Tag: Amy Ryan

Wolfs Review

Despite their effortless chemistry, George Clooney and Brad Pitt have yet to find their winning vehicle. I know many of you are now saying what about Ocean’s Eleven?!? Or Thirteen?… though probably not that Jan Brady of a franchise entry Twelve. I found the whole trio a little disappointing actually. The finest Clooney/Pitt collaboration is easily Burn After Reading from the Coen Brothers. However, the duo share mere seconds onscreen together. They are violently hilarious ones.

Wolfs is not funny or action packed enough. It encounters chop simply attempting to coast on the charms of its headliners. They play roles that might only exist in the movies – fixers. Well at least there’s a lot more of them on the silver screen like hitmen. Clooney is known only as Margaret’s Man in the credits. Margaret (Amy Ryan) is running for district attorney when she picks up a much younger man known as Kid (Austin Abrams) at a hotel. Their planned one night stand folds when Kid collapses and is presumed dead. VIPs like Margaret get a special phone number to clean up these messes and Clooney is dispatched to fix it.

So is Pitt and he’s known as Pam’s Man. Pam (voiced by Frances McDormand) runs the hotel and Pitt is their in-house problem solver. Two men whose survival hinges on working solo is disrupted when they both report for duty. Margaret goes back to campaigning as Ryan’s participation is a glorified cameo. Kid, it turns out, is not DOA as the trio must deal with bricks of heroin, Albanian gangsters, safari themed hotel rooms and back problems.

Written and directed by Jon Watts (whose become best known for the three Tom Holland Spider-Man flicks), Wolfs is not afraid to point out that its hunky leads are getting up in years. We’ve certainly seen the aging criminal story before and this struggles to find any new angles.

There’s limited pleasures. The Kid flirts with being a delightfully bizarre character here and there. I did appreciate how you’re not sure for awhile whether he’s smarter than he lets on or truly as dumb as Clooney and Pitt suspect. Or for that matter, if he’s mortal. No one makes faces of befuddled bemusement better than Pitt.

The leading men, though, still haven’t made their Butch Cassidy and the Sundance Kid or The Sting no matter how hard Ocean’s and Wolfs try. Finally, there’s the matter of cinematic “fixers”. My favorite is Harvey Keitel in Pulp Fiction. He basically showed up to tell Samuel L. Jackson and John Travolta to clean up the car after the latter had accidentally blown Marvin’s head off. There was no real fixing needed and Quentin Tarantino seemed in on the joke. Clooney and Pitt’s rapport doesn’t need a fix, but Wolfs is ripe for plenty of improvement.

** (out of four)

Oscar Predictions: Wolfs

George Clooney and Brad Pitt bring their considerable star power to Wolfs which premiered out of competition in Venice. The action comedy receives a limited theatrical release on September 20th before it streams on Apple TV the following weekend. Jon Watts, after helming the last three Spider-Man titles for the MCU, directs with Amy Ryan, Austin Abrams, and Poorna Jagannathan among the supporting players.

Several critics are essentially giving this a pass for coasting well enough on the charisma of its leads. Other reviews are less charitable and it currently sports a 73% Rotten Tomatoes score. Clooney is a four-time acting nominee with a Supporting Actor victory for 2005’s Syriana. As for Pitt? Well, he’s a four-time acting nominee with a Supporting Actor victory for 2019’s Once Upon a Time in Hollywood. They have other nominations for their directing (Clooney) and producing work (both).

It would seem Wolfs was not made for the Academy’s consideration. Apple should get plenty of viewers to bite. My Oscar Predictions will continue…

Beau Is Afraid Box Office Prediction

After a sizzling limited release last weekend, Ari Aster’s Beau Is Afraid expands to just under 1000 screens this Friday. A mix of many genres from the director known for horror pics Hereditary and Midsommar, Joaquin Phoenix stars as a paranoid man on odyssey while dealing with severe mommy issues. Costars include Patti LuPone, Nathan Lane, Amy Rogers, Kylie Rogers, Parker Posey, Stephen McKinley Henderson, Hayley Squires, Michael Gandolfini, Zoe Lister-Jones, and Richard Kind.

