Summer 1989: The Top 10 Hits and More

In what has become tradition on this little blog of mine, the summer season brings us a lot of nostalgia on the silver screen. In the present, that means a slew of sequels and remakes and reboots coming on a near weekly basis. For these purposes, it means taking a look back on the movie summers of 30, 20, and 10 years ago.

As has been written in previous years, I’m listing the top ten hits as well as other notable pics and some flops. One thing is for sure about 1989. It will forever be known as the summer of the Batman and that blockbuster influenced what has become the predominant genre of the 21st century.

A recap of 1999 and 2009 will follow soon, but we start with what audiences were watching three decades ago.

10. Uncle Buck

Domestic Gross: $66 million

John Candy had one of his most notable headlining roles in this John Hughes family friendly comedy that also introduced the world to Macaulay Culkin. No sequel followed, but a short-lived TV series did.

9. Turner & Hooch

Domestic Gross: $71 million

Shortly before Tom Hanks started collecting Oscars and doing primarily dramatic work, he was still known for comedy in the late 80s. This one teamed him with a dog in a buddy comedy that followed the similarly themed with K9 with Jim Belushi from three months earlier. This one made a bit more cash.

8. When Harry Met Sally

Domestic Gross: $92 million

Rob Reiner’s romantic comedy (scripted by Nora Ephron) is considered one of the genre’s landmarks. Billy Crystal and Meg Ryan headlined with a diner scene that has become quite iconic.

7. Dead Poets Society

Domestic Gross: $95 million

Robin Williams seized the day and an Oscar nomination for his portrayal of an unorthodox English teacher in Peter Weir’s film, which also nabbed a nod for Best Picture.

6. Parenthood

Domestic Gross: $100 million

Ron Howard’s dramedy sported an ensemble cast with Steve Martin and a crowd pleasing vibe. This is a rare pic that spawned two TV shows. The one from 1990 flopped while the 2010 version ran six seasons. Parenthood marks appearance #1 in the top ten for Rick Moranis.

5. Ghostbusters II

Domestic Gross: $112 million

The eagerly awaited sequel to the 1984 phenomenon was a disappointment critically and commercially when considering the original’s $229 million haul. That said, it gives us appearance #2 for Rick Moranis. A direct sequel will follow in 2020.

4. Honey, I Shrunk the Kids

Domestic Gross: $130 million

And we reach the trifecta for Rick Moranis as Disney had an unexpected smash hit here. It stood as the studio’s largest grossing live-action feature for five years. Two less successful sequels followed.

3. Lethal Weapon 2

Domestic Gross: $147 million

Of the four action comedy pairings of Mel Gibson and Danny Glover, part 2 stands as the franchise’s top earner. This one threw Joe Pesci into the mix with sequels that followed in 1992 and 1998.

2. Indiana Jones and the Last Crusade

Domestic Gross: $197 million

While Harrison Ford’s third appearance as his iconic character didn’t match the grosses of Raiders of the Lost Ark in 1981, it did earn more than 1984 predecessor Temple of Doom. Pairing Indy with his dad played by Sean Connery, the character wouldn’t make it to the screen again until Steven Spielberg and Ford teamed up again 19 years later.

1. Batman

Domestic Gross: $251 million

As mentioned, 1989 was dominated by Tim Burton’s take on the Caped Crusader. While the casting of Michael Keaton in the title role was controversial upon announcement, it turned out quite well (as did Jack Nicholson’s turn as The Joker and a funky Prince soundtrack). Three sequels and multiple reboots followed.

And now for some notable pictures outside of the top ten:

The Abyss

Domestic Gross: $54 million

James Cameron was riding a high after The Terminator and Aliens when he made this sci-fi aquatic adventure. Known just as much for its difficult production as its Oscar winning visuals, it had a mixed reaction that has grown more positive through the years.

Weekend at Bernie’s

Domestic Gross: $30 million

Turns out corpses are hilarious in this low budget comedy that turned into enough of a hit that a sequel followed four summers later.

Road House

Domestic Gross: $30 million

It may not have had critics on its side or been a huge success originally, but Patrick Swayze’s turn as a midwestern bouncer became a serious cult hit subsequently.

Do the Right Thing

Domestic Gross: $27 million

A cultural milestone, Do the Right Thing served as the major breakout for Spike Lee and was named by numerous critics as the greatest film of 1989.

sex, lies, and videotape

Domestic Gross: $24 million

Winning the Cannes Film Festival, Steven Soderbergh’s provocative debut helped usher in a wave of independent films that followed in the 90s.

It wasn’t all success stories in the summer of 1989 and here’s some that failed to meet expectations:

Star Trek V: The Final Frontier

Domestic Gross: $52 million

Captain Kirk himself directed this installment after Leonard Nimoy made its two well received predecessors. This one was met with ambivalence and stands at the second lowest earner of this particular Trek franchise.

