Avengers: Endgame Movie Review

**There’s really no way to write a review of Avengers: Endgame without some minor spoilers. You may wish to read this post viewing…

The word “epic” can be overused by those who review movies like me, but it unquestionably applies to Avengers: Endgame. It’s epic in its running time (none of the other 21 MCU pics run three hours) and epic in the number of well-known thespians reprising their superhero and villain characters. It doesn’t seem feasible that so many characters could manage to coexist in this vast universe without seeming like a gimmick. If you happen to think predecessor Infinity War was overcrowded, you’ll get whiplash here. Truth be told, there are moments when this borders on playing like a greatest hits reel based on what’s preceded it during the last eleven years.

Yet Endgame figures out a rewarding way to stick the landing and honor the dozens of faces that we’ve spent billions of dollars visiting since 2008. At the conclusion of Infinity War, bad guy Thanos (Josh Brolin) had collected his precious Infinity Stones and decimated half the intergalactic population into dramatic looking dust particles. What’s left is mostly the core of the OG Avengers – Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/Hulk (Mark Ruffalo), and Black Widow (Scarlett Johansson). There’s others as Rocket (voice of Bradley Cooper) is the sole surviving Guardian of the Galaxy. And we have the two notable characters that were MIA last summer – Hawkeye (Jeremy Renner) and Ant-Man (Paul Rudd).

One might think this whole saga might be about the original band and some newer friends taking on Thanos. You would be wrong. Endgame has plenty of time bending tricks up its endless story arch sleeves. The first is an unexpected resolution that comes very early. However, that climax is just a set-up to further complications.

This is indeed a time travel movie in which the screenwriters almost sheepishly concede the contrived nature of such a device. The survivors set upon a course of multiple back in time ways to retrieve the Stones and bring back their loved ones. It doesn’t happen overnight and the lengthy nature of the plan coming together provides funny and poignant moments. Tony is off the grid with his beloved Pepper (Gwyneth Paltrow) and a new addition. Bruce is in full Hulk mode, but kindler and gentler. Thor is rounder and drunkenly grappling with his losses. Hawkeye is a full-blown vigilante. When the gang revs up their figurative DeLoreans, it gives us a chance to revisit lots of MCU personnel. And it’s a LOT of former players. Some are genuinely surprising. During this lengthy stretch, the film walks a fine line of not devolving into nostalgic sugar shock amidst the action sequences. By the final act, it rises above it.

We know the battle scenes will be well choreographed and well-directed (with the Russo Brothers handling duties once again). The final one is rather jaw dropping with the mixing of so many known quantities. Thanos is one of the stronger villains in MCU history and he remains so here, though there’s nothing fresh to add about his character. His daughter Nebula (Karen Gillan), on the other hand, continues her evolution as a fine addition to the roster.

The comic relief comes more from Thor as opposed to Ant-Man or Rocket and Hemsworth is up to the task. Captain America and Black Widow are given their emotional moments that we’re invested in from their backstories. To this writer, it’s Tony who’s always been the damaged beating heart of this franchise. The Marvel Cinematic Universe simply wouldn’t exist as it is without Downey Jr.’s brilliant work. That’s never changed. The quality of the movies he’s appeared in has. His performance has always been fantastic. If we’re ranking, I would put Endgame as an overall experience just under the first Avengers in 2012 and Infinity War. I can’t promise that thinking about all the shifting time plot points might raise as many questions as answers. I won’t deny that its emotional payoff is real and we have Downey and an amazing group of technicians bringing these comics to life to thank for it.

***1/2 (out of four)

Ranking The MCU

**(09/18/19): Updated with all MCU movies ranked through Spider-Man: Far From Home

As of today with AntMan and the Wasp, I’ve now seen all 20 Marvel Cinematic Universe titles that began just over a decade ago with Iron Man. That seemed like a nice round number to do my initial rankings of them. I will plan to update the list as time goes on, beginning next spring with Captain Marvel.

I’ve seen some of them more than others and my opinion for certain ones have risen and fallen over time. For instance, Captain America: Civil War has grown in my appreciation of it. On a lesser scale, my disappointment for Avengers: Age of Ultron has dissipated a bit. And while I’m still in the minority for believing The Dark World is a little better than the original Thor, it’s not too good and has lost some luster in my view.