Some critics have been quite kind and it sits at 74% on Rotten Tomatoes. Others have called the three-hour opus a slog and predicted that general audiences are likely to have strong negative feelings. Beau scored $320,000 on just four screens days ago for a per theater average of $80k. It’s not surprising that it performed splendidly in NY/LA.

Beau faces more challenging prospects as it plays between the coasts. While it will probably have the third best screen average behind The Super Mario Bros. Movie and Evil Dead Rise (though the average could top that one), a gross between $4-5 million is likely.

Beau Is Afraid expanded opening weekend prediction: $4.4 million

For my Evil Dead Rise prediction, click here:

Evil Dead Rise Box Office Prediction

For my Guy Ritchie’s The Covenant prediction, click here:

Guy Ritchie’s The Covenant Box Office Prediction

Oscar Predictions: Beau Is Afraid

A24 just hit the Oscar jackpot with Everything Everywhere All at Once and they have another multi-genre family opus opening in limited release this Friday. Beau Is Afraid is the third feature from writer/director Ari Aster behind acclaimed scary flicks Hereditary and Midsommar. With a $35 million budget, this is the biggest budget yet for the distributor. The three hour episodic mix of mommy issues, satire, and horror is headlined by Joaquin Phoenix with a supporting cast including stage legend Patti LuPone, Nathan Lane, Amy Ryan, Kylie Rogers, Parker Posey, Stephen McKinley Henderson, Hayley Squires, Michael Gandolfini, Zoe Lister-Jones, and Richard Kind.

The review embargo has just lifted and the reactions are all over the place. A 75% Rotten Tomatoes score is the number at this early stage. There are some recurring thoughts among the write-ups. One is that Aster takes gigantic swings. Some pay off. Some don’t. Another is that he’s perhaps given too much freedom this time and that the runtime is exceedingly long. There are comparisons to Charlie Kaufman and numerous mentions of Freud. You also get the impression that plenty of moviegoers will strongly dislike it. The word unhinged pops up in more than one synopsis.

It could be telling that Beau skipped the film festival circuit and opted for this spring release. A24 might suspect they don’t have an awards player (though you could correctly point out that Everything Everywhere came out around the same time). That said, they might opt to throw their serious campaigning behind the upcoming Past Lives (which drew raves at Sundance). While Phoenix is drawing praise for his performance, it could be a tall order for him to nab a Best Actor nod. Perhaps this fall’s Napoleon gives him a better shot. Some critics have singled out LuPone, but apparently her actual screen time is limited.

Beau will undoubtedly have its ardent supporters and fierce detractors. That could be a mix that doesn’t result in significant Oscar buzz. My Oscar Prediction posts will continue…

2023 Oscar Predictions: March Edition (Best Supporting Actress)

My impossibly early and speculative first Oscar predictions for the 96th Academy Awards arrives at Best Supporting Actress! If you missed my post regarding the Supporting Actor hopefuls, you can find it here:

2023 Oscar Predictions: March Edition (Best Supporting Actor)

Before you know it, I’ll moving to my weekly (or every two weeks) forecasts for the main races. When I did these inaugural picks in this category last year, it correctly identified one eventual nominee (Michelle Williams in The Fabelmans) that made the quintet. However, she did so in lead Actress. Another (Hong Chau for The Whale) was listed in Other Possibilities.

Let’s get to it and Best Actor is up tomorrow!

TODD’S MARCH 2023 OSCAR PREDICTIONS: BEST SUPPORTING ACTRESS

Danielle Brooks, The Color Purple

Viola Davis, Air

Lily Gladstone, Killers of the Flower Moon

Taraji P. Henson, The Color Purple

Julianne Moore, May December

Other Possibilities:

Jodie Foster, Nyad

Claire Foy, Strangers

Vanessa Kirby, Napoleon

Lashana Lynch, Untitled Bob Marley Movie

Audra McDonald, Rustin

Carey Mulligan, Saltburn

Margaret Qualley, Poor Things

Da’Vine Joy Randolph, The Holdovers

Amy Ryan, Beau is Afraid

Moon Seung-ah, Past Lives

Worth Review

Sara Colangelo’s Worth tells the true story of a man tasked with the impossible – assigning a price tag to the thousands of individuals who perished on 09/11. That’s Ken Feinberg (Michael Keaton), an expert numbers cruncher. He’s a former Chief of Staff to Senator Ted Kennedy, but his own political skills are lacking. Feinberg approaches the assignment of creating the Victims Compensation Fund with a lawyerly precision that doesn’t match the emotional toll and anger of its survivors. That’s until he begins to listen.