The Karate Kid Part III

Domestic Gross: $38 million

In 1984, the original made $90 million and the 1986 sequel made $115 million. Three summers later, moviegoers had tired of Ralph Macchio and Pat Morita in their signature roles. Yet TV watchers are currently tuned to a series reboot with Macchio back as Daniel.

Licence to Kill

Domestic Gross: $34 million

Timothy Dalton’s second turn as 007 was a stateside flop and is the lowest grossing Bond flick when adjusted for inflation. Its star would never return in the role and the six year gap that followed when Pierce Brosnan reinvigorated the series with Goldeneye stands as the lengthiest gap in its near 60 years of existence.

Lock Up

Domestic Gross: $22 million

Sylvester Stallone had plenty of hits during the decade, but this one casting him as a tortured convict wasn’t one of them.

Casualties of War

Domestic Gross: $18 million

Brian de Palma was coming off a massive hit with The Untouchables, but this Vietnam War drama with Michael J. Fox and Sean Penn didn’t find an audience.

Pink Cadillac

Domestic Gross: $12 million

Three summers later, Clint Eastwood entered Oscar territory with Unforgiven. This action comedy with Bernadette Peters is one of his forgotten efforts and stalled with critics and crowds.

I hope you enjoyed this look back on the 1989 summer period and I’ll have 1999 up soon!

The Long and Winding Bond

It’s amazing to think that The Beatles released their first single in 1962. This was also the first year that a Bond picture came out with Dr. No. Both entities are still extraordinarily relevant. Famously, Sean Connery’s Bond dissed the Fab Four in 1964’s Goldfinger. 

007 fans got some welcome news this week as Cary Fukunaga was announced as the director of the 25th (and as yet untitled) official James Bond film. By the time it comes out, Mr. Fukunaga will be the first American filmmaker to make a Bond pic in its 58 year history.

He brings an exciting resume to the fold. In addition to a filmography that includes varied directorial efforts like Sin Nombre, Jane Eyre, and Beasts of No Nation, his screenwriting credits include last year’s smash It and TV’s The Alienist. His work behind the camera for television also includes the critically lauded first season of HBO’s True Detective and Netflix’s Maniac with Emma Stone and Jonah Hill (which premieres today).

The pick was a surprise and it wasn’t just due to his U.S. heritage. The producers behind Bond had recently gone with a certain type… awards friendly directors branching out to the super spy series. After Martin Campbell successfully kicked off the Daniel Craig era (just as he did for Pierce Brosnan in Goldeneye), Marc Forster (maker of Monster’s Ball and Finding Neverland) did the disappointing Quantum of Solace. Then it was Academy Award winning Sam Mendes behind Skyfall and Spectre. 

When Danny Boyle was announced as director for Bond 25, it seemed to fit the mold. He’s an Oscar winner for Slumdog Millionaire. He’s also directed some other genre fare (including Trainspotting and 28 Days Later) that made him a fairly exciting pick. Yet it somehow seemed a little safe. After creative differences caused his exit, I figured someone like Joe Wright (who last directed Darkest Hour) could be the replacement.

Fukunaga is an intriguing selection and I’m curious to see how he handles what is very likely to be Craig’s final appearance as 007. And this brings us to Mr. Craig’s longevity. Sean Connery made six movies in the official canon (1983’s Never Say Never Again isn’t considered part of it). George Lazenby did the one-off On Her Majesty’s Secret Service. Roger Moore is the leader with seven. Timothy Dalton had two. Pierce Brosnan made four.

This will be Craig’s fifth 007 turn. Surprisingly, he will have actually portrayed the MI6 agent the longest by the time #25 is released in February 2020. His 14 year reign will eclipse the 12 years that Moore played him.

Attention will soon turn to the next Bond. If I had to guess, I figure the seventh actor to play him will debut onscreen in November 2022. There’s been rumors of Idris Elba taking over the role. Expect plenty of speculation over the next couple of years. By that time, the Bond franchise will be 60 years old. Like The Beatles music, it will never die and the long and winding road of the franchise continues to interest us.

Mamma Mia! Here We Go Again Box Office Prediction

Arriving just over 10 years to the day after its predecessor, Mamma Mia! Here We Go Again dances into theaters next weekend, looking to be queen of the box office over other sequel competition. The 2008 original was based on a popular stage musical incorporating the music of Swedish super group ABBA and it turned into a behemoth at the multiplex. Returning cast members include Meryl Streep (in her first ever sequel), Amanda Seyfried, Pierce Brosnan, Colin Firth, Christine Baranski, Julie Walters, Stellan Skarsgard, and Dominic Cooper. Newbies include Lily James, Andy Garcia, and Cher. Ol Parker takes over directorial duties from Phyllida Lloyd.

