” from The Hunting Ground
“See You Again” from Furious 7
“Love Me Like You Do” from Fifty Shades of Grey
“Writing’s on the Wall” from Spectre
“Earned It” from Fifty Shades of Grey
Other Possibilities:
6. “Simple Song #3” from Youth
7. “One Kind of Love” from Love and Mercy
8. “So Long” from Concussion
Whew! Those predictions reflect a current belief of the following films garnering nominations with number included:
9 Nominations
Carol
8 Nominations
Mad Max: Fury Road
7 Nominations
The Revenant
6 Nominations
The Danish Girl, The Martian, Spotlight
5 Nominations
Star Wars: The Force Awakens
4 Nominations
Bridge of Spies, Brooklyn, The Hateful Eight, Steve Jobs
3 Nominations
The Big Short, Room
2 Nominations
Cinderella, Fifty Shades of Grey, Inside Out, Love and Mercy, Sicario, Trumbo
1 Nomination
Anomalisa, Beasts of No Nation, Black Mass, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, In the Heat of the Sea, Joy, Jurassic World, Kahlil Gabron’s The Prophet, Shaun the Sheep Movie, Spectre, The Walk
And now we’ve arrived at my weekly Oscar predictions for the eight biggest categories and yes, things have changed in one week. Most notably, many critics precursor awards have been announced and just in the last 48 hours, nominations for the SAG and Golden Globe awards have been revealed. The past week’s activity has given a huge boost to Mad Max: Fury Road‘s inclusion into the Best Picture race and I’m including it for the first time. Other pics that have received some momentum: Carol, Trumbo (in acting races), and possibly The Big Short.
For the first time, I’m ceasing to list my predicted nominees and other possibilities alphabetically. We are now switching to where I’m listing according to my thoughts on their probability of being nominated.
And here we go, my friends:
Best Picture
Spotlight
The Revenant
Room
Carol
Mad Max: Fury Road
The Martian
Brooklyn
Bridge of Spies
The Hateful Eight
Other Possibilities:
10. Inside Out
11. The Big Short
12. Creed
13. Steve Jobs
14. Beasts of No Nation
15. Straight Outta Compton
16. The Danish Girl
17. Son of Saul
18. Anomalisa
19. Trumbo
20. Joy
21. Sicario
22. Love and Mercy
23. Star Wars: The Force Awakens
What’s Changed Since Last Week – In: Mad Max: Fury Road, Out: Inside Out
Best Director
Tom McCarthy, Spotlight
Alejandro Gonzalez Inarritu, The Revenant
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Todd Haynes, Carol
Other Possibilities:
6. Lenny Abrahamson, Room
7. Steven Spielberg, Bridge of Spies
8. Quentin Tarantino, The Hateful Eight
9. John Crowley, Brooklyn
10. Ryan Coogler, Creed
11. Cary Fukanaga, Beasts of No Nation
12. Adam McKay, The Big Short
13. Laszlo Nemes, Son of Saul
14. Danny Boyle, Steve Jobs
15. David O. Russell, Joy
16. Tom Hooper, The Danish Girl
17. J.J. Abrams, Star Wars: The Force Awakens
What’s Changed Since Last Week – In: Todd Haynes. Out: Lenny Abrahamson
Best Actor
Leonardo DiCaprio, The Revenant
Eddie Redmayne, The Danish Girl
Michael Fassbender, Steve Jobs
Johnny Depp, Black Mass
Bryan Cranston, Trumbo
Other Possibilities:
6. Matt Damon, The Martian
7. Will Smith, Concussion
8. Michael B. Jordan, Creed
9. Ian McKellen, Mr. Holmes
10. Tom Hanks, Bridge of Spies
11. Michael Caine, Youth
12. Steve Carell, The Big Short
13. Geza Rohrig, Son of Saul
What’s Changed Since Last Week – In: Bryan Cranston. Out: Matt Damon
Best Actress
Brie Larson, Room
Saoirse Ronan, Brooklyn
Cate Blanchett, Carol
Charlotte Rampling, 45 Years
Jennifer Lawrence, Joy
Other Possibilities:
6. Blythe Danner, I’ll See You in My Dreams
7. Charlize Theron, Mad Max: Fury Road
8. Sarah Silverman, I Smile Back
9. Helen Mirren, Woman in Gold
10. Maggie Smith, The Lady in the Van
11. Lily Tomlin, Grandma
12. Carey Mulligan, Suffragette
What’s Changed Since Last Week – NO CHANGES
Best Supporting Actor
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
Michael Keaton, Spotlight
Paul Dano, Love and Mercy
Idris Elba, Beasts of No Nation
Other Possibilities:
6. Mark Ruffalo, Spotlight
7. Christian Bale, The Big Short
8. Tom Hardy, The Revenant
9. Benicio del Toro, Sicario
10. Michael Shannon, 99 Homes
11. Jacob Tremblay, Room
What’s Changed Since Last Week – In: Paul Dano and Idris Elba. Out: Tom Hardy and Mark Ruffalo