So we arrive at my listing of the 23 MCU titles thus far! Let the debating begin…

23. AntMan (2015)

22.  Iron Man 2 (2010)

21. Thor (2011)

20. Thor: The Dark World (2013)

19. The Incredible Hulk (2008)

18. Captain America: The First Avenger (2011

17. AntMan and the Wasp (2018)

16. Avengers: Age of Ultron (2015)

15. Captain Marvel (2019)

 

14. SpiderMan: Far From Home (2019)

13. SpiderMan: Homecoming (2017)

12. Guardians of the Galaxy Vol. 2 (2017)

11. Doctor Strange (2016)

10. Thor: Ragnarok (2017)

9. Iron Man 3 (2013)

8. Avengers: Endgame (2019)

7. Black Panther (2018)

6. Captain America: The Winter Soldier (2014)

5. Captain America: Civil War (2016)

4. Iron Man (2008)

3. Avengers: Infinity War (2018)

2. Guardians of the Galaxy (2014)

1. The Avengers (2012

Ant-Man and the Wasp Movie Review

Size matters in the Marvel Cinematic Universe and the decade old multi-billion franchise reached its most epic heights in Avengers: Infinity War. The only superhero who’s had their own stand-alone pic not to appear in that gargantuan production was Ant-Man, the character brought to life by Paul Rudd in the summer of 2015. Sequel AntMan and the Wasp follows a traditional Avengers tale like the original did. To say it feels smaller in scope is an understatement. Part one often failed to strike a satisfying mix and surprisingly struggled to make Rudd’s title character a memorable one. Whereas Robert Downey Jr.’s Iron Man and Chris Pratt’s Star-Lord were instantly iconic heroes, it didn’t work that way in AntMan. That’s despite its star’s well-known ability to mix comedy and drama and some nifty visuals that made the third act a treat.

Rarely do we find an MCU effort without parental issues involved and they’re here. Scott Lang/Ant-Man is nearing the end of a two-year house arrest bid based on the events from Captain America: Civil War. His former love interest Hope/heroine Wasp (Evangeline Lilly) and science wiz dad Hank (Michael Douglas) are hiding out as well while conducting experiments to find their mom and wife Janet (Michelle Pfeiffer). She’s been stuck for three decades in the quantum realm that Ant-Man briefly visited in the original. His experience there leads Hope and Hank to believe she’s alive and the search is on. The technology that leads to that mystical place is sought by a low life criminal (Walton Goggins) and his crew. The FBI is curious about it, including the main agent (Randall Park in amusing turn) tasked with monitoring Scott. And then there’s Ghost (Hannah John-Kamen), a molecular challenged young lady who has her own reasons to gain powers. She teams up with a former colleague of Hank’s played by Laurence Fishburne.

If you’re thinking that’s a lot of characters to follow, I haven’t even mentioned Scott’s returning daughter (Abby Ryder Fortson), ex-wife (Judy Greer), and current husband (Bobby Cannavale). There’s also his business partners and occasional fellow crime fighters including Michael Pena and T.I. So while there’s plenty of action to follow, the MCU knows how to make it easy to follow. Compared to Infinity War, the amount of subplots seems practically minuscule.

Wasp finds Rudd settling more comfortably in the role and more humorously. That’s an aspect that was oddly not around much in 2015. Finding Scott with Pfeiffer’s character in his head in one scene provides some genuine laughs. Like in the original, Mr. Douglas appears to be having a ball. He gets his own chance to save the day at one point while his counterparts are engaged in a visually impressive car chase in the streets of San Francisco. Lilly doesn’t just share title credit here. She does have more to do.

AntMan and the Wasp is an improvement over the first. That’s a trait shared by other MCU sequels, especially in the Captain America and Thor series. Peyton Reed returns as director and the whole production feels more confident. It also doesn’t have the burden of being an origin story… something we go through a lot with this constantly growing genre. Like many of its subjects, the importance of what happens in these two hours feels small compared to the grand scale of other stories in this universe. More so than in 2015, however, Ant-Man’s existence in it feels welcome.