In the wake of that horrific Tuesday, the Congress passed the measure which allows Feinberg to get to work. The kicker is that 80% of respondents must agree to sign up and therefore waive the ability to sue the airlines and they must do so within two years. That’s a tall order as Feinberg and his team, including Amy Ryan’s second in command, pore through each case. How much should the family of the cleaning crew at the World Trade Center be paid as compared to the CEO’s widow in the corner office? Can there ever be a satisfactory formula for an unprecedented situation?

The screenplay from Max Borenstein gives us specific case files to ponder. There’s the wife (Laura Benanti) of a firefighter who had a secret family. The long-time partner of a man whose parents won’t acknowledge their relationship (therefore cutting him out as a beneficiary). And there’s the widowed Charles Wolf (Stanley Tucci) and the blog he starts that points out the unfairness and inequities of the Fund. Wolf’s civil interactions with Feinberg (and the fine performances of Keaton and Tucci) provide the film’s most involving dramatic moments. They occasionally punctuate a somewhat repetitive watch.

I got the feeling that a documentary where the actual survivors talked about their own decision making process with the Fund would have been far more worthy of attention. This dramatized version does a commendable job setting up the premise and is so-so at the execution. President Bush phones Feinberg to josh him that no one would want this job. The lawyer must navigate opaque meetings with Attorney General John Ashcroft (Victor Slezak) and airline lobbyists whose bottom line is not to go bankrupt. Yet most of the running time centers on Feinberg’s growing sympathy for those left behind. Each case is important, but the script does little to elevate any of them beyond a different kind of formulaic treatment.

**1/2 (out of four)

Oscar Watch: Worth

Sara Colangelo’s Worth debuted all the way back in January 2020 at the Sundance Film Festival, but is finally being released by Netflix on September 3rd of this year. The fact based drama centers on the activities around the 09/11 Victim Compensation Fund. Its cast is led by a trio of Oscar nominees in Michael Keaton, Stanley Tucci, and Amy Ryan. Colangelo is best known for The Kindergarten Teacher, her acclaimed second feature with Maggie Gyllenhaal that didn’t gain traction with the Academy. Max Borenstein is the screenwriter and this is certainly a departure for him as he’s recognized for penning the 2014 Godzilla reboot and Kong: Skull Island.

The streaming debut arrives just prior to the 20th anniversary of the tragic day. Early reviews from Sundance were mixed and Worth currently has a 65% Rotten Tomatoes rating. There have been numerous pictures centered around 09/11 and the War on Terrorism and few have become contenders come Oscar time. The Report and The Mauritanian are two recent examples.

With its so-so critical reaction, don’t expect Worth to prove itself worthy of awards chatter. My Oscar Watch posts will continue…

Late Night Box Office Prediction

After achieving the highest limited per theater average of 2019, Late Night expands nationwide this weekend and hopes to attract eyeballs outside of major markets. The dramedy first premiered at the Sundance Film Festival to sturdy reviews and it stands at 80% on Rotten Tomatoes. Directed by Nisha Ganatra, the film casts Emma Thompson as a talk show host who hires Mindy Kaling as her first female writer. Kaling wrote the screenplay. The supporting cast includes Max Casella, Hugh Dancy, John Lithgow, Denis O’Hare, Reid Scott, and Amy Ryan.

Over this past weekend, Late Night debuted in four theaters and raked in nearly $250,000. As mentioned, that’s strong enough to set the year’s best rollout for a platform release. Even with that designation, the pic could have issues reaching a mainstream audience. Original comedies have struggled recently and that includes those with positive critical reaction (Long Shot being a recent example).