Mamma Mia! held the distinction of being the highest grossing live-action musical of all time until 2017’s Beauty and the Beast topped it. It opened to $27.7 million and legged out quite well to a $144 million domestic total. The worldwide haul was a fantastic $615 million. Ten years is a significant gap between sequels, but the fan base seems likely to turn out and there’s little else marketing an older and female crowd. Two others sequels debuting over the weekend – The Equalizer 2 and Unfriended: Dark Web – are going for different demographics.

It seems reasonable to me that Again could debut about 20% higher than the first and it remains to be seen if it holds as well as part 1 in subsequent weekends.

Mamma Mia! Here We Go Again opening weekend prediction: $33.5 million

For my The Equalizer 2 prediction, click here:

https://toddmthatcher.com/2018/07/10/the-equalizer-2-box-office-prediction/

For my Unfriended: Dark Web prediction, click here:

https://toddmthatcher.com/2018/07/11/unfriended-dark-web-box-office-prediction/

The Foreigner Box Office Prediction

After a rather lengthy layoff from headlining any major stateside projects, Jackie Chan is back in theaters next weekend with The Foreigner. The action thriller finds the martial arts star in full revenge mode after his daughter is murdered. Pierce Brosnan costars and Martin Campbell (best known for restarting the 007 franchise in Goldeneye with Brosnan and Casino Royale with Daniel Craig directs.

Chan’s last significant release in the U.S. was the 2010 hit remake of The Karate Kid. We’re 20 years past the point when he was kicking out releases every few months. The best comps for the opening weekend may not belong with Chan, but with Brosnan. His last couple appearances were 2014’s The November Man at $7.9 million and 2015’s No Escape with $8.1 million.

I’ll predict The Foreigner gets a bit above that, but doesn’t reach double digits.

The Foreigner opening weekend prediction: $8.8 million

For my Happy Death Day prediction, click here:

https://toddmthatcher.com/2017/10/04/happy-death-day-box-office-prediction/

For my Marshall prediction, click here:

https://toddmthatcher.com/2017/10/05/marshall-box-office-prediction/

Summer 1987: The Top 10 Hits and More

As we begin the month of August and the dog days of summer, I’ll be traveling back 30, 20, and 10 years ago to seasons past giving you the top ten hits and more of that particular time frame. Today we are going all the way to 1987.

It was a simpler time back then. There were very few sequels and franchises and reboots and a good portion of the highest grossing flicks dealt with law enforcement in action type settings. Only one picture grossed over $100 million dollars. Yes, the times have changed, but what a hoot to look back at what was burning up the box office charts three decades ago. This post will also discuss some other notable flicks outside the top ten and some big ole flops.

Let’s get to it!

10. The Living Daylights

Domestic Gross: $51 million

The 15th James Bond picture kicked off the brief two picture reign of Timothy Dalton, who took over the iconic role after the late Roger Moore’s 12 year long portrayal of 007. It’s $51M gross would just surpass the $50M earnings of Moore’s swan song, 1985’s A View to a Kill. Two summers later, Dalton would star in his swan song Licence to Kill before Pierce Brosnan donned the tuxedo six years later.

9. Robocop

Domestic Gross: $53 million

Paul Verhoeven’s futuristic sci-fi action thriller nearly received the dreaded X rating upon its release. It also received critical acclaim and spawned two sequels and a 2014 remake.

8. La Bamba

Domestic Gross: $54 million

This biopic of singer Ritchie Valens starring Lou Diamond Phillips was a major summer sleeper and even earned a Golden Globe nod for Best Picture (Drama). It also featured the Los Lobos cover of the title song that was in the top ten summer songs of 1987.

7. Dragnet

Domestic Gross: $57 million

A few years before Tom Hanks was earning back to back Best Actor Oscars, he was costarring in silly remakes of 1950s cop dramas. Dragnet managed to perform well and it’s a guilty pleasure, especially Dan Aykroyd’s take on Sgt. Joe Friday (a role made famous by Jack Webb).

6. Predator

Domestic Gross: $59 million

One of Arnold Schwarzenegger’s finest action pics, Predator also kicked off an impressive three picture directorial run by John McTiernan that was followed up by Die Hard and The Hunt for Red October. This franchise is still going strong today, but nothing beats the hard edged original.

5. Dirty Dancing

Domestic Gross: $63 million

The biggest sleeper hit of the summer vaulted Patrick Swayze into super stardom and won the Oscar for Best Original Song for Bill Medley and Jennifer Warnes’s “(I’ve Had) The Time of My Life”.

4. The Witches of Eastwick

Domestic Gross: $63 million

Mad Max maker George Miller went Hollywood with this critically appreciated comedic fantasy with an all-star cast of Jack Nicholson, Cher, Susan Sarandon, and Michelle Pfeiffer.