*** (out of four)

Ant-Man and the Wasp Box Office Prediction

The 20th entry in the Marvel Cinematic Universe crawls into theaters next weekend with AntMan and the Wasp. The sequel to the 2015 original, Paul Rudd is back in the title role along with Evangeline Lilly  as his partner in heroics (aka Wasp). Peyton Reed returns is back directing along with returning cast members Michael Pena, T.I., Bobby Cannavale, Judy Greer, and Michael Douglas. New faces joining the MCU include Walton Goggins, Michelle Pfeiffer, and Laurence Fishburne.

This has been a banner year for Disney’s multi-billion franchise as Black Panther just hit $700 million domestically and Avengers: Infinity War not far behind. While AntMan was certainly a hit, its numbers three years ago weren’t quite on pace with numerous other MCU titles. It opened to $57 million (18th of the 19 series pics) with an eventual stateside gross of $180 million (17 out of 19).

That said, the MCU is on a roll and early word-of-mouth for this follow-up is encouraging. In the past decade, we’ve seen three examples of a direct MCU sequel making $20-$30 million more than the first during opening weekend. They are:

Iron Man 2 ($128 million), Iron Man ($98 million)

Thor: The Dark World ($85 million), Thor ($65 million)

Captain America: The Winter Soldier ($95 million), Captain America: The First Avenger ($65 million)

I feel there is a very strong chance AntMan and the Wasp will do the same and possibly hit that mark of close to $30 million higher than part 1. That would put it at #14 out of the 20 MCU movies between Guardians of the Galaxy and Thor: The Dark World.

AntMan and the Wasp opening weekend prediction: $86.4 million

For my The First Purge prediction, click here:

https://toddmthatcher.com/2018/06/27/the-first-purge-box-office-prediction/

A Marvel Cinematic Universe Box Office History

As we await the potentially historic debut of Avengers: Infinity War this weekend, we also mark a decade of the vaunted Marvel Cinematic Universe that began in 2008 with Iron Man. Ten years later, Infinity is the 19th feature in a franchise that has grossed nearly $6 billion stateside and almost $15 billion worldwide. With Friday’s release of Infinity, I’m estimating it will have the second highest domestic debut of all time (behind only Star Wars: The Force Awakens).

https://toddmthatcher.com/2018/04/17/avengers-infinity-war-box-office-prediction/

My blog didn’t begin until the fall of 2012, shortly after the release of the first Avengers feature. That means I have done 12 opening weekend box office predictions for MCU releases prior to Infinity. I thought this might be a good time to take a trip down that lane on how I’ve done with their pictures of the past:

Iron Man 3 (2013)

My Prediction: $172.4 million

Opening: $174.1 million

I started off well with my prediction for Tony Stark’s third franchise entry, which had the benefit of coming right on the heels of The Avengers.

Thor: The Dark World (2013)

My Prediction: $85.6 million

Opening: $85.7 million

My high mark in MCU estimates came here – only $100k off!

Captain America: The Winter Soldier (2014)

My Prediction: $86.3 million

Opening: $95 million

I underestimated Cap a bit here, but not too shabby.

Guardians of the Galaxy (2014)

My Prediction: $74.6 million

Opening: $94.3 million

Yeah… the sizzling buzz for Guardians in summer 2014 caused anticipation to rise and rise. It’s hard to remember now, but this was actually considered a risk for Marvel at the time. The buzz exceeded my take by nearly $20 million bucks.

Avengers: Age of Ultron (2015)

My Prediction: $212.7 million

Opening: $191.2 million

The question with this first Avengers sequel is whether it would top the $207 million achieved by its 2012 predecessor. If so, it would have had the largest domestic opening at the time. I predicted it would and it fell short. Strangely enough, it would be Jurassic World one month later that would earn $208 million and set the debut record until The Force Awakens came along.

Ant-Man (2015)

My Prediction: $73.3 million

Opening: $57.2 million

I gave Paul Rudd and company too much credit here. The Ant-Man is the second lowest MCU debut (only The Incredible Hulk is below it at $55 million). Nevertheless a sequel is on its way this summer.

