June 27-29 Box Office Predictions

Racing drama F1: The Movie starring Brad Pitt looks to finish first this weekend while campy horror sequel M3GAN 2.0 aims for a strong second. You can peruse my detailed prediction posts on the newbies here:

F1 Box Office Prediction

M3GAN 2.0 Box Office Prediction

The range for F1 could be wide and it wouldn’t surprise me if it topped $50 million. The low bar appears to be in the mid 30s. With mostly solid reviews and fans of the sport likely to turn up (that could be more significant overseas), I’m going with a mid 40s premiere.

I’m definitely going on the lower end of the spectrum for M3GAN 2.0, the follow-up to 2023’s surprise hit. As I wrote in my post, I’m not convinced audiences are clamoring for the title character’s return. My low 20s projection puts it in the runner-up spot though not by much.

Current two-week champ How to Train Your Dragon could lose close to half its sophomore frame crowd for high teens in third. The four and five spot could be close between Elio and 28 Years Later in their second outings. The former had a historically weak debut (more on that below) while 28 Years also kicked off at the bottom portion of its anticipated spread. I suspect Elio will have a much better hold than Danny Boyle’s zombie threequel.

Here’s how I envision the top 5 playing out:

1. F1: The Movie

Predicted Gross: $46.2 million

2. M3GAN 2.0

Predicted Gross: $21.7 million

3. How to Train Your Dragon

Predicted Gross: $19.1 million

4. Elio

Predicted Gross: $13 million

5. 28 Years Later

Predicted Gross: $12.6 million

Box Office Results (June 20-22)

How to Train Your Dragon managed to stay atop the charts, but it did have a heftier decline that I figured. The live-action remake of the DreamWorks animated original brought in $36.5 million compared to my $41.6 prediction for $160 million in its initial ten days.

28 Years Later was second with $30 million, not matching my $33.7 million call. While that’s easily the strongest debut of the trilogy (it’s been eighteen years since its predecessor), some prognosticators had this pegged at $35-$40 million. With a so-so B Cinemascore, the dip this weekend could be pronounced.

Pixar experienced its smallest debut ever courtesy of Elio at $20.8 million. I was slightly more generous with $24.5 million. Despite mostly solid reviews, the original story struggled to find its family audience as remakes and sequels dominate the season. It will hope for smallish declines in the weekends to come (something that occurred with 2023’s Elemental after its uninspired beginning).

Lilo & Stitch was fourth with $9.7 million, eclipsing my $8.1 million take. This live-action remake of an animated property now sits at $386 million after five weeks with $400M+ firmly in its sights.

Mission: Impossible – The Final Reckoning rounded out the top five with $6.4 million (I said $6.5 million) as the franchise finale(?) has made $178 million in five weeks.

Finally, Materialists was sixth in weekend #2 with $5.8 million, a bit under my $6.6 million forecast. The ten-day tally is $23 million.

And that does it for now, folks! Until next time…

Oscar Predictions: 28 Years Later

28 Days Later from Danny Boyle reinvigorated its genre 22 years ago with 2007 sequel 28 Weeks Later also generating solid reviews. Now Boyle is back in the director’s seat this Friday with 28 Years Later and word-of-mouth is encouraging once again. It’s not often you see soulful and rich used to describe this type of feature and that’s the case here. The post-apocalyptic threequel stars Jodie Comer, Aaron-Taylor Johnson, Jack O’Connell, Alfie Williams, and Ralph Fiennes.

Some critics are praising this as a zombie flick classic with 95% on Rotten Tomatoes and a 78 Metacritic. That is currently the best RT score of the trilogy. Boyle, an Oscar winner for 2008’s Slumdog Millionaire, reunites with screenwriter Alex Garland (now a successful filmmaker who penned Academy nominated Ex Machina).

Since both gentlemen have been in the awards mix since their 28 Days collaboration over two decades ago, could Academy voters take a look at this? I doubt they will for Best Picture or other top of the line races. It’s not an impossibility, but one hindrance could be Ryan Coogler’s vampiric Sinners from earlier this year. That horror title seems destined for BP and directorial nods.

