While Ridley Scott hasn’t had a major Oscar player in over a decade (2015’s The Martian), three out of his last five features have received at least one nomination. Christopher Plummer was up in Supporting Actor for 2017’s All the Money in the World, 2021’s House of Gucci got a nod in Makeup & Hairstyling, and 2023’s Napoleon scored three mentions (Costume Design, Production Design, Visual Effects). 2021’s The Last Duel and 2024’s Gladiator II went empty-handed even though both were considered possibilities in some acting and tech races.
His latest is The Dog Stars and the post-apocalyptic thriller is out this weekend. Jacob Elordi, Josh Brolin, Margaret Qualley, Allison Janney, Guy Pearce, and Benedict Wong fill out the cast. It is expected to struggle at the box office and critical reaction is weak. The Rotten Tomatoes score is 45% with Metacritic at 51. While Scott’s previous pics have at least contended or been in contention for awards, Dog won’t be expected to pop up anywhere. My Oscar Prediction posts will continue…
One of the biggest pieces of the Oscar predicting puzzle came into greater focus today with the review embargo having lifted for Christopher Nolan’s The Odyssey. The fantasy based on Homer’s ancient epic debuts this weekend with grand box office hopes for Universal. It has long been anticipated to be a major awards player with Matt Damon leading a massive cast that includes (deep breath) Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Samantha Morton, Zendaya, Charlize Theron, Benny Safdie, Jon Bernthal, John Leguizamo, Bill Irwin, Himesh Patel, Corey Hawkins, Mia Goth, Travis Scott, and Elliot Page.
The reported $250 million production is Nolan’s hotly awaited follow-up to 2023’s Oppenheimer. That nearly billion dollar grossing biopic was an Oscar juggernaut with 13 nominations and 7 victories including Best Picture, Director, Actor (Cillian Murphy), and Supporting Actor (Robert Downey Jr.). The Odyssey seeks to become Nolan’s fourth feature in contention for BP joining 2010’s Inception, 2017’s Dunkirk, and the aforementioned Oppenheimer.
Let’s dispense with the drama. With 97% on Rotten Tomatoes and an 88 Metacritic, The Odyssey‘s journey to a Best Picture nomination looks assured and it is a threat to win. Same goes for Nolan’s direction and a number of other categories including Adapted Screenplay, Casting, Cinematography, Costume Design, Film Editing, Original Score, Production Design, Sound, and Visual Effects. That’s 11 noms in the bag already. Makeup and Hairstyling and Original Song (a new tune by Travis Scott and James Blake closes the three-hour experience) are possibilities with the latter perhaps a long shot.
As for the actors, some of my early predictions may have to shift. For weeks, I’ve had Matt Damon on the inside in fifth or on the outside looking in at sixth. That forecast seems accurate though I’m leaning toward him making the cut in what should be a crowded field. Obviously that could change as various works from competitors like Tom Cruise (Digger), John Malkovich (Wild Horse Nine), and Pedro Pascal (Behemoth!) are screened. It would be Damon’s fourth acting nod behind Good Will Hunting, Invictus, and The Martian if he gets in.
Gunning for her third attempt at gold is Anne Hathaway behind 2008’s Rachel Getting Married and a Supporting Actress victory for 2012’s Les Miserables. The buzz indicates that her supporting work is the most assured of inclusion. I’ve her outside of the top 5 most of the time in the past couple of months. Look for that to change in my next round of predictions this weekend.
As for Supporting Actor, there was some chatter for Robert Pattinson and Tom Holland. If either get in, I’d say Pattinson is more likely than Holland. There’s also lots of love for John Leguizamo, but Universal would need to make a conscientious effort to campaign for him. Same goes for Samantha Morton in Supporting Actress. She’s getting raves. However, her performance is limited to one scene and Hathaway may get the sole push.
In a best case scenario, The Odyssey could surpass Oppenheimer‘s nomination haul and even get in the range of the record-setting 16 that Sinners received last year. I suspect my next projections will give it 13-15. My Oscar Prediction posts will continue…
And we are off to the races with my first Oscar predictions for the 99th Academy Awards.
We are a couple weeks removed from the 98th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take in the supporting fields and they can be found here:
We arrive at Best Actor. When I did my first picks for last year’s race, I correctly named one of the eventual five nominees and that was Timothée Chalamet for Marty Supreme. In Other Possibilities, I identified Leonardo DiCaprio in One Battle After Another. At that early juncture, I did not list the eventual winner Michael B. Jordan (Sinners), Ethan Hawke (Blue Moon), or Wagner Moura (The Secret Agent).
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actors listed here could end up being campaigned in supporting. And there will be movies we’re not even anticipating that will rise up with performances currently not on the radar.