Mid single digits is likely where this ends up as this plays in around 1500 theaters.

Late Night opening weekend prediction: $4.5 million

For my Men in Black: International prediction, click here:

https://toddmthatcher.com/2019/06/05/men-in-black-international-box-office-prediction/

For my Shaft prediction, click here:

https://toddmthatcher.com/2019/06/06/shaft-box-office-prediction/

For my The Dead Don’t Die prediction, click here:

https://toddmthatcher.com/2019/06/09/the-dead-dont-die-box-office-prediction/

2018 Weekly Oscar Predictions: September 13th Edition

My weekly Oscar predictions in the major categories, as expected, has seen some significant shifting. This is mostly due to the Toronto Film Festival and the screenings of several major contenders.

Here are some quick notes on the movement that’s taken place in the past seven days:

  • The addiction drama Beautiful Boy has taken a hit in the standings, due to a mixed Toronto reaction. It falls from #5 all the way to #21 in the Best Picture derby. Additionally, I have taken it out the 5 predicted nominees in Best Actor (Steve Carell) and Adapted Screenplay. However, Timothee Chalamet is still looking good for Supporting Actor.
  • If Beale Street Could Talk had its much awaited debut up north. I basically had it as a place holder pick at #1 in both Picture and Director, but it’s fallen in both races to #5 and #4, respectively. This vaults A Star Is Born to the #1 slot in BP with Alfonso Cuaron’s direction of Roma currently topping Best Director.
  • The elimination of the Best Popular Film category could be a good thing for Black Panther. For the first time, I have it included in my nine predicted BP nominees.
  • Peter Farrelly’s Green Book seemed to be a crowd favorite in Toronto. While I have it just outside my BP rankings, it’s now included in Best Original Screenplay and Mahershala Ali is predicted for Supporting Actor. It’s not entirely certain yet whether he will be placed in that category or go co-lead with Viggo Mortensen.
  • Speaking of category placement, we’re still not sure where Olivia Colman, Emma Stone, and Rachel Weisz will end up for The Favourite. Right now, I’m assuming Colman in Actress and both Stone and Weisz for Supporting Actress. I’ve now got Stone getting a nod for the first time.
  • The Dick Cheney biopic starring Christian Bale has apparently switched its working title name Backseat to Vice.
  • My current Best Actor predictions now include Ryan Gosling (First Man) and Robert Redford (The Old Man & The Gun) with the aforementioned Carell and Hugh Jackman (The Front Runner) out.
  • In Best Actress, solid Toronto chatter for the work of Viola Davis (Widows) puts her in the mix with Nicole Kidman (Destroyer) taken out.
  • Widows also shined a light on Daniel Kaluuya as he’s said to have a terrific part in it. He is now included in Supporting Actor along with Green Book‘s Ali. Sam Rockwell (Vice) and Russell Crowe (Boy Erased) have been moved out of the predicted nominees.
  • In Supporting Actress, Emma Stone has replaced Vera Farmiga (The Front Runner).
  • Yorgos Lanthimos has been included in my 5 director nominees and that means Spike Lee (BlacKkKlansman) is on the outside looking in currently.

Here’s the whole breakdown for this week!

Best Picture

1. A Star Is Born (PR: 2)

2. Roma (PR: 3)

3. First Man (PR: 4)

4. The Favourite (PR: 6)

5. If Beale Street Could Talk (PR 1)

6. BlacKkKlansman (PR: 7)

7. Boy Erased (PR: 8)

8. Vice (PR: 9 – previously known as Backseat)

9. Black Panther (PR: 11)

Other Possibilities:

10. Green Book (PR: 18)

11. Can You Ever Forgive Me? (PR: 15)

12. Widows (PR: 14)

13. The Front Runner (PR: 10)

14. The Ballad of Buster Scruggs (PR: 25)

15. The Sisters Brothers (PR: 24)

16. Mary Queen of Scots (PR: 13)

17. At Eternity’s Gate (PR: 21)

18. Mary Poppins Returns (PR: 17)

19. Crazy Rich Asians (PR: 16)

20. Ben Is Back (PR: Not Ranked)

21. Beautiful Boy (PR: 5)

22. Cold War (PR: 20)

23. Bohemian Rhapsody (PR: 23)

24. On the Basis of Sex (PR: 19)

25. Peterloo (PR: 12)

Dropped Out:

July 22

Best Director

1. Alfonso Cuaron, Roma (PR: 2)

2. Bradley Cooper, A Star Is Born (PR: 3)

3. Damien Chazelle, First Man (PR: 4)

4. Barry Jenkins, If Beale Street Could Talk (PR: 1)

5. Yorgos Lanthimos, The Favourite (PR: 6)

Other Possibilities:

6. Spike Lee, BlacKkKlansman (PR: 5)

7. Adam McKay, Vice (PR: 8)

8. Joel Edgerton, Boy Erased (PR: 9)

9. Marielle Heller, Can You Ever Forgive Me? (PR: 12)

10. Ryan Coogler, Black Panther (PR: 13)

11. Steve McQueen, Widows (PR: 15)

12. Peter Farrelly, Green Book (PR: Not Ranked)

13. Jacques Audiard, The Sisters Brothers (PR: Not Ranked)

14. Joel and Ethan Coen, The Ballad of Buster Scruggs (PR: Not Ranked)

15. Jason Reitman, The Front Runner (PR: 10)

Dropped Out:

Felix Van Groeningen, Beautiful Boy

Mike Leigh, Peterloo

Josie Rourke, Mary Queen of Scots

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Willem Dafoe, At Eternity’s Gate (PR: 2)

3. Ryan Gosling, First Man (PR: 6)

4. Christian Bale, Vice (PR: 4)

5. Robert Redford, The Old Man & The Gun (PR: 7)

Other Possibilities:

6. Lucas Hedges, Boy Erased (PR: 8)

7. Steve Carell, Beautiful Boy (PR: 3)

8. Viggo Mortensen, Green Book (PR: 10)

9. Hugh Jackman, The Front Runner (PR: 5)

10. John C. Reilly, The Sisters Brothers (PR: 14)

11. John David Washington, BlacKkKlansman (PR: 9)

12. Rami Malek, Bohemian Rhapsody (PR: 12)

13. Ethan Hawke, First Reformed (PR: 15)

14. Joaquin Phoenix, You Were Never Really Here (PR: 13)

15. Stephan James, If Beale Street Could Talk (PR: 11)

Best Actress

1. Lady Gaga, A Star Is Born (PR: 1)

2. Glenn Close, The Wife (PR: 2)

3. Olivia Colman, The Favourite (PR: 4)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 5)

5. Viola Davis, Widows (PR: 8)

Other Possibilities:

6. Yalitza Aparicio, Roma (PR: 12)

7. Toni Collette, Hereditary (PR: 7)

8. Natalie Portman, Vox Lux (PR: 9)

9. Nicole Kidman, Destroyer (PR: 3)

10. Julia Roberts, Ben Is Back (PR: Not Ranked)

11. Kiki Layne, If Beale Street Could Talk (PR: 6)

12. Saoirse Ronan, Mary Queen of Scots (PR: 10)

13. Felicity Jones, On the Basis of Sex (PR: 11)

14. Emily Blunt, Mary Poppins Returns (PR: 13)

15. Elsie Fisher, Eighth Grade (PR: 14)

Dropped Out:

Joanna Kulig, Cold War

Best Supporting Actor

1. Timothee Chalamet, Beautiful Boy (PR: 1)

2. Sam Elliot, A Star Is Born (PR: 4)

3. Richard E. Grant, Can You Ever Forgive Me? (PR: 2)

4. Daniel Kaluuya, Widows (PR: Not Ranked)

5. Mahershala Ali, Green Book (PR: 9)

Other Possibilities:

6. Sam Rockwell, Vice (PR: 3)

7. Russell Crowe, Boy Erased (PR: 5)

8. Adam Driver, BlacKkKlansman (PR: 7)

9. Michael B. Jordan, Black Panther (PR: 8)

10. Oscar Isaac, At Eternity’s Gate (PR: 6)

11. Armie Hammer, On the Basis of Sex (PR: 10)

12. Ben Foster, Leave No Trace (PR: Not Ranked)

13. Nicholas Hoult, The Favourite (PR: Not Ranked)

14. Jason Clarke, First Man (PR: 12)

15. Joel Edgerton, Boy Erased (PR: 11)

Dropped Out:

Matthew McConaughey, White Boy Rick

J.K. Simmons, The Front Runner

Best Supporting Actress

1. Claire Foy, First Man (PR: 1)

2. Regina King, If Beale Street Could Talk (PR: 2)

3. Emma Stone, The Favourite (PR: 7)

4. Amy Adams, Vice (PR: 3)

5. Nicole Kidman, Boy Erased (PR: 5)

Other Possibilities:

6. Sissy Spacek, The Old Man & The Gun (PR: 14)

7. Rachel Weisz, The Favourite (PR: 11)

8. Elizabeth Debicki, Widows (PR: Not Ranked)

9. Maura Tierney, Beautiful Boy (PR: 6)

10. Michelle Yeoh, Crazy Rich Asians (PR: 9)

11. Marina de Tavira, Roma (PR: Not Ranked)

12. Vera Farmiga, The Front Runner (PR: 4)

13. Kathy Bates, On the Basis of Sex (PR: Not Ranked)

14. Margot Robbie, Mary Queen of Scots (PR: 8)

15. Meryl Streep, Mary Poppins Returns (PR: 12)

Dropped Out:

Amy Ryan, Beautiful Boy

Blythe Danner, What They Had

Rachel McAdams, Disobedience 

Best Adapted Screenplay

1. A Star Is Born (PR: 3)

2. First Man (PR: 5)

3. If Beale Street Could Talk (PR: 1)

4. BlacKkKlansman (PR: 6)

5. Can You Ever Forgive Me? (PR: 8)

Other Possibilities:

6. Boy Erased (PR: 4)

7. Widows (PR: 13)

8. Black Panther (PR: Not Ranked)

9. The Front Runner (PR: 7)

10. Crazy Rich Asians (PR: 10)

11. The Sisters Brothers (PR: 12)

12. Beautiful Boy (PR: 2)

13. Mary Queen of Scots (PR: 9)

14. Disobedience (PR: 11)

15. Wildlife (PR: 14)

Dropped Out:

The Miseducation of Cameron Post

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 2)

3. Vice (PR: 3)

4. Green Book (PR: 6)

5. Eighth Grade (PR: 4)

Other Possibilities:

6. The Ballad of Buster Scruggs (PR: 13)

7. Ben Is Back (PR: 9)

8. A Quiet Place (PR: 10)

9. At Eternity’s Gate (PR: 5)

10. Vox Lux (PR: 8)

11. First Reformed (PR: Not Ranked)

12. On the Basis of Sex (PR: 12)

13. Mid90s (PR: Not Ranked)

14. Hereditary (PR: Not Ranked)

15. Sorry to Bother You (PR: 15)

Dropped Out:

Peterloo

Isle of Dogs

Bohemian Rhapsody

Oscar Watch: Beautiful Boy

Beautiful Boy is one of the more anticipated premieres out of the Toronto Film Festival. The true life tale of a father (Steve Carell) and his drug addicted son (Timothee Chalamet), the film marks the English language debut of Belgian director Felix Van Groeningen.

Early reviews from up north are mixed. While it’s not out of the running for a Best Picture slot, it appears its chances have markedly decreased. This doesn’t hold true for the two leads, whose performances have been praised. It’s not entirely certain which categories they will be placed in, but Carell in lead Actor and Chalamet in Supporting Actor seems most probable. At this juncture, the latter race seems wide open. Chalamet was nominated just last year for his work in Call Me by Your Name. Carell earned a nod in 2014 for Foxcatcher.

As for other races, both Maura Tierney and Amy Ryan could contend for Supporting Actress, but the male leads are getting the bulk of the ink.

Bottom line: Chalamet could be a shoo-in nominee if he’s campaigned for in Supporting Actress, with lead Actor recognition for Carell less certain.

Beautiful Boy opens October 12. My Oscar Watch posts will continue…