I do wonder if 28 Years could make a play in Makeup & Hairstyling. That might be its best shot for the franchise entering the Academy’s consciousness. My Oscar Prediction posts will continue…

June 20-22 Box Office Predictions

Zombie threequel 28 Years Later from Danny Boyle and Disney/Pixar’s sci-fi adventure Elio debut this weekend and look to challenge How to Train Your Dragon from a second weekend atop the charts. You can peruse my detailed prediction posts on the newcomers here:

28 Years Later Box Office Prediction

Elio Box Office Prediction

28 Years could over perform and challenge Dragon for box office bragging rights. $40M+ isn’t out of the question, but I’m projecting low to mid 30s.

The Dragon competition could be detrimental to Elio. Pixar has had luck with recent sequels like Inside Out 2. However, original content such as Elemental has struggled out of the gate. I’m estimating Elio premieres in the mid 20s and that would probably mean third place.

If Dragon declines around 50%, low 40s is where it would land and that would mean hitting #1 again after its fiery debut (more on that below).

Lilo & Stitch should be fourth while fifth could be a photo finish between the sophomore frame of Materialists and fifth frame of Mission: Impossible – The Final Reckoning.

Here’s how I see the top 6 playing out:

1. How to Train Your Dragon

Predicted Gross: $41.6 million

2. 28 Years Later

Predicted Gross: $33.7 million

3. Elio

Predicted Gross: $24.5 million

4. Lilo & Stitch

Predicted Gross: $8.1 million

5. Materialists

Predicted Gross: $6.6 million

6. Mission: Impossible – The Final Reckoning

Predicted Gross: $6.5 million

Box Office Predictions (June 13-15)

Friday the 13th certainly wasn’t unlucky for the live-action version of 2010’s How to Train Your Dragon. With mostly solid reviews and an A Cinemascore grade, the fourth flick in the series easily set a franchise high with $84.6 million. That’s right on track with my $84.3 million prediction and it is the fourth largest domestic kickoff of 2025. A sequel was already in the works.

Lilo & Stitch slipped to second after three weeks in 1st with $15.7 million, on pace with my $15.6 million call. The four-week tally is $366 million.

Celine Song’s Materialists with Dakota Johnson, Pedro Pascal, and Chris Evans slightly exceeded expectations with $12 million in third. That’s right in the neighborhood of my $11.4 million estimate as the rom com hopes to play well throughout the coming weeks. The B- Cinemascore could be cause for concern.

Mission: Impossible – The Final Reckoning was fourth with $10.5 million (I went lower at $9 million) for $166 million in four weeks.

At $9.7 million, John Wick spinoff Ballerina sputtered in weekend #2 with a 60% plummet for fifth. I was slightly more generous at $10.5 million.

And that does it for now, folks! Until next time…

28 Years Later Box Office Prediction

18 years later from the previous installment of the acclaimed zombie franchise comes 28 Years Later on June 20th. Danny Boyle, who made the original 28 Days Later in 2002, is back directing with a cast including Jodie Comer, Aaron Taylor-Johnson, Jack O’Connell, and Ralph Fiennes. Alex Garland, who has become a well-known filmmaker via Ex Machina and Civil War, handles screenwriting duties like he did 23 years back.

28 Days Later was a cult hit that took in $10 million in its first weekend with an eventual $45 million domestic gross. 2007’s 28 Weeks Later opened with $9.8 million and $28 million overall stateside. In the nearly 20 years since, both titles are now considered hallmarks of the genre that helped kick off a zombie renaissance leading to The Walking Dead, World War Z, and more. Sony seems confident in bringing this series back. 28 Days Later: The Bone Temple from director Nia DaCosta is slated to follow this up in January.

That means expectations are higher for the third entry. So is the budget at a reported $75 million compared to the respective $8 and $15 million price tags of the predecessors. The top end range of its expected premiere is $40-45million. I’m not projecting quite that level, but low to mid 30s seems doable.

28 Years Later opening weekend prediction: $33.7 million

For my Elio prediction, click here:

Elio Box Office Prediction

Best Picture 2008: The Expanded Ten

Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Beginning today… my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in beginning in 2008. In fact, it’s because of that year’s biggest grosser not being included that may have prompted the Academy to expand again in the first place. We’ll get there in just a minute.

We do, of course, know five of the ten and that would be the ones that were nominated. Danny Boyle’s Slumdog Millionaire dominated the ceremony with ten nods and an impressive eight victories in Picture, Director, Adapted Screenplay, Cinematography, Film Editing, Original Score, Original Song, and Sound Mixing.

David Fincher’s The Curious Case of Benjamin Button received the most overall mentions with 13 and took home 3 (Art Direction, Makeup, Visual Effects).