Best Supporting Actress
Alicia Vikander, The Danish Girl
Rooney Mara, Carol
Jennifer Jason Leigh, The Hateful Eight
Kate Winslet, Steve Jobs
Jane Fonda, Youth
Other Possibilities:
6. Kristen Stewart, Clouds of Sils Maria
7. Helen Mirren, Trumbo
8. Joan Allen, Room
9. Elizabeth Banks, Love and Mercy
10. Rachel McAdams, Spotlight
11. Alicia Vikander, Ex Machina
What’s Changed Since Last Week: NO CHANGES
Best Original Screenplay
Spotlight
The Hateful Eight
Inside Out
Bridge of Spies
Son of Saul
Other Possibilities:
6. Love and Mercy
7. Straight Outta Compton
8. 99 Homes
9. Joy
10. Sicario
11. Ex Machina
12. Trainwreck
What’s Changed Since Last Week – IN: Son of Saul. Out: Love and Mercy
Best Adapted Screenplay
Carol
Steve Jobs
Room
Brooklyn
The Big Short
Other Possibilities:
6. The Revenant
7. The Martian
8. Anomalisa
9. Beasts of No Nation
10. Trumbo
11. Creed
12. The Danish Girl
What’s Changed Since Last Week – In: The Big Short. Out: Anomalisa.Â
And that’ll do it for this week’s predictions! Stay tuned for next Friday’s picks…
We are a bit over a month away from Oscar nominations coming out (January 14th) and it’s time to ramp up my predictions for what and whom will be nominated in the eight top races. I’m adding the two Screenplay categories (Original and Adapted) for the first time and the plan is to make weekly Oscar predictions each weekend until nominations come out. With each race, I’ll inform you what’s changed since the previous predictions post.
And with that, let’s get to predicting, shall we?
Best Picture
Bridge of Spies
Brooklyn
Carol
The Hateful Eight
Inside Out
The Martian
The Revenant
Room
Spotlight
Other Possibilities:
Beasts of No Nation
The Big Short
Creed
The Danish Girl
Joy
Mad Max: Fury Road
Star Wars: The Force Awakens
Steve Jobs
Straight Outta Compton
Changes Since Last Predictions: Bridge of Spies, Inside Out (IN), Joy, Steve Jobs (OUT)
Best Director
Lenny Abrahamson, Room
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Other Possibilities:
Danny Boyle, Steve Jobs
Ryan Coogler, Creed
John Crowley, Brooklyn
Cary Fukanaga, Beasts of No Nation
Todd Haynes, Carol
Tom Hooper, The Danish Girl
David O. Russell, Joy
Steven Spielberg, Bridge of Spies
Quentin Tarantino, The Hateful Eight
Changes Since Last Predictions: George Miller (IN), David O. Russell (OUT)
Best Actor
Matt Damon, The Martian
Johnny Depp, Black Mass
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Other Possibilities:
Michael Caine, Youth
Bryan Cranston, Trumbo
Tom Hanks, Bridge of Spies
Michael B. Jordan, Creed
Ian McKellen, Mr. Holmes
Will Smith, Concussion
Changes Since Last Predictions: NONE
Best Actress
Cate Blanchett, Carol
Brie Larson, Room
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn
Other Possibilities:
Emily Blunt, Sicario
Blythe Danner, I’ll See You in My Dreams
Carey Mulligan, Suffragette
Maggie Smith, The Lady in the Van
Charlize Theron, Mad Max: Fury Road
Lily Tomlin, Grandma
Changes Since Last Predictions: Charlotte Rampling (IN), Blythe Danner (OUT)
Best Supporting Actor
Tom Hardy, The Revenant
Michael Keaton, Spotlight
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
Other Possibilities:
Christian Bale, The Big Short
Paul Dano, Love and Mercy
Benicio del Toro, Sicario
Joel Edgerton, Black Mass
Idris Elba, Beasts of No Nation
Harvey Keitel, Youth
Jacob Tremblay, Room
Changes Since Last Predictions: Tom Hardy (IN), Idris Elba (OUT)
Best Supporting Actress
Jane Fonda, Youth
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs
Other Possibilities:
Joan Allen, Room
Elizabeth Banks, Love and Mercy
Rachel McAdams, Spotlight
Kristin Stewart, Clouds of Sils Maria
Julie Walters, Brooklyn
Changes Since Last Predictions: Jane Fonda (IN), Joan Allen (OUT)
Best Original Screenplay (first prediction in category)
Bridge of Spies
The Hateful Eight
Inside Out
Love and Mercy
Spotlight
Other Possibilities:
Joy
Sicario
Straight Outta Compton
Youth
Best Adapted Screenplay (first prediction in category)
Anomalisa
Brooklyn
Carol
Room
Steve Jobs
Other Possibilities:
The Big Short
Creed
The Martian
The Revenant
And there you have it – folks! The next update will come next weekend…
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