For this premiere post, it’s probable that we already know one member of the quintet and that’s Ryan Gosling in Project Hail Mary. His film is a box office juggernaut and he has to carry much of the running time by himself. If he makes the cut, it would mark his fourth attempt at the gold statue behind lead noms for Half Nelson and La La Land and a supporting nod for Barbie.
He’s not the only star potentially in line for a fourth mention. The same holds true for Tom Cruise in Alejandro Gonzales Inarritu’s Digger. He won an honorary Oscar at the 98th ceremony, but is 0 for 3 in the competitive races are being up in lead for Born on the Fourth of July and Jerry Maguire and in supporting for Magnolia.
We aren’t finished yet talking about thespians getting their fourth nominations. Matt Damon contended for lead in Good Will Hunting and The Martian and a supporting turn in Invictus. His 4th try could come via Christopher Nolan’s The Odyssey.
John Malkovich is probably going lead for Martin McDonagh’s Wild Horse Nine after two supporting attempts for Places in the Heart and In the Line of Fire. He could make it in for the first time in 33 years.
For my fifth pick, I’m perhaps going out a limb and selecting Robert Aramayo (I Swear) who pulled off a BAFTA upset in Best Actor weeks ago. It comes out stateside in a couple of weeks and could have enough staying power for the BAFTA recipient to stake a claim. I’ll admit this a long shot projection, but hey it’s early right?
The speculation will continue in earnest during the weeks and months ahead, but here’s the first snapshot for Best Actor. Best Actress up next!
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTOR AT THE 99TH ACADEMY AWARDS
Project Hail Mary touches down in theaters March 20th looking to score impressive box office numbers. The sci-fi adventure comes from filmmakers Phil Lord and Christopher Miller, best known for their involvement in the Lego, 21/22 Jump Street, and Spider-Verse franchises. Ryan Gosling headlines with Sandra Hüller, Lionel Boyce, Ken Leung, and Milana Vayntrub providing support.
Early reviews are encouraging with many critics calling this a big-hearted popcorn feast reminiscent of Spielberg. Rotten Tomatoes is fresh at 96% with Metacritic at 80. If Mary pops with audiences and becomes a financial hit, that could help with awards attention. Down the line nods including Daniel Pemberton’s score, Editing, Production Design, and especially Sound and Visual Effects are all possibilities.
How it fares in the major races is more of an open question. Under a best case scenario, Director, Adapted Screenplay (by Drew Goddard from the Andy Weir novel) could happen. This logic also applies to Best Picture like other space tales Gravity and The Martian (also based on a Weir story). It could also miss the big dance like other genre titles Interstellar and Gosling’s First Man. The leading man could make a play for a fourth acting mention.
The bottom line is that this Project could be one that Oscar voters notice. To what level remains to be seen. My Oscar Prediction posts will continue…
This Wednesday (01/08), the Directors Guild of America reveals their five nominees for behind the camera achievement in 2024. The DGA is normally a reliable barometer to project 4 of the 5 eventual Oscar nominees. Over the past decade, the match has been that margin in eight of the years. For two of the years, the match was 3 for 5. That includes last year when Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) made the DGA cut but Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) received Academy attention.
I believe there are two shoo-in nominees for the 77th ceremony in Brady Corbet for The Brutalist and Sean Baker for Anora. Furthermore, I see Edward Berger (Conclave) as really close to being an automatic pick.
Then it gets interesting. The DGA often prioritizes American pictures over foreign entries or foreign directors. We certainly saw that last year with Gerwig/Payne over Glazer/Triet. In 2021, Denis Villeneuve was in the DGA quintet for Dune while Ryusuke Hamaguchi (Drive My Car) replaced him in the Academy five. In 2022, it was Ruben Östlund (Triangle of Sadness) vying for Oscar instead of DGA selection Joseph Kosinski for Top Gun: Maverick.
That’s why I wouldn’t pencil in Mohammad Rasoulof (The Seed of the Sacred Fig) or Payal Kapadia (All We Imagine as Light) here. And that’s why being skeptical about Jacques Audiard (Emilia Pérez) or Coralie Fargeat (The Substance) is warranted. Both could get in and both movies are over performing in various precursors. Pérez, it could be argued, is doing so by an even more impressive margin. That’s why I’m leaving Audiard in while Fargeat is barely on the outside looking in.
So who gets the fifth slot? I wouldn’t count out RaMell Ross for Nickel Boys or even James Mangold for A Complete Unknown or Jon M. Chu for Wicked (though I’m finding that one increasingly unlikely). I’m reminded that DGA also selects some filmmakers for blockbuster fare the Academy ignores. Gerwig for Barbie and Kosinski for Top Gun. Ridley Scott for The Martian.
And… Denis Villeneuve for Dune. I think history could repeat itself with Villeneuve in contention for the sequel and that’s the direction I’m going for DGA.