Our other trio of contenders were Ron Howard’s Frost/Nixon (o for 5 in nominations), Gus Van Sant’s Milk (8 nods with Sean Penn winning Actor as well as an Original Screenplay statue), and Stephen Daldry’s The Reader (5 nominations with Kate Winslet taking Actress).

The 81st Academy Awards were a rare year when the five Picture hopefuls matched the five filmmakers nominated in Best Director. In other words, there are no clues there for additional BP pics for the purposes of this post.

Yet for the ones that could’ve made the dance in an expanded lineup, we do begin with 2008’s largest moneymaker and that’s Christopher Nolan’s The Dark Knight. It did manage to score 8 mentions with Heath Ledger winning a posthumous Supporting Actor prize (in addition to Sound Editing gold). The fact that it didn’t break into BP was heavily criticized online and elsewhere. If there had been 10 pics up, that almost certainly wouldn’t have been the case.

I would say the same for Pixar’s Wall-E. When it went to 10 movies in 2009 and 2010, the studio’s Up and Toy Story 3 were in. The robotic adventure was the victor in Animated Feature and was nominated in five more races in Original Screenplay, Original Score, Original Song, Sound Editing, and Sound Mixing. Like Knight, Wall-E is an easy pick.

For the 8th spot, I’m fairly confident in Doubt. John Patrick Shanley’s drama (based on his Pulitzer Prize winning play) saw four of its actors nominated and was up for Adapted Screenplay. That combo is enough to assume inclusion.

Then it gets complicated for the 9th and 10th slots and there’s a few possibilities to ponder. Darren Aronofsky’s The Wrestler saw Mickey Rourke and Marisa Tomei up, but a screenplay miss makes me skeptical. Clint Eastwood’s Changeling had three noms (including Angelina Jolie in Actress), but drew mixed reviews. Woody Allen’s Vicky Christina Barcelona, despite taking the Golden Globe in Musical/Comedy, was only nominated for Penelope Cruz’s supporting turn (for which she won). Martin McDonagh’s In Bruges and Mike Leigh’s Happy-Go-Lucky were both up for Original Screenplay and that race alone. There’s usually one or two screenplay nominees that are only up for that category. Iron Man was a gigantic hit which kicked off the MCU. I doubt the Academy would have honored two comic book adaptations. The Duchess won Costume Design and was nominated for its Art Direction. It also was greeted with a mixed critical response.

All of those titles, to one degree or another, are worthy of consideration for the last two spots. I’m going with an indie selection in Courtney Hunt’s Frozen River which was nominated for Actress (Melissa Leo) and Original Screenplay. Let’s call it 2008’s Winter’s Bone (which would make the 2010 BP ten).

Lastly, I’m naming Revolutionary Road from Sam Mendes. Despite it missing noms for stars Leonardo DiCaprio and Kate Winslet, it received a Golden Globe nod in Drama and three Academy mentions for Supporting Actor (Michael Shannon), Art Direction, and Costume Design. That might have been just enough for #10.

So there you have it! That means my 2008 Best Picture expanded to ten is:

The Curious Case of Benjamin Button

The Dark Knight

Doubt

Frost/Nixon

Frozen River

Milk

The Reader

Revolutionary Road

Slumdog Millionaire

Wall-E

I’ll have 2007 up for your reading pleasure soon!

Best Picture 2010: The Final Five

After the 2008 Oscars, the Academy decided to expand the number of Best Picture nominees from five to ten. This rule would hold for 2009 and 2010 and then it shifted from anywhere between 5 and 10 (where it was typically 8 or 9). As of 2021, we’re back to a set 10.

Yet what if that had never happened? What if only five nominees from the last decade plus made the cut? My initial writeup where I predicted which five from 2009 would have done so can be found here:

Best Picture 2009: The Final Five

Now we move to 2010. It was a year in which Tom Hooper’s The King’s Speech led the evening with 11 nominations. It would win four – Director, Colin Firth for Best Actor, Original Screenplay, and the big prize Picture. So there’s 20% of our theoretical lineup.

As for the others, let’s take them one by one and I’ll give my thoughts on whether each would’ve made that other 80% of the quintet.

127 Hours

In 2010, Danny Boyle was coming off 2008’s Slumdog Millionaire. That little film that could cleaned up on Oscar night with 8 trophies including Picture. This survival drama with James Franco landed six nods. It won zero, but earned recognition in the Best Pic prerequisites that count like screenplay and editing.