Captain America: Civil War (2016)

My Prediction: $205.6 million

Opening: $179.1 million

My streak of going over on these predictions continues for the third feature…

Doctor Strange (2016)

My Prediction: $77.3 million

Opening: $85 million

A little low, but at least I got to within $10 million here.

Guardians of the Galaxy Vol. 2 (2017)

My Prediction: $166.4 million

Opening: $146.5 million

AND we’re back to going high…

Spider-Man: Homecoming (2017)

My Prediction: $117.8 million

Opening: $117 million

After some whiffs, finally got back to solid estimating with Spidey’s well-received reiteration.

Thor: Ragnarok (2017)

My Prediction: $107.6 million

Opening: $122.7 million

Positive WOM pushed Thor’s third feature $15 million better than my projection.

Black Panther (2018)

My Prediction: $193.8 million

Opening: $202 million

This was an estimate that kept going up and up. I got pretty close, but still didn’t have it reaching the $200M+ plus number it achieved.

And there you have it! My checkered MCU history. We shall see how that $242.2 million take for Infinity War pans out soon enough…

Avengers: Infinity War Box Office Prediction

It may feel like winter in many parts of the country even though it’s spring, but next weekend is essentially the start of the summer box office in 2018 when Avengers: Infinity War invades theaters. This is the 19th picture in the Marvel Cinematic Universe that began a decade ago with 2008’s Iron Man and the third installment of the Avengers franchise that kicked off in 2012 (an untitled fourth installment is out next summer).

After 10 years of these superheroes populating our screens in one form or another, Infinity War is the picture that brings them all together. That means we have the Avengers we’re used to seeing together: Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), and Hawkeye (Jeremy Renner). They’ve got a whole lot of company this time around, including Black Panther (Chadwick Boseman), Spider-Man (Tom Holland), Doctor Strange (Benedict Cumberbatch), Ant-Man (Paul Rudd), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Falcon (Anthony Mackie), Loki (Tom Hiddleston), Bucky (Sebastian Stan), and the whole Guardians of the Galaxy gang (Chris Pratt, Zoe Saldana, Dave Bautista, and the vocal work of Bradley Cooper and Vin Diesel). Josh Brolin is main villain Thanos. Other actors from the MCU returning include Gwyneth Paltrow, Idris Elba, Paul Bettany, Letitia Wright, Danai Gurira, Benicio del Toro, Cobie Smulders, Angela Bassett, Tessa Thompson, and Jon Favreau. Brothers Anthony and Joe Russo (who directed 2016’s Captain America: Civil War) are behind the camera. Whew…

The gathering of the entire MCU is one impressive selling point and there’s been developments that have even increased the anticipation for Infinity‘s release. Last summer’s Spider-Man: Homecoming was well-received, as were Guardians and Thor sequels. Yet perhaps more than anything else, this February’s Black Panther turned into a phenomenon – becoming the third highest grossing domestic earner of all time.

Projections have steadily increased in the past few weeks. It is not outside the realm of possibility that Infinity War could have the largest stateside opening of all time. In order to do so, it would need to surpass the $247 million achieved by 2015’s Star Wars: The Force Awakens. To accomplish the 2nd biggest debut, it would need to exceed the $220 million of last year’s Star Wars: The Last Jedi. It will almost certainly achieve the record for an MCU premiere, which is currently held by the original Avengers at $207 million.

I believe this will pass Jedi and rather easily. Getting to the Awakens number is doable, but I’ll project it falls a bit under that milestone.

Avengers: Infinity War opening weekend prediction: $240.2 million

 

Ranking the Superhero Summers

We’re past the midway point of the 2017 summer box office and one thing is clear: it’s been a rather terrific season for the superhero flick genre. In fact, there’s a very good chance the summer’s top 3 earners will belong in that classification. That’s not the first time this has happened (more on that later), but it’s still pretty remarkable.

This got me thinking – what have been the greatest and worst superhero summers of this 21st century? After all, it was the summer of 2000 that got the superhero genre alive and kicking again and it’s never let up. 17 summers ago, it was the release of X-Men that helped revive a genre that had hit a low point three summers earlier with Batman & Robin. In 2002, it would be Spider-Man that would set the opening weekend record and ensure that no summer following would be missing some comic book character headlining. **2001 is the only summer of this century in which there’s no superhero pic.