Air is the fifth feature directed by Ben Affleck and it closed out the South by Southwest festival this weekend prior to its April 5th theatrical release. The 1984 set sports drama focuses on Nike’s decision to make a shoe deal with an NBA rookie by the name of Michael Jordan. In addition to being behind the camera, Affleck costars as the company’s co-founder Phil Knight. The director’s buddy Matt Damon headlines as marketing exec Sonny Vaccaro with a supporting cast including Jason Bateman, Marlon Wayans, Chris Tucker, Chris Messina, Matthew Maher, and real life married couple Viola Davis and Julius Tennon as MJ’s parents and chief negotiators. #23 himself is not played by an actor and appears only in archival footage.
Early reactions from Austin indicate that Air might be the first legit awards hopeful to be released on the ’23 calendar. Several of the reviews are outright raves with comparisons to Jerry Maguire and Moneyball (both nominated for Best Picture). If this hits with audiences (and indications are it’s a crowdpleaser), that only increases its chances to make the big dance.
Affleck, of course, was famously snubbed by the Academy in 2012 even though his second directorial effort Argo won Best Picture. He’s yet to be nominated for his filmmaking. However, three of his previous four pics (Gone Baby Gone, The Town, Argo) achieved one or more mentions from Oscar voters. The one that didn’t was his last – 2016’s flop Live by Night.
It’s early, but the chances of Air garnering nominations is high. I don’t know if Affleck will get his first directing nod, but this already looks like it’s shooting for one of the ten slots in BP. The original screenplay by Alex Convery, cinematography from three-time winner Robert Richardson, and editing from William Goldenberg are all possibilities.
As for the cast, I’m curious to see category placement. Damon could be put in lead and vie for his fourth overall acting nom behind Good Will Hunting, Invictus, and The Martian. Amazon could also choose to campaign everyone in supporting. The other male performer drawing lots of attention is Chris Messina as MJ’s agent David Falk. Fresh off her EGOT, Viola Davis might have the best chance and it would be her fifth nom after Doubt, The Help, Fences (where she won), and Ma Rainey’s Black Bottom. It might help that many felt she was just snubbed for The Woman King.
Bottom line: Air is a real contender in the game of Oscar and my prediction posts will continue…
In addition to the SAG Awards announcing their nominees on Wednesday, we also have the Director Guild of America (DGA) revealing its five contenders for Outstanding Directing in a Feature Film.
This is a race that usually matches the Academy’s eventual 5 nominees with 80% accuracy. In the past decade, there’s been a 4 for 5 correlation in 8 of those years. There hasn’t been a 5 for 5 match since 2009.
Even though BAFTA shockingly left Steven Spielberg off its shortlist last week, he should make the cut here for The Fabelmans. It would also be quite unexpected for Dan Kwan and Daniel Scheinert to miss for Everything Everywhere All at Once.
After that, it gets interesting. I do believe James Cameron is recognized for Avatar: The Way of Water. The DGA has recently named pics in the sci-fi genre that the Academy surprisingly ignored. Recent examples are Ridley Scott (The Martian) and Denis Villeneuve (Dune).
On the flip side, the DGA has left off foreign filmmakers that the Academy does recognize. This includes Thomas Vinterberg (Another Round) and Ryusuke Hamaguchi (Drive My Car) in the preceding two cycles. That could make the odds longer here for Edward Berger (All Quiet on the Western Front), Park Chan-wook (Decision to Leave), or S.S. Rajamouli (RRR) than at the Oscars.
My hunch is that the trio of Todd Field (Tár), Baz Luhrmann (Elvis), and Martin McDonagh (The Banshees of Inisherin) are angling for the final two slots with Sarah Polley (Women Talking) as a potential spoiler. I’ve got Field in my Academy quintet right now but missing here.
We have reached 2015 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-14, you can peruse them here:
There is one certainty when it comes to 2015 and that’s Spotlight earning a spot in the final five. After all, it won the big prize. It was also the rare BP recipient that emerged victorious in only one other category (Original Screenplay).
For 2015, eight movies were nominated. Time to put a spotlight on which ones get in and which ones are left on the cutting room floor:
The Big Short
Adam McKay’s satirical take on the 2008 financial crisis is the first of 3 Best Picture nominees in a row for the filmmaker. It earned a total of five nods with a win for its Adapted Screenplay.
Does It Make the Final Five?
Yes. With nods for the director, the win for the script, and an editing nom – a quintet inclusion is highly likely.
Bridge of Spies
Steven Spielberg’s Cold War set drama starred Tom Hanks and his costar Mark Rylance won a surprise Supporting Actor trophy over the favored Sylvester Stallone for Creed. There were six nominations total.
Does It Make the Final Five?
No. Despite the considerable pedigree, the misses in directing and editing are significant.