3. Stakeout

Domestic Gross: $65 million

This was the height of the buddy cop era and it propelled this one starring Richard Dreyfuss and Emilio Estevez to big grosses. A less regarded sequel costarring Rosie O’Donnell would follow six years later.

2. The Untouchables

Domestic Gross: $76 million

Brian De Palma’s take on the classic TV series was a big-budget and highly entertaining affair headlined by Kevin Costner, Robert De Niro, Andy Garcia, and Sean Connery (who won a Supporting Actor Oscar for his work).

1. Beverly Hills Cop II

Domestic Gross: $153 million

Eddie Murphy was just about the biggest movie star in the world in summer 1987 and that’s shown here by the enormous gross of the sequel to his 1984 classic, directed by Tony Scott. A much less successful third entry would follow seven summers later after Murphy’s box office potency had waned.

And now – here’s some other notable pictures from the season:

Full Metal Jacket

Domestic Gross: $46 million

Legendary director Stanley Kubrick’s first film in seven years (since The Shining) is now considered a modern classic, especially for its unforgettable first half featuring R. Lee Ermey’s Vietnam drill sergeant.

Spaceballs

Domestic Gross: $38 million

This Mel Brooks spoof of Star Wars may not be in Blazing Saddles or Young Frankenstein territory, but it’s certainly earned quite a cult status through the last 30 years.

Adventures in Babysitting

Domestic Gross: $34 million

The directorial debut of Chris Columbus (who would go on to make Home Alone, Mrs. Doubtfire and the first two Harry Potter pics), Babysitting has also achieved cult cred in addition to its decent box office showing at the time.

The Lost Boys

Domestic Gross: $32 million

Another flick with a rabid fan base, the teen pic cast Kiefer Sutherland, Jason Patric, and Corey Feldman in a California town overrun by vampires.

And now for a couple of 1987 summer box office bombs:

Jaws IV: The Revenge

Domestic Gross: $20 million

12 summers prior, Steven Spielberg’s original was a landmark motion picture. By the time the fourth entry came around, the series had gotten terrible. It still has a 0% score on Rotten Tomatoes and Michael Caine actually missed picking up his Oscar for Hannah and Her Sisters because he was shooting this turkey.

Superman IV: The Quest for Peace

Domestic Gross: $15 million

Not a solid summer for four-quels. This served as a bad ending to a series started nine years earlier. There was a moratorium on Supes pic for the next 19 years.

Ishtar

Domestic Gross: $14 million

Considered one of the largest bombs in film history at the time, this comedy with Warren Beatty and Dustin Hoffman was a punchline for years. Its reputation has grown a bit since.

And that’s my recap folks! I’ll be back recounting summer 1997 very soon…

No Escape Box Office Prediction

Seeing that a number of Owen Wilson comedies have under performed recently, it’s tough to envision a scenario where his late August action thriller No Escape gains any traction with moviegoers when it opens on Wednesday. The pic casts Wilson as a businessman trapped with his family in Southeast Asia during a military coup. Lake Bell and Pierce Brosnan costar.

The trailers and TV spots do little to inspire much confidence. Frankly, No Escape looks like something that could have as easily gone the direct to VOD route. It’s probably no accident this is arriving the final week of summer, which is primarily a dumping ground for product the studios don’t have much faith in. I believe Escape will struggle to make double digits, even in its expanded five day roll out and it’ll probably be available on the aforementioned VOD quite soon.

No Escape opening weekend prediction: $4.7 million (Friday to Sunday), $6.3 million (Wednesday to Sunday)

For my We Are Your Friends prediction, click here:

https://toddmthatcher.com/2015/08/20/we-are-your-friends-box-office-prediction/

For my War Room prediction, click here:

https://toddmthatcher.com/2015/08/27/war-room-box-office-prediction/

The November Man Box Office Prediction

Pierce Brosnan is back in spy mode with The November Man, which debuts Wednesday before the long Labor Day weekend. It seems unlikely that this will approach anywhere near the numbers Brosnan enjoyed with his more known spy character, James Bond.

The star reunites with his Dante’s Peak director Roger Donaldson and costars with Olga Kurlylenko, who appeared alongside Daniel Craig’s 007 in Quantum of Solace. The studio is hoping that audiences are primed to see Pierce return to the kind of role people most identify him with, but there are troubling signs. Reviews have been bad and The November Man currently stands at only 17% on Rotten Tomatoes. This should contribute to negative word of mouth.

As I see it, the pic should struggle to make double digits in its six day rollout and The November Man should fade fast and be available for home viewing by its title month.

The November Man opening weekend prediction: $8.1 million (Friday to Monday estimate), $11 million (Wednesday to Monday estimate)

For my As Above, So Below prediction, click here:

https://toddmthatcher.com/2014/08/24/as-above-so-below-box-office-prediction/