This leads to my newest list: ranking the superhero summers with explanations provided below. We’re talking 17 summers, so I’m counting down from the worst to the best in my humble opinion.

17. 2009

The Movie: X-Men Origins: Wolverine

Just one flick in this particular summer. The Marvel Cinematic Universe had just kicked off the year before, so there was no follow-up ready. Instead, we got Wolverine’s first spin-off and it’s the worst of the whole bunch by a significant margin.

16. 2007

The Movies: Spider-Man 3, Fantastic Four: Rise of the Silver Surfer

The third Spidey entry closed the Sam Raimi/Tobey Maguire on a very weak note and the Four sequel was none too impressive either (to be expected after a middling at best predecessor).

15. 2010

The Movie: Iron Man 2

Tony Stark’s return to the screen after 2008’s juggernaut suffered from being overstuffed with two many villains, etc… One of the lesser MCU entries.

14. 2006

The Movies: X-Men: The Last Stand, Superman Returns

Two pics that failed to meet expectations – The Last Stand suffered a big quality drop-off after the second X and Superman Returns (the first Supes flick in nearly 20 years) couldn’t live up to the hype.

13. 2015

The Movies: Avengers: Age of Ultron, Ant-Man, Fantastic Four

Disappointing as it featured two of the weaker MCU entries and a seriously misguided Fantastic Four reboot.

12. 2013

The Movies: Iron Man 3, Man of Steel, The Wolverine

IM3 was an improvement over part 2, The Wolverine was an improvement over Origins. Man of Steel? A letdown in many respects, just like Superman Returns.

11. 2004

The Movies: Spider-Man 2, Catwoman

Would probably rank higher because Spidey 2 is arguably the best of the bunch, but loses points due to the catastrophe that is Halle Berry as Catwoman.

10. 2016

The Movies: Captain America: Civil War, Suicide Squad, X-Men: Apocalypse 

A mixed bag. Civil War is one of the finer MCU pics, Squad is that mixed bag, and Apocalypse was a major disappointment.

9. 2003

The Movies: X2: X-Men United, Hulk

X2 is perhaps the strongest X entry, but Ang Lee’s Hulk (while having its moments) was often a pretentious bore.

8. 2000

The Movie: X-Men

Only X-Men in this summer, but it deserves props for kicking off the genre in a major way once again.

7. 2002

The Movie: Spider-Man

Even more than X-Men, Sam Raimi’s first Spidey ensured a heaping of genre entries for years to come.

6. 2014

The Movies: Guardians of the Galaxy, X-Men: Days of Future Past, The Amazing Spider-Man 2

Guardians was pure joy, Past was a solid X pic. Loses points for the mess of a Spidey sequel.

5. 2005

The Movies: Batman Begins, Fantastic Four

OK, so Fantastic Four was not so good. Yet this is in my top 5 because Batman Begins not only kicked off the heralded Nolan trilogy, but it’s my personal fave superhero pic of the century.

4. 2011

The Movies: Thor, Captain America: First Avenger, X-Men: First Class

Though not of these flicks are great, they’re all solid in my view. Thor and Captain helped usher in the MCU era as we know it and First Class rebooted its franchise in a pleasing way.

3. 2012

The Movies: The Avengers, The Dark Knight Rises, The Amazing Spider-Man

Avengers is the granddaddy of MCU, Rises ended up the trilogy in a mostly satisfactory manner while Spidey was a slight letdown (though miles better than its sequel). As referenced earlier, these 3 pictures would mark the highest 3 earners of that season.

2. 2017

The Movies: Guardians of the Galaxy Vol. 2, Wonder Woman, Spider-Man: Homecoming

Three highly entertaining and well-done entries that marked the first super-heroine success.

1. 2008

The Movies: The Dark Knight, Iron Man, The Incredible Hulk, Hellboy II: The Golden Army

The Dark Knight is considered by many to be the genre’s artistic peak and Iron Man was a fine start to a franchise that just keeps charging along. Incredible was a more satisfying (though still flawed) Hulk pic than five years earlier and Guillermo del Toro brought his visual splendor and humor once again to the Hellboy series. A rather easy pick for #1.

Or is it? What are your thoughts on the superhero summers?