Brooklyn
John Crowley’s 50s set period drama was the first of three eventual Best Actress mentions for Saoirse Ronan. With an Adapted Screenplay nod, its own. three tries at gold are the least among the 8 BP hopefuls.
Does It Make the Final Five?
No – primarily for the last sentence above. Brooklyn probably just snuck in the top 8.
Mad Max: Fury Road
George Miller’s long in development fourth entry in his wild action franchise received 10 nominations and took home 6 (all technical in nature). That’s easily the most victories of the evening.
Does It Make the Final Five?
Yes. With Miller in Director and a Film Editing win, I don’t see how it would have missed.
The Martian
Ridley Scott’s outer space tale with Matt Damon garnered 7 mentions but came up empty-handed on the night.
Does It Make the Final Five?
No, but I’d rank it sixth. I couldn’t make the call, however, since Scott was omitted in Director and it failed to make the Editing group.
The Revenant
Alejandro Gonzalez Inarritu made it two directing wins in a row after Birdman for his survival pic. Leonardo DiCaprio, after several close but no cigar tries, was finally crowned Best Actor. Overall, this was the most nominated film at 12 with 3 wins.
Does It Make the Final Five?
Yes and I suspect it was the runner-up to Spotlight.
Room
Brie Larson was the Best Actress for the abduction drama where Lenny Abrahamson was also an unexpected directing contender. With an Adapted Screenplay nom, it managed 4 mentions.
Does It Make the Final Five?
Yes though I’d put in fifth and in a close race with The Martian. Abrahamson getting in made the difference.
And that means my five BP contenders match the Best Director contestants. That’s a rare thing before the race expanded in 2009. Yet it seems appropriate for this particular year.
Matt Damon is a three-time nominee for his acting with leading nods for 1997’s Good Will Hunting and 2015’s The Martian and his supporting turn in 2009’s Invictus. He does have himself a gold statue for his cowriting of Hunting. The Cannes Film Festival has debuted his latest effort Stillwater where the Bourne star plays an Oklahoma dad transported to France when his daughter (Abigail Breslin, a nominee 15 years ago as Little Miss Sunshine) is accused of murder. So for those wondering – no, this is not about the fictional band from Almost Famous.
This marks the latest directorial effort from Tom McCarthy, whose 2015 journalistic expose Spotlight won Best Picture. Fun fact: McCarthy has to have one of the most unexpected follow-ups to a Best Pic recipient with the Disney Plus kiddie comedy Timmy Failure: Mistakes Were Made.
Stillwater looks like more of an awards contender. However, Failure‘s 84% Rotten Tomatoes score currently outshines the 80% held by Damon’s French excursion. That said, early critical reaction is calling this one of the actor’s best performances.
Will that be enough to get Damon to the final five? I’m skeptical. Competition will likely be steep. This reminds me a bit of The Way Back from a year ago. It gave his Hunting writing partner Ben Affleck some of the strongest notices of his filmography and garnered him some buzz. Yet he ended up not making the cut.
Bottom line: Stillwater‘s only chance at Academy recognition seems to be with Damon, but he could face an uphill climb. My Oscar Watch posts will continue…
Netflix’s slew of December releases that are potential Oscar contenders continues with George Clooney’s The Midnight Sky. The sci-fi drama stars its director as an Arctic scientist attempting to prevent a group of astronauts from their return to Earth due to environmental hazards. The roughly $100 million budgeted pic hits theaters in a limited fashion this Friday though most viewers will see it when it materializes on the streaming service on December 23rd. Costars include Felicity Jones, David Oyelowo, Tiffany Boone, Kyle Chandler, Demian Bichir, and Caoilinn Springall.
The review embargo lifted today and it is most certainly a mixed bag. The Rotten Tomatoes rating is at only 54%. Numerous critics have brought up recent and similar genre fare in comparison, including Gravity (which also featured Clooney), Interstellar, The Martian, and Ad Astra. Several of them say that Sky doesn’t measure up.
It has been 15 years since Clooney’s work behind the camera has significantly attracted Oscar attention with Good Night, and Good Luck. His last two directorial efforts, The Monuments Men and Suburbicon, were both critical and commercial disappointments. With a number of write-ups skewing so-so or even negative, it’s hard to envision Sky aiming for a Picture nod or for any of the actors involved to contend.
On the other hand, reviews do suggest this could be a factor in some technical races. Most notable of them is Visual Effects, Production Design, and Sound. There is also plenty of praise for the Original Score by Alexandre Desplat, a two-time winner for his work on The Grand Budapest Hotel and The Shape of Water.
Bottom line: it will be a struggle for The Midnight Sky to reach the attention of voters in the major races, but it could still end up with close to a handful of nominations. My Oscar Watch posts will continue…
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